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Kew Historical Society Inc
Journal - Visitor Book
"Fairyland", the home of Jim and Grace Tabulo, was a notable local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following Dorothy Roger's death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.A rectangular notebook with a clear plastic front cover and black plastic rear cover with a maroon plastic patch. Unpaginated, approximately 50 loose pale blue-grey pages with red printed lines, held in place by black plastic spine at top edge. The notebook contains handwritten comments and drawings primarily made by children during visits to "Fairyland", at 57 Malmsbury Street, Kew, c.1949. grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1959-1960
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap visitor book and containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, May 1959- August 1960. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers blue and red card covers with green cloth strip binding. Several pages of the book have entries which have been made upside-down. Unpaginated, 80pp. Handwritten on paper front cover: "1959 / 1960" Handwritten inside cover: "Fairy Land / 57 Malmsbury St/ Kew""grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1963-1965
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Visitor book containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, in the period 6 January 1963 to 26 December 1965. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers a black binding. Unpaginated, 93pp. On front cover: "MRS TABULO: 1879-1966/ "FAIRY HOUSE" / 1963 /- /1965" On title page: "FAIRY LAND Kew / JANUARY 6th 1963"grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Grace Tabulo, Fairyland Lady And Children, 1958-1959
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Foolscap visitor book containing newspaper clippings, handwritten comments and drawings relating to visits to the home of Grace Tabulo, 57 Malmsbury Street Kew, known as Fairyland, June 1958 - April 1959. The book is wrapped in brown paper, which covers a grey card and red cloth strip binding. Creator's title inscription is located under the brown paper on front cover. 120pp. Mrs TABULO/ FAIRYLAND/ LADY/ AND CHILDREN./ c.1959grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Kew Historical Society Inc
Journal - Visitor Book, Fairyland 1956-1957
"Fairyland", the home of Jim and Grace Tabulo, was a major local, state and international tourist attraction situated in Kew, Victoria during the mid twentieth century. Located at 57 Malmsbury Street, Kew, the weatherboard house and its garden were heavily decorated with statues, crockery and other collected items. A series of notebooks were used to record the messages of child and adult visitors to the property from the 1940s to the 1960s. After Mrs Tabulo's death, these visitor books are believed to have formed part of the Dorothy Rogers Collection. They entered the Kew Historical Society's collection following her death in 1973.This series of visitor books are the most important primary sources relating to the internationally renowned 'Fairyland' cottage in Malmsbury Street, Kew. Their social significance is that they record in the post war period the values and beliefs of children and adults who visited this historically significant tourist attraction.Diary repurposed as a visitor book and containing handwritten comments and drawings primarily made by children during visits to the home of Grace Tabulo, 1956-1957. Commonly known as "Fairyland", the house was located at 57 Malmsbury Street Kew. The book is wrapped in brown paper, which covers maroon and black card covers that are decorated with stickers of the British Royal Family. Unpaginated, 94pp. Handwritten on paper front cover: "MRS GRACE TABULO: 1879-1965/ FAIRY HOUSE [sic] / 1956 / 1957" Printed on card cover: "COLLINS / AUSTRAL/ DIARY/ 1948/ NO 926" Handwritten inside cover: "FAIRY LAND / Kew / February 22 1956""grace tabulo, fairyland - 57 malmsbury street (kew), tourism - kew - 1945-1965, childhood - kew, collectors and collecting, gardens - kew (vic), scrapbooks - 20th century -
