Kilby Lodge (c.1845-c.1922). William Oswin purchased Crown Land Lots 52 & 53 in 1845. These lots ran north from an old bullock track [later Kilby Road] to the Yarra, and east to Burke Road. Oswin purchased a neighbouring Lot in 1851, separated by the bullock track from the rest of the farm. Oswin built ‘Kilby Lodge’ and, with his brother, farmed dairy cattle on the site. Oswin’s descendants owned the farm into the 1890s. New subdivisions of Kilby and neighbouring farms in the 1920s changed the rural nature of north Kew. Housing and large recreation reserves replaced dairy farms and market gardens. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A panoramic photograph of Kilby (or Oswin's) Farm in East Kew."Kilby Farm when Oswins owned it. Commenced 1845."kilby farm, kilby lodge, william oswin, dorothy rogers, kew east

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The overhead transparency is of a map produced by H.C. Crouch Borough Surveyor in 1910The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An overhead transparency of a plan of Kew comparing the roads in 1860 with later roads constructed by 1910. Sections of the plan are marked with the location of particular buildings, farms or transport routes.Borough of Kewborough of kew, h.c. crouch

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The Curator’s lodge, designed by the Town Surveyor, HV Champion, was constructed in 1907 following the re-organisation of the north-east corner with the demolition of the old curator's cottage and erection of new gates. Both the lodge and lake (1904) were built during the curatorship of Mr Thake. The logo in the middle of the words ‘POST CARD’ indicates the card was printed by M. Schulz in Prague. Schulz was a long-established company from Prague and printed postcards for customers from worldwide. Schulz printed in photo-chromolithography. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.A colour image of the ornamental lake and part of the Curator’s Lodge. The lodge has a green roof, tall brick chimney, is brown timber with brick where the fireplace would be. The small island with a succulent is in the centre of the image. The image looks across the top of the lake where the rock edging can be seen. Reflections of the plantings and lodge can be seen.Front: ‘Williamstown Gardens’. Reverse: Reverse: Centre top ‘POST CARD’ with a logo [MS] in the middle of the words; left side vertical ‘O. Rippon Series’; left side ‘This space may be used for communication.’; right side ‘For Address only.’; left side bottom ‘Printed in Germany’. In pencil top right corner ‘1907 / $7’ (believed to be inserted by the vendor.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, curator’s lodge, ornamental lake, succulents, 1907

A talking book player that allowed the user to change the tone and speed of cassettes played in it. Designed to handle both 4 track and 2 track cassettes, these players were the perfect solution to having both commercial (2 track) and recordings for the blind (4 track) materials without needing separate players. Tonal changes in particular were sometimes required by older listeners, as aging reduces the ability to distinguish high pitch sounds. Speed variability also allowed those who read faster to increase narration, and to slow down reading patterns for listeners with acquired brain injury or other conditions that affected cognitive processing of language.Blue plastic rectangular talking book player with buttons for navigational controls and 5 buttons.Model tbci serial no 8017. Machine number: 8157audio equipment, royal victorian institute for the blind

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including attaining 210 members, a talk by Tilly Aston and another by Mr Lowe on cooperation were held, the Annual Picnic was held at the Caulfield Racecourse on the King's Birthday and included a band, some trials of skills and an impromptu concert at the end of the day, 50 pounds has been put aside for the Sick Benevolent Fund however this cannot be established until 200 pounds has been raised, and an approach has been made to the government for securing an Old Age pension for those who are blind however nothing definite has been granted.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports

Wodonga West School opened on 24 January 1870 and closed on 9 May 1950. It was located near the current intersection of McKoy Street and the Hume Freeway in West Wodonga on land donated by J.W. Klinge. The school replaced an older school, “Green Hills School, which was located north of the railway line. A public telephone was installed at the school and the mail service operated from the school three days each week. In 1935 a row of 15 ornamental trees was planted along the boundary fence, one for each of the pupils at the school. When this school closed the nine remaining students were transferred to Wodonga Primary School.This image is significant because it documents the early developments in the provision of education in Wodonga, Victoria A black and white photo of a group of children standing outside the Wodonga West School building.wodonga schools, wodonga west primary school, education wodonga

