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Vision Australia
Sculpture - Object, Urban Cycle, 1975
Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a seven panel metal sculpture that follows the development of the local area. Prior to receiving the commission, Ian Bow went through a period of temporary vision loss, which gave him insight into how the sculpture could be appreciated by the blind and low vision community. The different stages are: Harmony - Two pelicans amongst reeds. Intrusion - Frog, kookaburra, mice, fish, lizard and butterfly. Expansion - Doors, windows and roofs under tree canopies. Industry - A factory with large chimney blowing smoke. Density - Multiple boxes, some with figures inside, are crowded beneath a bridge and dome. Decay - Boxes with broken doors and unfinished concrete. Renewal - A church with a Calvary cross over roughened surface.Heptagonal cast aluminium sculpture with seven panels arranged around a central metal pole.Thanks to the generosity of Evangeline Annie Fisher this sculpture, entitled 'Urban Cycle', was created by Ian Bow in 1975 and depicts stages of development of a city through the use of tactile forms. Further information is available at Reception. Vision Australia. Blindness, Low Vision, Opportunity.association for the blind, eva fisher, ian bow, sculpture -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
Duldig Studio museum + sculpture garden
Photograph, Karl Duldig, Slawa and her sister Rella, Paris, 1968
... milieu of an Austro- Australian sculptor and his family from ...This photograph was taken by Karl Duldig when he and Slawa visited Slawa's sister Rella Laisne in Paris in 1968. They went to Paris as part of a world trip on the occasion of the unveiling of Karl's sculptural monument, Dawn, at the Maccabiah Village, Ram Gat, Israel. Commissioned by Hakoah and World Maccabi Union his monument commemorates the sportsmen and women of Hakoah Sports Club who were among the victims in the Holocaust. Karl had played for Hakoah in his youth. This is one of a large collection of photographs taken by sculptor Karl Duldig, documenting his art, life and family. The collection is of historical and aesthetic significance as a personal record of the work, cultural and social milieu of an Austro- Australian sculptor and his family from the early to late 20th century. it is also a record and representative of the experience of those people who came to Australia at this time, displaced by the upheavals of the Second World War. -
Hepburn Shire Council Art and Heritage Collection
Medal, 1951 Commemorative Plaque, 1951
Medal commemorating the Centenary of Government of Victoria and the Discovery of Gold, commissioned by the Victorian Government and gifted to the Shire of Glenlyon. Designed by Andor Mészáros and minted by K.G. Luke, Melbourne, 1951. 1951 marked the centenary of Victoria's separation from the colony of New South Wales. As part of the celebrations, the Victorian Government commissioned this medal from Andor Meszaros. Drawing on his classical background, Mészáros developed the imagery for 'Equality and Justice through Freedom'. The man holding the torch represents equality; the blindfolded woman holding a sword is the symbol of justice, and both are mounted on a horse that has broken its shackles. Features on the reverse a design of a banksia and bottlebrush. There was another version of this medal which depicted a pair of gold prospectors on the reverse.This medal was presented to the Shire of Glenlyon in 1951. For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.Bronze medal with images and text insetObverse Description: Horse bounding left, broken shackles on foreleg, carrying woman holding sword and man holding torch; around, EQUALITY AND JUSTICE THROUGH FREEDOM Artist's name behind horse's tail: A MESZAROS Reverse Description: Stake supporting plant; above, CENTENARY OF GOVERNMENT OF VICTORIA 1851 - 1951; inscribed, Presented to / the Shire of / Glenlyon / 1951 Artist's initials to left of stakeglenlyon, hepburn shire, centenary of government, centenary of gold discovery, history of victoria, victorian governement, meszaros, kg luke, commemorative, commemorative plaque, centenary 1951 -
