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Federation University Historical Collection
Photograph, Frank Wright at Gong Gong Reservoir, 06/06/1922
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A small black and white photograph of a man in a suit and hat seated on a rock. In front leaning against the rock is a bicycle and in the background is water with a timbered hill on the far side.Written in pen - (20) F.W. taken at Gong (near Ballarat), 6/6/22, by V.H.frank wright, gong gong reservoir, bicycle -
Federation University Historical Collection
Photograph, Eden Studio, Frank Wright and his sister Laura, 30/6/1920
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A black and white photograph showing a man holding a cornet and a woman holding a scroll of paper. The man is Frank Wright and the woman is Laura Wright his sister.Frank Wright (18), Laura Wright (24) 30/6/1020. Eden Studio, Sturt St., Ballarat. Post Cardfrank wright, laura wright, cornet player, brass band -
Federation University Historical Collection
Photograph - Sports Image, Ballarat School of Mines Inter-Technical School Athletic Champions, 1919
The Ballarat School of Mines Athletics Team of 1919 were the inaugural winners of the Inter Techncal Athletics Competition known as the Herald Shield. The team is photographed with a repouse shield which was made by the Ballarat Technical Art School (a division of the Ballarat School of Mines) The 1919 Ballarat School of Mines Students' Magazine reports: "One of the most successful gathering ever witnessed in Ballarat took place on the City Oval on Saturday 9th, when the Technical Schools of Victoria particiapted in their first combined school sports. This event was the first of its kind ever promoted, and provided an interesting and exciting display of athletics. Last yeat the Junior Technical Schools of Victoria competed for the "Winner Cup" for pepetual competition, in which Swinburne Technical School was the successful winner. This latter competition proved such a success that it was decided to incorporate with the senior Technical Schools, and form an association to encourage sport throughout the Technical Schools of the State. This was achieved by the generous response of the proprietors of the "Herald," who kindly presented a handsome shield to be known as the "Herald Shield' for pepetual competition for the Senior Technical Schools of Victoria. This, by the way, was designed and executed at our own Art School. ..." David McGrath later played 0 game and kicked 6 goals for Fitzroy Football Club in the Victorian Football League (later Autralian Football League).A black and white image of the first inter-technical school Champions in Athletics. Back Row left to right: R.S. Dale, N. Hay, D.G. McGrath, F.M. Larkin Front Row left to right: R. Fleming, W.P. O'Halloran, D. Miller, W. Shttock Front: H.G. Wakelingn. hay, d.g. mcgrath, f.m. larkin, w.p. o'halloran, d. miller, w. shttock, r.s. dale, r. fleming, h.g. wakeling, w. shattock, david gullen mcgrath -
Ballarat Clarendon College
Book, Samuel G. Green, The painters of Florence: from the thirteenth to tthe sixteenth century, 1914
Book prize awarded to Ralph Tanner (1921) for excellence in English in Form Vb; prize presented by Mrs R Crawford (possibly wife of Robert C Crawford, Dux of School 1881)The book plate notation that the prize was presented by Mrs R Crawford, presumably a member of the wider school community, has social significance. It gives evidence of the degree of social connectedness maintained by former students throughout their lifetime and that of their immediate family members. Red calf binding with gold embossing and borders to front and back covers; raised bands on spine with 6 compartments and gold title lettering and ornate decorations; marbled endpapers and page edges; book plate on front cover verso; school crest embossed on front cover; black and white illustrations and frontispiece;Book plate on front cover verso: Ballarat College and crest / Awarded to / R Tanner / Form Vb / Prize for English (?) / (Presented by Mrs R Crawford) / A S M Polson / Principal / Christmas 1918ralph-tanner, 1918, ballarat-college, r-crawford, book-prize, english, a-s-m-polson -
Ballarat Clarendon College
Certificate, The University of Melbourne matriculation examination certificate, 1873
