This is a photograph of the Orbost Municipal Band in 1973. The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A black / white photograph of a group of uniformed band members seated outside a building. In front is a large drum with "ORBOST MUNICIPAL BAND" around the circumference. The photograph is under glass in a white wooden frame.on front - Orbost Municipal Band with a typed list of namesmusic recreation orbost-municipal-band

Frame 11. Photo 1. Welcoming home committee, nearly there. Photo 2. On Australian soil at last. The 'Karmala' berthed at 3MD Melbourne at the "Outer West New Pier" for the Victorians. It is not known if this is the pier at this point. Photo 3. Home at Tragowel, Victoria, some nine miles south of Kerang. Rear, Emily Grinton, Arthur Grinton, Bert and May Grinton. Front. Hughina Grinton and possibly Grace McLeod, Hughina's sister. Photo 4. The opening of the Memorial at Macorna 5/3/1920. Macorna is about 5 kilometres south of Tragowel, both places being on the railway line. Left to right in the photo; Lieut F. Dunn, Cr Charlie Cook, Brigadier General Brand, Rev. G. R. Jones (Kerang) and Mr H. Angus MLA. Music was played by the Mead Brass Band. This information was supplied by the Pyramid Hill Historical Society.Photographs - black and white on paper. 4 photographs top to bottom. 1. Dock side welcoming home committee. 2. Soldiers on a timber dock. 3. Welcome home family group. 4. Opening of a War Memorial. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard with handwritten notation.Backing cardboard - handwritten in blue felt tip pen "11."framed photographs, grinton collection, ww1, 38th

This is a collection of musical scores bound together. Some of the pieces are dance pieces, polkas and quadrilles. Most of the scores are stamped with the name of Warrnambool booksellers or music stores which operated from the mid 1860’s to the 1900’s. The collection was bound by Thomas Smith who operated a printing business in Koroit St opposite the Baptist Church in the latter part of the 19th century. The music in this folio represents a collection of popular music some of which is still played today. It has a connection to a number of Warrnambool music stores and booksellers who traded in the latter part of the 19th century. Heavy brown card cover with black card spine and corners. Contains a variety of sheet music. Some coloured and black and white full page illustrations included. Sticker inside front cover: Thos. Smith, Bookbinder and printer, Warrnambool.” Stamp on page “Woodland Whispers,” Walter Davies Bookseller, stationer & newsagent, Warrnambool. Stamp Chas Hider Liebig St Warrnambool on St Patrick’s Day by Brinley Richards, and Prince Albert’s band March. Stamp “Jas Hider Bookseller Warrnambool”, on Sultan’s polka and Jolly Dogs Polka. Stamp Charles Hider Book and Music seller, Timor St Warrnambool on Bonne Bouche Polka. There is a signature possibly Granter? on several pages. warrnambool, chas hider, thomas smith bookbinder, woodland whispers, gerald stanley, prince alberts band march, stephen glover, bonny dundee quadrille by charles d’albert

This is a program given by the Warrnambool College Jazz Band in 1994. Gary Hommelhoff worked with Warrnambool College students and conducted the Junior Concert Band, the Intermediate Concert Band, the Senior Concert Band and Brass and Clarinet ensembles as well as the Jazz Band. The program gives us an indication of the extent of music tuition and practice at Warrnambool College in the 1990s. This is program of one folded A4 sheet of paper to make 4 pages of printed material concerning a concert given by the Warrnambool College Jazz BandFront page: Jazz Cabaret ’94, Warrnambool College ‘Friends of the Band’ present An Evening of Non-stop Musical Entertainment in the College Hall, Saturday 6th August, 7.30 p.m. – 11.30 p.m., featuring Warrnambool College Jazz Band and Ensembleswarrnambool college bands, gary hommelhoff

