Photocopies of three images of Shire of Eltham Brass Band at Arthurs Creek 1. View of players 2. View of players 3. Group shot - Names Back Row L to R: Jeff Mundy; Laurie Bulmer; Jock Malcolm; Stan Manhive; Ron Howell; Alan Meredith; Warren Ward (hidden) Front Row L to R: Frank Brook; Alf Mundy; Karl Michaelson; Ted Barnes;Alan Luscombebands, brass, music, arthurs creek, eltham brass band

A letter written in German from Johannes Menge to Karl Wilhelm Pauli from Hahndorf South Australia 3rd of February 1846, translated into English by Mrs Marta Birrell of Bendigo October 1997. In a spiral bound folder with plastic cover, Johannes Menge, Wanderer durch die Welt, Menge in the Hills presented to the German Heritage Society Bendigo by quentin C Binks 22.1.1998, 11 pages with a map and black & white illustrations.person, individual, menge, history-adelaide-german-menge-pauli

This photograph of Slawa and her sister was taken a few months before Slawa and baby Eva left Vienna, in December 1938. They joined Karl in Switzerland. After leaving Europe, she did not see her sister again for 30 years – years which are documented in the many letters held by the Studio, sent over this time. In 1968 Slawa and Rella met one more time in Paris.This photograph documents the important relationship between Slawa Horowitz-Duldig and her sister Rella Horowitz, later Laisne. Rella assisted Slawa in the process of developing her invention of the modern foldable umbrella, and hid the family's artworks and furniture, designed by Slawa and the firm of Sigmund Jaray, in her apartment in Paris during the Second World War. It is of historical significance as it documents life in Vienna prior to the Second World War.

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

The Falls Creek Race Club was started in the late 60's by Rodney Moss assisted by Bob Howe from Albury Ski Club and Geoff Henke from Moloney's. The club ran races on the summit every weekend and later started the training squad. Its aim is to promote all the skills of skiing and snowboarding and to improve the safety and enjoyment of the sport for all age groups. As an athlete's skills Improve so they can begin to train and race at Children's level races and move on to Junior and Senior levels, possibly aspiring to the Masters Circuit or State and National Teams. Hundreds of children have been involved over the past four decades and the program has produced a number of skiers who have been successful at national and international levels. Falls Creek has produced Olympians Ross and Malcolm Mine, Joanne Henke, Jenny Altermatt, Steven Lee in Alpine skiing. Dick Walpole and Chris Heberle in Cross Country, Britteny Cox, Paul and Adrian Costa in Freestyle Moguls. Many others have represented in National Teams at World Championship events.This photograph is significant because it includes early members Falls Creek Race Club, some of whom progressed to become representatives in international sporting events including World Championships and Winter Olympics.A framed colour photograph of members of the Falls Creek Race Club standing outside the Club buiding.Beneath Image Race Club Photo, mid 1970's outside of the original race hut. Noelene Lee on the balcony with Jill Helberle. L-R Simone Belza, ?, Bob ?, Chris Losch, Guy Maguire, Steven Lee, Susie Losch, ?, Karl Brandmeier.falls creek race club, falls creek olympians

Picture represents some of the German internees interned at Loveday Camp SA. AWM accession number 130191/11 Back row (left to right): Martin Koerner, Karl Straube, Heinz Baumann, Wilhelm Abineri, Edgar Abineri, Wilhelm Notholt, Franz Binder. Front row: Fritz Otto, Oskar Jakob, Ludwig Staisch, Anton Wehr and Heinrich Paul. AWM accession number 030191/11Black and white photograph copy of 12 German Internees with camp hut behind and a group of men to the far right. Man, second from left in front has a sign with 11 on it. Photograph is on corfu.martin koerner, karl straube, heinz baumann, wilhelm abineri, edgar abineri, wilhelm notholt, franz binder, fritz otto, oskar jakob, ludwig staisch, anton wehr, heinrich paul, awm, accession number 030191/11