Samuel Baird attended Ballarat College 1864 - 1872. He was the first student enrolled at the school. His father, Samuel Baird, was the first engineer for the city of Ballarat. According to his grandson Samuel Baird was indentured to a local chemist in Ballarat. He moved to Melbourne and took over the chemist business Hood and Co in Elizabeth Street Melbourne. This business remained in the family for a further generation. This certificate is accompanied by an earlier certificate indicating that Samuel also sat a matriculation examination in October 1871 and passed in four subjects (000132.1). The certificates are accompanied by signed receipts from the University of Melbourne for matriculation examinations at a totla of four times - Receipt no 503 30 October 1871 for 5 subjects (000132.2) Receipt no 495 6 August 1872 less than six subjects (000132.3) Receipt no 696 29 October 1872 for 8 subjects (000132.4) Receipt no 195 14 February 1873 for matriculation exam (000132.5) for purchased copies of matriculation certificates. This infers that Samuel Baird sat some portion of the matriculation certificate over four examinations. Record 000131 is related to these items being a reference from the Principal Robert Oliver McCoy for Samuel Baird written in 1873. Historic significance for its connection with the first student of Ballarat College. Single sheet form printed on one side with handwritten insertions. Front: THE UNIVERSITY OF MELBOURNE / MATRICULATION EXAMINATION CERTIFICATE / At a Matriculation Examination held in the / October Term, 1872 / Samuel Baird / passed in the following six subjects: / 1. Latin 4. Arithmetic / 2. English 5. Algebra / 3. French 6. Euclid / [Signature] President / 14 Feb 1873 [Signature] Registrarsamuel-baird, 1864, ballarat-college, receipt, university-of-melbourne, matriculation -
Ballarat Clarendon College
Book set
School book prizes awarded to Harold Oscar Nevett (1902). Harold Oscar was born in Ballarat 3rd January 1885, the son of Oscar Horatio Arthur and Elizabeth (Dowling) Nevett. He entered Ballarat College 1894 after attending Ellerslie College III Class. Harold Oscar was Dux of the College in 1900. He went on the study Law at the University of Melbourne. He enlisted in England on 14th December 1915 and was awarded the Military Cross at Messines Ridge on 7 June 1917. After demobilisation in May 1919 he married Evelyn Kitson on 25 October in England. Harold Oscar died on 11 June 1940. Harold's brothers Arthur Hereword, Horace William and Ralph Dowling all attended Ballarat College also. Set of 7 books with Ballarat College crest embossed in gold on front cover as well as a boxed set of three titles with ballarat Crest embossed in gold on box cover. Book plate inside 1/8 front cover: Ballarat College crest / Logic / VI Form / 1st prize / Awarded to / O Nevett / Christmas 1901 Book plate inside 2/8 front cover: Ballarat College crest / History / V Form / 1st prize / Awarded to / O Nevett / Christmas 1900 Book plate inside 3/8 front cover: Ballarat College crest / English Subjects / Third Form / 1st prize / Awarded to / O Nevett / Christmas 1896 Book plate inside 4/8 front cover: Ballarat College crest / Mathematics / IV Form / 1st prize / Awarded to / O Nevett / Christmas 1898 Book plate inside 5/8 front cover: Ballarat College crest / French / V Form / 1st prize / Awarded to / O Nevett / Christmas 1900 Book plate inside 6/8 front cover: Ballarat College crest / English / Fifth Form / 1st prize / Awarded to / O Nevett / Christmas 1899 Book plate inside 7/8 front cover: Ballarat College crest / Languages / Upper II Form / 2nd prize / Awarded to / O Nevett / Christmas 1896 Book plate inside 8/8 front cover of first book in set: Ballarat College crest / Latin / V Form / 1st prize / Awarded to / O Nevett / Christmas 1900harold-oscar-nevett, book-prize, ballarat-college, arthur-hereword-nevett, horace-william-nevett, ralph-dowling-nevett -
Ballarat Clarendon College
Medal
James Albert Rintoule entered Ballarat College 1888; son of Robert Rintoule of Nhill and previously educated at Nhill State School to the 5th Form. James was a significant sportsman winning medals for high jump 9n 1890 and 1891 as well as hurdles. He continued his sports after leaving the school, winning the 1893 Albion Football Club Best Place Player. James' great nephew and niece James (1962) and Helen (1967) also attended the school. Such ornate medals reveal the significant place of sports in the school culture at the end of the 19th century. Gold plated ring with gold 6-point star within ring; ornate engraving on ring back and front; star inscribed both back and front; long gold link chain attached to top of medal.Star face: 1st / HURDLE RACE / WON BY / J RINTOULE / 1891 Star verso: BALLARAT / crest / COLLEGEjames-rintoule, ballarat-college, 1891, medal, hurdle-race -
Ballarat Clarendon College
Book, Evidence of the truth of the Christian religion
