A souvenir greeting card from The Marysville Museum in Marysville in Victoria.A souvenir greeting card from The Marysville Museum in Marysville in Victoria. Fred Sawyer was originally from London, but then later relocated to Sydney, Australia, and then to Marysville in Victoria where he established The Marysville Museum. The Marysville Museum held a collection of horse-drawn vehicles, veteran, vintage, and classic vehicles, various machinery, and memorabilia. the marysville museum, marysville, victoria, 1904 romany vardo, fred sawyer

This set of magazines is a vital tool for those researching the early days and later development of ATCV and CVA. It was modelled loosely on the magazine "Conserver" of the British Trust for Conservation Volunteers (BTCV). Issues become more sophisticated in format over time and each includes news, project reports, lists of upcoming projects, and stories. The editor for 62 issues was Mr Alf Bailey (staff 1987-current (2010)who edited the Conservator from Mar 1987 to mid-2006.Alf was a former high school principal and set a high standard. Since 2006 a more compact and economical newsletter "Conservation Volunteer" has been mailed to CVA and CVNZ members and is also downloadable from the CVA website.This set of magazines is significant because it is the most comprehensive record of all aspects of the establishment, growth, expansion, and nature of ATCV/CVA and its activities. It reveals the change from a local charity to a nation-wide corporate structure engaging thousands of volunteers tackling hundreds of projects a year in Australia and New Zealand in the present day.This was the final issue of a magazine produced by ATCV/CVA from 1982-2006 (c. 90 issues). This issue was a high quality, profusely illustrated colour magazine, representing a quantum leap in professionalism from the earliest photocopied editions. magazine, conservator, conservation, volunteer, promotion, alf, bailey

"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space

Clippings regarding fundraising for the MTS during the 1930sAS an entirely donation dependent organisation the Mission services have constantly needed publicity and promotional support to continue to offer services to seafarers. This collection of pre-WW2 clippings reflects the emergence from a period of great Depression economically.The collection is a useful research source.A group of 8 thin damaged pages with clippings adhered either singly or in groups of 2 or 3 clippings some images - primarily from the "Argus" circa late 1930s. All appear to be related to a drive for fundraising to support the Mission to Seamen.Typed dates and inscriptions at top of each page 1-8fundraising, clippings, mission to seamen

Found under the wooden floor of the Billiards room of 717 Flinders St. during renovation works on Tuesday 29 May 2018. This size of pack would have held 5 small cigarettes. Probably dropped by a visiting seafarer during a game of billiards. ( NB the term Capstan in the nautical context refers to the winding mechanism used to wind in ropes and halyards often manned by several crew on older vessels.)The company WD & HO Wills were also cigarette manufacturers of the brand "Senior Service" ( referencing the Navy) this pack also uses the term "Navy" and "Capstan" in the brand name, alluding to the nautical, perhaps suggesting that seafarers or those with an interest in the sea were especially targeted by promotions and advertising in the 20th c. Commercially printed very small packet wrap or box for a pack of 5 cigarettes originally folded and glued now opened out. ( the card slide out holder or silver paper wrap of the cigarettes that would have completed the packet is missing).See Image for detailscigarettes, packaging, capstan, navy cut, sailors, seamen, smoking

A song composition by Helen Ellis, of Kew, first known to have been performed in 1942 at the BBC for the 'Shipmates Ashore Programme it was then published 1943. A copy of this song and one other composition the composer Helen Ellis is held by the National Library of Australia. Promotional text also indicates that the song was performed by the notable Australian singer Peter Dawson. The song "The M.N. ships get through" carries an important acknowledgement of the oft forgotten vital role of the Merchant Navy as carrier of goods and supplies, and especially so in wartime. The publication is of special significance to the MTSV as an example of the many skilled and creative women who have supported the Missions to seafarers.Commercially printed single fold music score for a 2 verse song and chorus. Front cover with blue band at top and lower edge features the Merchant Navy insignia at top left with depiction in half tone blue of a Merchant ship convoy and at right a sketched depiction of head and shoulders of a Merchant Navy officer with binoculars in hand. Music score and full text printed on p.2 and 3. The back cover features text of chorus and a handwritten notation in blue ink with reference to performance of the song on a BBC programme, 'Shipmates Ashore'.Back cover-handwritten notation in blue ink: "Sung by Raymond ?(indecipherable) in the B.B.C. London / 'Shipmates Ashore' programme,1942." This inscription is found after the printed sample of chorus words accredited to Helen Ellis, Central Club, Victoria, Mission to Seamen. See images for design and printing.peter dawson, music, sheet-music, composers australia, merchant navy, mn, helen ellis, ww2, shipmates ashore, bbc, 1942