Robin Boyd Foundation
Document, Mark Strizic, Application to the Commonwealth Art Advisory Board for a Grant to Assist in the Publication of Art Books, c. 1970
... on the Centre 5 group of sculptors and one with Australian poets... on the Centre 5 group of sculptors and one with Australian poets ...A proposal letter written by Mark Strizic for a grant from the Commonwealth Art Advisory Board to fund a series of art books. Strizic proposes a series of books illustrated by Strizic's own photography, under the series title Expressions. Strizic seeks a grant of $4900 from the board for the publication of two books, one of furniture maker Schulim Krimper, another on John Perceval's Cherubs. Budgets for these books are included, proposing to use the profit from sales to fund subsequent books, including one on the Centre 5 group of sculptors and one with Australian poets with graphics by artist Stan Ostoja-Kotkowski.Typewritten, carbon copy, foolscap, 4 pagesRobin Boyd pencil noterobin boyd, meriel wilmot-wright, myer foundation, mark strizic, schulim krimper, brian lewis, margaret garlick, inge king, clifford last, lenton parr, teisutis zikaras, julius kane, centre 5, time riders, john perceval, vincas jomantas, stan ostoja kotkowski, judith wright, roland robinson, kenneth slessor, max harris, claude wischik, commonwealth art advisory board, andrew grimwade, national gallery of victoria, joseph brown, brian stonier -
Wangaratta RSL Sub Branch
Poster, The Trumpet Calls, 1918
Australian First World War recruitment poster. This poster was part of the First World War Australian Government Recruiting Kit. Recruitment posters were prolific in Australia throughout the First World War. Australia relied solely on voluntary recruits to serve in the AIF. Compulsory military service, or conscription, for eligible men was in force in Australia from 1911, however, these forces were for home defence and could not be used to serve in a war overseas. Following the initial rush of men to recruit in 1914, enrolments dropped, leaving federal and state governments to devise sophisticated campaigns to boost numbers.Norman Lindsay (1879-1969) was a painter, draughtsman, illustrator, cartoonist, printmaker, writer and sculptor. He joined the Sydney 'Bulletin' magazine as a staff artist, 1901-09, 1910-23 and 1932-58. During the First World War he produced jingoistic cartoons and pro-conscription posters. The is one of the series of six posters by Lindsay constituting the last nation-wide Australian recruiting campaign. A soldier sounds his bugle for assistance on the front line while civilians listen in the background.recruitment poster, norman lindsay, ww1 -
City of Ballarat
Sculpture - Public Artwork, John Undy, Robert Burns Memorial Statue by John Udny, 22 April 1887
This is Australia’s first monument to the famous Scottish poet Robert Burns and his dog. It was carved from marble in Italy by sculptor John Udny and is inscribed with quotes from the writer himself and features beautiful patterned tiles at its base. This sculpture tells us much of Ballarat’s Scottish history by placing their most revered poet and ballardier of Auld Lang Syne at the corner of Lydiard and Sturt Streets. The local design was carried out by artist John Undy in Carrara marble and placed with this scene. The proud figure of Burns faces west and is accompanied by his collie dog with a book purposely hanging in his hand and a pencil in the other as his constant companions. Burns is mounted on a plinth engraved with some beautiful Burn’s poetry and surrounded by art deco styled tiling and a cast iron palisade. The statue is of aesthetic and historical significance to the people of BallaratCarved marble statue of Scottish poet Robert Burns and his dogIncludes panels with poems and writings by Robert Burns. Plaque reads - Designed by Thomas Thompson Ballarat Sculptured by John Undy, Carrara, Italy.robert burns, scottish poet -
City of Ballarat
Artwork, other - Public Artwork, Boer War Memorial by James White, 1906