This book was awarded by Geelong Grammar to Walter Armstrong in 1884. It was donated to the Ballarat College library by his grandson W Mick U Armstrong (1944). Mick attended Ballarat College 1937 - 1942. In 1936 the Weatherly Library was established at Ballarat College and a community book drive resulted in personal copies of books owned by members of the school community being donated to the library over the next 10-20 years. Mick Armstrong donated this book (amongst others) to the school library during his final year at the school. It is an excellent example of the community spirit which carried the school through periods of financial hardship. Dark royal blue leather bound book with gold crest, borders and spine detail. Spine has 6 decorative compartments with raised bands and red leather and gold lettering in the title compartment; Geelong Grammar crest embossed in gold on front cover and gold border to front and back cover; marbled endpapers and edges; black and white frontispiece and illustrations throughout book; book plates inside front cover.Book plate inside front cover: Geelong Grammar Crest / 1st PRIZE / PRESENTED BYB/ The Council / AWARDED TO / Walter Armstrong / FOR / Old & New testament / Middle 6th form / Christmas 1884 / Bracebridge Wilson / HEAD MASTER Book plate on front end page: Religion 200 / Ballarat College crest / Ballarat College / Library / PRESETNED BY / W M U ARMSTRONG 1942 / Books may be kept for One Week / only, but may be renewed / PLEASE REPORT ANY LOOSE / LEAVES, ETC. walter-armstrong, w-m-u-armstrong, geelong-grammar -
Ballarat Clarendon College
Book, The poetical works of John Keats
Prize awarded to William Michael Urquhart Armstrong in 1944. Light blue cloth bound book with black leather sine; spine divided into 6 sections with raised bands and gold decoration; red leather behind title section; Ballarat College crest printed in gold on front cover; book plate on flyleaf.Book plate: Ballarat College crest / Sixth Form / Librarian Prize / Presented by Major Mc N Symons / Awarded to / W M U Armstrong / R E Thwaites / December 1944 / Principalw-m-u-armstrong -
Federation University Historical Collection
Document - Document - Information, VIOSH: Graduate Diploma in Occupational Hazard Management - Intake 6, 1984, Information Letter to students
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Information letter sent to those in Intake 6 of the Graduate Diploma of Occupational Hazard Management Course, 1984. It outlines the timetable for subjects and times at the Ballarat College of Advanced Education. Include in the package is a form that must be completed and returned ASAP. Residences are provided and items included are listed. Transport for those coming from interstate can be arranged. Derek Viner is the Course Co-ordinator.Twenty-three A4 pages, typed with diagrams, mapsHand written note in blue pen on map. Letter head of Ballarat College of Advance Education on some pages. Signature of Derek Viner, Course Co=ordinator.viosh, victorian institute of occupational safety and health, derek viner, course co-ordinator, occupational hazard management, residence, timetable, ballarat college of advanced education -
Ballarat Clarendon College
Book prize, Nelson's history of the war (6 vols)
John Stanley Coltman attended Ballarat College 1913 - 1920; Son of W F Coltman of 208 Clarendon St, Brother of W Lawrie, Owen H & Gwenda. A high achieving student John was Dux of College 1919, School Captain 1920, Captain of cricket 1920, tennis 1918, 1919, 1920, football 1919, 1920, athletics 1919 1920, Stroke of first crew 1919 and 1920. The Coltman Demonstration Room, part of the MacKinnon Wing First Floor, was named in honour of John (1919py) and Owen Coltman (1917). A 6 volume leather bound set with Ballarat College crest and borders embossed in gold on front cover; page edges are maroon marbled; gold lettering on spine; bookplate fixed to inside of front cover; library plate to right side of end pages;Bookplate: Ballarat College / Awarded to / J S Coltman / Form VIa / Rhodes Prize for Boy who best [buefies] / the Public School Ideal / (Pres. by T T Hollway Esq) / A S Polson B A / Principal / Christmas 1919rhodes prize, 1919, ballarat college, t t hollway (1869) -
Shepparton RSL Sub Branch
Uniform, Hat, Emerco
Navy-black coloured peaked cap with red piping trim along peak. Red felt band encircles the band. Black patent leather chin strap is held in place with two gold buttons on either side, each depicting a crown above the map of Australia. Gold badge in centre depicts kangaroo in front of crossed rifles underneath a crown with oak leaves forming an arch eitehr side. Interior brim is green with black patent leather trim; brown leather sweatband with holes for air cirulation, tied at back with cream silk bow. Top of hat is covered with plastic layer, underneath which is the manufacturer’s label and a sticker for size.Sticker reads “6 7/8”, and manufacturer’s label reads “MELBOURNE 36 1218/EMERCO/REG TRADE MARK/THIS IS YOUR GUARANTEE FOR QUALITY/MADE IN AUSTRALIA”. Badge reads “DUTY FIRST/ROYAL AUSTRALIAN REGIMENT”.royal australian regiment, rar, army, uniform -