"Charles E. Turner was an artist who exhibited at the Royal Academy in London, and specialised in landscape and marine views. Having served in the Royal Air Force in the First World War, reaching the rank of Captain, Turner worked as a war artist during 1939-45. Turner painted pictures of the Queen Mary and Queen Elizabeth for Cunard, which were made into a series of popular postcards. He also designed for Churchill Cigar Boxes, and, alongside paintings demonstrating his first-hand experience of combat, produced illustrations for Illustrated London News and Sphere magazines. Many of his oil and watercolour paintings of the two World Wars are preserved in the collection of the National Maritime Museum, London, and at the Imperial War Museum, London." (The National Archives UK)Representative and promotional example of service by MTS to the variety of ships visiting ports in the first half of the 20th C. Cardboard frontispiece of a calendar published by the Missions to Seamen. A colour painting titled "Mission Boat on her Rounds" by artist Charles E. Turner, represents an imaginary image of the mission boat with the Flying Angel flag sailing towards several ships.Written in pencil at the back: "With best wishes from the Chaplain and the LHL Guild"calendar, frontispiece, charles e. turner (1883-1965), hlg, harbour lights guild

Production of the mugs was inspired by the interest of visitors in purchasing a mug like the ones on display created by an artist Catherine Bell in 2017 for the Sounding Histories exhibitions.This mug added to the Mission collection as a contemporary example of MTSV memorabilia and promotion and features bth current logo and image of the building complex.Pale gray ceramic drinking mug with a mid-blue lining and a large handle (1668). Colour image transfers decorating outer walls.The Mission to Seafarers logo in a blue oval with 'Caring for Seafarers since 1857' printed in blue underneath is printed on the front. On the back in dark gray is a stamped effect of a street scape with Mission buildings with 'www.missiontoseafarers.com.au . On the underside a paper lined is adhered with a printed barcode and price of $12.00. mtsv memorabillia, mug, souvenir, mtsv shop, marketing

This medal, dated 1858, was awarded to local farmer Marcus Macartney by the Victorian Agricultural Society on the 21 April 1858, for the prize 'PotatoesThe medal is of local historical significance"for its association with the early promotion of agriculture in Victoria through public shows and competitions in the 1850's; and its link to the emergence of the Koroit-Tower Hill area,with its rich volcanic soil, as a properous farming district, especially for potato-growing." (Helen Doyle, Significance Assesment: Koroit & District Historical Society.)Circular medal with small knob on top.Äround circumference/""EXTRA PRIZE VICTORIAN AGRICULTUREAL SOCIETY. Engraving on medal "Potatoes/Awarded To/Mr Marcus Macartney /April 21st/1858 Reverseägricultural shows, potatoes, koroit, tower hill

This 24th edition of the Australia Handbook presents a snapshot of 'modern' Australia, including its people, history, geography, economy, culture and relations with the world.159 p., illus. (come col.).australia history, handbooks

Medhurst Wines operates in Gruyere, Yarra Valley. The winery is on land once owned by David Medhurst, formerly of Greensborough. These items were a gift to David's descendant, Faye Fort (nee Partington).Clear glass wine bottle 750 ml, screw cap, in black cardboard presentation box in red and white gift bagLabelled Medhurst Chardonnay 2016 Yarra Valley; with, black poly cotton apron, with pocket, embroidered Medhurst in white.medhurst family, medhurst wines yarra valley

Black leather bound board covers. Embossed title and oval logo for publisher on front cover. Orange sketch of altar (?) on back fly leaf, recto. Embossed line borders on both covers.

Official War Photographs series published by Magpie Cigarettes.magpie cigarettes, official war photograph, war memorial funds, ypres, bangalore, menin road, armentieres, howitzer, kandahar, 4th division, camel corps, bois de crepy, villers brettoneux, albert cathedral, hellfire corner, flanders, messines, pozieres

The construction and development of the Kiewa Hydro scheme showing its construction and the people in work and play during its duration. It also shows the development of Mt Beauty and Bogong townships. The films were used as News Reels, Tourist Information and Entertainment.This VHS is a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communitieThe DVD is nestled within a formed inner structure (case), which not only prevents the disc from moving to and fro but also unnecessary intrusion of foreign particles.This DVD is a TDK data/video recordable single sided 4.7 GB disc.It is a 1-16x speed.audio visual, kiewa history, educational