The Boer War Memorial was created by sculptor James White in honour of Australian Soldiers who fought in the South African War (1899-1902). White used the electrolytic copper deposit method to produce this large statue, which is sometimes mistaken for a cast bronze work. The Foundation stone was laid on 18 May 1901 by H.R.H The Duke of York (George V). The sculpture was unveiled on the 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia and then Mayor of Ballarat, J. J. Brokenshire. Bravery and mateship are beautifully captured in depiction of a scene taken straight from the battlegrounds. Today the memorial is a much-photographed tribute and exploration of the friendships and struggles of men at war. A proud cavalry horse bears the weight of two men in the chaos of the battlefield. The Boer War in Africa was an early example of the Australian Colonies sacrificing men and equipment for Britain to defend it’s Empire against colonial insurgence. The memorial is of historical and aesthetic significance to the people of Ballarat.Horse and figures, bronze mounted on bluestone base and granite plinth, plaques list the war dead. The artwork depicts two soldiers and a horse. A British soldier is being succoured by an Australian mounted rifleman. In honour of Australian Soldiers who fought in South Africa 1899-1902. Foundation stone laid 18th May 1901 by H.R.H The Duke of York (George V). Unveiled 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia. J. H. Barker Chairman. J. J. Brokenshire Mayorboer war, south africa monument -
City of Ballarat
Artwork, other - Public Artwork, Albert Coates Memorial by Louis Laumen, 2012
Leading surgeon and academic Sir Albert Coates (1895-1977) is one of Ballarat's most celebrated sons. A medical orderly during WWI, he returned home to become a pioneering neurosurgeon. A medical man in the worst of circumstances, Coates is often mentioned for his compassion and care in his role as a doctor in the Burma-Siam Railway POW camps. The bronze statue by Louis Laumen captures his down-to-earth nature. Laumen is a Melbourne sculptor who has completed many commissioned bronze public artworks around Australia.The statue is of aesthetic and historic significance to the people of BallaratBronze figure mounted on granite, amid garden plantings and plaques.Inscription details the life of Albert Coates.albert coates, medicine, pow camps -
City of Ballarat
Public Artwork, Eternal Flame by Peter Blizzard, 1995
Eternal Flame was created by Ballarat sculptor Peter Blizzard as a marker of the end of WWII in the Pacific. Engraved into the bluestone shaped tile across the base of the statue is details about conflict areas where Australian Troops were active. The metal structure mimics a moving flame with it's polished golden hue, a feature included in many war memorials around the world. Peter Blizzard also designed the Prisoner of War Memorial in the South Gardens, Ballarat Botanic Gardens. The metal structure mimics the moving flame of polished golden hue that is present in war memorials around the world. Eternal flame is aesthetically and historically significant to the people of BallaratMetal construction on bluestone tile baseConflict areas for Australian Troops are engraved into bluestone shaped tile across the base of the statue. eternal flame, world war ii, conflict, peter blizzard, australian sculpture -
City of Ballarat
Artwork, other - Public Artwork, Peter Corlett, The Grieving Mother by Peter Corlett, 2017
The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war -
Clayton RSL Sub Branch
Medal, Peace Medal, 1919
Awarded to: School Children of the Commonwealth of Australia Other Details: Of the commemorative medals issued to mark the end of the First World War, the most common was the so-called 'Peace' or 'Victory' medal issued to every child in Australia aged 0-14 years (and aged up to 16 if parents were in the armed forces). The medal was designed by Charles Douglas Richardson, better known for his work as a sculptor. Time constraints as well as pressure from the production of other victory medals meant that no single manufacturer could make the 1,670,000 medals. Six were therefore selected: Amor, Stokes, Schlank, Parkes, Angus & Coote (who later withdrew) and Platers. The medals were silvered bronze, with silver issues for special presentations. The Defence Department supplied a red, white and blue striped