Blue stamp on front & back flyleaf: RSL Stamp Book, hard cover, dark green coloured buckram, no print on cover. Dust cover, black print on green background on front & spine. Sepia photograph of uniformed soldier on front, black print on white background on back. 193 cut pages, illustrated black & white photographs & maps. Biography - Frank Holland MBE Commando, Coastwatcher / Wartime rescue operation in New Britain; '2' Special Unit Operation in Portuguese Timor & Borneo.Handwritten in black ink on front flyleaf: To Alan Holmes Resident of Bendigo RSL With compliments 4.9.99 Handwritten in blue ink: Mabel Holland Queen Emma By - Robson Story of Rabaulbooks, military, history, biography

Warrnambool Bowls’ club was established in 1890. The club was initially established in Liebig St and was the sole club in Warrnambool before the establishment of St. John’s Bowls club in 1926. Warrnambool City Memorial Bowling club was established in 1950 with Lawn tennis and Dennington following in the 1960’s.It was around 1990 that the club moved from Liebig St to Timor St on the site of the St Joseph’s tennis courts. Mementos of two local clubs which have a long association with the town and which are still operating today.001043.1 Roughly five sided badge with picture of lighthouse in blue and white, surrounded by dark blue with bronze coloured writing. Pin at back. 001043.2 Oval shaped with dark green border with text surrounding light green centre. Brass coloured emblem of Warrnambool War Memorial. Back has pin clasp. 001043.1 Warrnambool Bowls Club 001043.2 City Memorial Bowling Club Warrnambool on front of badge and Pitcher Melb on back. warrnambool, warrnambool bowls club, warrnambool city memorial bowls club

Built in 1868 for Boarding House. Added to in 1887 - 88. Sold when Robert Anderson's second wife died. Several owners but came back into the family with Grandson Stan Anderson. Sold again when Stan died. Glen Isla now owned by Mr & Mrs Lunn who have restored it to its present condition. Now owned by Mr & Mrs Baker - 2018.House built in 1868, to become a Boarding House. A 2-story weatherboard building with brick chimney and filials at each point of gabled roof. Long windows. Attached at back and far side 2 single story joined gable roof buildings and adjoining wooden lattice building. Back yard white picket fence. 5 Figures out front. Built by Robert Andersonlocal history, photographs, buildings, historic., glen isla homestead, phillip island, black & white photograph, mrs emma anderson jacobs, robert coxon anderson

Harriett Wilson was the wife of William Wilson, an active member of and preacher with the Linton Methodist congregation. This is one of two photographs of Mrs Wilson in the collection. This one appears to have been taken earlier than the other. The other photograph is Registration no. 480 (Box 14, also Mounted photograph 21), and shows a somewhat older Mrs Wilson, although Mrs Wilson is wearing the same dress in both photographs. An inscription on the back of the photograph says that this photograph was given by Mrs Wilson to F. Bryant on December 16, 1890. Mrs Wilson died in a fire in 1900 and is buried in Linton cemetery. See notes in Wilson family file.Small sepia photograph of a woman with hair drawn back from face, wearing a long-sleeved, full-skirted gown with beaded detail on bodice and white collar, seated with left hand resting on lap, right arm crooked on back of a chair, holding a book in her hand.In faded pencil on reverse of photograph: "James / Wilson / Linton / Given by Mrs Wilson / to F Bryant Dec. 16, 1890". Written in darker pencil over the top of this: "Mrs Wilson / (Granny)".mrs w. wilson, harriett wilson ("granny" wilson), old lintonian collection

Photograph of Janefield Special School cubs Oct 1970: Reg Nimmo, Russell Mathers, ? Stevens. (last name not readable due to damage on back of photo)Black and white photographCaption on back: "Janefield cubs Oct 1970: Reg Nimmo, Russell Mathers, ? Stevens". janefield, janefield special school, scouts

This shirt is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Cream Cotton Shirt, long sleeves and separate collar. Front fastening with five bakelite buttons. Cuff of each sleeve fastened with one bakelite button. Button hole on back of neck to attach collar.Makers mark on back neck "1180 1943 Made in Australia.