This self-portrait exemplifies Karl and Slawa's shared interest in the art forms of other cultures - also seen in the significant number of Viennese art books on these topics in the Duldig Studio library. It takes inspiration from Egyptian sculptures and is strikingly similar to the cover image of Götter Ӓgyptens (Gods of Egypt) by Alexander Scharff (Library) although her short hair puts a stylish and very modern slant upon the image. The sculpture is hollow, with a large opening at the rear. Slawa on full face, eyes downcast, hair parted in the middle & pulled back in bun with large comb. Drapes across both shoulders. modernism

This photograph of Slawa Horowitz-Duldig was taken while she was a private student of Secessionist sculptor Anton Hanak. It was taken in his studio in the Prater, possibly by Karl Duldig. Slawa is standing next to her masterwork in marble, 'Kneeling female figure'. This sculpture and others completed later by her as a student at the Academy of Fine Arts, Vienna, were left when the Duldigs fled in 1938, hidden by a friend and subsequently lost.One of a number of photographs taken when Karl Duldig and Slawa Horowitz- Duldig were sculpture students in Vienna in the 1920s, these are a significant record of the art training system offered in Austria between the wars.

Photos of a function at Legacy House for the 60th Anniversary of Legacy in 1983. One photo shows President Ravencroft at the table reaching to shake hands with a legatee (possibly L/ Lyons from the label). Other names are not known. Some name badges are legible, including Bob Berwick, Jack Hanlon, Daryl Harvey, John Dennis, Karl Robertson and John Roberson. Was in a scrapbook of photos spanning 1983 to 1991.A record of a Legacy function to celebrate the 60th Anniversary.Black and white photo x 5 of Legatees at a dinner for Legacy's 60th Anniversary.White paper label handwritten in blue pen 'Legacy's 60th Birthday celebration. President Ravencroft (L/T Lyon). No Negs'.60th anniversary, legatee event

Karl Duldig

This plan of Lum Road Estate includes layout of roads, gardens, building and carparks. From 1970 until August 1971 Robin Boyd and his practice Romberg & Boyd Architects worked on designs for housing on the Lum Road Estate, Wheelers Hill. Berenice Harris, Linley Vellacott and Karl Fender drew many of the sketch plans for the project homes, while Robin Boyd drew the perspectives. This colour plan of the estate was drawn by Robin Boyd, but not signed. Frederick Romberg later annotated the drawing with details of its authorship. Colour plan of Lum road estate. Includes layout of roads, gardens, buildings and flora.Inscribed lower right on recto in black ink, 'Robin Boyd original / 12/6/86 F.R' ; Inscriber upper left on recto, grey pencil, '3400'.architecture, design, rmit design archives, domestic architecture

The President in 1980 was Karl Robertson. A major issue for his year in office was the question of the extension of eligibility for membership to categories of ex-servicemen who had not served overseas or in the other areas presently defined in the Code. Document is dated 12/10/1981 as the presidential year ran from March to the following February and this was written sometime after he was replaced as president. Was in a binder of documents that is passed from an outgoing President to the incoming President. It is primarily from the 1930s to 1990s. Most documents are being catalogued separately.A record of the ideas of the President in the 1970s.White foolscap paper x 2 pages with black type of the President's comments in 1980.presidents, karl robertson

Grade 2/3V 1996 Top Row: (L to R) Chris McDermott, Stuart Campbell, Phillip Rouse, Linda Ouk, Robert Kazenwadel, Anthony Baker, Sharon Legg, Aleesha Ashdown, Jacinta Price, Jan Kempton. 2nd Row: Mitchell James, David Newman, Janelle Hausser, Sarah Jesudhason, Mrs. Jenny Vincent, Brenda Chamrouen, Sophanna Sophea, Benjamin Sengsouvanh, Karl Vita. 1st Row: John Roberts, Steven Taualii, Jessica Clark, Aaron Oldfield, Claire Leigh. Absent: James Gussman. Teacher: Jennifer Vincent. Principal: Mr. Geoff Buzaglo.