ribbon and pin. Distribution began in March 1919. Victorian school children received their medals on Friday 18 July and on 'Peace Day' on Saturday 19 July.To commemorate the end of World War 1Round white metal medals issued to mark the end of WW1. On the front "PEACE 1919", and on the reverse, "VICTORY", middle of the medal "THE TRIUMPH OF LIBERTY AND JUSTICE". on the bottom "THE PEACE OF 1919". With a plain edge.Peace with two flying doves on pedestal inscribed, PEACE / 1919 below AUSTRALIA; figure in chains on left and another entangled in bush to right (obverse) Australian sailor and soldier support wreath; above, VICTORY; within, THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE; below on plaque, THE PEACE OF 1919(reverse) -
Vision Australia
Photograph - Image, Urban Cycle plaque, 1975
Eva Fisher was a valued member of the AFB and wished to commission a sculpture for the grounds in the front of Paterson Hall. Noted sculptor Ian Bow was commissioned and created Urban Cycle, a six panel metal sculpture that follows the development of the local area. This plaque was placed near the sculpture and removed when Paterson Hall was renovated.Digital image of metal plaqueUrban Cycle Sculptor: Ian Bow Gift from Evangeline Anne Fisher 17th September, 1975.association for the blind, eva fisher, ian bow -
Federation University Art Collection
Painting, Anthony J. Coleing, Thoughtrait by Tony Coleing, 1992
Anthony John COLEING (1942- ) Born Warrnambool, Victoria Between 1958 and 1959 Anthony Coleing studied at the National Art School, East Sydney Technical College, Darlinghurst, NSW. He is known as a sculptor and printmaker. Framed artworkavailable, tony coleing -
Lilydale RSL Sub Branch
Coin, 90th Anniversay of the Royal Australian Navy, 2001
Sculptor Vladimir GottwaldRoyal Australian Navy inscribed above the central RAN general badge with 1911 to its left and 2011 to its right with one dollar below the badge. -
Federation University Art Collection
Artwork - Printmaking, Les Kossatz, 'Studio Table' by Les Kossatz, 1985
Les KOSSATZ (1934-2011) Les Kossatz was a painter, printmaker, sculptor and stained-glass designerFramed lithograph. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 10/15less kossatz, tools, studio, equipment -
Federation University Art Collection
Sculpture - Sculpture - Metal, 'Laser' by Michael Kitching', 1967
Michael KITCHING (1940 - ) Born Hull, England Arrived Australia 1952 Without any formal art education, sculptor, painter, print maker and designer Mike Kitching emerged as one of the original voices of the 1960s art movement in Australia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Metal and timber 3-dimensional wall artwork in grey and red.art, artwork, michael kitching, kitching, sculpture, wall art -
Federation University Art Collection
Sculpture - Artwork, Untitled 1998, 1998
Peter BLIZZARD (1940 — 2010) Sculptor Peter Blizzard completed a certificate of art at the Prahran College of Advanced Education and a Diploma of Art at RMIT in 1967. His sculptural career start in 1970 after a career as a graphic designer, creating large steel abstract works. He exhibited at several International Trade Fairs including New York and San Francisco in 1970, as well as Isogaya Gallery in Tokyo in 1997. Between 1972 and 1995 was Lecturer, Senior Lecturer, and Head of Sculpture at the University of Ballarat (now Federation University). From 1995 he worked full time as a sculptor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract ArtA steel sculptureart, artwork, peter blizzard, sculpture -
Federation University Art Collection
Sculpture - Steel, 'Echos from the Sea' by Peter Blizzard, 2007
Peter BLIZZARD (1940 — 2010) Sculptor Peter Blizzard completed a certificate of art at the Prahran College of Advanced Education and a Diploma of Art at RMIT in 1967. His sculptural career start in 1970 after a career as a graphic designer, creating large steel abstract works. He exhibited at several International Trade Fairs including New York and San Francisco in 1970, as well as Isogaya Gallery in Tokyo in 1997. Between 1972 and 1995 was Lecturer, Senior Lecturer, and Head of Sculpture at the University of Ballarat (now Federation University). From 1995 he worked full time as a sculptor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Steel sculptureart, artwork, peter blizzard, sculpture -
