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Warrnambool and District Historical Society Inc.
Needle case, Morris & Yeomans Ltd, 1920s
This is a needle case produced in a novelty form. Sewing kits and needle cases were essential items for women to have in their houses, to take with them when travelling and to carry in their handbags for emergency repairs. Today needle cases are still used but less frequently as in past times, depending on the craft skills of the person and the hobbies pursued.This item has no known local significance but it is an interesting example of an early 20th century needle case and is retained for display purposes.This is a needle case in a wooden container made in a rectangular shape with a pointed top. The shape is in the form of a church with an affixed metal or paint shape of a church on the front of the container. The front of the container has been polished. The two sides of the container are affixed with two metal hinges and there is a metal clasp on one side. Part of the metal clasp is missing. Inside the container is padded with white/grey cotton material. On one side are two paper grey and black folders which once contained needles and on the other side there is a middle band to hold other needles or pins. This side has one rusty pin.‘Sharps 5/9 6, 7, Wartd. By Morris & Yeomans’household accessories, history of warrnambool -
Warrnambool and District Historical Society Inc.
Copy of Titles, Thompson Print Co. Warrnambool, 1920s
This ledger contains copies of titles in the Warrnambool district, dating from 1916 to 1933. It came from the office of John William Crawley Junior, an engineer, surveyor and architect in private practice in Warrnambool and also the engineer for the Shire of Warrnambool from 1895 to 1935. His father, brother and son were all engineers, working in that capacity or as the Shire Secretary for the Shire of Warrnambool, with the Crawley family recording a total of 132 years of service to the Shire. The Shire of Warrnambool existed from 1863 to 1994. This ledger was passed on John Crawley’s son, Rolf, who was the engineer for the Shire of Warrnambool from 1935 to 1968. It then came into the possession of Michael Hand, who took over the private surveying business of Rolf Crawley in Warrnambool. The Warrnambool and District Historical Society acquired the ledger, along with several other Crawley ledgers, from the estate of Michael Hand. This ledger is of considerable importance as it contains copies of titles from the Warrnambool district in the early decades of the 20th century. It will be of great use for researchers.This is a hard cover book of 205 pages. The cover has red leather binding and is torn and scuffed. The book contains copies of titles and other handwritten and typed material and there are many loose titles, envelopes and miscellaneous sheets of paper. Inside the back cover is a booklet with an alphabetical index. This is pasted in. ‘Thompson Print Co. General Bookbinders Warrnambool’ ‘Copies of Titles John William Crawley Authorised & Licensed Surveyor December 1916’ john william crawley junior, warrnambool, rolf crawley, warrnambool, shire of warrnambool -
Warrnambool and District Historical Society Inc.
Letter book 15, 1920s
This letter book contains letters, sketch maps and plans and dates from 1929 to 1934. It came from the office of John William Crawley Junior, an engineer, surveyor, and architect in private practice in Warrnambool and also the engineer for the Shire of Warrnambool from 1895 to 1935. His father, brother and son were also engineers, working in that capacity or as Shire Secretary for the Shire of Warrnambool, with the Crawley family recording a total of 132 years of service to the Shire. The Shire of Warrnambool existed from 1863 to 1994. The letter book was passed on to John Crawley’s son, Rolf who was the engineer for the Shire of Warrnambool from 1935 to 1968. It then came into the possession of Michael Hand who took over the private surveying business of Rolf Crawley in Warrnambool. The Warrnambool and District Historical Society acquired the letter book, along with several other Crawley ledgers, from the estate of Michael Hand. This letter book is of considerable importance as it contains letters and maps from the late 1920s and 1930s and was compiled by John Crawley Junior, an engineer in the Shire of Warrnambool for 40 years. It will be a useful research tool. This is a hard-cover letter book of 1005 pages. It contains an alphabetical index at the front, handwritten letters, sketch maps and plans and some loose sheets. It has brown leather binding on the corners of the cover and on the spine but the spine covering is completely detached. The gold lettering on the spine is now almost completely obliterated. The cover is scuffed and torn. ‘Private Book’ ‘1929 to 1934’ john william crawley junior, warrnambool, rolf crawley, warrnambool, shire of warrnambool -
Warrnambool and District Historical Society Inc.
