Showing 688 items
matching aboriginal society
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Marysville & District Historical Society
Article (item) - Magazine Article, Coranderrk-A Station Never a Mission, Unknown
A magazine article on the history of Coranderrk based on a historical component of a survey of Coranderrk Station.A magazine article on the history of Coranderrk based on a historical component of a survey of Coranderrk Station.coranderrk, coranderrk station, dr marie hansen fels, healesville and district aboriginal community, john green, healesville, acheron river, mohican, native police corps, merri creek, closer settlement act, badger creek, hops, cattle, royal commission of 1877, board of enquiry 1881, lake tyers -
Marysville & District Historical Society
Article (item) - Newpaper Article, Champion of his people, 28-02-2012
A newspaper article regarding William Barak, an Aboriginal leader who was instrumental in 1863 in the creation of Coranderrk Aboriginal station near Healesville in Victoria.A newspaper article regarding William Barak, an Aboriginal leader who was instrumental in 1863 in the creation of Coranderrk Aboriginal station near Healesville in Victoria.william barak, kulin nation, john batman, victorian indigenous hall of fame, beruk, woiwurrang language, victoria, bebejan, billibellary, wurundjeri ngurungaetas, coranderrk, healesville, board for protection of aborigines, robert wandin, thomas dunolly, simon wonga, graham bell, anne bon, yarra mission school, native police corps -
Marysville & District Historical Society
Article (item) - Book Extract, Aboriginal History, Unknown
An extract from a book regarding a brief history of the Kulin nation of the North Central district of Victoria.An extract from a book regarding a brief history of the Kulin nation of the North Central district of Victoria. This history covered is both prior to European history and post-European history. The extract also covers current (1991) status of Aboriginal affairs and European settlement of the area.kulin nation, woiworung, taungurong, bunurong, watherong, jajowrong, wurrundjeri-willam, waring-ilam-balluk, goulburn valley, acheron valley, upper goulburn district, eildon-thornton, eildon homestead, o'rourke, thornton, assistant protector thomas, yarra valley, kilmore, mount william, jt gellibrand, william buckley, major mitchell, port phillip, murray river, yorta yorta, yowung-illam-balluk, waring-illam-balluk, ngurai-illam-wurrung, kurnai nation, protectorate system, victoria, george robinson, chief protector, willam thomas, james dredge, edward parker, charles sievewright, central board for the protection of aborigines, presbyterian mission, anglican mission, moravian mission, wonga, munnarin, beaning, murrin murrin, parugean, baruppin, koo-gurrin, acheron river, little river, acheron run, peter snodgrass, stephen jones, barak, dividing range, black spur, watts river, badger creek, healesville, coranderrk, victorian christmas bush, aboriginal and torres strait islander heritage protection act 1984, archaelological and aboriginal relics preservation act 1972, camp jungai, rubicon, warrawa college, victorian archaeological survey, hume and hovell, molesworth, broadford, william hamilton, alexandra, mansfield, avenel, tallarook, worrough, john cotton, trawool valley, seymour, pyalong, gold mining, central victoria, strath creek, reedy creek, yea, jamieson, marysville, jordan goldfields, comet mine, wandong, melbourne-albury railway, rabbit plague, narbethong, lord kitchener, puckapunyal military camp, 1944 decentralisation policy, eildon weir, hume freeway bypass, timber industry, australian paper manufacturers mill -
Marysville & District Historical Society
Map (item), Taungurung Land and Waters Council Aboriginal Corporation, Unknown
A map of the area in Victoria which is the land of the Taungurung Clan.A map of the area in Victoria which is the land of the Taungurung Clan. Taungurung Land and Waters Council (TLaWC) was registered 16 July 2009 as the Registered Aboriginal Party that represents the interests of the Taungurung people. TLaWC is the corporate representative and ‘face’ of the Taungurung people and serves to uphold their interests with respect to culture and country. The Taungurung people occupy much of central Victoria. Their country encompasses the area between the upper reaches of the Goulburn River and its tributaries north of the Dividing Range. From the Campaspe River to Kilmore in the West, eastwards to Mount Beauty, from Benalla in the north down to the top of the Great Dividing Range, their boundaries with other Aboriginal tribes are respected in accordance with traditional laws.taungurung clan, taungurung land and waters council aboriginal corporation, victoria -
Marysville & District Historical Society
Photograph (item) - Black and white photograph, Nicholas John Caire, 1884