Flagstaff Hill Maritime Museum and Village
Container - Bottle & Box, Edinburgh Laboratories, Early - Mid 20th Century
Respiratory tract infections are among the most common diseases both in adults and children. ………….Lantigen B is an oral product based on bacterial lysates of six different inactivated strains commonly involved in respiratory tract infections. ……….This study demonstrates Lantigen B's effectiveness in the prevention of bacterial complications and suggests that it can be used in patients who are particularly at risk of infection (children, the elderly, diabetics, and immunocompromised patients) or those in whom an infection might aggravate a clinical picture that is already inherently complicated (diabetics again, but also patients with heart, kidney, or liver disease). https://www.researchgate.net/publication/8349012_Efficacy_of_Lantigen_B_in_the_prevention_of_bacterial_respiratory_infectionsThe control of respiratory conditions is essential to public health.Cardboard box containing a glass bottle of Lantigen colloidal mixture.Lantigen. For the treatment of catarrah, chronic bronchitis and bronchial asthma. Edinburgh Laboratories, 103 York Street, Sydney, Australia. Bacterial Vaccine. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lantigen, medical, respiratory conditions -
Kew Historical Society Inc
Article, The New Electric Tramway, Malvern to Kew
One of a group of photographs, including three within a published photo collage , taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, Dower later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Mount Dandenong Office.The photo collage is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Photo collage, published in The Leader newspaper in 1913, to commemorate the opening of the Malvern to Kew Tramway. The numbered photos are: 1. Kew Railway Gates at Glenferrie. 2. Burke Road Terminus. 3. Final Stages. 4. Ladies at the Official Opening. 5. The Acting Mayoress of Kew Cutting the Ribbon at the Kew Boundary. 6. Mayor and Councillors at the Kew Terminus. 7. The Cutting the First Ribbon. 8. Guests at the Hawthorn Town Hall.Inscribed in ink by Edgar J Dower top left: "The 3 top photographs were taken by E J Dower. No.3 Cotham Road Kew near Glenferrie Road"theme -- connecting victorians by transport and communications, theme -- travelling by tram -
The Beechworth Burke Museum
Animal specimen - Grey Butcher Bird, Trustees of the Australian Museum, 1860-1880
Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair -
The Beechworth Burke Museum
Animal specimen - Magpie-Lark, Trustees of the Australian Museum, 1860-1880
The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark -
Melbourne Tram Museum
Ephemera - Ticket/s, Metropolitan Transit Authority (MTA), Set of five Scratch type tickets, 1989 and 1990
Set of five Scratch type tickets, with black printing on yellow / blue printed card or pink card and areas where a person could scratch out the month and day of the month areas to validate the ticket. Has the number on the base of the ticket. .1 - 3 hour adult, zone 1, has been scratched for Jan 2, 6 pm - W00168998 .2 - 3 hour zone 2 concession, used April 14 at 5pm, CB 01404734, expired 31/7/1990 .3 - 2 hour adult zone 1+2, used 8 April at 4pm, C00266652 .4 - Daily 60 plus, Jan 28, expired Jan 1991, Y00351725 .5 - Daily Concession 60 plus, unused, for 1989/90. CN03338507 On the rear of three are the conditions of travel for both types of tickets with information about the ticket type, The Met logos, Transport Information and Transit Patrol telephone numbers. The other two have similar information, with a statement that "The Met supports Olympics for Melbourne 1996" with the Olympics logo. See also Reg Item Nos. 574, 1069 and 979, 1661 for other examples.trams, tramways, the met, scratch tickets, olympics -