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Colour photograph of a woman in a white period costume and mob cap. Photograph taken from back.BACK OF COSTUME OF FLAGSTAFF/HILL VOL GUIDE AT MUS AUS VIC/STATE CONFERENCE 2/4/14 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool, photograph

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. The Governor-in-Council declared Marlo to be a township on 18 February 1889. During May 1889, the government surveyor, E.L. Bruce set out 19 sections of the new township, with the first sales of subdivided land occurring the following May. At this time, Stirling's Marlo Hotel was the unofficial hub for the community. It was a general store, accommodation house and the unofficial post office, with settlers taking turns in bringing the mail from Orbost or Cunningham. This continued until Aug 1942, and in 1969 was located in a house adjacent to the Marlo Hotel, before being transferred to the Marlo General Store in this year. The official Post Office List states the Marlo Post Office opened around 1902. in 1925, the "Marlo House" (a nine room accommodation guest house) was granted a liquor licence. The "Marlo House" became "The Marlo Hotel". The Marlo Hotel was popular with many Orbost and district settlers, who travelled to Marlo by horseback or buggy. In the early 20th century the hotel advertised itself as " Under Vice-Regal Patronage. Situated on High Cliff, fronting Ocean, Lakes and Snowy River. Those in search of Health, Rest and Sport should visit Marlo. Boating, Fishing, Shooting, Bathing, Golf. Comfort and Convenience at Marlo Hotel, near Orbost, East Gippsland. Nixon's Cars would meet the train at at Orbost. Fare---6s single, 12s return. Telephone No. 1, Marlo. S, P, STEWART, Proprietor." The Marlo Hotel, perched on the hill overlooking the estuaries and the entrance is a significant building in Marlo. Established in 1886, it has been operating for over 120 yearsAn original black / white photograph and a black / white copy of a party being held under trees on the lawn of the Marlo Hotel. It is a postcard with advertising of Marlo on the back.on back - "Where to spend your holiday - Marlo" on front - "Vice Regal Party at Hotel, Marlo"marlo-hotel

Stawell Brass Bank in uniform with Bandmaster at back with a big hat. Man in suit kneeling at frontMakers stamp on back Stawell Photographic Co C Hewitt Photographer Main Street close to Railway Station Stawellentertainment, music

Brian and Jill Mills lived with their children at Lakeside Ave. Mt Beauty. Brian was in the airforce.4 photos were taken during the construction of the Kiewa Hydro Electric Scheme. 1. The "Mills Kids" beside the river - show the fashion of the time and how families spent their recreational time. 2.& 3. The "70 Lakeside Ave" photos show the type of housing provided by the SECV and that the garden hadn't been created. 4. SEC marshalling yards, Mt Beauty c 1940s-50s. An historic photo of 1940s/50s buses used to transport KHES workers to their work sites, some of which were on the High Plains.15 large photos scanned in colour. 5 have labels written on the backOn the back "Brian Mills" (in airforce uniform); "Mills Kids / 78 L/side Ave"; "70 Lakeside Ave"; "70 L/side Ave" and "SEC Marshalling yards - Mt Beauty (and Donor's name and address.lakeside ave mt beauty, brian mills

Postcards collected and sent by "J.P. Vercoe", No 2530 whilst serving during WW1. Part of the Cooper Collection.1. Photograph postcard featuring a baby sitting in a high chair. Handwritten info on the back. 2. Colour photographic postcard featuring buildings and horsedrawn transport. Handwritten information on back. 3. Colour photographic postcard featuring buildings, pedestrians and horsedrawn vehicles. Handwritten anecdote on back. 4. Black and White illustrated postcard featuring a woman sewing and soldiers in uniform. Caption in black text. Handwritten info on back. 5. Colour photographic postcard featuring a woman and child standing. Caption in French. Handwritten anecdotes on back. 6. Black and White postcard featuring a soldier offering a woman a cigarette. Caption in white text.1. 2. 4. Handwritten in pencil on back: Pte J.P. Vercoe No. 2530, D Company 5 Rein 60th Batt, 15th Inf Brigade, AIF Abroad. 3. & 5. Handwritten letter to Ethel from J.P. Vercoe.cooper collection, j.p. vercoe, postcard, ww1