Advised of the tragedy by one of the stockmen Ellen O'Hara drives the gig towards Overton, but meets Klinberg who tells her the police have found a body near Nugent's place. Ellen gets there as Nugent is pulling Keiran's body from the river. Shock grief, and old bitternesses unhinge her mind. Seizing Trooper Ryan's pistol from on top of his clothes she shoots Nugent dead, and bolts up a rough back track towards her home with the police in pursuit. Her pony falls while belting along a narrow, dangerous piece of the track, and the gig goes over a cliff. Ellen is killed.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 32des martin, many a mile, ringer's river, northeast victoria stories

Copies of two articles in newspapers following the annual Anzac Commemoration Ceremony for Students in 1992. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. 01174.1 "Students honour dead" 01174.2 "A lone piper played and old soldiers stood to attention yesterday as hundreds of youngsters attended an Anzac commemorative ceremony for students at tech Shrine of Remembrance. Legacy holds the ceremony each year because Anzac Day falls in school holidays." 01174.3 is a 4 page document outlining the preparations involved in running the ceremony each year and the tasks assigned to members of the Commemoration Committee.A record of a ceremony at the Shrine for school students and the preparations undertaken by the Commemoration committee. A good documentation of procedures.Two newspaper articles and preparation instructions for the Annual Anzac Commemoration Service for Students in 1992.01174.1 Herald Sun 8.4.92 (Late edition) 01174.2 The Age 9.4.92anzac commemoration for students, wreath laying ceremony

A photo of a gathering at Harelands on 13 October 1963. It was the handover of the Recreation Hall at Harelands from the Eastern Suburbs branch of VAJEX. Mr Maurice Ashkanasy, President of the Executive Council of Australian Jewry is addressing the gathering. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. The children were cared for until they were old enough to become independent. Was in a folder marked 'Residences'.A record of Legacy acquiring residences to provide a home for children that needed care.Black and white photo of a group at the handover of a recreation hall built at Harelands for Legacy.Handwritten on the reverse 'Sunday 13/10/63. On occasion of handing over by the Eastern Suburbs branch of VAJEX, of the recreation Hall at "Harelands" Legacy Residence, Kew to Melbourne Legacy. Mr Maurice Ashkanasy, President of the Executive Council of Australian Jewry is addressing the gathering.' in blue pen and 'Harelands 1963' in pencil. Stamped 'The property of Melbourne Legacy; in purple ink.residences, harelands

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

The Old Colonists Association Minute Book records: 'James Smart presented the Association with a Gold Diggers License dated 28th January 1853, it being resolved a vote of thanks be recorded.' The headwaters of the Loddon River rise on the northern slopes of the Great Dividing Range east of Daylesford. The river rises below Musk near Trentham and Lyonville from where it heads northward to Glenlyon and on to Loddon Falls. It then flows generally northward through Guildford and Newstead, 40 kilometres (25 mi) west of Bendigo, then towards the Murray River. The Upper Loddon Plains is within the traditional lands of the Dja Dja Wurrung people.Gold License issued to Edwin Smart on 28 January 1853 at the Upper Loddon.gold license, edwin smart, gold mining, james smart, upper loddon

Roadside buildings, formerly Doney's General Store. Doney's operated from the 1880s through to the late 1960s. It was situated at the head of the present day Research shops on Main Road near the corner of Raglan Road. By the 1960s it was under new ownership. The Store had a residence at the back. Signs promote The Herald and Sun newspapers, four 'n twenty pies, coca cola and more. A public phone box is in the front of the store. Beside the store is possibly an old farm building with more signs advertising honey, Streets, Tarax and a local bottle dump. Lyn Dodkins used to work in the Store after school.Digital file onlygeneral store, research (vic.), milkbar, lyn dodkins

Pat King was a surgeon dentist in Warrnambool from the late 1920s through to the 1940s. In 1929 the King family owned the stone building in Liebig Street next to the old Tattersalls Hotel (now McDonalds fast food outlet). The King family remodelled the building and turned it into shops with living quarters upstairs. Pat King had his dental business in the centre of the building and his brother had a produce store at the northern end of the building. It was known at that time as Kings building. By the early fifties, at the time of his death, Pat King had been living at 32 Howard Street. Kings building was auctioned in 1953.This little box is of some interest as it came from the dental business of Pat King, a prominent dentist in Warrnambool in the 1930s and 40s. This is a small buff-coloured cardboard box with a lid. The four corners of the box and the lid have metal rivet reinforcements and a semi-circular cardboard inset has been stapled into the box. The box was used by the dentist Pat King of Warrnambool and the box appears to have been made to hold dentures. Lid of box: ‘P. V. King, L.D.S, B.D.Sc., Dental Surgeon, 187 Liebig Street, Warrnambool, Phone 451’. kings building,, warrnambool, pat king, dentist, history