Glen Eira City Council History and Heritage Collection
Castor Oil Bottle
This Castor Oil Bottle is part of a Sanax First Aid Case which was used at the the former Carnegie Senior Citizens' Centre. The centre was located at 314 Neerim Road, Carnegie. When the Neerim Road facility closed, its activities were moved to the Carnegie Library and Community Centre. For Occupational Health and Safety reasons, Council no longer maintains first aid kits at senior citizens' centres. Brown glass bottle with green and white paper label with Sanax branding, and usage directions. Black plastic screw-top lid. Bottle has been decanted. Small cork stopper inside bottle."Sanax" CASTOR OIL / SOOTHING / APPLICATION / FOR THE EYES / OR AS AN / APERIENT / THE SANAX CO. / 223-225 BAY ROAD / SANDRINGHAM. TEL. 98-1604 / Left side of bottle: Internally -- Adult Dose: as a purgative, 1 to 2 table-spoonfuls. A valuable remedy for inflammation of the bowels, colic, diarrhoea, etc. Right side of bottle: Externally -- For eye burns of eye irritation, drop freely into the eye. A suitable application for caustic burns. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Medical Equipment, porcelain invalid feeding cup, 19thC
These unusual china cups with elongated spouts were created in the days before drinking straws were common. Liquids and broth were fed through the spout to adults who were sick and could not take solid food, or to infants. The alternate name for these cups is “pap feeder.” Recipes for pap usually called for bread, flour and water. A more nourishing mixture “panada” was a pap base with added butter and milk, or cooked in broth as a milk substitute. Variations on the ingredients included Lisbon sugar, beer, wine, raw meat juices. These cups were apparently offered as accessory pieces to many regular china patterns.A white porcelain invalid or baby feeding cup decorated with a blue floral ( onion ) pattern. The cup has a spout , strainer, side handle and ‘spill-proof’ guard c19thCBase : m 8.pharmacy, medicine, melbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, nursing, invalid feeding, invalid cookery, porcelain -
Eltham District Historical Society Inc
Book, Brenda Smith, Remembering Well 2020-2021: A Daily Diary written during the COVID-19 Pandemic, 2021
Brenda Smith's parents lived throuh two World Wars and the Depression. As an adult migrant arriving in Australia from England in 1970, when she looked back she realised her family spoke very little about what they had endured and she was not even aware of them going through the Spanish Flu pandemic. Smith has written a diary since 2009 and as a consquence of her family's earlier experiences with similar but lack of documentation and stories passed on, was determined to chronicle her experiences during the COVID-19 pandemic covering 2020-2021. This pandemic continues unabated in its third year (2022). The journal documents the daily life of living through the COVID-19 pandemic and the influences it had uopon the local community from both locally and interantionallycovid-19, coronavirus pandemic, journal, person, personal narrative -
Federation University Historical Collection
Poster - Advertisment, The Wild Blue Project Stage 3, 2003
Poster advertising a musical theatre production 'The Wild Blue Project Stage 3'.Written and directed by Anthony Crowley; musical direction by Amanda Hodder and performed at Post Office Theatre, Camp Street, Ballarat in 2003. it was presented by University of Ballarat Arts Academy. There were four night performances starting at 8.00pm and one Sunday performance at 5.00pm from Wednesday13th August to Sunday 17th August 2003. The musical was performed at Post Office Box Theatre, Camp Street, Ballarat with tickets purchased through MajesTix. Ticket prices: Adult $16; Concession $8.50; Students$7; Groups (20+) $10.50Original Colour Posterthe wild blue project stage 3, anthony crowley, amanda hodder, post office box theatre, university of ballarat arts academy, po box theatre, majestix, musical, the wild blue co -