Ballarat Clarendon College
Book prize, The fifteen decisive battles of the world: from Marathon to Waterloo
Lloyd Charles Brind, born 7/09/1882, entered Ballarat College 6/02/1893. This book was donated back to the school by Mr McCallum, July 1964 and added to the Ballarat College Library. This may be Mr R A McCallum, parent of school during the 1960s and father of Keith (1964), Stuart (1967) and Peter (1974). At some stage it has been stamped with the Tam O'Shanter Ballarat Book Club stamp. It also has a handwritten signature on the title page and half-title page 'N. V. Warol" ?Marled brown calf-bound book with gold border and school crest on front cover, six compartments to spine with gold patterning to five and title in 2nd compartment; book plates inside front coverBook plate inside front cover: school crest / Languages / Fourth form / Second prize / Awarded to / L Brind / Christmas 1896lloyd-charles-brind, book prizes, mccallum -
Ballarat Clarendon College
Book, The poetical works of John Milton
Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in french; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in light brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / French / First Prize / Upper Third Form / Awarded to / Kate Whittle / Christmas [date obliterated] -
Ballarat Clarendon College
Book, Thrift
Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in English; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in mid-brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front cover; decorative bookmark includedBookplate: Ballarat College crest / English/ First Prize / Fourth Form / Awarded to / Kate Whittle / Christmas [date obliterated] -
Ballarat Clarendon College
Book, Self-help: with illustrations of conduct and perseverance
Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in french; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in mid-brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / Geography / First Prize / Third Form / Awarded to / Kate Whittle / Christmas [date obliterated] -
Federation University Historical Collection
Clothing - Textiles, Ruth McGannon, Needlework, c 1950-70s
These items were made as samplers either at school or most likely college. They are samples of embroidery stitches, seam types and sewing and knitting techniques.Nos 1-16 are group of samplers made from cotton lawn, cotton with sateen weave and flannel and made by Ruth McGannon. No 17 is a pair of gloves made by Margaret Russell. .1) A small square of yellow lawn with three horizontal rows in blue thread and three vertical rows in red thread of running stitch each 3.5 centimeters apart. The edges are frayed to 1.2 centimeters. .2) A larger rectangle of yellow lawn with three horizontal rows 7.8 centimeters apart and three vertical rows 10 centimeters apart of long stitch, stitched in blue thread. The edges are frayed to 2 centimeters. .3) A small square of yellow lawn with three horizontal rows and three vertical rows of blue thread of running stitch, each 1.9 centimeters apart. The edges are frayed to 1.5 centimeters. .4) A larger rectangle of yellow lawn with three horizontal rows 9 centimeters apart and three vertical rows 11.2 centimeters apart of running stitch, stitched in red thread. The edges are hemmed with two rows of long stitch .5 centimeter apart with a loose blue thread of laced running stitch weaving in and out of the red long stitch. .5) A rectangle of hemmed yellow lawn with a pocket formed at each end. Two rows of long stitch in red thread hem the edges with a blue thread stitched between each red stitch. The pockets are formed by turning back the edges and stitching them down in brown thread. R.M. is embroidered in brown chain stitch on the right side. .6) A rectangle of hemmed blue lawn the same as the previous piece but with five rows of back stitch in yellow and orange thread creating a pattern. .7) A rectangle of blue lawn with the top and bottom edges hemmed with two rows of long stitch close together in yellow and orange. The other two edge are frayed to 2.5 centimeters and has four rows of long stitch .7 centimeter apart in yellow and orange thread. .8) A blue lawn bag with two packets was made by hemming a rectangle of fabric on three sides in long stitch with orange thread, then yellow thread between the