Painted red band on top, white band with block letters & now unpainted band on base- was red. Galvanised sheet back- with 4-3mm dia holes in corners. See p55 of K.S. Kings " The Ballarat Tramways"Demonstrates a tram stop sign made for a specific stop for use by School children.Semi circular tram stop sign, galvanised steel sheet metal.trams, tramways, tram stops, secv, ballarat, schools

Personal watch owned by Colin KerrStainless steel framed round-faced watch, round glass showing copper coloured numbers and hands, single winding mechanism. Brown leather bands with metal buckle.53105 "Water Resistant", antimagnetic, stainless steel back, shock proof Olymp 17 Jewels incabloc Swiss madekerr

Sea chests held all the worldy belongings of migrant families, when they migrated by ship. Families were eligible for up to two chests depending on the size of the family. From the markings, it appears that there was a second chest, but this is the only chest from this family in our collection. This chest would have been purchased or built by the Zarins family and loaded at the harbour from which the migrant ship left - in this instance that location is unknown. A basic online search reveals that Villach-Austria refers to the DP camp (displaced persons' camp) that the Zarins family originated from. Maybe the chest had been picked up from there, or there were a group of camp residents coming to Australia, we can only guess why this is written on the chest at all. Heavy wooden chest with metal handles on both sides and lid is missing. Metal bands with nails fixed to front and back and sides.Villach-Austria, N-196, 2 piece, AUGUSTS ZARINS, Australia (painted on side of chest in white paint, by hand)

BHS CollectionBendigo Advertiser ''The way we were'' from Wednesday, July 6, 2005. All dressed up: the debutante set at the Marist Brothers Band Ball in 1941. Back row: Franck Richards, Laurie Butler, Maurice Hobson, Tom Cairns, Max Dyet, Kevin Holland, Tony Byrne, Eric Polglaise, H. Fitzgerald, Leo Fitzgerald, Bill Gearon and Len Rainbow. Middle row: Len Conolan, Peg Hoff, Mary Kelly, Esrna Muir, Pat O'Shea, Eileen O'Halloran, Clare Tully, Nancy Flynn, Mary Gallagher and Dick Southby. Front row: Jim Lamers, Gwen Southcombe, DoreenReilly, Peg McLeish, Mrs J. Rowan, Mary Dunn, Julia Hunt, Irene Royal and K. Lalor. Front Cath Callaghan and Bernice Cavagnanewspaper, bendigo advertiser, the way we were

This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing

This chemise is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. A chemise was usually a sleeveless garment made of linen or cotton (so they could be easily washed) and its shape was much like a modern day nightgown. The name comes from the French word for "shirt" or "shift". Women wore chemises next to the skin (under the corset) to keep stains and odors away from the less washable corset and gown.This item is an example of the needlework skills of women in the mid to late 19th century - combining machine stitching with hand embroidery to personlise and embellish an item of clothing. It is also significant as an example of a practical solution to the difficulties of needing to regularly hand wash a bulky outer garment or gown in the Victorian era.A white cotton, short sleeved, knee length chemise. The fabric at the front is gathered on a yoke which is decorated with bands of five pintucks alternating with broderie anglaise lace and embroidered strips lined with pink ribbon. A different broderie anglaise design decorates the sleeve edges, neckline and center broderie anglaise strip. The back of the chemise is gathered on to the neckline. There are two bands of pintucks on each sleeve. The fabric around each armhole has been strengthened with another layer of cotton and a length of cotton has been added (from the left shoulder to the hem) to increase the width of chemise.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, south west victoria, victorian era, victorian era undergarments, chemise, victorian era chemise, undergarments, pintucks, victorian chemise, eliza towns, nhill, wimmera, home sewing, machine sewn, hand made

Allan McKinnon donated this photograph from the school, where it had hung for some time. It was donated because of fear of it possibly being thrown out. It is mounted on particle board, and has a string on the back for hanging.Print of photograph pasted onto particle board, which shows a large group of schoolboys standing at attention, parading in the school yard, with trees behind; boy at right with drum, others holding fife in left hand; most boys are wearing caps or hats. Picket fence in background.linton state school no. 880, linton fife and drum band, les dawe, neil wishart, cyril ryan, roger o'beirne, arthur cox, george mcdonald, alan mcdonald, clem o'beirne, perc jennings, fred jennings, laurie brown, neville sandow, mr h. b. williamson (head teacher 1911-1913), vic ryan, bennie nicol, alec mcbeath, ray nicholls, frank o'beirne, roy commons, chris stratton, eric nicholls, harry jennings, perc wishart, arch white (drum)