The chair’s turned legs and bowed, spindle back are typical characteristics of the popular ‘Douglas’ chair, which descends from the long evolutionary line of ‘Windsor’ style cottage chairs. Also known as ‘Captains’ chairs, they were made on a large scale in England, America and Australia from around the 1860s in various timbers, with seats ranging from heavy pine to cane and in later models, plywood. Australiana expert, Peter Cuffley writes that they were just as much a part of Australia’s frontier experience as they were America’s; Holtermans’ 1872 photographs of the New South Wales gold towns show Douglas chairs, and they appear in illustrations of the exploits of the Kelly gang drawn in the late 1870s. Many Australians now are more likely to associate them with public offices and governments departments’. The chairs met the need for a degree of comfort and tough resilience under rough handling on hard floors. The Cape Nelson chair is known to have been used as a visitor’s chair, presumably in the head keeper’s office. No other examples of nineteenth century style chairs survive among the reliably provenanced furnishings in the five other lightstation collections. The chair complements the lightstation’s nineteenth century office desk and small number of other nineteenth century furnishings in the wider Parks Victoria lightstation collection, the majority of which are domestic items. The Douglas chair has first level contributory significance for its historical value and relative rarity as a lightstation office furnishing.The chair has turned legs and bowed, spindle back .

Infantry private 1st AIF 1914 - 1915A b/w postcard size full portrait of DF. Jack Greelish (hatless) at ease, hand behind back.Typewritten on front: JACK GREELISH Handwritten on front: JACK FREELISH? Printed on back: POST CARD - WHYTE & SONS, 20 UNION ST GLASGOWgreelish, jack, freelish, whyte and sons, photographers, soldiers, clothing and dress, uniforms, armed forces, george evans collection

Wife of the Rev T D Cairns, Minister of St Andrews Kirk, Mrs Mary Cairns served on the Council of Clarendon Presbyterian Ladies College 1919 - 1949. Her generous guarantee of loans from the Ballarat Banking Company, together with other donations, enabled the Presbytery of Ballarat to purchase Clarendon Ladies College from Mr Kennedy in 1919 for 1500 pounds. Mrs Cairns was an inaugural member of the new Clarendon Presbyterian Ladies College Council, established 1919 and remained on the Council for 30 years. This chair was a personal gift to Mrs Cairns by the PWMU to honour of her long and devoted service to that organisation. Mrs Cairns donated the chair back to St Andrews Kirk where it remained in use until the sale of the property in 2019. Congregation member, Max Harris, kindly arranged the donation of the chair to the school because of Mrs Cairn's long association with Clarendon PLC. Solid wood chancel chair with discreet carving; plaque on front side of back supportPlaque: This chair was presented by the / Members of the St Andrews P W M U / on the occasion of the retirement of / Mrs T R Cairns / from the Presidency of the Branch / after holding that office for more than fifty years / as an acknowledgement of her devoted service / as President / & of their deep personal regard. mrs mary cairns, 1919, st andrews kirk, clarendon presbyterian ladies college

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Pictured is the woman who has been attributed to making many of the costumes.Colour photograph of a woman in pink period dress taken to show the back of the costume and bustleBACK OF COSTUME FLAGSTAFF/ HILL VOL GUIDE WHO MAKES/MOST OF THE COSTUMES/MUS AUS VIC CONFERENCE/2/4/14 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool

Brothers from Bendigo .1) Arthur John Knight No 318 enlisted 16.3.1916 in A Coy 38th Bn age 23 years 10 months, embarked for England 20.6.1916, embark for France to join the 58th BN 9.9.1916, hospital 26.1.1917 with Trench Feet, RTA 18.10.1917 loss of all toes, discharged from the AIF 15.6.1918. .2) Oliver Leslie Knight No 3891 enlisted on 16.8.1915 in 12th reinforcements 5th BN age 21 years 3 months, embark for Eygpt 23.11.1915, hospital Cairo 8.2.1916 with Influenza, embark for France with BEF 25.3.1916, WIA 25.7.1916 GSW Ear & Back, rejoin unit 16.11.1916, hospital 21.12.1916 with Trench Feet, rejoin unit 28.6.1917, L/Cpl 18.8.1917, WIA 2nd occasion 22.9.1917 GSW Back, rejoin unit 3.5.1918, Cpl 1.10.1918, RTA 1915 draft 25.1.1919, Discharged 6.7.1919 from the AIF.Photos B & W rectangular shape, soldiers in uniform, brothers, studio background. .1) Soldier standing with hands behind back. .2) Portrait photo merged into the background.photographs, 5th bn, 38thbn, 58thbn