stitches. The fourth side is hemmed in hemming stitch in yellow thread with blanket stitch in yellow thread along the edge. This edge is folded up by one third to create a pocket. The edges on either side are stitched together. A row of chain stitch in orange thread is stitched down the middle to create two pockets. A tape is stitched to either side at the top and this is folded over the pocket. .9) A cream cotton with sateen weave rectangle is hemmed with a double row of orange thread in long stitch. On both sides is embroidery in orange and yellow thread. .10) A yellow cotton with sateen weave baby's bib is made from a rectangle of fabric with a semi circle cut out of the top. The edges are turned and hemmed with a narrower turning on the neck. A tape is stitched at either side of the neck. On the front is embroidered a train in blue and yellow threads. .11) A yellow lawn embroidery sampler using blue and brown thread shows long stitch, stem stitch, herringbone stitch, chain stitch, fly stitch, lazy daisy stitch, cross stitch and satin stitch. It is hemmed using drawn thread work and the bottom is scalloped and finished in blanket stitch. .12) A pink lawn embroidery sampler with green thread shows herringbone stitch, stem stitch, running stitch, chain stitch, cross stitch, lazy daisy stitch, fly stitch, feather stitch, satin stitch and back stitch. The bottom is scalloped and finished in buttonhole stitched. The other three edges are hemmed using drawn thread work. .13) A small cream flannel square with two smaller squares are stitched together down the middle in decreasing sizes using chain stitch. The largest piece is hemmed using both herringbone and a decorative blanket stitch. It also has a run and fell seam on the opposite side using both running and herringbone stitches. A row of feather stitch is on either side of the seam. The two smaller squares are frayed on the edges. .14) A cream rectangular flannel sampler has two seams along the length. One is a run and fell seam using running and herringbone stitches and the other is an open seam using running stitch and both edges are stitched down with herringbone stitch. The two shorter edges are bound and the longer edges have a tape which is stitched down to neaten the edges. On the right side are two rows of feather stitch. .15) This blue lawn apron has a rectangular gathered skirt which is attached to a waistband and in turn attached to a bib front which goes over the head. The bib and skirt sides are hemmed using decorative blanket stitch in pink and dark blue thread. The skirt hem and both sides of the waistband are stitched in two rows of herringbone in pink and dark blue thread. .16) This pale pink lawn child's shirt has french seam side seams, a waist band to which the shirt is attached using slight gathering. The sleeves have cuffs. There is a front facing and a collar and there is a small pocket in the left hand breast. .17) These yellow knitted gloves are made using plain stitch for the hand and rib for the wrist.Written on paper and stitched on to a couple of items - Ruth McGannon V.3 - 312 Written on paper and stitched to the gloves - Margaret Russell x No2embroidery, sampler, gloves, stitches, sewing, knitting, apron, costume, needlework, dressmaking, textiles -
Federation University Historical Collection
Newspaper, The Standard, Warrnambool, 11 November 1997, 11/11/1997
In 1997 South West Institute of TAFE formed an alliance with University of Ballarat in a bid to be more flexible for students. Under the arrangement the TAFE's Professional Writing and editing Diploma and Associate Diploma of Business (Office Administration) would be linked with the University's Bachelor of Arts Degree,Twenty page newspaper. Page 6 reports on the agreement between University of Ballarat and South West TAFE.warrnambool, agreement, south west institute of tafe, university of ballarat, david james, patricia varley, barrie baker, agreement signing, flagstaff hill motel proposal, koroit sewerage scheme public information day -
Lara RSL Sub Branch
Photo Album
Post Card Album that used to be filled with photos from Egypt and Dardanelles by W. Matthews. Photos in separate collection held at Lara RSL. Postcards and photos compiled by W.Matthews while serving in WW1.Photo album of postcards and photos from WW1 taken and purchased in Egypt and Dardanelles by W.Matthews from LaraPhoto Album in book form coloured grey/greenFront page has roses and vine written Post Card Album. Inside front page is written W. Matthews Lara, Views sent from Egypt and the Dardanelles with photos of Sgt W.Matthews B Company, 8th Battalion A.E.F. photo by W.H.Watts and second photo Bugler Haggar, A.E.F. taken by N.O.W. Inside back cover 6 photos with no descriptions. bugler haggar, ww1, world war 1, world war one, w. matthews, sergeant w. matthews, b company 8th battalion, aef, a.e.f., australian army, army, w.h.watts, n.o.w., dardanelles, egypt, lara rsl, lara rsl sub branch -