Camera, Eastman Kodak Co, Vest Pocket, 1920s
This camera, made by the American firm of Eastman Kodak, was the best-selling folding camera during the first half of the 20th century. This is the ‘autographic’ model as there is provision at the back of the camera for note-taking. This model was made between 1915 and 1926 and it is called the soldier’s camera because of its compact size. Over 1,000,000 cameras of this type were sold during World War One. This camera belonged to C.C. McNeil of Caramut, a town 55 kilometres north of Warrnambool. This camera is of interest as it belonged to a person from the Warrnambool district and it is a good example of a pocket camera with note-writing facilities. This is a black metal camera in a rectangular shape with rounded edges. It has three glass apertures and a metal winder. It also has an opening shutter at the back of the camera where notes can be written on to the paper backing of the film. The front of the camera opens and a concertina-like metal attachment affixed to the back of the camera can be pulled out to reveal the lens. This is covered in black leather. Printed information etched into the surface can be found in various locations around this camera. Vest Pocket Autographic Kodak U.S. Patents – Mar 4 1902, May 6 1913 Eastman Kodak Co. Rochester N.Y. U.S.A. Celia C. McNeil Caramut 20th century photography, history of warrnambool -
Warrnambool and District Historical Society Inc.
Album, photograph, 1920s
This album comes from the estate of Dorothy and Agnes Ardlie. It contains black and white photographs of their childhood days with their family members. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) wee the daughters of Arthur and Ethel Ardlie of Warrnambool, granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and great granddaughters of John and Mary Ardlie, pioneer Warrnambool settlers. They lived for some years at Aroona, 19 Princess Street WarrnamboolThis album is of interest as a memento of Dorothy and Agnes Ardlie, members of a prominent 20th century family in Warrnambool. The photographs will be useful for both display and research. This is a soft cover album of 16 pages. Some pages have been cut out. The cover is light brown and stained and has an embedded decorative pattern on the left side. The album is bound with green cord (now frayed) and contains 29 black and white photographs, some torn and faded. ardlie family, history of warrnambool -
Warrnambool and District Historical Society Inc.
Photograph Album, 1920s +
This album came from the estate of Dorothy Ardlie of Warrnambool. It contains photographs of her childhood with her sister Agnes and other family members and later photographs in their adulthood. Dorothy Ardlie (1910-1993) was the daughter of Ethel and Arthur Ardlie, the granddaughter of the well-known Warrnambool lawyer, William Ardlie and his wife, Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Dorothy lived for some time at Aroona, 19 Princess Street in Warrnambool. This album is of interest, firstly as a memento of Dorothy Ardlie, a member of a prominent 20th century Warrnambool family, and secondly as a good example of a photograph album showing the typical social history of an upper middle class family in the mid 20th century. The keeping of a photograph album was a hobby of many women in the 20th century.This is a hard cover photograph album of 39 pages. The cover is brown with coloured images of a bird, tree and leaves on the front cover. The album is bound with string. There are 133 black and white photographs pasted in. The album is slightly stained and some photographs are missing. Album Made in Japan This album belongs to Dorothy Alys Ardlie ardlie family,, history of warrnambool -
Warrnambool and District Historical Society Inc.
Photograph Album (Ardlie), H & T. series, 1920s?
