Copy of a black and white photograph of City of Kew Mayor John H. Gervasoni. He stands in front of the Kew Coat of Arms on the exterior marble of the Kew Civic Centre.mayor, mayoral, portrait, kew, gervasoni, john, jack, coat of arms, cresco, city of kew, kew mayors

A b/w photo of a portrait of a gentleman wearing a stiff collar and large tie. Unmounted.Written on back in biro: Photo of a portrait of / David Brodie of / "Harpsdale" / Yuroke. / Portrait probably painted around 1860.brodie, david, harpsdale, yuroke, clothing and dress, 1860s, george evans collection

One of a series of annual Resident Medical Officer (RMO) portrait photograph groups that used to hang in the RMO quarters in the old Boiler Room building. Black and white image. Grey background has nine oval photographic portraits arranged across it with the title in white at the bottom. Each portrait has the person's name printed in white beneath it.Resident Medical Officers / St. Vincent's Hospital / 1935. The named portraits from left to right are: Dr. E.A. Briglia, Dr. J.J.M. Kenny, Dr. F.G. Prendergast / Dr. A.R. Kelly, Dr. J. Horan, Dr. A.J. Carroll / Dr. S.J. O'Loughlin, Dr. L.A. Hardy, Dr. J.F.Cadest vincent's hospital melbourne, hospital staff, portraits, resident medical officers

Head and shoulders portrait painting of a man. The man has receding grey hair, and is wearing a blue shirt and brown top, and is painted on a black background. The number '20' is handwritten on both sides of the wooden frame on the back of the artwork. The number '18' is handwritten on both the top and bottom edges of the wooden frame on the back of the artwork. Bottom right hand corner of the frame is printed with the text 'BLARNEY STRETCHERS' and a phone number. Left hand side of frame is printed with the text 'BLARNEY LINEN and STRETCHERS' on upper section, and 'BLARNEY LINEN and' at bottom corner.

Alan Martin studied under Max Meldrum, at the National Gallery School and the Royal Melbourne Institute of Technology. He later established his own art school. He has won several prizes and is represented in several provincial collections. Alan Marshall was the author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He contracted polio when he was young is considered one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. The portrait of Alan Marshall was exhibited as a finalist at the 1956 Archibald Prize.

Framed portrait of Malcolm Daubney who was President of Vision Australia Foundation 1999-2002. It is part of a series of paintings commissioned by the AFB/VAF Board to commemorate the work of past presidents of the organisation. Mr Daubney wears a navy suit, pale blue shirt and navy blue Kiwi tie. Mr Malcolm Daubney has worked closely with blind and vision impaired people for many years. In the 1980s Mr Daubney was “volunteered” by John Wicking to the Vision Australia’s Kooyong Committee. Shortly after his appointment he was posted to Singapore for business, where he served on the committee of the Singapore Association for the Blind for five years. Upon his return he rejoined the Kooyong Branch Committee. Later he was appointed to the Vision Australia Board of which he was President from 1999 to 2002, and then Chief Executive Officer from 2002-2005.1 art original in old gold frameThe plaque at the base of the painting reads 'Mr Malcolm Daubney / President 1999-2002 / Vision Australia Foundation'.vision australia, malcolm daubney

The photo was taken in 1990 at the official opening of Pacific Maltings in Gregory Street West, Ballarat by Premier of Victoria the Hon. John Cain. Group portraits of 14 men on a footpath next to a brick building. Most of the group are brewing students at Ballarat University College. I. Kerr (Brewing Student) R. Vickers (Brewing Student) G. Vincent (Brewing Student) S. Page (Brewing Student) G. Hughes (Brewing Student) S.T. Williams (Brewing Student) T. Gaffney (Brewing Student) Neville Gower (Lecturer in Brewing ) G. Fox (Brewing Student) Premier John Cain I. Richardson (Lecturer in Brewing) L. Cormie (Brewing Student) P. Vawdrey (Brewing Student) J. Armstrong (Brewing Student)i kerr, r. vickers, g. vincent, s. page, g. hughes, s.t. williamst. gaffney, neville gower, g. fox, premier john cain, i. richardson, l. cormie, p. vawdrey, j. armstrong, pacific maltings, s.t. williams, t. gaffney