This badge comes from the Warrnambool and District Pipes and Drums and is presumably attached to an item of clothing. The Warrnambool Pipe Band was formed in 1906, originally to popularise Scottish music and later to foster a taste for bagpipe music. Simon Fraser, the first Pipe Major, held the position from 1906 to 1910. The band appears to have gone into recess during the latter years of World War One and was apparently re-formed in 1935. Again in World War Two the band was in recess The band has had several changes of title but is today known as the Warrnambool and District Pipes and Drums. The badge is of interest as an example of one of the badges belonging to Warrnambool & District Pipes and Drums, an important and long-serving band in Warrnambool. This is a multi-coloured cloth badge, circular in shape. The outside edge is machine stitched in yellow and there is a blue band with the wording in yellow ‘Warrnambool & District Pipes and Drums’. In the inner circle there is an image, in colours of white, red, yellow, black and dark blue, of two drums, a staff and bagpipes stitched on a blue background. The back has a paper label with the details of the maker. ‘Warrnambool & District Pipes and Drums’ ‘Action Badges Pty Ltd, 34 Tooronga Terrace, Beverly Hills, N.S.W., 2209, Telephone (023) 502 4077’ warrnambool & district pipes and drums, badge

This is a ticket of admission to a Ceilidh run by the Warrnambool & District Pipes & Drums in 2015 at the Warrnambool R.S.L. building. A Ceilidh is a celebration of Scottish music, dance and other entertainment. The Warrnambool Pipe Band was established in 1906 to popularise Scottish music and foster a taste for bag pipe music. It was in recess from 1916 to 1935 when it was re-formed. Today the Warrnambool & District Pipes and Drums perform regularly in the area This item is of minor interest as a memento of the Warrnambool & District Pipes & Drums A white card with black text and a green border It features a logo and a stave of music with notes and a treble clef.Ceilidh 2015 ADMIT ONE

There were many different musical bands in existence throughout the 20th century in Warrnambool, from Warrnambool City Band to Pipes and Drums as well as trumpet, mouth organ, and military bands. They officiated at many social events and parades and celebrations which were held at the time. The Camperdown Chronicle lists the Dennis King Banjo and Mandolin band as performing at such events around the 1950’s. No information could be found on the owner of this instrument, Sylvia Broomfield.An object which relates to social events in the district.001056.1 Banjo mandolin. Eight stringed instrument with dark wooden frame and pig skin front screwed in with metal surround. It has a red chord shoulder strap. 001056.2 Black leatherette case with tan card lining and two metal clips and metal handle. A small box underneath the neck contains a pick and two plectrums. It contains a sheet of music called melody in F. Case has written in blue pen” Silvia Broomfield Nullawarre North. Dennis Kings Banjo mandolin Groupwarrnambool, dennis king banjo band, sylvia broomfield,

This card was given to a tutor at a recital run by the Warrnambool & District Pipes & Drums and held at the Warrnambool R.S.L building in 2011. The Warrnambool Pipe Band was established in 1906 to popularise Scottish music and develop a taste for bag pipe music. It was in recess from 1916 to 1935 and then re-formed. Today the Warrnambool & District Pipes & Drums perform regularly in the area. This item is of minor interest as a memento of the Warrnambool & District Pipes & Drums A green card with red and black text, a logo and a stave of music with notes and a treble clef. Recital Tutor warrnambool & district pipes & drums, wadpadi

This was a ticket for admission to a Ceilidh held at the Warrnambool R.S.L in 2011 run by the Warrnambool & District Pipes & Drums. A Ceilidh is a celebration of Scottish Music, dance and other entertainments. The Warrnambool Pipe Band was established in 1906 to popularise Scottish music and foster a taste for bag pipe music. It appears the Band was in recess from 1916 to 1935 when it was re-formed. Today, under the name of Warrnambool & District Pipes & Drums it performs regularly in the area This card is of minor interest as a memento of the Warrnambool & District Pipes & Drums A white card with black text and an orange border, a logo and a stave of music with notes and a treble clef.Ceilidh 2011/ ADMIT One warrnambool & district pipes and drums, wadpadi, ceilidh

This drum comes from the group which is now called " Warrnambool & District Pipes & Drums". As the Warrnambool Pipe Band it was formed in 1906 and today its aim is to foster a taste for bagpipe music. A separate Ladies' Band was set up in 1950 and combined with the Mens' Band in 1974. The Warrnambool & District Pipes & Drums is held in high regard nationally.This drum is a memento of an important musical group in WarrnamboolThis is a large, circular drum for a pipe band. The outside centre is skin surrounded by wooden rings, one of which is painted black. Between the rings is a cream and black mottled pattern on a curved piece made of composite material. There are eight silver tuning rods equally spaced along the side. One of these has two pieces of red tape attached. There is printing on both sides of the drum.Warrnambool Ladies Pipe Band Warrnambool Pipe Band warrnambool ladies' pipe band, warrnambool & district pipes & drums