Federation University Art Collection
Artwork- Marquette, Nicholson, Peter, 'Robert James Lee Hawke' by Peter Nicholson
Prime Minister Bob Hawke had a strong trade union leadership background. A member of the Australian Labor Party, he became Prime Minister after only two years in Parliament, serving in that role from 1983 til 1991. He established an "Accord" between Government, business and unions. After winning four elections he lost a caucus ballot in favour of his treasurer, Paul Keating. Sculptor Peter Nicholson was born in Melbourne in 1946. He become known for his cartoons, and in 1985 the "Rubbery Figures" TV puppets. When sculpting the busts, of Bob Hawke, Paul Keating, John Howard and Kevin Rudd he has imparted an expression of the character of the individual This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A plaster marquette of the bust of Prime Minister Bob Hawke used for the bronze bust in the Ballarat Botanical Gardens. art, artwork, bob hawke, prime minister, prime minister's avenue, ballarat botanical gardens, peter nicholson, robert j.l. hawke -
Federation University Art Collection
Work on paper - Artwork, Cuthbertson, Archibald, 'Phoenix' by Arch Cuthbertson, 1961
Arch CUTHBERTSON (1 December 1924-2000) Born Geelong, Victoria Archibald Frederick Cuthbertson was a painter, sculptor, printmaker and mural painter. He lreceived a Diploma of Fine Art from Royal Melbourn Institute of Technology in 1951. He lectured in Art at the Ballarat Teachers' College. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.ModernistFramed silkscreen Purchased by the Ballarat Teachers' College , 1961 Signed in yellow, lower right side, 'A. Cuthbertson 1961'art, artwork, arch cuthbertson, printmaking, silkscreen, ballarat teachers college, ballarat teachers' college art collection -
Surrey Hills Historical Society Collection
Medallion, AMOR MINT, 1951
The letters J.W. E. refer to the artist - John Wolfgang Elischer (1891-1966). He was an Austrian sculptor and medallist. He trained at the Academy of Vienna from 1908 to 1911; won the Prix de Rome in 1909; and c1910-11, practised under Rodin in Paris. He arrived in Australia in 1935. During his first year he was an industrial designer for pottery. Later works include the King George V Memorial in Bendigo (1938), a bronze fountain for Sir Russell Grimwade in Toorak and a bust of Archbishop Mannix for Newman College, University of Melbourne. The medal was awarded to the school children in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. This is part of a large donation of material relating to the Deakin, Mair and Young families, all with connections to the SUrrey Hills and Mont Albert area.This is one example of the work of Amor Mint. In 1874 Willliam Joseph Amor was apprenticed to English medallists J.S. and A.B. Wyon. Nine years later he went to Paris, where he remained until 1887. Intending to go to America and work his way home to England, he visited Sydney en route and was persuaded by Robert Hunt, Deputy-Master of the Sydney Mint, to stay and start his own business. Amor established the business in 1888 and married the daughter of the Chief Engineer of the Sydney Mint. In 1917 Amor became a limited company, in which principal employees were given an interest. In 1935 Amor sold his share to A.H. Byatt, retaining a position as Advisory Director of the business. Amor’s company became Sydney’s major medallist and die-sinker for over a century thanks to its ability to meet demand for locally produced, high-quality commemoratives.A round medallion with a loop hole at the top. Front: A man advancing to the right sowing seeds by hand; at left 1901, at right 1951 in tiny letters near ground right the artist's initials, J.W.E. Back: At top a star; below which are the words, FIFTY YEARS / COMMONWEALTH / OF AUSTRALIA. Below this are seven ears of wheat representing the States and Northern Territory of Australia."1901", "1951", "J.W.E.", "FIFTY YEARS / COMMONWEALTH / OF AUSTRALIA" mont albert central school, laurie young, laurie newton, education, commemorative medals, federation, 1951 -