An early black and white photograph taken by Nicholas John Caire in 1884, of a large group of Aborigines on board a Cobb & Co Coach on their way to Coranderrk Aboriginal Settlement.An early black and white photograph taken by Nicholas John Caire in 1884, of a large group of Aborigines on board a Cobb & Co Coach on their way to Coranderrk Aboriginal Settlement.nicholas john caire, cobb & co, coranderrk station, mr john cato, aboriginal station, john green, healesville, badger creek -
Marysville & District Historical Society
Photograph (item) - Black and white photograph, Unknown
An early black and white photograph of the residents of Coranderrk Aboriginal Station near Healesville in Victoria.An early black and white photograph of the residents of Coranderrk Aboriginal Station near Healesville in Victoria.coranderrk, john green, kulin nation, healesville -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of twenty-one Aboriginal Tools made from stones found on Phillip Island.local history, photography, aboriginal tools, black & white photograph, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of sea shells and bones. The remains of an Aboriginal feast. Close-up of shell on a midden at Cat Baylocal history, photography, aboriginal midden, black & white photograph, aborigines, aboriginal middens, cat bay phillip island, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Drawing
One of several drawings included in a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandBlack & White Pen drawing depicting three views of the same Aboriginal Hand Axe. Drawn by Dr L Adam, University of Melbourne.local history, illustrations, pen & ink, aboriginal hand axe, aboriginal tools, john jenner, bryant west, dr l adam -
Phillip Island and District Historical Society Inc.
Photograph, c. 1800
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at Cat Bay by H. R. Balfour showing shells left from innumerable Aboriginal feasts c. 1800local history, photography, aboriginal feast site, black & white photograph, aborigines, shell fish feasts, cat bay, john jenner, bryant west, h r balfour -
Phillip Island and District Historical Society Inc.
Photograph, c. 1800
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at Cat Bay by H. R. Balfour showing shells left from innumerable Aboriginal feasts. c.1800local history, photography, aboriginal feast site, black & white photograph, aborigines, shell fish feasts, cat bay, h r balfour, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph, c. 1800
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at Cat Bay by H. R. Balfour showing shells left from innumerable Aboriginal feasts. c. 1800local history, photography, aboriginal feast site, black & white photograph, aborigines, shell fish feasts, cat bay, h r balfour, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Drawing
One of several drawing included in a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandBlack & White Pen drawing depicting three views of an Aboriginal Pebble Implement.local history, illustrations, pen & ink, aboriginal implement, aboriginal tools, dr l adam, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the remains of Aboriginal Ovens at Cat Baylocal history, photography, aboriginal ovens, black & white photograph, aborigines, cooking & feasting, h r balfour, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph, H. R. Balfour
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the remnants of Aboriginal feasting at Cat Baylocal history, photography, aboriginal feast site, black & white photograph, aborigines, cooking & feasting, h r balfour, john jenner, bryant west -
Ringwood and District Historical Society
Envelope, Packet: Aboriginal Queen of the Koongarra Khung (NT). Maroondah Reconciliation (2002); 1964 Letter from Margaret Edwards
Aboriginal Queen of the Koongarra Khung, N.T.;; Letter, handwritten.;; Newspaper articles: Qty 3. +Additional Keywords: Edwards, Margaret -
Kiewa Valley Historical Society
Sketch Tree Bark, Aboriginal - bark removed from tree
This sketch of a tree whose bark was cut, by aboriginal craftsmen, to produce a canoe for fishing in the rivers running through the Kiewa Valley either before or just after the 1800's. The tree trunk depicted in the sketch would have been used at the beginning of European settlement in the Kiewa Valley or just before contact was made.As this sketch was of a tree found along the Kiewa River it indicates that Aborigines lived by the river. This sketch depicts the usage of tree bark by the Aboriginal fisher person in crafting a canoe to cross rivers and to fish in the deeper sections of the river course.This freehand sketch detailing the outline of bark removed to provide a canoe is in ink portraying a tree trunk with one branch which has a plaque in front a gravel section to the right and open fields in the mid background and scattered trees on a hill slope in the far background. The sketch is on thick cardboard with a plastic protective cover over it (fastened on the flip side). It is a sketch of the tree now exhibited at the Kiewa Consolidated School.Written in black ink on the top section (heading) "ABORIGINES CUT CANOE FROM TREE. NOW AT KIEWA SCHOOL"crafted canoe, aboriginal craftsmanship, tree usage, early aboriginal craftsmen, kiewa river. kiewa consolidated school -