Phillip Island and District Historical Society Inc.
Photographs, Early 20th Century to mid 20th Century
A collection of three photographs and one Identity Card donated by Alice Robinson.352-01: Black & White photograph on cardboard mount of the crowd at the opening of the Cowes War Memorial at the Jetty, The Esplanade, Cowes. 352-02: Sepia photograph of Horrie Matthews' home in Church Street (near Shamrock Avenue) Cowes with several horse drawn carts loaded with wood. Watched by a group of men. 352-03: Black & White photograph of children and teachers & adults at the Ventnor State School in May 1939. 352-04: Identity Card for Alice Isobel Giles-Clark, Cowes, Phillip Island. Possibly now Mrs Alice Robinson - the donor.351-01: Unveiling soldiers' Memorial Phillip Island 1920. 351-04: On front - Identity No. V10 F28 36869 Officer at Dandenong. Stamped May 43. On back - signature of holder "A. Clark Cowes" Witness to signature "Edith E Coels, Ventnor, Phillip Is."war memorial cowes phillip island, ventnor state school, horse drawn wagons, alice robinson, identity card -
Ballarat Tramway Museum
Book, State Electricity Commission of Victoria (SECV), "Electric Tramways of the State Electricity Commission of Victoria - By-Law No. 1 - August 1951", Aug. 1951
Booklet with blue heavy paper cover and 20 pages inside giving details of the by-laws operating for the SEC tramways in Ballarat, Bendigo and Geelong. Gives details of the definitions, fares and charges, special tram rates, sale of tickets, regulating number of passengers, stopping places, nuisances, smoking, dangerous goods, luggage and goods, general matters and fares applicable in each section in three formal schedules for both Adults and Children. On last page gives details of the SEC Commissioners, Minister for Electrical Undertakings and Clerk of the Executive Council who authorised the document.On front cover "F.Scruse" in blue ink.trams, tramways, secv rules, by-laws, tickets, fares -
Melbourne Tram Museum
Ephemera - Ticket/s, Tramway Museum Society of Victoria (TMSV), "Zoo Horse Tram", 1975
Set of 8 "Zoo Horse Tram" tickets, used by the TMSV initially for their operation at South Melbourne loop in 1975, then at Bylands prior to electric trams commencing. Printed on yellow card with black printing and black ticket number. Has the conditions of travel and the TMSV logo on the rear. The child tickets have been hand stamped "CHILD" (blue ink) onto the right half. Has the letter 1 in white on the front. Adult tickets - Nos. 0118, 488 and 489. Child tickets - Nos. 0675, 0676, 9648, 9649, 9692, 9693.trams, tramways, tickets, tmsv, zoo tram, bylands, south melbourne loop -
Melbourne Tram Museum
Ephemera - Ticket/s, V/Line, Melbourne Tram Museum, Set of five miscellaneous transport tickets, 1982 - 2010
Set of five miscellaneous transport tickets. .1 - Melbourne Tram Museum Adult ticket - No. 155 - Sat 9/1 (2010) .3 - V/Line luggage checks - orange card - set of 3. .3 - Railways of Australia seat allocation ticket for Albury to Melbourne 3-9-1982 .4 -V/Line ticket - Bendigo to Eaglehawk and return - 17/3/2009 .5 - ditto stapled into a V/Line folder for Melbourne to Bendigo and return - 26 August 2000. Tickets that would have been used by Vic in his travels.trams, tramways, melbourne tram museum, tickets, v/line, railways -
Bendigo Historical Society Inc.
Document - GOLDEN DAYS HISTORICAL EXHIBITION COLLECTION: ADVERTISING PROGRAM
Original and copy of original: (10410a) golden coloured A5 program. On top of front page 'Royal Historical Society of Victoria, Bendigo and District Branch presents Golden Days Historical Exhibition, R.S.L. Memorial Hall, Pall Mall,Bendigo, 12 to 17th August 1960. Hours 10 a.m. to 10 p.m. Adults 3/- children 6d.' Inside, program lists major displays: antiques, bushranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping, sport.bendigo, history, golden days historical exhibition -
Bendigo Historical Society Inc.