Lara RSL Sub Branch
Certificate, R.A.F. Interim Certificate of Service
R.A.A.F. 1945 Interim Certificate of Service issued to F/O. R.J. Branch 419022 on termination of 3 tears 5 months service, signed by Commanding Officer No.1 Personnel Depot R.A.A.F. dated 06/12/1945.Issued to R.J. Branch on demobilization from R.A.A.F 06/12/1945Interim Certificate of Service - F/O R.J. Branch 419022 dated 6 Dec 45Royal Australian Air Force - Interim Certificate of Service - R.A.A.F. form number P/P.159 (Sept. 1945) -
Federation University Historical Collection
Equipment - Stereoscope, Keystone, KEYSTONE PARAGON BIRDSEYE & TIGER MAPLE STEREOSCOPE, c1895
The 'Paragon' was Keystone's first patented stereoscope. Keystone View Company of Meadville, Pa., was the world's largest producer of stereographs and was in business from 1892 to 1970 on a limited basis. The company was founded by Benneville L. Singley who at one time worked for Underwood. Singley photographed many of the views sold by Keystone. Keystone would eventually purchase almost all of their competitors. The remains of the Keystone Company are housed at the University of California. Singley filed for 2 patents for stereoscopes, the first in 1898, about the time Keystone started producing them. C. L. Pappenhagen, an employee of the company filed for 4 patents for a total of 6 for the company. Here are some examples of the many forms of hand held stereoscopes produced by Keystone. (http://home.centurytel.net/s3dcor/Keystone/Keystone.htm) Timber stereoscope reader with brass fittings, used for viewing stereoscopes (Stereoscope cards contain two separate images printed side-by-side to create three-dimensional illusion)stereoscope, photography, illusion -
Federation University Historical Collection
Documents, Examination Form and List of Students, 1904
.5 Foolscap sized examination form with writing on the back .6 List of students and enrolment numbers, handwritten..5 Geometry, engineering, manual design and [?]. Foolscap for [?] and dress making. examination form, technical schools, dressmaking, geometry, manual design, cliff white, charles white, beet wai, g. woinarski, jane ridings, neil petch, albert stevenson, john stephenson, john sampson, arthur sargeant, virgil tucker, harry vickery, john walker, harold webb, douglas walker, thos walker, fred webb, ronald williams, norman mckissock, sydney semmensh. wanliss, norman mckissock, a. beaumont -
Flagstaff Hill Maritime Museum and Village
Record Book, before 1897
This Record Book was printed and published in Melbourne by Sands & McDougall Limited and distributed to be sold by stationers for 1s. 6d (1 shilling and 6 pence) or with Blottings (blotting paper to soak up excess wet ink) for 2s. 6d..The back cover has advertising from the Colonial Mutual Life Assurance Society Limited, an insurance company based in Collins Street Melbourne.Inside the front cover is a Calendar for the year 1897 and a table with dates for Eclipses of the Sun and Phases of the Moon for that year. Contained within the diary is a loose page listing products and an order form for Sands & McDougall. There is also a section titled "Miscellaneous Information" that includes Weights and Measures, Postal Tarriffs, Holidays, Population of various towns and states, education and a Ready Reckoner for Hourly Wages. In UK in early 1800's the word 'mechanic' was applied to a broader range of skills such as working man, tradesman or artisan. Mechanics' Institutes were formed originally for voluntary, self-funded organisations, to improve the education of working men and to instruct them on their various trades. The germ of the idea came from a class formed in 1799 by Professor George Birbeck in Glasgow, Scotland, for journeymen mechanics (apprentice trade workers), with the first Institutes being organised in London and Manchester in the 1820's. By then the original aim had broadened and the Mechanics' Institutes were established as popular agencies of adult education. The Mechanics' Institutes were run by committees that provided facilities for a meeting room, hall suitable for lectures, and a library. Funding was raised locally and often supplemented by grants from government agencies for the purchase of books and other resources. Activities were community based. In Australia, Mechanics' Institutes were set up in New South Wales and in Tasmania in the late 1820's. Mechanics' Institutes began in Victoria, with the first one in Melbourne dating from 1839, providing similar services but in time offered services tailored to their specific area. Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. "These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In q856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art., and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. In 1975 the original building was demolished and the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: - The new City Library took some of the historic books and some important documents, historic photographs and newspapers. - The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. - The Historic Society has some items - The State Museum has some items - Some items were destroyed - Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. NOTE: Pages of this book have been digitally recorded and archived.The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. Record book, Warrnambool Mechanics Institute Curator's Diary, 1897,June to Dec (Donations). Printed and published by Sands & McDougall, Melbourne. Australian Rough Diary 1897 No 4, Card covers printed with advertising, 7 days to an opening, lined with cash columns.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, warrnambool mechanics' institute, mechanics' institute records warrnambool, record book c. 1897 -
Ringwood and District Historical Society
Document, Ringwood Primary School - miscellaneous documents
Annual report on the 1995 school year - March 1996 Sample Student mid-year report forms - Grades : Prep, 1, 2B, 2V, 3B, 3V, 4, 5, 6. Various other documents.Nil -
Ringwood and District Historical Society
Documents, Clocktower Theatre Company, Files and correspondence from the Clocktower Theatre Co., Ringwood. 1971-1974, 1971-1974
Files and correspondence from the Clocktower Theatre Co. Qty 16 folders.; 1. Minutes >1979. Lever Arch File. Foolscap. Mottled hard cover.; 2. Minutes Feb 1973-Dec-1976. R. Kent. Forms 2E Corrections. Foolscap. Buff folder.; 3. Rehearsal Schedules and minutes 1971-1977. 2-Ring binder. Hard black cover.; 4. Inwards correspondence. Green folder. Foolscap.; 5. Fundraising 1971-1979. Buff folder. Red printing, foolscap.; 6. Play Licences 1973-1979. Regal flat file, green, foolscap.; 7. List of members. Typed, buff, foolscap.; 8. List of members 1976. Yellow folder, foolscap. Tingwell, Chas. workshop.; 9. Constitution. Buff folder, foolscap.; 10. Application Form. Application for Grants. Australian Council for the Arts.; 11. Completed Application Forms (for membership) 1971-1973.Buff, foolscap.; 12. Applications for membership and membership lists. Buff, foolscap.; 13. Newsletters. Buff, foolscap.; 14. Account Book 1972-1979. Hard black cover, 9-Money Column. Clocktower Theatre Co. Foolscap. Size 33.5 x 20 x 1.8cm.; 15. Expenses and stamps. Embassy Exercise Book. Red cover quarto. Refer #3641.; 16. Plays including: The Rattle of a Stick; September Tide; & Misc. Buff folder, foolscap. -
Flagstaff Hill Maritime Museum and Village
Literary work - Book, Macmillan & Co, The Works of Alfred Lord Tennyson, 1892
This book of poetry was a Prize Awarded for Botany and Physiology an unidentifiable recipient who was Dux of Form V, it was presented by James Scott B.A., Warrnambool College. Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was a British poet. He was the Poet Laureate during much of Queen Victoria's reign and remains one of the most popular British poets. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems Chiefly Lyrical in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although decried by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.This book was awarded to a student of Warrnambool College as an end of year prize is an example of how it was the custom to award prizes as scholastic encouragement to students for exemplary work during the school year in the late 19th to early 20th centuries.Book “The Works of Alfred Lord Tennyson” poet laureate. Spine of book says “Tennyson’s Works”. Published 1892 in London and New York, by Macmillan and Co. Cover is read with gold border. Prize label book presented by James Scott BA "Form V/Dux/Botany Physiology to Master … / James Scott B.A. / Dec 18th 1893"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, alfred lord tennyson, poetical works, james scott b.a., warrnambool college form v prize 1893 -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, 1832-1864 made in London