This book, written by Matthew Richardson, gives details of the song ‘Waltzing Matilda’. This song is the most famous and best-loved song in Australia and its origins start in Warrnambool. In 1894 Christina McPherson heard an old folk song played by the local Garrison Artillery Band at the Warrnambool races and later in Queensland she played the tune to Andrew Barton (Banjo) Paterson who wrote the words to the music. This book is retained as it gives details of the song ‘Waltzing Matilda’. Warrnambool has the claim to fame of being the place where this well-known Australian song began. This is a hard cover book of 23 pages. The cover is red with white printing on the spine. The dust cover has a pale green background with a sepia-coloured image of a swagman and black and red printing. The book contains a CD in a plastic covering inserted into the front dust cover. The book has a preface, 14 chapters of text, some illustrations, appendices, a bibliography, acknowledgements and an index.music, songs, warrnambool, waltzing matilda, australiana, christina mcpherson, andrew barton (banjo) paterson, history of warrnambool

This is a 1985 invitation to the 50th anniversary of the re-establishment in 1935 of the Warrnambool Pipes and Drums group. The event was called a ‘ceilidh’, a celebration featuring Scottish songs, music, dance and other entertainment. The Warrnambool Pipes and Drums Inc.was originally formed as the Warrnambool Pipe Band in 1906 with the object of popularising Scottish music and in particular bagpipe music. Simon Fraser was the first Pipe Major (1906-1910) and the group featured in early events in the town, including the annual Highland Gatherings and street marches and celebrations. The group was in recess from 1916 to 1935 when it was re-formed. It has been in existence since then except for a short recess during World War Two. This card is of interest as a souvenir of a 1985 invitation to the 50th anniversary celebration of the re-formation of the Warrnambool Pipes and Drums organization in 1935. This group is important in the musical life of Warrnambool today. This is a white card with a blue border, blue printing and a logo featuring a belt, a tree and the motto, ‘Stand Sure’. Warrnambool & District Pipes and Drums Inc. 50th Anniversary Ceilidh Saturday September 28th 1985 8 p.m. Performing Arts Centre warrnambool & district pipes & drums inc., highland gatherings, history of warrnambool

The institutions of law and order in Colonial Victoria included the police, courts and prisons. The 1852 report of the Snodgrass Select Committee appointed to "identify the policing needs of the colony” noted there existed seven independent police forces that did not co-operate or regularly communicate. Following the committee's report all these police entities were merged into the Victoria Police, founded on 8 January 1853, to implement law and order responsibilities throughout the Colony of Victoria. The Eltham Courthouse (1860) and adjacent Police Residence (1859) formed a justice precinct established in the immediate aftermath of the 1852 police inquiry and the effects of the gold rush. The physical presence of these buildings, in the centre of the early Eltham township, defined centralised control over law and order. In the early days the Police Constable in charge would conduct his duties travelling around the district by horse; a stable was located at the rear of the residence. At times the horse would be grazed on the paddocks across the road. Horseshoes were forged by the blacksmith beside the Courthouse on the high side of “Policeman’s Hill”. Along with the stable, there was a two-cell bluestone lockup where prisoners were held awaiting trial in the adjacent Courthouse. Their meals were usually provided by the policeman’s wife or from the hotel just up the road. With the arrival of the railway in 1902 the town centre gradually shifted towards the railway station. The Police Station and operations were moved into the town centre in 1961 to a renovated house in Pryor Street, which was later replaced by the current Police Station. From 1961-1981 the residence was occupied by the Vermin and Noxious Weeds Destruction Section of the Department of Crown Lands and Survey. Prior to August 1967 the former Police Station was dragged to the rear of Police Residence to make way for the construction of a driveway and access from Main Road. The building was placed on the site of a former Scullery and modified for Lands Department use. In 1981 the Shire of Eltham took over management of the former Police Residence in Eltham. It remained unoccupied for a period whilst its future was discussed in Council. It was then used for a community job creation scheme until 1985. In 1985 the Shire of Eltham Parks and Environment occupied the residence. Council improved the driveway but later added a second rear access from Brougham Street due to the dangerous nature of the Main Road entrance. Additionally, a rear toilet facility between the Police Residence and the relocated former Police Station, which was doubling up as a lunchroom. Council also commenced discussions to re-establish a replica Police Station. Around November 1986 the former Police Station was demolished; believed to have been suffering termite damage. About 1989, after some years of discussion, a replica Police Station was built, based on photographs, to act as a lunchroom and meeting room for the Parks and Environment staff and volunteers doing community service. In 1996 Eltham District Historical Society held discussions with Nillumbik Shire Council commissioners throughout the year regarding a home for the Society. A proposal was put forward by the Society in October to occupy the former Police Residence. In March 1997 Eltham District Historical Society gained access to former Police Residence and on July 12, 1998, moved into its Local History Centre. In July 2018, Eltham District Historical Society gained access to the replica Police Station (which had been used as a music library and storage for the Eltham Concert Band) for use as part of regular heritage tours for schools and community-based groups. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p65This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, main road, eltham district historical society, eltham justice precinct, little eltham, local history centre, police residence, police station