Photograph - HOPWOODS PUNT, RIVER MURRAY
sepia print, showing Murray River scene. Punt carrying wagon, horse drawn, with wool bales, spring cart and figures on foot on punt. Dinghy on water below operator of cable winding machine. Five adult males on landing stage. One covered wagon and two wagons loaded with bales on NSW bank. On front, T.F,. Chuck, Photo, Melbourne. On back in blue ink : From Mrs. Marjorie Vahland, presented to the Bendigo Historical Society. The gentleman with umbrella in the foreground of the punt is her father, the Bendigo architect of pioneering fame. 'T.F. Chuck, Melbourneplace, transport, hopwoods punt, river murray -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF A LARGE GROUP OF PEOPLE STANDING BESIDE A POOL
Black and white photo of a large group of people standing beside a pool which has been dug from the surrounding grassed area. The group is a mixture of adults and children. Some of the men are holding long poles and one boy a shovel. In the background sheep are grazing behind a high fence. Written on the front of the photo: Early Pool Site Bgo East. Written on the back of the photo: Bendigo East Pool the Beginning Land was donated to the Committee by Mr Moog who owned large amounts of property in the area. It was then called Moog Park then (not decipherable) then Eastern Park.recreations, sports, swimming -
Greensborough Historical Society
Photograph - Digital image, Bosch family [as adults], 1914c
Photograph of Bosch (Bush) family as adults. Left to right: John Adam Bush Senior (Johannes Adem Bosch born 19/8/1867 died1925), Frederick William Bush (31/3/1892-20/8/1952), John Adam Bush Junior (3/2/1895-24/6/1970), Amelia Suzanne Bush (b25/6/1893). Johannes Bosch came to Australia in 1884 aged 17. He married Henrietta Duck, had 3 children and divorced in 1903. Around 1902 he anglicized the family name to Bush.They farmed along the Plenty River having purchased land from Flintoff. Digital copy of black and white studio photograph.john adam bush, johannes adem bosch, frederick william bush, amelia suzanne bush, bosch family, bush family -
Melbourne Legacy
Photograph, Victoria Barracks Melbourne Corps of Guides, 2005
President Geoff Webb presented a plaque to the Victoria Barracks Melbourne Corps of Guides in acknowledgement of the contribution of the proceeds of the Victoria Barracks Public Tours donations over the past three year, a total of $11,000 to Legacy in that time. A portion of these proceeds was designated to be used for maintenance work on the Legacy statue of the Widow and her Children in the Garden of Appreciation at the Shrine of Remembrance. More than 1,500 people visit Victoria Barracks Melbourne (VBM) each year as part of the Public Tours program conducted by the VBM Corps of Guides. Guided tours of the Barracks in 2005 operated on Wednesdays and Sunday afternoons as required. The Entrance fees were $5 per adult and $3 for concession and pensioners.A record of where funds are raised and given to Legacy's work.Colour photo x 4 of President Geoff Webb awarding a plaque to a group from VBM and two pages of information.Printed on the back -
Ballarat Heritage Services
Photograph - Image - Black and White, Queensland Aborigines' , c1903
From 'ANNUAL REPORT OF THE NORTHERN PROTECTOR OF ABORIGINALS FOR 1903, Queensland' With regard to the instruction and general education given to the children and adults, I have, as usual, to speak in terms of the highest praise. I do not recognise anything that could be improved upon. For the first time in my life, I have heard little aboriginal children, boys and girls, doing part-singing. The band consists of a drum, four cornets, a tenor horn, and bass; lack of funds alone prevents more instruments being added. A most successful concert was lately given in Cairns in aid of the mission expenses. (https://aiatsis.gov.au/sites/default/files/catalogue_resources/63482.pdf)A black and white image of a musical band made up of Aborigines of Queensland. aborigines, band, music -
Mont De Lancey
Domestic object - Four Medicinal Bottles, Sigma, Unknown