This photograph album appears to have belonged to Agnes Ardlie. She was the daughter of Arthur and Ethel Ardlie of Warrnambool, the grand daughter of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Agnes Ardlie (1915-1993) and her sister Dorothy lived for some years at Aroona, 19 Princess Street, Warrnambool. This album is of interest as the photographs are of Agnes Ardlie and her extended family in the 1920s and 30s and thus provide an insight not only into the lives of a prominent Warrnambool family but also gives us a glimpse of the social aspects of the lives of the more affluent families in Warrnambool during that period and of the custom of keeping photograph albums to preserve the photographs.This is a soft cover photograph album with a light brown cover bound with white string. The front cover has an imprinted decorative pattern on the left side and there is a maker’s stamp on the back page. The album contains 22 pages, most of which have black and white photographs inserted. There are 44 photographs, some of which have been torn. ardlie family, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book, Dow and Lester, The Ghosts of My Friends, 1920s
This item came from the estate of Dorothy and Agnes Ardlie of Warrnambool. It is a type of autograph book where the signatures are used to form inkblots, thus creating patterns which in this case are called the ‘ghosts’ of those signing. The making and interpreting of ink blots became popular in the late 19th century and this autograph book created by Cecil Henland is a quirky example of this craze. The autograph book belonged to Agnes Ardlie and was apparently given to her on her 13th birthday (1928). Dorothy Ardlie (1910-1993) and Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. This book is of great interest as a good example of an early 20th century style of autograph book using the signatures to form ink blots. It also has local provenance as the signatures/blots are mostly those of an Ardlie family and other early to mid 20th century Warrnambool personalities.This is a book of 50 pages. The cover is dark red with the inkblot or ‘ghost of a celebrated general’ in black and white in the middle of the front cover. This inkblot is reprinted on the second page. The front cover and spine have gold printing. The book originally had 48 blank pages with a fold down the middle and printed space at the top and bottom for a date and a name. This book has 19 blank pages and the others are filled with ink blots formed by writing a signature along the fold and then folding over the sheet without blotting to get patterns called in this book, ‘ghosts’. The book has a signature and an inscription handwritten in black ink, a page of instructions, and a poem called ‘Ghosts’. To Agnes with love from Mickie Sept 5th 1928 Agnes Marianne Ardlie ardlie family, history of warrnambool -
Warrnambool and District Historical Society Inc.
Memorabilia - Note Book with Newspaper Cuttings, 1920s
This notebook contains cuttings from the Warrnambool Standard pasted over handwriting which appears to be orders for a business. The cuttings concern the activities of the Warrnambool Rifle Club from 1924 to 1926. Rifle shooting in Warrnambool dates from 1860 when it was part of the activities of the Volunteer Rifle Corps and other later local militia groups. As a separate organization the Warrnambool Rifle Club, still operating today, dates from 1886 with the North Warrnambool Rifle Club founded in 1928. This notebook is of minor interest as it contains a summary of the Warrnambool Rifle Club activities in the 1920s and is useful for researchThis is a note book of 100 pages with a hard board cover, red binding over staples and black printing on the front cover. The pages contain handwritten entries of items to be ordered for a business. Newspaper cuttings have been pasted over the original writing. Some cuttings are loose. The book is stained and torn at the edges.warrnambool rifle club -
Port of Echuca
Black and white photograph, 1920s
Small black and white photograph of the entrance to Victoria Park showing high iron gates that are open. The gates are open but the gate on the right is behind the fence. There are caste iron lamps at either side of the gates in front of the bowed-top picket fence. Between the gates, in the distance the fountain is visible. Murray pines are also visible. Wide dirt approach.Victoria Park is of social and historical significance to the people of Echuca and district. It includes a state park that has a natural dry schreyphyll forest with a canopy of eucalypts. The Park also includes sporting grounds and facilities and picnic areas. This photograph depicts the entrance to the Park in the 1920s showing a dirt approach with the caste iron lights, iron gates and caste iron gate posts and the bowed-top picket fence. Black and white photograph of the entrance to Victoria Park showing high iron gates and lamps with bowed-top picket fence. Wide dirt approach.On the back of photograph, in pencil, "Park Entrance"victoria park, echuca -
Port of Echuca
A black and white photographic postcard, approx 1920s
John Trestrail Freeman was an engineer who in 1889, with a partner named Olsen, established Freeman's Border Foundry in Murray Esplanade, Echuca. The Foundry later became known as Freeman Brothers when sons Harry and Tres took over the business. This business played an important part in shipbuilding in Echuca, fitting engines, building paddlewheels and carrying out repairs. It is thought this photograph is of Tres' mother or it could be his wife (Dolly Dean).The Freeman family is an important family in the history of Echuca boat building and engineering in the early 20th century. The business produced paddlewheels, fitted engines and conducted repairs on riverboats in the area. After the riverboats ceased the foundry went into engineering works producing agricultural implements and other general foundry works. It is thought that this photograph is of Tres junior's mother but the dates of the photograph would indicate it is more likely to be his wife, Dolly.Black and white photographic postcard of a woman dressed in a vibrant floral dress with string of pearls and another longer necklace. She has a brooch attached to her blouse. She has cropped straight hair and is wearing circular metal framed spectacles.On reverse: Printed "Post card/ Correspondence/ address only/Kodak Austral". Handwritten in pencil:" Member of Freeman family. Tres' mother?echuca boatbuilding, freeman family, freeman brothers foundry, echuca. -
Warrnambool and District Historical Society Inc.