Photographs of H class car 60 at the Kew Depot c1920's. .1 - Tram painted in MMTB chocolate and cream colour scheme. Side elevation photo with depot buildings in background. Taken prior to modification of roofs at end of cars to building in destination box. Tram of same class at SEC No. 18. Tram E45 can be seen in the shed. .2 - Front elevation photo with depot buildings in background. Has old style destination box on roof, showing "DEEPDENE" and a route number box above the headlight. Both photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne.Yields information about H class tram No. 60 and Kew DepotSet of two Photograph, Black and White, In ink on the rear: .1 - "M&MTB H-60, Kew Depot `1920's (E45 in shed)" and the photographers stamp. .2 - ditto. KSK print number SA938 and 939.trams, tramways, h class, kew depot, deepdene, e class, tram 60, tram 45

Dr Richard Morton of the Warrandyte Historical Society, speaking with host Marie Ryan of Magazine, on Plenty Valley FM Radio revisiting his presentation of 29 November at the Eltham Living and Learning Centre as part of the Tales of Old Nillumbik presentations, a series of talks held October - December 2005 at the Eltham Living and Learning Centre which allowed Nillumbik Historical Societies to record the verbal history of the area with some of the well known residents of Nillumbik and surrounds Recorded and edited by Marie Ryan of Plenty Valley FM The recording foir Warrandyte Historical Society had issues and so this talk was revisited on Plenty Valley FM Radioaudio recording, north warrandyte, dr richard morton

Organ purchased in 1886 by Presbyterian Church, Girgarre East (Springvale) and used continually there until 1975. Bought then by W&D Ballantyne (Harston). They gave it to this museum in 2009 on permanent loan. Used during WW2 when internee was married in the church. Girgarre East Presbyterian Church. Mrs M Clapp was the organist who played it at Springvale Presbyterian Church, Harston, for church services and Japanese weddings from internees at Camp 4. When Mrs Clapp became to old to play the pedal organ the Church purchased an electric organ for her. The donor purchased the pedal organ for personal use then donated it to the Museum. Packard reed organ (harmonium) featuring very ornate case. Good variety of stops.Packard Organ Port Wayne Iln. USAtatura, musical, instruments, keyboard, ballantyne, mrs clapp, springvale presbyterian church, japanese weddings

The bags multiple small pockets are reflective of a movement post 1920s wherein evening bags were designed to hold cosmetics and at times, as in the case of this purse, small mirrors. It is a notably older design, produced by Gabee Products in 1949, their first year of production, by Heinz Arnheim, a Jewish miller who had migrated from Germany to Australia ten years prior. The bag is designed according to 1930s Art Deco sentiments, with industrial metal closures, shell shaped designs and geometric patterns etched into the frame. A contrast to the larger leather bags of the 1940s and the 'current' square and box bags which Dior popularised in 1947.Small black suede shell shaped coin purse with marcasite tuck lock. Mount lined with 3 rows of diamantes, 9 each side. Small black suede handle attached with metal square buckle to each end. Internal of the mount marcasite etched with a chevron pattern. Lined with thick black fabric with two pockets, one pocket containing rectangular mirror. Small fabric label on left side."Gabee Products Melbourne"bags, evening bags, purses, 1950s, 50s, 1940s, 40s

Tom NESTOR Tom Nestor studied a Diploma of Fine Art at Ballarat College of Advanced Education (later Federation University) in 1980, 1981 and 1982 with the intending to be a secondary teacher. Instead, he opened his own ceramics studio in Bald Hills at his parents property near Creswick. He worked for potteries in Albury and Healesville as well as Old Ballarat Pottery as a production thrower. In 1985 he moved to Belgrave where he continued to work producing kitchenware and garden pots till mid 1986. Works may be marked with an impressed stamp as on this vase "Tom Nestor Bald Hills Handcrafted"Glazed vase with cobalt blue leaves.ceramics, australian studio pottery, tom nestor, bald hills pottery