Arthur William Glass known as Peter was born August 28, 1917. During the 1930s, Peter Glass and a young Graeme Bell were studying painting under Max Meldrum. Graeme Bell at that time was undecided whether to devote his life to music or painting. In 1938, inspired by what they had seen at 'Montsalvat', Peter Glass along with Graeme and Roger Bell (whose names were to become internationally known as the leaders of Australia's most famous jazz band) agreed to purchase land at Eltham to build themselves a mud brick house. For some time, Eltham had been their chosen place for painting and sketching, but it was not until they visited the 'Jorgensen Colony', as it was then known, and saw the possibilities of building in earth, that they decided to establish a permanent base in Eltham. In July, the three of them bought a few acres of land at the top of John Street and started making mud bricks for a proposed sixty square sized house. Following the Second World War, Peter Glass returned in 1946 to live permanently in Eltham. He resumed work on building of the adobe house which he had commenced before the war. During some years spent in England and France he married a French girl and on returning to Eltham he built another adobe house in which he lived with his wife, Cecile Madeleine, and two children, Julian and Marie-Luce on land adjoining the original house. Peter Glass died in December 1997 aged 80, his wife Cecile in 2006, aged 79. They are memorialised in Eltham Cemetery. Much of the inspiration for his landscape painting comes from the Eltham bush and the Yarra flowing through it.oil on chipboard 33 x 40.5 x 1.0 cm Signed 'Peter Glass in red paint lower right of centre Evidence of some paint rub-off at edges from previous frame mounting (frame removed).Reverse side painted in pale yellow cream and inscribed: 'Summer Landscape - 1968 Kangaroo Ground' in black paint1968, arthur william glass, artwork, kangaroo ground, paintings, peter glass

Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.33 1/3 Vinyl Record of Jazz Classics from Sutton's Music with red labels and silver writinghenry sutton, vinyl record, jazz classics, ray price and hos port jackson jazz band, ken flannery, johnny mccarthy, john costello, dick hughes, wally wickham, allan geddes, ray price

This book was awarded as the "Howard" prize to Robert A. Mitchell for Arithmetic in 1879. Robert Mitchell, (D.O.B 9/2/1862), entered the College on 9th July, 1878. Robert is the son of Robert Mitchell who resided at Teragram Cottage, St. Arnaud. Enclosed in the pages of the book was a small purple cardboard invitation which reads: "Ballarat College. Annual Distribution of Prizes. Academy of Music, Tuesday, December 16, at four o'clock p.m. The Reverend WM. Henderson in the chair." This invitation has subsequently been filed in the 1879 file.Bound in half calf with pebble grained cloth boards, marbled edges, gilt lettering and decoration on the spine. Six raised bands on spine with gold lettering on second and fourth compartments; College crest embossed on front cover; black and white illustrated, 816 p.Book plate inside front cover:College crest / Arithmetic/the "Howard" prize/Sixth form/Awarded to/Robert A. Mitchell/Christmas, 1879.howard-prize, robert-a-mitchell, 1879, ballarat-college.