Small portrait of a lady seated on a chair beside a table with a long fringed cloth and a book on it. The cloth and part of the chair have been coloured green. The cloth has a yellow fringe and the book is yellow. The floor is light brown. The lady is wearing a voluminous dress with a jacket. She is also wearing a small hat and gloves. Her cheeks have been slightly coloured. On the back is the Photographer's name and address. Light and Truth is printed above the photographer's name.G. Wherrett, Post Office Portrait Rooms, Barker St., Castlemainephotograph, portrait, female, portrait of a lady, g wherrett

Huttley Martin FamilyB/W Portrait: Bride wearing a Jeweled Crux Gammata ( Gammadion Cross), Tasselled lace over white floor length dress & veil, wears elbow length gloves. Groom white shirt and Light coloured tine, dark suit, holding gloves. Gainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin

Group Portrait of Stawell Fire Brigade Members in Uniform 1920-1926 BACK ROW: L-R W. STEWART, N. FRASER, H. GRAY, J MADDOCKS (EX. CAPT), ????? SECOND ROW: L-R S.. ROSS,, R. HUGHES , T. DADSWELL, ?, ABRAHAMS , W. COLLINS, ?????? , A. OLIVER (EX. Capt.) THIRD ROW: L-R W. WILLIAMS, W. JONES , W. THOMLINSON , W. RICKARD, R. BROWN, J. BROWN (EX. Capt.) ,T. GOODSON, T. REA . E. GRAY (EX. Capt) , W. EARLE FOURTH ROW: L-R M. CHELLEW, J.H. CLARKE , I. COOK , ???????????? , ??????????????? G. BARNES , W. A. WHITEHEAD , T.S. MARSHALL (Chief Officer) FRONT ROW: L-R JOHN MARTIN , E. CLOUGH (EX. Capt), R. K. CHAPMAN (EX. Capt) , J. NEYLAN (Capt.) , H.H CHAPMAN, P. LEDGAR (EX. Capt), F. CROUCH *NEYLAN was in the brigade from 1922 to 1926Black & white photograph of a large group of men. Some are dressed in uniform.. Large tree, and other men in the backgroundR.K. Chapman !920's Stawell Fire Brigade with older members. J. Neylan Captain R.K. Chapman Lieutenantstawell

Hardcover w/ Dust Jacketwalsh st library

Soldier in WW1 Australian Imperial Expeditionary Force No 5998 Christopher Clark 59th Battalion Born in StawellChristopher was a WW1 Serviceman from Stawell who returned to Australia Framed Studio Portrait of Soldier No 5998 Christopher Clark Australian Imperial Expeditionary Force WW1,59th Battalion Christopher Clark was born in Stawell on 25th December 1892 and was brought up on the family farm in Callawdda and worked in the district and then in Queensland where he obtained an engine drivers licence and drove the sugar trains then worked on the steam boiler engines in the sugar mills. When the First World War started he came back to Stawell and enlisted in the army on 11/4/1916. He was sent to France in the 59th Battalion. He was in the army 1175 days, serving 1029 days abroad. During his service he was promoted to Lance Corporal. Details from his daughter Ruth Clark of Ararat December 2017.ww1, serviceman, soldiers, military, stawell

Noirin Wojciechowski was undertaking a Bachelor of Creative arts (Honours) and the University of Ballarat Arts Academy when this work was created. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a girl in a green jumper. art, artwork, wojciechowski, portrait, available, noirin wojciechowski, green

Allan McLean was a stock and station agent from Maffra. He was elected to local government, served as Shire President and was the first chairman of the Maffra Sugarbeet Factory. He became Premier of Victoria and first member for Gippsland in the Commonwealth Government. Vincenzo Brun was a prominant society painter in Melbourne in the 1890s. The portrait appears to have been commissioned by the Maffra Shire Council, and probably hung in their chambers for many years. Framed oil painting by Vincenzo Brun of Allan McLean, local, state and federal parliamentarian, in thick, gold frame. McLean faces towards the left, is wearing a black suit and bow tie, and has a beard."V.Brun" as signature, bottom rightparliamentary representatives