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about J Budd is that he was a tool maker and retailer that operated a business in London between 1832 to 1864. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the early to mid 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane J Budd London maker & No 6, opposite end Stamped J Heath (owner)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j budd -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, 1844-1860
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about John Ames is that he was a tool maker and retailer that operated a business in London early to mid 18th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools.A significant item from the mid to late 18th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. It also gives an insight into how many manufacturing companies bid for the rights to use prison labour to make their products at this time in our history. Complex Moulding Plane Maker J Ames Stamped & No 6 & 5/16 opposite end, also J Heath (owner). flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, ames -
Flagstaff Hill Maritime Museum and Village
Book, An Exposition of The Old and New Testament Vol 6
WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century, there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 per cent of the reading population. The collection of books was made up of around 60 per cent reference and 40 per cent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items have become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850s to the late 1950s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr R. Pattison. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr. R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 percent of the reading population. The collection of books was made up of around 60 percent reference and 40 percent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items has become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850’s to the late 1950’s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr. R. Pattison. The Warrnambool Mechanics' Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, and to reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. As with many Mechanics' Institutes in Australia, the one which operated in Warrnambool was established and overseen for many years by key individuals associated with the development of the city itself. The WMI publication collection is historically significant because of its association with local people, places and the key historical themes in the development of Warrnambool of rural development, industry, farming, education, and community. The collection documents and illustrates the changing interests, focus and tastes of Victorians, especially those in regional cities. Generally the individual items in the collection are not particularly rare, as examples of all probably exist in other public collections in Victoria. It is primarily because there are so very few surviving Mechanics' Institute collections in Victoria, which lends this overall collection its significance. Many items in the WMI Collection have the potential to support further research, both as individual objects and through the collection in its entirety. This material is significant for its ability to assist in the interpretation of the history of the area and adds to the general understanding of the development of the township. Many components of the WMI publication collection complement and reinforce the Flagstaff Hill Maritime Museum Collection, the Warrnambool Art Gallery Collection, and that in the Warrnambool Historical Society, and also contribute to a clearer understanding of the original Warrnambool Mechanics' Institute collections. This will greatly enhance the appreciation of the few surviving Mechanics' Institute collections across Victoria, and also in New South Wales. The similarities and differences between the small number of collections that have survived can provide further insights into how the people of Victoria in general, and Warrnambool in particular, constructed a civic culture of adult learning to foster an informed citizenry. The Warrnambool Mechanics' Institute publication collection is of both local and state significance. An Exposition of The Old and New Testament Vol 6 Author: Matthew Henry Publisher: Bell and Bradfute, Dickson and M'Cleish Date: 1791 The label on spine cover with typed text RH 220.7 HEN Has the number 587 on front loose end paperflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, an exposition of the old and new testament vol 6, matthew henry, bell and bradfute, dickson and m'cleish -
Flagstaff Hill Maritime Museum and Village
Gestetner Machine, c. 1922 - 1929
This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. 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