Black and white photograph. Alexandra Fountain, Pall Mall, Post Office, 2nd Shamrock Hotel. Bendigo School of Mines, Beehive Stores, Fence along Pall Mall. Horse cabs along Pall Mall. Men, women and children. Women wearing full length dresses. Inscriptions: in image - 'Henderson & Goodisson', 'City Drapery', 'Melbourne Cash Store', J Edwards Practical Watchmaker', ':Emery', 'A Lannduff', Karl Van Damme'. On back - rubber stamp, purple 'Royal Historical Society of Vic, Bendigo Branch, Dudley House, 60 View Street, Bendigo'.place, streetscape, alexandra fountain, photograph, photography, bendigo, alexandra fountain, pall mall, shamrock hotel, bendigo school of mines, beehive store, bendigo post office, bendigo clock, bendigo post office clock, bendigo citizens

In the 1600s, William Harvey realised a finite amount of blood circulates in one direction through the body. Jean Léonard Marie Poiseuille introduced the mercury hydrodynometer in the early 1800s for measuring blood pressure. Karl von-Vierordt created the sphygmograph in 1855 and, in 1881, Samuel von Basch created the sphygmomanometer, distinct improvements on the hydrodynometer. In 1896, Scipione Riva-Rocci developed the mercury sphygmomanometer. American neurosurgeon, Harvey Cushing, was an early adopter, and advocate for monitoring patients during surgery and anaesthesia. Blood pressure monitoring is still an essential component of evaluating a patient’s condition.This blood pressure kit is housed in a rectangular, vinyl covered box with metal handle and press-stud lid release mechanism. The lid opens upwards and the glass blood pressure valve and plastic scale is attached to the underside of the lid. The measurements are written in black and go up in increments of ten, from 0 to 300. The glass valve has unidentified increments labelled in red, which is housed within a metal cylinder. The bellows is attached to the measuring valve via a dark green pressure cuff and rubber hose.Blue sticker affixed inside the kit: JOHN MARUM Ornate manufacturer's label: THE ARMOURED / ELLISCO / SPHYGMOMANOMETER / MADE BY / ELLIOTTS & AUSTRALIA DRUG / [indecipherable] LTD / CENTEN[indecipherable] MODELharvey cushing, blood pressure, measurement, anaesthetics, john marum, sphygmomanometer, elliotts & australian drug pty ltd, centenary model, cuff, bellows, ellisco, armoured

In 1945, after feeling Nazi Germany in 1939, Karl Duldig and his wife, Slawa, were finally granted ‘landing permits’ in Australia, after six years living in refugee camps, both here and Singapore. Duldig was appointed art master at Mentone Grammar in 1945, while also establishing a small ceramics business with his artist-inventor wife, Slawa. His work was prolific across several mediums. Our School Archives holds a large collection of sketches, as well as several bronze busts which he made, depicting life, students, and staff at Mentone Grammar during his time at the School from 1945 to 1967.

Word of mouth (Half Moon Bay) 2018 is a two-panel work which is the largest painting the artist has made to date. It is a colourful and fun, light-hearted scene of an imaginative party that the artist would love to attend at Half Moon Bay in Black Rock. Depicted in the work are over 30 figures, including international tourists, family and friends of McHaffie as well as famous identities such as musicians David Bowie and Solange Knowles, and fashion designer Karl Lagerfeld. McHaffie’s DJ friend Lucreccia Quintanilla has set up a DJ deck and speakers on the beach while the party goers are wading in the shallow waters, dancing on the cliff and mingling on the beach in what appears to be an idyllic summer’s day in Bayside.oil on linen (diptych)painting, beach, half moon bay, black rock, bayside, coast, party, rob mchaffie, dj, dance, musician, karl lagerfeld, david bowie, solange knowles, lucreccia quintanilla, port phillip bay, word of mouth, mooji, jon campbell, tourists, family, friends, cliff, rocks, water