Lifeboat equipmentLifeboat equipment userSepia photo of Henry Freeman - lifeboat disaster survivorReverse - " Gift from Henry Reid 6/11/86 - Artboard AB 57 - Frank Meadow Sutcliffe 1853 - 1941 - Henry Freeman - A portrait of Henry Freeman. Lifeboatman for over forty years & sole survivor of the Whitby lifeboat disaster of 1861 in which twelve men were drowned close by the West pier. Henry Freeman was the only one wearing a newly designed Ministry Life Jacket. - Reproduction by courtesy of the Sutcliffe Gallery, Whitby. - Hand finished photographs printed from Sutcliffe's original negative available from The Sutcliffe Gallery, 1 Flowergate, Whitby, Yorks White. Write for details. (c) Camden Graphics Ltd 1977 43 Camden Passage London N1 01-226 2061 ".historical references

This is a coloured formal portrait of King George VI and Queen Elizabeth. They are dressed in full royal regalia with crown and tiara. They are standing on a raised step in front of a maroon curtain. On the walls beside the curtain are garlands of flowers and leaves. At the bottom of Portrait is the phrase "Their Majesties, the King and Queen." This portrait is unframed.At the very bottom of portrait is printed - "Printed and Published - by the Argus and Australasian Ltd"'ww2, britain's king and queen

Framed portrait of David Robertson who was the first President of the Association for the Advancement of the Blind, from 1895-1899. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Robertson sits with his hands resting upon a wooden cane. He is wearing dark spectacles, a gray suit and waistcoat, white shirt with starched collar and pleated front, and a red and blue striped necktie. On his left lapel is a blue and red medal. David Robertson was educated at the Royal Victorian Institute for the Blind and was trained as a basket maker. He was one of eight foundation members of the Association for the Advancement of the Blind (now Vision Australia Foundation ) which was formed in 1895 in order to encourage blind people to manage their own affairs and build their self esteem. He was appointed the inaugural president and served as such from 1895 to 1899 and again in 1913 as well as acting as vice president from 1900 to 1902 and in 1911 and 1915. Known as a level headed and wise peacemaker he was elected chairman of the first interstate conference of blind people, which took place in Melbourne in 1913. From this evolved the Federal Council of Organizations of the Blind, which undertook to consider all matters affecting blind people. 1 art original in gold frameThe plaque at the base of the painting reads 'David Robertson / Inaugural President of / Association for Advancement of the Blind'.david robertson, association for the advancement of the blind

Framed photograph/portrait of W.J. HILSON WW2 VX 73637. Enlisted 10/2/42, age 20 years. Discharged 12/11/46 with Rank CRAFTSMAN, 1st AUSTRALIAN MECHANICAL EQUIPMENT WORKSHOPS.Photograph - Portrait, black and white, copy of a soldier in uniform. Frame - timber with brown stain, shaped edge. Glass front, cardboard backing. Mount - cream coloured cardboard.framed photograph, portrait, ww2

Small, hip length portrait of a lady. She is standing beside a cupboard? With her right elbow resting on the cupboard and her hand up to her face. Her left hand is beside her right elbow. Her dress has long sleeves and lace at the collar and cuffs. Printed on the back in gold is the photographer's name and address. Also handwritten: - 'to Mrs Carson with my best love Angelina Moorhead. Sailors Gully. Feb 21st /7 5.'The Briston Portrait Rooms, A. J. Davis, 75 & 77 Swanston Street. Melbournephotograph, portrait, female, portrait of a lady, bristol portrait rooms, a j davis

BLACK AND WHITE PHOTOGRAPH OF LADY IN VICTORIAN CLOTHING taken in a studio / reverse 'the London Portrait Gallery Bourke Square , DaylesfordLondon Portrait Gallery Bourke Square, Daylesfordphotograph, person, female, 'the london portrait gallery bourke square , daylesford