Kiewa Valley Historical Society
Axe Head, Before European settlement
This item was used well before European settlement and clearly demonstrates the development of the local Aboriginal tribes, Dhudhuroa and Yaitmathang in the use of a cutting /chopping implement, made from Mount William sourced material i.e. greenstone. This item was probably traded at the Bogong Mountain tribal yearly summer ceremoniesThe significance of this item places it at the fore front of human development in this region. The period when this tool was manufactured represents the time when the natural landscape had not been altered and the natural vegetation, fauna and flora, had not been subjected to imported species.This also proves that local tribes did live in this area and or the Bogong High Plains.Small ground edge stone axe head. Leading cutting edge very smooth and chiseled to a fine edge. Weight is, for its size fairly heavy. It is made from Greenstoneaboriginal tool stone ground-edge axe indigenous tool -
Kiewa Valley Historical Society
Papers - The Kiewa Hydro Electric Scheme x2, 1973 and 1993
1. Chronological account of the Kiewa Hydro Electric Scheme from 1911 to 1961 2.Victorian Hydro with technical facts and figures, with Aboriginal History of the region, Settlement of the Kiewa Valley, Origin of Names Both accounts are a history of the Kiewa Hydro Electric Scheme constructed by the State Electricity Commission of Victoria. The first is and abbreviated history of the scheme published by the SEC, the second is similar with 'facts & figures' accessed by Bill Sutton, (Mt Beauty resident and SEC worker) whose father worked on the scheme, and who enjoyed speaking to visitors and groups about the history of the area including some of the light hearted aspects of the history.The Kiewa Hydro Electric Scheme General Development 1911 - 1961 by SECV, July 1973. Consists of 22 A4 pages held within a folded A3 sheet Victorian Hydro compiled by W. Sutton Nov. 1993. Office Copy / Facts & Figures. Consists of 44 A4 pages held by a metal clip.kiewa hydro electric scheme, state electricity commission of victoria, bill sutton -
Kiewa Valley Historical Society
Stone - Aboriginal (possibly)
Passed onto Mark Raymond by his grandmother Mrs Canning (dec), Tawonga, who believed it to be an aboriginal artefact.Black stone with flecks, multiple seams and a smooth surface. Oneside curved, short end has been chipped with two seams. Hand sized.Narrow end has a 13 mm x 14 mm hole of cream coloured stone.aboriginal stone, mrs canning, kiewa valley, tawonga -
Kiewa Valley Historical Society
Rocks - Aboriginal x 3
These three rocks were given to KVHS on the understanding that they were Indigenous rocks used as tools.No knowledge of their origins.These rocks have been stored in the Kiewa Valley on the understanding that they are Indigenous tools. It is not known where they came from.1. Dark grey rock with smooth surfaces and ridges with one flat side. Size of an adult's hand 2. Grey rock with smooth surfaces and ridges with one flat side. Smaller than no. 1 3.Narrow dark grey rock with beige section on rounded side. One flat side and a sharp pointed end.rocks, aboriginal tools, kiewa valley -
Kiewa Valley Historical Society
Book - Adult Education, At the Roadhouse, 1980
The South Australian Department of Education published books to educate adults in English Literacy. This one depicts Australian aborigines in the photos and may have been used in Aboriginal classes during the 1980's.Adult literacy in South Australia was targeted for varying groups including Aborigines. This book demonstrates the understanding of and attitude towards this group of people in 1980.Sepia coloured cover with cash register, coffee and woman serving a customer. The book is held together with 3 staples. Each page has a large black & white photo with large print at the top explaining the picture. Stamped on back and front cover: 'Myrtleford Adult Literacy Group'aborigines. adult education. literacy. -
Ringwood and District Historical Society
Photograph, Cub Gathering Photograph (Event/Date unknown) and second image of inscription on reverse
17.5x4.5cm creased photograph of large cub gathering in parkland. Cubs dressed as soldiers and aboriginals. Location and event unknown.On Reverse: Elsie M Dicker, Photographer, 170 Auburn Rd, Auburn E2. "Dear Mr Mabus. Would you please let me have any orders as soon as possible. Price 4/- each" -
Ringwood and District Historical Society
Book, Chris Adnam, A Childhood on Wonga - Chris Adnam
A past reflection in the verse of a childhood on the "Wonga" dreaming place along the Yarra. The Wurundjeri a local Aboriginal tribe that lived and hunted on the banks of the Yarra. -
Ringwood and District Historical Society
Book, Aboriginal of the Dandenong Mountain - Muriel McGivern
Story of the Aborigines whose hunting and cult sites lay about the foothills of the Dandenongs and the Upper Yarra River