From Antiques Reporter: Florence Tatham Mellblom, (Australian, 1900 - 1983), Visit Portland The First Victorian Settlement, during the Centenary Celebrations from 15th to 23rd November 1934', 1934 colour lithograph, signed 'F. Mellblom' in image lower left, 63.5 x 101.5 cm. Linen-backed. Text continues in lower margin: 'Arbuckle, Waddell Pty Ltd Print, Melb.', Mellblom (nee Henry) was a painter, naturalist and photographer. She was born at Portland, Victoria, and studied art in Ballarat. She was a talented etcher from childhood, and joined the Portland Camera club. She also produced many watercolour paintings of the historic places of Portland. She was married (1932) to Karl Enoch Mellblom.A bluestone building on an arid landscape. Yellow grass in the foreground with one tree standing at the front. There is a blue sky behind. The left hand wing has a door which is slightly open. Above each wing is an engraved piece of stone. Left - Portland, right - Shire. An old rickety fence to the left of the building.Bottom Right - F. Mellblomfemale artist, women, female, landscape, portland landscape, portland shire

Grade Prep 1994 Names taken from typed legend below each photo (via OCR). Photos mounted on Kuddly Koala School Portraits Card. Top Row:(L to R) Stuart Campbell, Brenda Chamroeun, Jordan Carmichael, Natasha Kempton, Mitchell James, Aaron Oldfield, Naythan Gurkin. 3rd Row: Mala Dayalan, John Roberts, Piers Smart, Emily Eversteyn . 2nd Row: Sarah Jesudhason, Shaun Chambers, Rebecca Dalton, Linda Hing, Aleesha Ashdown, Russi Singh, Mrs. Sim, Michael Neve, Brendan McKee, Niina Larm, Ricki Neve, Ashlee Winnen. 1st Row: Shayne Stewart, Ben Sengsouvanh, Karl Vita. Teacher: Mrs. Margaret Sim. Principal: Mr. Geoff Buzaglo.

Bendigo Advertiser "The way we were" from 1999. Corner residence circa 1900: Swedish born Karl Van Damme arrived on the Bendigo diggings in about 1852 and established himself as a tobacconist at 85 Pall Mall, next to the Shamrock Hotel. Although he had been living at the corner of View and Valentine streets in Sandhurst as early as 1883 it was not until 1898 that William Beebe designed a Queen Victoria style building erected by G.A. Davey for Van Damme. By 1905, van Damme, recorded as a tobacco merchant and importer, had established a branch at 143 Pall Mall, near Mitchell street. He sold the business at 85 Pall Mall in 1909, but remained at number 143 until the early 1920s. By this time it was known as Pikes Buildings. The business was sold in 1924newspaper, bendigo advertiser, the way we were

Coloured photograph of the Maple Street Primary School Grade Prep N 1999 and their teacher. Children are wearing school uniform. Their names are: 3rd Row L-R: Terrance Reeves, Tyler Davies, Chantelle Brown, Alyce Wells, Sarah Welsh, Becki Graham, Emma Tonkin, Rosa Man, Christopher Walsh. 2nd Row L-R: Jesse Goudge, Julian Ross, Jarrad Lowe, Tara Woods, Jye Healey, Sebastian Young, Mark Higginbottom, Kailin Delves. Front Row L-R: Coby Rodgers, Tia Dole, Samantha Ferrari, Sharifah Oibo, Karl McDowell, Kai Ng, Michylla Hewitt-Hill, Stephanie Brennan, Nikitah Barton-Page. Absent: Amy-Rose Howard. Teacher: M Nicks. Principal: Mr David Robins.Arthur Reed Photoseducation, primary, golden square laurel st p.s., golden square maple street p.s. collection - photograph - maple street primary school grade prep n 1999, terrance reeves, tyler davies, chantelle brown, alyce wells, sarah welsh, becki graham, emma tonkin, rosa man, christopher walsh, jesse goudge, julian ross, jarrad lowe, tara woods, jye healey, sebastian young, mark higginbottom, kailin delves, coby rodgers, tia dole, samantha ferrari, sharifah oibo, karl mcdowell, kai ng, michylla hewitt-hill, stephanie brennan, nikitah barton-page, amy-rose howard, m nicks, mr david robins, arthur reed photos