Framed portrait of John Wicking who was President of the Association for the Blind 1973-1984 as well as a generous benefactor. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr. Wicking wears a navy suit, white shirt and navy blue Kiwi tie. He was Managing Director and Chairman of Kiwi International when he was introduced to the Committee in 1971. With a natural air of authority, he was known to be both strong and wise. One of the first hurdles Mr Wicking faced following his election as President in 1973 was understanding the health service system and sorting out the differing views of committee members over recommendations for projects costing hundreds of thousands of dollars with no funds to implement them. The ten years of his Presidency were a time of exceptional growth and expansion. He was instrumental in acquiring an adjacent property to those already owned in Glenferrie Road in 1974 at a cost of $120,000, on which the Low Vision Clinic was erected – the first of its type in Australia. Land was also bought in both the metropolitan and country areas for future expansion. Day care centres were opened in Ballarat and Bendigo and new metropolitan services commenced. Mr Wicking formed a committee to explore the possibility of a radio station people unable to read standard print. As a result 3RPH commenced broadcasting in 1981. After his retirement as President, Mr. Wicking continued as a committee member until 1994. In 1995 he was instrumental in the establishment of the Tilly Aston Heritage Collection, on which he served as Chairman until sadly passing away in 2002. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John O. Wicking AM / President 1973-1984 / Association for the Blind'. association for the blind, john wicking

This photograph of Jane Shields was taken at the Burlington Studio, Melbourne in the late 19th to early 20th century. Jane Shields became friends with Eva Carmichael in 1878, a friendship that continued throughout their lives. The item was created by layering fabric glued onto card, the the oval-cut photograph blued onto the fabric. A tea set was given by Eva Carmichael, a survivor of the ship Loch Ard which was wrecked near Port Campbell in 1878, to Jane Shields, who was the young woman who supported Eva during her recovery from the ordeal. Jane was Eva’s close companion while she was convalescing at Glenample Homestead. The friendship between the two women continued after Eva Carmichael returned to her home in Britain, became Mrs Townsend, and had three sons. Jane Shields also married, becoming Mrs John Osborne and bearing four daughters and two sons. In 1926-27, almost forty-eight years after the shipwreck, one of Jane’s daughters (Ella Marie Schulz nee Osborne) visited Eva in England. Eva gave her the tea set to take back home to her mother. Jane died in 1932 and her tea set was inherited by her daughters, who divided it between themselves, a four-piece place setting for each of them. This photograph of Jane Osborne nee Shields is significant for its connection with Eva Carmichael and the wreck of the Loch Ard in 1878. Memorabilia connected to Eva Carmichael are precious and rare. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck. The collection gives a snapshot of history, enabling us to interpret the story of this tragic event and the lives of the people involved. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allow us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Photograph; studio portrait of the upper torso of a female. The photograph has been has been cut into an oval shape, glued on rectangular fabric that was already glued onto card. The woman is wearing a light-coloured jacket, white blouse and bow tie. The figure is Jane Osbourne, nee Jane Shields, a friend of Eva Carmichael. An inscription is handwritten on the matt card. Burlington, Melbourne, produced the photograph."Burlington, Melb." flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, china tea set, tea cup, tea set, royal blue china, eva carmichael, jane shields, glenample, loch ard, place setting, eva townsend, jane osborne

Portrait photograph of Rev Thos Evans First Minister at Stawell Baptist Church,Rev. Thos Evans who was the first Minister at Baptist Church. Portrait was once coloured as faint evidence can still be seen on image.ROBERTS & Co. by Special Application Photographers H.R.H. The Duke of Edinburgh and his Excellency the Governor Royal Studio Corner of Bourke & Elizabeth St. opposite the post office Melbourne. This or any other Portrait can be Enlarged up to Life Size. Copies may be had by sending name & N? " handwritten" Rev. Thos Evans who was first Minister of Church.stawell

Studio portrait of unidentified male, taken circa 1882. From the Partington collection. [Note: In the Hobart Mercury 11 May 1882, page 3… Portraits: Secure the shadow ere the substance pass away. Persons desiring large life-like portraits; taken from life; or copied from any portrait; and finished in oil or water colours; Indian ink; or any other style known in the art; should go to C. W. and Co.; who are the only artist photographers (portrait painters) in Tasmania. The most perfect and highly finished card portraits. Only 7s. 6d. per dozen. Address: C. WHERRETT and CO. Melbourne Portrait Rooms. Elizabeth-street, Hobart.] Sepia studio portrait.In black pen on reverse "Mrs Partington Kindest regards WRC"partington family

Framed portrait of Diana J. Jones who the first female president of the Association for the Blind since Tilly Aston. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mrs Jones sits facing the painter with both hands clasped in her lap. She is wearing a black double breasted blazer, white shirt, blue beaded necklace and earrings and a gold bracelet . A white kerchief sits in her breast pocket. Diana Jones served for 8 years on the General Committee before being elected President. During this time she was deputy chairman of the Reach Out Appeal to raise funds for the building program and President of the Honorary Services Group which co-ordinated volunteers and gave them a spokesperson on the General Committee. In her 8 years as President a great deal was accomplished. New centres were opened or extended throughout Victoria and the Metropolitan area, volunteer services expanded and the Vision Resource Centre at Kooyong was built into which 3RPH radio was relocated. A Vision Information hotline, audiology services and the National Centre for Ageing and Sensory Loss were established, the Braille and Talking Book libraries was incorporated into the Association and the Charlie Bradley Cricket Pavilion opened at Kooyong. In 1990 Diana Jones became a member of the first Board of Directors of the newly incorporated Association for the Blind Ltd which ushered in a new era, requiring strict observance of financial and accounting methods in order to ensure continued Government funding. Mrs Jones was highly regarded by clients, volunteers and staff as a capable hard-working leader. Her services to the Association and over many years to the wider community, were recognised in her appointment as a Member of the Order of Australia in the 1993 Queen's Birthday Honours. She passed away in July 2009.1 art original in gold frame The plaque at the base of the painting reads 'Dame Diana J. Jones, AM DSJ / President 1984- 1992 / Association for the Blind'. association for the blind, diana jones

Black and white photograph Cr PJ Farley 1947-48 53-54 59-60 65-66belfast, president, portrait, government, shire, council, municipal, local-government, cr.p.j.farley, shire of belfast

Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks

Framed portrait of George Maxwell who was President of the Association for the Advancement of the Blind 1920-1935. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Maxwell is turned slightly away from the viewer, and wears a blue suit, white high collared shirt and a blue tie. George Maxwell was President of Vision Australia from 1920 to 1935. After an early teaching career he studied law, was admitted to the Bar and became one of Victoria’s great criminal lawyers and later a Federal Member of Parliament. He took an interest the welfare of blind people from his student days. A detached retina in 1920 led to total blindness nine years later, which gave him a great empathy for those with a similar affliction. Through his contacts he was also instrumental in obtaining the first voting rights for blind Australians. Up until 1902 blind people were unable to vote if they couldn’t write with a pen. George Maxwell was working at that time at the legal firm of Strongman and Crouch one of the partners, Mr. Crouch, was elected as a member of Parliament. When the Commonwealth Electoral Bill was being drafted, Mr. Crouch has a clause added enabling blind people to vote in Federal elections, constituting a world first. But perhaps his greatest achievement was obtaining the pension for legally blind people. Until 1910 only those who met the age and means test criteria were eligible. With the help of his legal and political friends a bill was passed which granted the pension to all persons over 16 years of age who were unable to work due to physical disability or blindness. Until this time these people had to be supported by their families or go to a benevolent institution. This was a world first and gave to blind and vision impaired people a measure of independence which increased both their self reliance and self esteem. 1 art original in gold/brown frameThe plaque at the base of the painting reads 'Honourable George A Maxwell Q.C. / President 1920-1935 / Association for Advancement of the Blind'.association for the advancement of the blind, george maxwell

Studio photographic portrait. Subject unknown.Portrait Painters Walsh Bros 297 Malvern Rd. South Yarra. Marked: 607 Kyneton , on back