Trophy presented annually to the best bandsman 1971 - Ballarat College established a formal Music School in 1969 and an amazing upsurge of interest in musical activities followed. This prize was the gift of J M Stayt, teacher at the school 1964 - 1993. It is currently awarded to the leader/s of the Concert Band. Medium sized silver cup on melamine base, double handles and flower netting across bowl opening; silver name plate around base. Ballarat College crest fixed to bowl of cup Inscribed on name plate: Ballarat College / best bandsman / Presented By / J M Stayt / 12th November / 1971 p-c-law, m-j-almond, john-dawson, m-r-j-moreton, r-p-jenkins, matthew-dawson, laura-dunlop, g sadler, s-mitchell, jonathon-gunthorpe, k-campbell-jones, matthew-haymes, barry-cockcroft, cindy-louey, damien-noonan, jacqueline-sewell, meaghan-keith, dale-heard, rebecca-smithers, elissa-howell, jonathan-stewart, emma-coltman, anthony-bull, michael-goeman, jessica-avery, jeremy-russell, philip-smith, georgia-roberts, sarah-alexander, mikhaila-clements, matthew-creek, sarah-clark, penelope-jackson, matthew-day, jessica-mciver, alistair-macdonald, megan-tweedie, lauren-james, simone-trengove, georgia-harman, samuel-mcdonald, christina-simpson, todd-jacobsson, darcy-gray, dylan-young, jack-walker

Following World War One, the present Memorial Gates at the front of the Lara Recreation Reserve (opposite the service station), were erected and the names of 104 men and woman who enlisted from Lara Districts were added. Twenty four paid the supreme sacrifice. They were erected at a cost of £380 by Barklamb Brothers of Caulfield. His Excellency The Governor Lord Somers officially opened the gates on 22 December 1929. RSM Cadwell was in charge of the program. The ceremony involved a large gathering where Lord. Names on Gates of WW1 Veterans Listed below - Following World War One, the present Memorial Gates at the front of the Lara Recreation Reserve (opposite the service station), were erected and the names of 104 men and woman who enlisted from Lara and districts were added. Twenty Four paid the supreme sacrifice. His Excellency The Governor Lord Somers officially opened the gates. RSM Cadwell was in charge of the programme. Sommers inspected a guard of honour from the 23rd Battalion (City of Geelong Regiment). In addition to a parade of returned soldiers, music was provided by the Geelong City Band. Names on Gates of WW1 Veterans Listed below - Andserson W.A. Fry J.F. Mullins M. Bates J. * Gabrielson E. * McDonald H. Bates G. Gardiner H.A. McDonald G. Beggs J.S. Gibbons H. * McHarry E.J. Bennett E.J. (3755) Gibbons W. McEwan G. Beardsell T. Gibbons G. McIntyre J.L. (3421) Branch W.J. (3029) Grass E.J. (687) McIntyre J.W. (7049) Callaghan C. Grass C.H. McIntosh J. Carter W.J. Groves H. McKellar G. Cashmore J.A. Harris W. McLeod R. Cashmore F.J. Heal H. P. (1134) Nicholls J. Cashmore A.G. Heal F.W. (1135) Olive C.A. * Cashmore A.J. Heal E.L. (1133) Oliver D.H. Chirnside J.L. Heyward F.C. * Owens S.J. Clayton J.H. * Heyward W. O'Neill J. Connop J. * Hill E.J. * Parsons M. Connop E. * Howard H.L. (4138) Parker S. Collins F.H. * Inglis H. Perkins C.E. Collins R.B. * Izon C.E. Shannahan J. Collins H. James R. Spitty C. Collins A. Jenkins W. Steele J. Coogan M.T. * Jenkins H. Tayler R. Curle O. Kee H.K. Tayler W.H. (794) Duggan H.J. * Keneally J. Teesdale V.B. (5241) Duggan R. Kent G.G. Thomas D.H. Duggan T.M. Kortright J. Tregilas S. * Dunn W. Lodge J.A. * Trim A. Dodesmaide F. * Lodge G.L. * Tipping S. * Edols R.W. Lodge T.S. * Turnbull J.W. * Farrelly P. Miller P. * Walker H.D. Farrer R. * Minogue P. Watt W. Firth D.H. * Moodie E. Wembridge W.P. * Firth A.C. Morgan C.E. Sister McNaughton K. Foot M.T. Moroney L.F. (4088) Sister McIntosh S. Foot C.H. * The Supreme Sacrifice Sommers inspected a guard of honour from the 23rd Battalion (City of Geelong Regiment). In addition to a parade of returned soldiers, music was provided by the Geelong City Band. The Memorial Gates are of local heritage significance and are included as Heritage Overlays in the Greater Geelong Planning Scheme,unveiled by the govenor Lord Somers on the 22 dec 1929. Read comments on bottom of photoComprising four square granite piers with central vehicular and flanking pedestrian metal gates.The gates commemorate the names of the 104 men and women of the Lara region who served in World War One.lara, memorial gate, ww1, world war 1, lara recreation reserve, lord somers, rsm cadwell, 1928, monument, 23rd battalion, city of geelong regiment, geelong city band