Centred on 147 Old Eltham Road, Lower Plenty bounded by Hurstbridge Railway Line to north, Yarra River to south, Main Road, Eltham to east and Heidelberg Golf Club to west. Historic Aerial Imagery Source: Landata.vic.gov.au Aerial Photo Details: Project No : 539 Project : MELBOURNE-GEELONG PROJECT Run : 6 Frame : 81 Date : 01/1962 Film Type : B/W Camera : RC5 Flying Height : 6000 Scale : 15840 Film Number : 1524 GDA2020 : 37°43'52"S, 145°07'26"E MGA2020 : 334685, 5822354 (55) Melways : 21 D9 (ed. 42)aerial photo, lower plenty, main road, montmorency, phoebe mason collection, eltham, eltham lower park, heidelberg golf club, hurstbridge railway line, main road eltham, yarra river

1. Small timber cabinet with glass fronted door. Old metal handle. 2 hinges on left side. It holds two Honour rolls. 2. Leather bound book. Gold embossed writing. Gold rim around the edges - brown leather. Marked as Honor Book 1914- 19. Gravel Hill School No. 1566. The edges of pages are "marbled". Each page is handwritten with a short biography of a soldier. There are 82 names and 10 blank pages. 3. Leather bound book. Gold embossed writing. The leather surface has a dimpled appearance. The wording is: Honor Book 1939-1945 - Gravel Hill School No. 1566. There are approx 100 pages that have a service persons name stated. They have a very brief note above name.ww1, ww2, honour books, gravel hill school

Uniform issued to "W.O.1 D.M. Field" 313679 - Regimental Sergeant Major.1. Jacket - Khaki colour wool/polyester fabric. Service dress style old plastic buttons, Collar, shoulder epaulettes, four front pockets, top with buttons and two metal press studs on flap, lower button down flap. Sleeve insignia Australian Coat of Arms embroidered on patch, gold, green, blue, red, black and white for W.O.1. Buttons have raised emblem, globe, horse and crown R.A.E.M.E. Green polyester fabric lining with manufacturers label on inside left. 2. Trousers, Khaki colour wool/polyester fabric, service dress style, With fob pocket, two side pockets and one back pocket. Green polyester fabric waist and pocket lining with manufacturers white cotton label inside on back pocket.Manufacturers information on labels - black ink print. 1. "CARBONE APPAREL/ VICTORIA/ 6/ DRY CLEAN ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CREASE UPPER HALF OF/ LAPEL ONLY./ SERVICE NO/ NAME" Handwritten blue ink pen "2332/ FIELD" . 2. Print and information on label - illegible.uniform, army, service dress, wo1 d.m. field

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-27: Charles Grayden: Charles arrived from England on the "Robert Ben" about 1835. On arrival he went bush. He later married Margaret Larkie in St. James' old Cathedral, Melbourne on 15th September, 1842. They arrived at Hastings in 1860 then came to Phillip Island to live on Block 33, Newhaven in the year 1867. He died 26th January 1905 aged 85. Margaret died 21st June 1907 aged 81. She is also buried in this grave. 466-28: Joseph Bauer: Joseph was the son of our first owner of the Isle of Wight Hotel. His father came to the Island in 1870 and bought a small private house, then added to it in the style of a Swiss House. It became one of the most comfortable hotels in Victoria. Joseph died aged 19, in 1878.phillip island cemetery, nancy mchaffie, edith jeffery

The KVHS rotates its displays in the Mt Beauty Museum. These topics are researched and give a deeper insight into the chosen topic.A frosted white plastic tub holding blue plastic folders each with information and photos of each of the temporary displays that the KVHS has displayed in the Mt Beauty Museum. These include: 1. And Then There was Light 2. A Woman's Work is Never Done 3. Bogong Village - Camps 4. Cross Country Skiing 5. Electricity: Watts the Story 6. Here Comes the Bride 7. High Country Cattlemen 8. Indigenous People 9. Mt Beauty - Early; 10. Mt Beauty Sports 11. Not All Tea and Scones - C.W.A.12. Old School Days 13. Tawonga District General Hospital 14. The Buffalo Lodge 15. The Dairy Farm 16. Tobacco in the Kiewa Valley 17. What Makes our Community Great? Clubslight, women's work, bogong village, cross country skiing, electricity, weddings, cattlemen on the high plains, indigenous australians, mt beauty, c.w.a., schools, tawonga hospital, buffalo lodge, dairy farming, tobacco in the kiewa valley, community clubs

This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery'