Introduced by Bayer in 1963, Propanidid is an ultra short-acting general anaesthetic. It was withdrawn because of anaphylactic reactions.Set of three clear glass ampoules with product details printed in red ink. There is a clear liquid retained inside each of the ampoules.Printed in red ink: Eponotol / 0,5g Propanidid / in 10ml inj. sol.propanidid, anaesthetic, anaphylaxis, bayer

Rectangular white paper label with blue printed text. Adhesive backing on reverse of label.Text, printed: " PRESENTED TO / Linton State / School Library / FROM MEMBERS / OF THE / OLD LINTONIANS' / ASSOCIATION. "old lintonians association, linton state school

The print was donated by a local resident, Joan Armstrong. https://www.ngv.vic.gov.au/explore/collection/work/75826/ The print is of a local regional homestead, Yalla-Y-Poora.A small, laminated copy / print of an 1864 painting titled Yalla-y-Poora by artist Eugene von Guerard."Painting by Eugene von Guerard / Yalla-Y-Poora / Copied from a diary loaned / by Judy Armstrong" on rear of itemeugene von guerard, yalla-y-poora, landscape, national gallery victoria, ngv, ararat

This certificate was awarded to Violet Murrell for a race sponsored by the Royal Agricultural Society of Victoria in 1929. Violet Murrell (formerly Violet Farmer) was one of the best female riders in Victoria, who won many events for dressage, show jumping and straight-out gallops at country meetings. She protested loudly that she was not allowed to ride at city tracks against the male jockeys despite beating them at country meetings. When she married Bill Murrell, a well-known jockey, they came to live in Mentone. Violet Murrell died in a tragic fire at her home in 1934 while trying to save her favorite horse, Garryowen, and her husband, who had tried to help her, died a few days later.Horse race award certificate awarded to Violet Murrell, riding Garryowen. Light brown in colour, with "First Prize" printed prominently across centre in blue. Dull gold decorative bands at top, bottom and left. Printed gold shield in centre of left band and small printed ornament with crown in centre of top bar. Printed (from top down): "The Royal Agricultural Society/of Victoria.", "First Prize.", followed by blank lines to be filled in: "Awarded to", "Exhibit", "Class", "No." Printed signature at bottom: "Henry Schwieg[ler?]/Secretary" Printed in shield on left: "GRAND/Annual/Exhibition/1929" Handwritten in black ink, to fill in blank lines: "Mrs. W. Murrell's "Garryowen" "[Awarded to], "Lady's Hack/15.3 or under" [Exhibit], "82" [Class] , "357" [No.] murrell, violet, horse racing, garryowen

Black and white print of BTPS 14 stored at the Sebastopol offsite site store following its return from Melbourne in Feb. 1979 Australia Day Parade. Alongside is tram 661. Photographer unknown.Yields information about tram 14 stored at the Sebastopol offsite store during June 1979Black and white print on Kodak paper dated June 1979tramcars, tramways, ballarat, tram 14, btps, sebastopol, offsite store

Thirty six page booklet with printed black and white text. Front and back cover is blue with printed black text. Handwritten text in blue and red is also shown on the front. front: [printed] AUSTRALIAN TEXTILE WORKERS’ UNION / FEDERAL AWARD / TEXTILE INDUSTRY / (Woollen & Worsted Section) / AWARD 1968unions, textile workers union, award, legal document, textile industry, woollen, worsted

Ticket printed for use between Lake Weeroona and Golden Square with the various sections noted. Headed "Bendigo & Eaglehawk Tramways". Priced 2d - Children under 12.Demonstrates an early ticket on the Bendigo tramways.Ticket - printed with a blue background, black text and red value. Was stapled to a block.bendigo, tramways, lake weeroona, golden square, tickets

There are 8 chapters to the manual, British printed by the War Office.Manual Gun drill for 25 PDR Gun, marks 2 & 3, khaki covers, 142 pages, all print and sketches in black and white.manuals, gun drill 1944

Ticket printed for use by people attending a banquet held during the official opening celebrations for the Buninyong Railway line on Thursday, 12 September 1889. Printed ticket in a bronze coloured frame, with floral motif around the ticket edges. Not used.Unused. Issued by Robert M. Harvey, Hon. Secretary.trains, railways, buninyong railway

This postcard was published by R. & B. Hall in Beechworth and printed in Saxony, circa 1930. Saxony is a landlocked state of Germany which borders the states of Brandenburg, Saxony-Anhalt, Thuringia, Bavaria and the countries of Poland and the Czech Republic. This particular postcard is embossed with a pattern which surrounds the middle image in the center of the card. This image depicts Asylum Avenue which leads to the Mayday Hills Asylum in Beechworth, Victoria. What makes this scene particularly interesting is the appearance of snow which is rare in Beechworth. The road depicted on the postcard has track marks made by a car with thin wheels. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Pale coloured rectangular postcard printed on matte embossed card.Obverse: Snow Scene; Asylum Avenue, Beechworth. / Reverse: POST CARD / ADDRESS ONLY / Published by R. & B. Hall, Beechworth. / Printed in Saxony. / 3447 [crossed out] / 1997.2492 / AFFIX STAMP /asylum, asylum avenue, beechworth, snow north-east vic, victoria, snow scene, mayday hills, mayday hills hospital, mental hospital, colonial attitudes, mental health, history, town development, postcard

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments. Printed sheet gives information of the project and restoration of the cottage. Mention given to people who donated item to decorate the rooms.Typed sheet with small drawing in top left of page.Printed Jan. 1977zilles printers, montrose cottage, restoration project, ballarat

Black and white print of PCC Class Tram 1041 & cable tram set 1 at Preston Workshops Dec 1974 See also items 1036 and 72 for other photographs of this event.Demonstrates the prototype all electric tramcar alongside the first cable tram set of 1885Black and White photograph - printed on plain paper with photographers stamp on rear.Has stamp of David Menzies on rear.tramways, trams, tram 1041, cable trams, prototype tramcar, mmtb, preston workshops, tram 1, pcc class

Taken on the 5 November 1917 by James Francis Hurley, this photograph depicts the a war damaged Ypres. The shell damaged wall of the Cloth Hall is featured in the centre of the photograph, with an army vehicle and personal are located on the street beneath the ruined wall.First Battle of Ypres, (October 19–November 22, 1914), first of three costly World War I battles centred on the city of Ypres (now Ieper) in western Flanders. Attempted flank attacks by both the Allies and the Germans failed to achieve significant breakthroughs, and both sides settled into the trench warfare that would characterize the remainder of the war on the Western Front.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6525/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)military album, burke museum, world war one, world war 1, ww1, ypres, belguim, ruins, first battle of ypres, james francis hurley

This photograph depicts the third battle of Ypres (Battle of Passchendaele). Depicted is a trench battlefield that has been turned to mud. Two army tank vehicles have been buried in the mud of the trenches. A single soldier stands in the background surveying the battlefield.After mid-1917, and following mutinies in the over-strained French Army, the British Forces had to assume an even greater role in the war on the Western Front. For Field Marshal Sir Douglas Haig, the British commander-in-chief, this provided an opportunity to launch an offensive that he had long wanted. Attacking from Ypres in Belgium, he planned to drive the Germans from the surrounding dominant ridges and even hoped to reach the Belgian coast. Following on the success at Messines in June, he unleashed his great attack on 31 July 1917. Fighting went on, often in appalling weather and despite crippling losses, until November. Finally, with the army stuck in muddy fields churned up by the artillery fire, the bloody offensive came to an untidy close. Many would afterwards call this offensive, actually a series of battles, after the name of the village that had become the last objective – 'Passchendaele'. In the Battle off Passchendaele, the 1st, 2nd and 3rd Australian Divisions captured Broodseinde Ridge on 4 October 1917. It was a vital victory. But, then it began to rain. Five days later the 2nd Australian Division suffered heavily in a further attack in the mud. Finally, on 12 October, another attack, involving the 3rd Division assisted by the 4th, was made against the village of Passchendaele atop the main ridge. In the face of heavy fire, the men fought in the mire while struggling to keep up with their artillery barrages. Ground was taken but it could not be held. In wretched conditions, with casualties mounting at an appalling rate, the Australians had to fall back. The troops were finally exhausted and could do no more; by 15 November they handed over to the Canadians.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6523/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)/military album, burke museum, beechworth, military vehicle, trenches, trench warfare, wwi, world war one, world war 1, ypres, belgium