Following World War One, the present Memorial Gates at the front of the Lara Recreation Reserve (opposite the service station), were erected and the names of 104 men and woman who enlisted from Lara Districts were added. Twenty four paid the supreme sacrifice. They were erected at a cost of £380 by Barklamb Brothers of Caulfield. His Excellency The Governor Lord Somers officially opened the gates on 22 December 1929. RSM Cadwell was in charge of the program. The ceremony involved a large gathering where Lord Sommers inspected a guard of honour from the 23rd Battalion (City of Geelong Regiment). In addition to a parade of returned soldiers, music was provided by the Geelong City Band.The gates commemorate the names of the 104 men and women of the Lara region who served in World War One. Rectangular shaped glass covered photo frame showing the memorial gates.The gates commemorate the names of the 104 men and women of the Lara region who served in World War One. lara, memorial gate, ww1, world war 1, lara recreation reserve, lord somers, rsm cadwell, 1928, monument, 23rd battalion, city of geelong regiment, geelong city band

An oversize printed competition poster for the South Street Society, Ballarat. It includes prize lists for Essays, Elocution Readings, Music and Children. w.d. hill, south street competitions, souith street society, grand national eistedddfod of australasia, pipe band contest, calisthenics, orations, essays, music, elecution, j.w. parnell, grand military band contest

Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.Collection of music books that were available for purchase at Sutton's Musicmusic books, suttons music, calvary, henry vaughan, paul rodney, enoch and sons, herzelied, gustav lange, j.t. trekell, hanover edition, the desert song, one alone, kathryn grayson, gordon mcrae, otto harbach, oscar hammerstein, frank mandel, sigmund romberg, the link divine, alfred h. hyatt, piccolomini, one fine day, aria, madame butterfly opera, r.h elkin, giacomo puccini, garden of happiness, edward lockton, daniel wood, there never was a pal like you, jack o'hagan, the bridge, vocal duet, miss m lindsay, mrs j worthington bliss, songs my mother taught me, anton dvorak, blue danube, suttons brass band journal, johann strauss, macushla, josephine v rowe, dermot macmurrough, boosey and co, allans music, candle in the wind, elton john, bernie taupin, treasure chest of stephen foster songs, eddie fisher song folio, cindy oh cindy, oh my pa-pa, anytime, i need you now, then i'll be happy, sweet heartaches, dungaree doll, im in the mood for love, what a wonderful world it would be, hermann lohr, i heard you singing, royden barrie, eric coates, when you come home, fred e weatherly, w.h squire, lay down your arms, anne shelton, leon land, ake gerhard, john m williams and shaylor turners vey first piano book, i went to your wedding, jessie may robinson, patti page, mercury records, he's got the whole world in his hands, geoff love, sway, quien sera, pablo beltran ruiz, paul lombard, norman gimbel, just because the violets, kennedy russell, edwin ashdown ltd, friends of my youth, mr w burton, christy's minstrels, george barker, ideal music books, poet and peasant, melody in f, spring song, love and devotion, the storm, nachtstuck, rondoletto, blue danube waltzes, over the waves waltzes, nearer my god to thee, mignon gavotte, warum, miss clara butt, idle words, stephen adams, menuetin no. 2, the mill, liebestraum, tarantelle, la matinee, menuet, la paloma, the dove, gipsy rondo, crescendo, chanson triste, romance, tocatta in a, thora, john mccormack, john harrison, ivor foster, preclude c# minor, beautiful star of heaven, sirens song, marche militaire, fifth nocturne, sweet bye and bye, turkish patrol, valse des fleurs, melody of love, traumerei, a fragment, just for to-day, sybil f partridge, blanche ebert seaver, australian music examinations board, pianoforte-grade iii, the chappell wonder album of music, slave song, the lass with the delicate air, the bandolero, chorus gentlemen, i'll sing thee songs of araby, jest her way, venetian song, gray days, god's garden, folie bergere, weymouth chimes, un peu d'amour, you'll love me yet, s. coleridge taylor, george sutton, happy-go-lucky pete a very happy foxtrot, i know the rose, fred hall, the prisoners child, waltz ballad, russ johnston, pilgrim's cross, h.l d'arcy jaxone, frederic n. lohr, harper kearton, marie vagnolini, suttons manuscript music book, pianoforte studies, public examinations in music, light cavalry, marche hongroise, rondo alla turca, moonlight sonata, witches flight, home sweet home, narcissus, wedding march, sehnsucht, joyful peasant, les adieux, love the pedlar, caryl battersby, edward german, where will the dimple be, rosemary clooney, bob merrill, al hoffman, buttons and bows, jay livingstone, ray evans, bob hope, glen williams, british songs, cyril scott, cherry ripe, the minstrel boy, blythe and merry she was, by yon bonnie banks, all through the night, coming thro the rye, i'll bid my heart be still, classical fragments, beethoven's adieu, w. millward, wake up, a calendar of song, harold simpson, montague f. phillips, ain't misbehavin', andy razaf, thomas waller, harry brooks, robert a nelson, the ideal manuscript book, the riff song, it, one flower grows alone in your garden, ebb tide, carl sigman, robert maxwell, i'm in the mood for love, jimmy mchugh, dorothy fields, muskat ramble, edward ory, night of stars and night of love, tales of hoffmann, offenbach, the great pretender, jimmy parkinson, jerry duanne, barry frank, stan freberg, the platters, bert visser, love is a golden ring, rich dehr, frank miller, terry gilkyson, ernie sigley, d. trickey, four musical cameos, gavotte, lullaby, goblins, when children play, frank hutchens, just a closer walk with thee, jimie rodgers, west of the wall, wayne shanklin, toni fisher

The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles

A song composition by Helen Ellis, of Kew, first known to have been performed in 1942 at the BBC for the 'Shipmates Ashore Programme it was then published 1943. A copy of this song and one other composition the composer Helen Ellis is held by the National Library of Australia. Promotional text also indicates that the song was performed by the notable Australian singer Peter Dawson. The song "The M.N. ships get through" carries an important acknowledgement of the oft forgotten vital role of the Merchant Navy as carrier of goods and supplies, and especially so in wartime. The publication is of special significance to the MTSV as an example of the many skilled and creative women who have supported the Missions to seafarers.Commercially printed single fold music score for a 2 verse song and chorus. Front cover with blue band at top and lower edge features the Merchant Navy insignia at top left with depiction in half tone blue of a Merchant ship convoy and at right a sketched depiction of head and shoulders of a Merchant Navy officer with binoculars in hand. Music score and full text printed on p.2 and 3. The back cover features text of chorus and a handwritten notation in blue ink with reference to performance of the song on a BBC programme, 'Shipmates Ashore'.Back cover-handwritten notation in blue ink: "Sung by Raymond ?(indecipherable) in the B.B.C. London / 'Shipmates Ashore' programme,1942." This inscription is found after the printed sample of chorus words accredited to Helen Ellis, Central Club, Victoria, Mission to Seamen. See images for design and printing.peter dawson, music, sheet-music, composers australia, merchant navy, mn, helen ellis, ww2, shipmates ashore, bbc, 1942