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

From the 1970's onward the relative isolation of regional areas was improving in "leaps and bounds". Social amenities, and life styles were changing at a great rate. Items such as this camera (recreational/life style/non professional) capture of the altering socio economic balance of rural based activities provided the catalyst for greater appreciation by city dwellers to the benefits of rural life. The greater levels of communicative avenues, especially the visual (photography, pictures, television and the internet), from the beginning of this period and throughout the time frame (1970 to the 2000s) has cut the major restraints of what was rural "isolationism".The significance of this type of camera, being a small two lens (normal, telescopic) and portable piece of equipment, allowed non professional tourists, locals or visitors to visually display the uniqueness of the Kiewa Valley and Alpine regions. This method of promotional and intimate visual reproduction of not only physical but also through personal involvement, of the photographer to the audience, a greater psychological impact, by the nature of intimacy involved. This type of photography is one of the most effective stimuli to promote the unique qualities of the Kiewa Valley region.This Item is dual lens (22mm,44mm) camera comprising of an elongated oblong shape, black hard plastic shell. It has a slightly rough surface(for a better fingers grip), two latches are located at the back, one to release the camera from its hinged protective cover and one to move to the next picture frame (film is within a cartridge).On swing cover "Kodak Tele 1 " on back in small print "MADE IN USA" On camera body "KODAK TELE EKTRA 1" underneath "CAMERA" and on slide switch(front) to change lenses:"Tele" and "Norm" kodak two lens camera, photographic hobby usa made camera

Tourist brochures have been produced in Warrnambool since the 1890s and this one has been published by the Warrnambool Chamber of Commerce and Industry. Some of the photographs for this brochure come from the Warrnambool Standard newspaper and the information on the car tours was provided by the Warrnambool Tourist Information Centre. Tourism in the Warrnambool region has always been of major importance to the town/city and a local Chamber of Commerce or Tourists’ Association has been active in the area for over 100 years. Today the official tourist guides are produced by the Warrnambool City Council. This brochure is a good example of local tourism promotion in the 1970s and will also be useful for display. This is a small booklet (1975) containing 39 pages. It has local Warrnambool advertisements, maps, photographs, printed material and details of 9 tours that tourists could take by car around Warrnambool. The pages are stapled. The front cover has a blue-tinged image of a surf boat patrol and the back cover has a black and white photograph of Warrnambool’s beach. There is one loose page with a summary of the tourist spots in Warrnambool and a map. Front Cover: ‘For the Time of Your Life – Warrnambool’.tourism in warrnambool, warrnambool

This is the 2nd edition. In the Gippsland Times newspaper on June 1 1936 there is a report of a meeting of the Greater Gippsland League at which the production of this book was mentioned as"a method of marking the Gippsland Centenary. TOURIST BOOK-LET. The work of -Messrs A. Gilchrist and A. B. Cooper in connection with the preparation of a tourist booklet was warmly commended and a minute of appreciation placed on record." This group seems to have been a group of Gippsland citizens interested in the progress of Gippsland and any government action in the area. This meeting was held at Maffra. This tourist guide is a contemporary record of tourism promotion in Gippsland.A thin 48 pp booklet with a grey cover. The title, "GIPPSLAND FOR TOURISTS" is inside two blue, black bordered, bands. The print is navy. ath efoot of the page is "Issued by Authority of the Greater Gippsland League". At the top is "Gratis". at top of front cover - "Orbost Historical Society" stampedgippsland-tourism greater-gippsland-league

This was presented to Mr A.D. Munro by the residents of Orbost on his retirement as postmaster in 1888. In 1883 the mail terminus was at Newmerella. In July 1883 it was extended to the north side of the river and Archie Munroe became Acting Post Master. He was Post Master until 1885 when the telegraph line came to Orbost.Archie Munro was a well-known Orbost identity who first operated a boot shop in Cameron's barn. He was also active in the promotion of the first brass band in Orbost. He was the son of Hector Munro.A large brown leather portable writing desk. It has a brass handle on the top. Inside are copies of some Munro family documents in a document folder.On a brass plate-Presented to Mr A.B. Munro by the RESIDENTS OF ORBOST on his retirement as Post Master. A.D. 1888munro-archie writing-desk post-office

Strip of 3 views apparently part of a land sale advertisement - View of Whitehorse Rd between photos of two Whitehorse Rd houses.Typed on back of photographs, "Ringwood Heights Estate. Land on left of road and down to Mullum Creek. Sold by T. Grant. 97 lots, 1st March 1924. J.B. McAlpin, agent. No deposit, 1 pound per month."

Written on back of photograph, "Coleman's Heathmont Estate, looking towards Bedford Rd. Sale 15/12/1923 by Public Auction".

Catalogue card reads, "Pratt's Junction Estate - 24/11/1923, 86 lots".

Black and white photograph of picture from subdivisional brochure. Picture shows orchard in foreground with a hill towards background. Treed area in the middle with a few houses scattered amongst them. To right of picture is printed, "Garden Homes Estate" with an arrow pointing to land. Printed above picture, "On the Land at 3 o'clock in a Seated Marquee. Typed below picture, "View of Gard

Catalogue card reads, "Coleman's Heathmont Estate - 1923. Sale 15/12/1923."