These medicinal products were used in the 1900's. Eucalyptus oil was used both externally for Lumbago, Rheumatism, Sciatica, Sprains, Cuts, Bruises and Burns and for all Throat and Cough disorders. McKean's Camphorated Oil was to be used carefully and under strict Accordance with the instructions. Adults to rub briskly on part affected, Infant use to be massaged gently. McKean's were in operation from 1890's - c1960's. The company appeared to have ceased in 2012. Friars Balsam similarly was used externally for Cuts, Wounds, etc. Could be taken internally for Coughs, Colds, Bronchitis, etc. 10 drops to one teaspoonful. The Bosisto bottle probably contained eucalyptus oil.Four glass medicinal bottles: 1. A small clear glass McKean's "Helping Hand' Eucalyptus Oil bottle. It has a faded paper label with Trade Mark surrounding a hand illustration with leaves. Unadulterated is printed at the bottom of this label. Pure Eucalyptus Oil with its uses is included. On the back is a paper label with further instructions for use. The screwtop bakelite lid is broken. 2. An angular shaped small brown SIGMA Camphorated Oil bottle with a stained paper label of the manufacturer details and uses. It has NOT TO BE TAKEN stamped into one of the edges on the side of the bottle. Two other sides have three rows of crosses as a pattern. The metal screwtop lid is rusted. F1071 is stamped on the base. 3. A very small round brown Rolfe's Friars Balsam bottle with a broken cork stopper. It has a faded paper label with uses and the manufacturer's details. 4. A small green tinted clear glass J. Bosisto medicine bottle with rounded corners and flattened sides on the front and back surfaces.The flat lip at he opening could have been sealed with a stopper. The sides of the bottle have a vertical joining line.1. 'McKean's "Helping Hand' Eucalyptus Oil'. It has a faded paper label with 'Trade Mark (Registered) surrounding a hand illustration with leaves. Pure Eucalyptus Oil' 2. 'SIGMA Camphorated Oil SIGMA CO. LTD Melbourne'. 3. 'Rolfe's FRIARS BALSAM Rolfe & Co. Ltd. Melbourne'. 4. 'J. Bosisto Richmond' is stamped on front side of the front. On the base is stamped ' "English Bottles" '.medicines, medicine bottles, medicinal containers -
Coal Creek Community Park & Museum
Bottle, glass, c. 1934 - 1994
Hexagonal clear amber glass bottle, 1/2 full of viscous liquid, a cork stopper floating in the liquid, with metal screw top. Three plain sides, two sides with stippled 'x' patterns either side of panel with embossed text. Paper label printed with dark blue text and red highlights. Embossed text on side of bottle 'NOT TO BE TAKEN'. Near base of widest plain panel '1'. Embossed on base AGM monogram over 'F1071M' over upside down '722'. Printed label 'Tromax CAMPHORATED OIL FOR EXTERNAL USE ONLY. CAUTION ! Use strictly in accordance with the directions. Adults : Rub briskly on part affected. Infants : Use gentle massage. 2 ozs. net. Tromax Logo in red and blue. SIGMA CO. LTD MELBOURNE'.camphorated oil, pharmaceutical, topical medication -
The Beechworth Burke Museum
Animal specimen - Brown Quail, Trustees of the Australian Museum, 1860-80
This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy -
Ballarat Tramway Museum
Ephemera - Ticket, Ballarat Tramway Preservation Society (BTPS), BTPS 20c ticket, 1974
Twenty (20c) ticket for the Ballarat Tourist Tramway, printed on semi glossy white paper. Ticket Number A 000000. The ticket is printed using turquoise colour ink, with the ticket number in black ink. Ticket in the style of the SEC tram tickets. Tickets used for Adult Return, Child Return and Child Single from 24/12/1974 to 31/10/1985. Ticket collected at the time of first issue to museum (date 12/7/1974) and placed in a manila envelope for the archives. See BTM / BPTS Fare Schedule chart and BTPS ticket issue record books.trams, tramways, tickets, btps, ballarat tourist tramway -
Glenelg Shire Council Cultural Collection
Souvenir - Train Tickets, 24/04/1966
Two train tickets Heywood to Mt. Gambier line. Australian Railway Historical Society (S.A Division) special train. Cardboard. a. Top half fawn, bottom half blue/green. Under 16 years 2nd class. 'No.0027' printed top and bottom one side, both sides stamped in red 'S E' printed top and bottom, either side of a vertical red line. b. Top half grey, bottom half blue. Adult 2nd class. 'No. 0168' printed top and bottom one side. Letters 'S.Q?.E.' stamped in red both sides. -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram rides remain inexpensive in 'hard times'", 15/10/1990 12:00:00 AM
Newspaper clipping from The Courier, Ballarat, Monday 15/10/1990, titled "Tram rides remain inexpensive in 'hard times'". Item quotes a statement by the President of the BTPS, Richard Gilbert that the Society's AGM had determined to keep the fares at $1 for Adults and 50c for children. Item also has notes about the Society's activities and includes a photo of eight members pushing Horse Tram No. 1 outside the depot and No. 18 in the background. Photo has Richard Gilbert, John Phillips, Paul Jordan, Paul McDonald, Alan Bradley, Carolyn Dean, Bill Kingsley and Merv Mitchell.btps, fares, horse trams