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen. Body, head, arms and legs carved from wood. Blue eyes, yellow hair, pink lips and skin all hand painted. Wearing a grey crochet hat with orange feather and grey crochet jacket with two metal buttons. Jacket and hat have green trim. Grey felt shorts with leather braces and green trim. White shirt and tan color tie. White socks and brown leather sandals.doll, alfons koenig, camp 3, internee, oertel family, else oertel, friedel dehnel, else-lore hukins, dressmaker, costumes, plays, chef

In Australia, the wholesale druggists Fenton, Grimwade and Company, established in 1876, were producing small quantities of oxygen for medical and industrial purposes(11,11). In 1910, they produced a booklet promoting the therapeutic use of oxygen, suggesting it's use in pulmonary and cardiac affections, asphyxia, and morphine poisoning(9). Eventually, oxygen was to play a more significant role in medicine following two significant events. In 1895, Karl Von Linde succeeded in liquefying air, and then fractionally distilling its individual components, including oxygen. This new technique for the production of oxygen from air was revolutionary, but large demand for it did not develop in the wider community until Claude and Hess managed to compress acetylene into cylinders safely in 1897, keeping the highly explosive fuel stable by dissolving it in acetone. By 1900, the oxy-acetylene welding technique was born, and the demand for oxygen for industrial purposes accelerated worldwide. In Australia, Russell Grimwade, working for his father's company, ordered the first oxygen plant to be built in Australia in 1910. (George Kantianis, 2013)Medium sized black coloured cylinder with rounded base once containing oxygen with a large black on white diamond shaped manufacturer's label adhered to the front. Much of the label has been degraded with missing bits, and rust stains.Printed on to manufacturer's label: OFFICIALLY PREPARED FOR MED? / AUSTOX [in logo] / COMPRESSED / OXYGEN / CONTENTS / 33 [handwritten in pencil] Imperial Gallons / KEEP COOL / Australiand Oxygen and Industrial ? / Pty. Ltd. / MELBOURNEoxygen, cylinder, therapeutic, russell grimwade

This photo was taken at the opening of the footbridge by Sir Winston Dugan in 1936.South Surrey Park was developed on land which had been the property of the Kleinert family. Their land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The family sold the land to the Camberwell Council in the 1950s.This photo is significant as it shows the transition from rural to urban land use in Surrey Hills.Black and white photo taken in the area later known as South Surrey Park. Back Creek is in the foreground. There is a tent on the LHS and approximately 7 houses which front Verdun Street. Some of their backyards face onto the open space along the creek bed.parks and reserves, creeks, south surrey park, civic occasion, official events, back creek, verdun street, 1936, kleinert family, sir winston dugan, topography

This photo was taken at the opening of the footbridge by Sir Winston Dugan in 1936.South Surrey Park was developed on land which had been the property of the Kleinert family. Their land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The family sold the land to the Camberwell Council in the 1950s.This photo is significant as it shows the transition from rural to urban land use in Surrey Hills.Black and white photo taken in the area later known as South Surrey Park. Back Creek is in the foreground. There is a tent on the LHS and approximately 7 houses which front Verdun Street. Some of their backyards face onto the open space along the creek bed.parks and reserves, creeks, south surrey park, civic occasion, official events, back creek, verdun street, 1936, kleinert family, sir winston dugan, topography

South Surrey Park was developed on land which had been the property of the Kleinert family. Their land extended from Union Road to Essex Road. They ran horses, ducks and fowls and Emily Kleinert grew flowers. Alan Holt research: Lot 6 was sold to Martin Klienert by Karl Richter in 1860 together with a portion of another adjacent lot. From 1860-1885 Martin worked it as a market garden leasing some land for grazing when it was not required for gardening. He died in 1898. In a formal document, William declared he was the son of Martin "who purchased land in 1860, died in 1898 and the land has been continually occupied by father and family since. It has been cultivated as a market garden; when not being used for gardening it was let for cultivation and grazing." William died in 1939 and the property passed to his sons Martin and Ernest. The family sold the land to the Camberwell Council in the 1950s. The original footbridge was opened by Sir Winston Dugan in 1936.Black and white photo of a wooden footbridge with large trees and shrubs obscuring its surrounds.parks and reserves, creeks, south surrey park, back creek, verdun street, footbridges