Example of entertainment at the Mission in the 1950's. Lay Reader David Conolly featured in photo.small rectangular black and white photograph in landscape format.Inscription on back of photo: "Circa 1956-7 - the regular dance band for the dance at the Flinders Street Mission. Standing by the piano the staff compere, Lay Reader David Conolly."david conolly, lay reader, orchestra, music, dance, lhlg, concerts, band, saxophone, piano, drums, flowers, curtains, events

Gathering of seafarers and MTS clergy and LHLG members, at Glenfern 1906. Mrs Mary Danne daughter of Reverend Kerr Johnston was a widow at the time and was renting Glenfern, the property once owned by the Boyd family, and started a private primary school she called Newington College. A member of the Mission's committee from 1905 to 1926 when she passed away, a bras plaque was made in her memory and placed in the chapel of the Flinders Street Mission. (see item 0690) In the Standard published on Saturday 17 November 1906, page 4 we could read: "In connection with the Victoria Missions to Seamen a successful and pleasant outing, was given to the sailors in port on King's Birth day. Mrs. Danne, of "Glenfern," St. Kilda, threw her house and grounds open tor sports and tea. Cricket, football and sports were enthusiastically pursued, and ample justice was done to the substantial tea provided by Mrs. Danne and her friends. The Misses Danne, Miss Godfrey and other ladies were untiring in their attentions. Mr. Axell, first officer of brig Fairy Rock, in a few appropriate words thanked Mrs. Danne and the ladies, on behalf of the sailors, for their kind hospitality. Snapshots of the party were taken by Mrs. Goldsmith. Mr. C A. Holmes and Mr. Cedric Campbell acted as stewards and starters for the races. On the invitation of the chaplain (Rev. A G. Goldsmith*) ringing cheers were given for Mrs. Danne and the ladies. Before the party broke up Mrs Danne addressed a few kind words to the men and gave them all a shake of the band at the gate. The rest of the evening was spent at the Institute, Beach street, where games and competitions were carried on to the accompaniment of vocal and instrumental music. The prizes won at the sports etc., were distributed, and after singing the National Anthem the party broke up."Thanks to the article in the Standard, Saturday 17 November 1906, page 4, we learn that some of the early sepia photographs were taken by Mrs Gurney Goldsmith herself.Small monochrome photograph depicting a group of seamen and ladies with the Mission's Flagstaff.1906, glenfern, st kilda east, picnic, lhlg, king's birthday, edward vii, mary alice isabelle danne nee johnston, 1851-1926, reverend kerr johnston, 1812-1887, boyd family, sailors, seamen, seafarers, bowler hat, cap, boater hat, snapshots, camera, photographer, sports, cricket, football, ethel augusta godfrey 1861-1935, mr axell, fairy rock, charles arthur holmes (-1947), mrs gurney goldsmith, anne treverton goldsmith (nee lobb), cedric campbell

non-fictionpadre frank leslie oliver, port of melbourne, beverley kent nee oliver, music, photographs, jacki fowler

This photograph shows one of the many social functions organised for visiting seafarers. In this instance, as there is a band. It is possibly a photograph from a weekend dance. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarers.Small black and white photograph with white border showing a band playing on the stage at the Mission to Seafarers Melbourne. There is a drummer to the left, a female saxophonist in the centre and a pianist to the right. There is also a large flower arrangement in the front centre stage and two women sitting on chairs in front of the stage.flowers, piano, drums, curtains, saxophone, stage, fan, women, chairs, microphone, flying-angel-club, mission-to-seafarers-melbourne, social-functions, sheet-music, dance, entertainment, screen, cinema, projection

The Mission to Seafarers held many social functions to raise funds for the work of the organisation and to benefit visiting seafarers. Many dances were held on a Saturday with good attendance. On the pillar on the left of the stage there is a photograph of a monarch, possibly King George VI, thereby dating the photograph at pre-1953.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarers.Small black and white photograph of people dancing in the Flying Angel Club at Mission to Seafarers Melbourne. There is a band on the stage in the background of the photograph and several couples dancing.photograph, flying angel club, monarch, band, floorboards, stage, dance, king george vi, lhlg, seamen, orchestra, mission to seamen, melbourne, seamen mission, mission to seafarers, entertainment, music, musicians, drums, piano, saxophone