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for mens garments. It was published during the war and contains a pattern for an ARP Warden's cap. The illustration on the back cover shows a man wearing an ARP armband with a steel helmet slung over his shoulder.Knitting Book (front cover) - Patons and Baldwins' Specialty Knitting Book no. 157, WWII. Knitting Book (back cover) - Patons and Baldwins' Specialty Knitting Book no. 157, WWII.Patons Knitting Book / (Specialty) / No. 157 / A Patons & Baldwins' Publication - 7D.knitting handicrafts - history world war ii, patons and baldwins (australia) ltd, knitting, handicrafts - history, world war ii

Photograph is of Jim Parkin, standing beside his 1919 Buick. Jim Parkin owned and operated a butcher shop in Main Street, Rutherglen from 1925 to 1968.One of 4 photographs, reprinted on a single sheet of photographic paper, of Jim Parkin's Butchers Shop & vehicles. Individual photos are identified on the back of the image. This one is of a man standing in front of a vehicle, with a building and fence in the background.Written on back of image: "1919 Buick. J Parkin 1934"parkin family, buick, cars, automobiles, jim parkin

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Pliiar Caves, near Warrnambool – The formation at the front of the cave resembles the pillars of a porch, giving the cave its name. Local social media discussion locates the caves near Lake Gillear, east of Warrnambool. The area was popular with young lads as a place to explore and to go rabbiting. The caves in this area are home to colonies of bats and have been a source of bat feces or bat guano, which is an enriching additive to soil. The 19th century sailing ships in the Nitrogen or Guano trade collected large quantities of guano from caves and popular bird nesting locations to sell as a rich fertiliser, due to its high nitrogen and phosphorus properties. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Pillar Caves rock formation with figures on it suggests that the location was a popular place to visit. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. The presence of bats in local caves also connects the postcard to the 19th century Nitro Trade and Guano Trade, when bat guano was collected and sold for plant fertiliser around the world. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows figures on the high, grass-topped cliff, one between the likeness of pillars in the cave entry, and others walking on the rocks nearby. The background below is rough ground. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “PILLAR CAVES, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, rock formation, pillar caves, pillars cave, lake gillear, rebbiting, bats, guano, nitro trade, fertilizers

A badly damaged small antique brown leather Lutheran German Missal which has no title page and the cover is broken away from the pages. There are two small leather tabs on the back cover which would have closed the missal. 330.Pp. non-fictionAs the title page is missing there are no details as to the publisher of this missal. It is written in German. A missal is a liturgical book containing instructions and texts necessary for the celebration of Mass throughout the liturgical year. Versions differ across liturgical tradition, period, and purpose, with some missals intended to enable a priest to celebrate Mass publicly and others for private and lay use. missals, religious books, churches

Items part of the collection of J.E. Wiles, refer Cat No. 5410P for his service details.Small Brown book. Leather bound with wooden front and back cover. Series of crosses engraved into the front and Jerusalem engraved into the back. Inside 841 pages of pictures, prayers, tablets and psalms split into 3 sections. 473 pages of the order of Morning Prayers and a second supplement.Written inside front cover: "To Mother with love from Jack 16/6/40". Engraved on back "Jerusalem". Inscribed on side " Common Prayer, Hymns AOM". bible, middle east, ww2

Found by a builder (with four dip-nib pens) underneath the floorboards of a classroom in 2012. The classroom was in the process of being demolishedThe ruler (and the pens that accompanied it) look to be from the earlier phase of the school.Wooden 8 inch ruler with Westex brand. Faded scribbles in red,pink and blue on front. On back, diagram of angles and markings/scribbles. Two corners broken.Westex brand on fron, angles diagram on back. Scribbles on both sides, mostly capital letters.