Illustrated book with white front and back covers and red spine. The front cover has a red, black and white photograph of a group of nurses: Nursing staff of the 2nd AGH, Ghizerah, Egypt. Title and author's name are printed in red below this photo. Abbreviated title and author's name printed in white on the spine. Back cover has abbreviated title printed in red and a summary of the book printed in blacknon-fictionUnlike the Australian War Memorial nominal roll, the Australian College of nursing nominal roll includes the names of those nurses who served in India, with other allied services and those who died on home service while caring for returned soldiers during the 1918-1919 influenza pandemicworld war 1914-1918-nominal roll-nurses

This programme was printed for the 1938 Australian Championship Band Contest and incorporates the Bandsman's Yearbook. This was the year of Australia's 150th Celebrations and this contest was held in Sydney. It contains a wealth of information not only from a National level but also articles and results from State competitions. There are also short essays, obituaries, articles of interest, advertisements and other material that is interesting from a historical perspective.This programme is unique in the information that it contains, the photographs and other historical information. It provides a record of bands that existed during this time as well as a multitude of competition results.Programme printed in A5 sizeband association nsw, queensland band association, south australian band association, victorian bands' league, western australian band association, brass band association of new zealand

Four page booklet featuring printed text, with a yellow banner and logos of a sheep and a cow on the front cover. front: [printed] COOPER’S / SALES & SERVICE / Bulletin / THE USE OF ARSENIC & DIELDRIN DIPS / IN COMBINATIONproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Display card with fold out stand and the back. Card is blue with embossed printed text in gold and white. front [printed]: the finest / pure wool cloths / are made by … / VALLEY WORSTED MILLS / Geelongvalley worsted mills, advertising, card, display, wool industry, geelong

One copy of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 15th, 1950. Guests of Honour were The Hon. Sir Norman Martin and Lady Martin. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Lesley Cornwell, June Beck, Genny Allan, Thea Abe, Margaret Phillips, Patrica Hall, June Tebb, Lexie Munro, Janet Neyland, Norma Sheard, Norma Richards and Vicky McCaw. Trained by Mr & Mrs G Hudson. Chaperone: Mrs F. Jackson. Flower Girl: Barbara Abe. Partners: Des Pearse, William Thomas, Junior Allan, Alf Whitely, Norman Goodwin, Frank Richards, Max Farnell, Allan Farnell, Allan Holmes,Lachlan Neyland, Frank Metcalf, Graeme Seddon and Kevin Murphy. President Bendigo Branch R.S.L.: Col G V Lansell. Chairman Ball Committee Mr F E Jackson. Hon. Sec. Ball Committee: Mr J W Swatton. MC: Mr R Wright. Printed by Hocking & Sloan Print.Hocking & Sloan Printevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1950, the hon sir norman martin, lady martin, lesley cornwell, june beck, genny allan, thea abe, margaret phillips, patrica hall, june tebb, lexie munro, janet neyland, norma sheard, norma richards, vicky mccaw, mr & mrs g hudson, mrs f jackson, barbara abe, hocking & sloan print, des pearse, william thomas, junior allan, alf whitely, norman goodwin, frank richards, max farnell, allan farnell, allan holmes, lachlan neyland, frank metcalf, graeme seddon, kevin murphy, col g v lansell, mr f e jackson, mr j w swatton, mr r wright

This ticket was used in the 1950's to gain entry into the Mount Beauty Cinema, located in the community Hall. This ticket was donated by the person who attended one film shown in this theatre. This was in an era where before the start of screening, the "British" anthem was played and all patrons were required to be up-stand. Sometimes if somebody was not standing the usher would advise the patron of their patriotic duties to the "Queen" required them to stand unless they were physically incapacitated. This act demonstrated the strong bond to "mother England". From the late 1960's onward this strong show of loyalty "faded away" into history.This theatre ticket is very significant to Mount Beauty because it was the access by the Kiewa Valley residents to "big city" movies. This was in a time frame when television was just beginning to be a popular household entertainment appliance. The Kiewa valley was for a very long time "out of range" for television reception and the only form of screen images were attending the Mount beauty Theatre (just like the big cities but on a more intimate level). Just like the city movie Theatres, the Mount Beauty Theatre, was the centre of the "after five o'clock" entertainment hub. This was a time when going to the theatre was a big event and townsfolk "got dressed up" for this special occasion.It was the gathering place for young and old.This thick cardboard Cinema ticket to the Mount Beauty Theatre (cinema) has two distinctive sections separated by a single perforation. One section for the doorkeeper and one section to "kindly retain". The colour is light green with black print. The ticket was printed by RENWICK PRIDE.On each side of the perforation is printed, "Mt. BEAUTY" underneath in smaller print "THEATRE" underneath a dividing line "RES. SEAT" and stamped underneath "F" "13". Below these on the left side "DOORKEEPER" and on the right side "KINDLY KEEP"ticket, small theatre, local entertainment, public movie theatre, mount beauty cinema

A small soft covered book titled, ' Twelve Photographic Postcards of Durban (in monotone.) Series A.' A.R., P.O. Box 382, Durban. Printed in Great Britain. Early 1900's ?Printed in Great Britain, A.R. P.O. Box 382photograph, landscape, south africa, lydia chancellor, collection, durban, photograph photography, travel, postcards, tourism, south africa

Print of an original Painting - Titled "Landing At Duc Thanh" by B Fletcher, coloured print of various soldiers and helicopters on landing, with vegetation in foreground. Frame - Light Timber with decorative edge - marbled brown colour finish. Glass front. Mount - double mount, mid green, dark red inner.Light green print below picture "Landing at DUC THANH/ by/ B. FLETCHER" framed print, battle, vietnam

Printed in 1906, the postcard depicts an image of the grandstand and track at Baarmutha Park, Beechworth. There is a carriage in the left side of the image. On the right side, there are people, mostly young women, seated on a bench and gathering around a table on the lawn. The "clericals" and "brewery" mentioned in the written correspondence on the postcard's reverse refer to two local football teams.The record is historically significant as it illustrates how Baarmutha Park look and was used by the public in the early twentieth century.Sepia rectangular postcard printed on card.Reverse: Baarmutha Park 1906 / POST CARD / This space may be used for correspondence. / (For Address only). / BEECHWORTH / AP 14 / 06 / VIC / 9 / This was taken today / week when the clericals / played the "brewery". / It is a pretty view of the / lawn and stand. / (?) / Miss Alice Foster / Ford Street / Beechworth /entertainment album, baarmutha park, grandstand, racecourse, sport, athletics, picnic, leisure, race track

Colour print of BTM W4 class tram 671 in the City of Ballarat colours on an BTM organised tour in conjunction with the Rail Tourist Association. Photographed by David Frost at the South Melbourne Beach, route 1 terminus with the Bleak House hotel in the background. Date 13-4-1996. Z3 149 is at the terminus as well.Demonstrates the work of BTM and the City of Ballarat tram.Colour photograph print on Kodak paper.btm, tram 671, w4 class, tramways, trams, tours, south melbourne beach

Double sided leaflet with cream, black and white printed text and graphics. Front shows an image of sheep standing under a liquid spray. front: [printed] EASY TO USE / NO PREMIXING / COOPER’S LIQUID ARSENICAL DIP products, agriculture, animal breeding, animal husbandry, vaccination, health

Part of a collection of Rose & Valentine Series of Postcards - copied by John Jansson 1984Black & White Postcard. View of Newhaven from San Remo, Phillip Island. Over printed "Merry Christmas" CopyNewhaven from San Remo, Phillip Island. "Merry Christmas" over printedlocal history, photography, photographs, views newhaven, phillip island, newhaven

This carpet design sample is the first handmade test sample of the “Manor House” pattern carpet prepared for Geelong Wool Museum. Carpet design sample and wool yarn colour samples in card presentation folder. Folder is blue with gold printed text. Front [printed]: Brintons carpets / woven for two centuries / COLOUR AND DESIGN / PRESENTATIONweaving, carpet, manor house carpet, national wool museum, design, loom, brintons, geelong

Uncredited 1988 Entrant No. Ref: Series 34, Items 116, 117 No negative SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34