Surrey Hills Historical Society Collection
Photograph, City of Camberwell Council, Surrey Gardens, looking east from Union Road, 1933
The Honor Roll and Shrine in the Surrey Gardens were opened on Sunday 7 April 1918, prior to the cessation of fighting. Mrs Charles H D Steele (MS: Sarah Margaret Russell), president of the local Patriotic League, is credited with the idea of building The Shrine as a fitting memorial to the soldiers of the district. The Surrey Hills Progress Association coordinated raising funds from local residents. John Kendrick Blogg carved the beautiful honor roll in Indian teak and Australian white mahogany and the design of The Shrine was by architectural firm Gawler & Drummond. John Stevens Gawler was a partner in the firm, lived locally and also enlisted. Although he may have been overseas during some of the design process he is often credited with the design. Both men donated their services. The 2 cannons in the gardens were acquired by Mr Arthur Brookes in 1901 to commemorate the end of the Boer War. He was popularly known as 'Empire Brooks' and the cannons as 'Brooks' Babies'. They were originally placed in the grounds of the Guildford Road Recreation Oval. Arthur Brooks was an active community member and one of the founding members of the Surrey Hills Progress Association. Original photo was contained in a booklet printed by Camberwell Council in 1933.This is one of the earliest known photos of 3 elements important in designating the Surrey Gardens as one of the City of Boroondara's heritage gardens, now protected by a heritage overlay. The Shrine was one of the first WW1 memorials to be built in Australia and possibly the first in Victoria. It was unveiled prior to the end of hostilities and was built entirely through local community effort. The design of The Shrine, reflective of domestic architecture, is unusual. Its Honor Roll is also a noted example of sculptor John Kendrick Blogg's work and valued especially for its incorporation of Australian motifs, wattle blossom and gum leaves. The boomerang over the full width of the monument was said to be symbolic of both those who did and did not return. Black and white photo of part of the Surrey Gardens, located between Union Road and Norfolk Road, Surrey Hills. It shows The Shrine, the cannons installed to commemorate the end of the Boer War and the Memorial Cross. Taken from within the park looking east. surrey gardens, shrine of remembrance, monuments and memorials, boer war, mr john kendrick blogg, mr arthur brooks, mrs charles steele, mrs sarah steele, miss sarah margaret russell, cannons, mr john gawler -
Federation University Historical Collection
Book, Geoffrey Bartlett: 280205, 2015
Black, hard covered book of 160 pages covering the work of sculptor Geoffrey Bartlett.28.5 x geoffrey bartlett, sculptor -
Warrnambool and District Historical Society Inc.
Sheet music, Beautiful blue violets, c. 1864
This piece of music was composed by Joseph Summers (1839-1917). The date of the composition is between 1863 and 1866. The brother of Charles Summers, the sculptor, Joseph Summers was born in England and came to Australia in 1865. He was an organist and composer, an Inspector of Music in schools and in charge of music examinations conducted through Trinity College, London. In 1897 he moved to Perth. The signature of ‘Miss Jessie Webster’ presents a problem as no information has been found on this person. This is a most significant item because of the date, 1866, and the name, ‘Jessie Webster’. But it is not known if the music has any local provenance. The item also has social significance as an example of the type of music played in mid-Victorian drawing rooms. This is a piece of music of four printed pages of musical notation. The cover of this music is missing. The paper is white with black printing and all the pages are much mottled and stained. The edges of the pages are ragged and torn. There is some pencil scribble on the first page. A name and a date are written in black ink on the first page. ‘Miys (Miss) Jessie Webster, November 13th 1866’jessie webster, joseph summers, warrnambool -
Warrnambool and District Historical Society Inc.
Badge/medallion x6, 50 years of Commonwealth of Australia
These medallions were awarded to school children to commemorate the 50th anniversary of the Commonwealth of Australia. This winning design depicts the seed caster with the seven ears of wheat representing the seven states and territories of Australia. The artist was John Wolfgang Elisher who was an Austrian sculptor.An item which was presented to all school children in 1951 to mark the occasion of 50 years of the Commonwealth.Bronze metal with image of seed broadcaster and dates in relief on front and inscription, seven ears of wheat and star burst on the reverse. Metal hook at the top. There are six of the identical medallions.1901-1951, Fifty years Commonwealth of Australia.warrnambool, commonwealth of australia, schoolchildren's medallion, 1951 children's medallion, -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Arts in Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 6, No. 1, Mar-Apr 2001, 2001
Vol. 6, No. 1, Mar-Apr 2001 CONTENTS Vika & Linda Between Family and Fame 3 Eltham History in Ceramics A school Community cooperation 6 Exposing the beauty of clay International Pottery Market in Warrandyte 8 Were Street Hill Climb Banyule's Boutique Festival 11 Between Swirl and Solid Jenny Rodgerson's Meditations on lndeterminacy 12 Guo Gian and Anthony Pryor at HeideMOMA A laughing pointer and a craftsman sculptor 14 Dandenong Ranges Folk Festival The Hills Were Alive 16 Book Review Penelope Hobhouse's Flower & Garden Design 18 Theatre Review Kathy Oliver visits La Mama 19 Australian Classical Music Elizabeth Scarlett 20 New faces The Arts Administration Shuffle 22 Bolin Bolin Billabong Cultural Precinct and Walking Trail 24 CD Reviews 26 Artin About 28 Wining & Dining 30 Art Services and Teaching 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, banyule festival, vika and linda, willy wonka's ice cream gourmet food, eltham high school, arts science courtyard project, plenty views golf park, jane annois, nillumbik festival of the arts, bahnhof cafe, dynamic vegies, were st food store, were street hill climb, walkers wheels, jenny rodgerson, claire renkin, heide museum of modern art, guo jian, anthony pryor, dandenong ranges folk festival, kinglake galley, bulleen art & garden, montsalvat, rachel hanrahan, fran silvester, helen baker, katrina phillips-rank, old bakery cottage, bolin bolin billabong, eltham wiregrass gallery, thompsons pharmacy, st andrews market, heide museum of modern art -
Eltham District Historical Society Inc
Photograph, Alan Marshall sculpture outside Eltham Library, c.1995, 1995c
[from EDHS Newsletter No. 104, September 1995:] ALAN MARSHALL SCULPTURE. In our last Newsletter brief mention was made of the bronze sculpture of Alan Marshall outside the Eltham Library. Sculptor Marcus Skipper has now completed the installation of his almost life-size work. The setting and location are ideal and Marcus has really captured the typical Marshall character. It has attracted much favourable comment since its completion. Most members are generally familiar with Alan's life and work but for those not so familiar and for the sake of the record we include these brief biographical details. Alan Marshall, A.M., O.B.E., Hon.LL.D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940s he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime", "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters".Colour photographalan marshall, eltham library, marcus skipper, public art, sculptures -
Eltham District Historical Society Inc
Photograph, Alan Marshall sculpture outside Eltham Library, c.1995, 1995c
[from EDHS Newsletter No. 104, September 1995:] ALAN MARSHALL SCULPTURE. In our last Newsletter brief mention was made of the bronze sculpture of Alan Marshall outside the Eltham Library. Sculptor Marcus Skipper has now completed the installation of his almost life-size work. The setting and location are ideal and Marcus has really captured the typical Marshall character. It has attracted much favourable comment since its completion. Most members are generally familiar with Alan's life and work but for those not so familiar and for the sake of the record we include these brief biographical details. Alan Marshall, A.M., O.B.E., Hon.LL.D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940s he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime", "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters".Colour photographalan marshall, eltham library, marcus skipper, public art, sculptures -
Port Melbourne Historical & Preservation Society
Document - Quotation, proposed monument to Allan WHITTAKER, Matcham Skipper, c. 1986
From the collection of Perce White for 1980s committee to memorialise Allan WHITTAKER (referred to as James WHITTAKER). Sculptor Matcham SKIPPER later included his design, described as a nude woman, falling, in a list of works on his website. This caused Monuments Australia to list it on their website as an existing statue, although it never happened. After several searches and resultant complaints, the entry was removed in September 2010.Quotation for $70.000 from sculptor Matcham SKIPPER of Monsalvat, re proposed memorial to Allan WHITTAKER (referred to as James WHITTAKER), mid-1980s (undated) A4, cream colourpiers and wharves - waterside workers, arts and entertainment - visual arts, memorials, allan whittaker, matcham skipper, sculpture, perce mcguire white, perce white