Label, Sleath's, 1920s
This label comes from the business of Howard Sleath. He was a 20th century violin and viola maker and repairer from Queensland. The label is probably part of the memorabilia of Edith Jacobs (nee Larwill) who was a 20th century Queensland violinist with the Queensland Symphony Orchestra before her marriage and change of residence to Warrnambool. The Warrnambool and District Historical Society has some of Edith Jacobs’ violin strings and the label may have come with them. This label is retained for display purposes and possibly as a memento of a local Warrnambool musician, Edith Jacobs. This is a small piece of paper with a black border and black printing on a white background. One edge of the label is tornSleath’s Violin, Violoncello and Bow Makers 454 George Streethoward sleath,, violin maker, edith jacobs,, history of warrnambool -
Warrnambool and District Historical Society Inc.
Autograph Album, 1920s
This item comes from the estates of the Misses Ardlie of Warrnambool. It belonged to Agnes Ardlie (1915-1993) who was aged 11 when she received the album. Her sisters were Olive (1905-1912) and Dorothy (1910-1993). They were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnmbool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, early settlers in Warrnambool. The Misses Ardlie lived in their early years at Aroona in Princess Street in Warrnambool. The autograph album has handwritten contributions (verse and signatures) from family members and friends and twelve signatures of cricketers from the Australian Test series of 1928-1929. These are mostly English cricketers and include the signatures of Wally Hammond, Jack Hobbs, Harold Larwood and George Duckworth.This autograph book is of considerable interest, firstly as a memento of Agnes Ardlie, a member of a prominent family in Warrnambool in the 20th century and secondly, as an item of some significance in the cricket world with its signatures of some English cricketers on tour in Australia in 1928/29.This is an autograph album with a dark red leather cover and gold writing on the front cover. Inside the cover are pages in a green mottled pattern. The other pages are mostly white or cream with some coloured pages. Some pages have handwritten verse and signatures in black and blue ink. A blue shopkeeper’s label is on the inside back page. Album Agnes M. Ardlie ‘Aroona’ Warrnambool 3.11.26 ardlie family, history of warrnambool -
Tennis Australia
Pincushion, Circa 1920s
Pin doll, with ceramic upper and padded fabric lower section. Ceramic upper represents a flapper girl holding tennis racquet. Materials: Ceramic, Cloth, Thread, Wooltennis -
Tennis Australia
Pincushion, Circa 1920s
Pin doll, with ceramic figurine components and padded fabric lower section. Ceramic sections represent upper body and legs of a flapper girl holding tennis racquet and ball. Metal pins remaining in base. Materials: Ceramic, Cloth, Thread, Wooltennis -
Tennis Australia
Racquet, Circa 1920s
T.M. Gardiner"The Royal" model wooden racquet with red whipping and white tape on shoulders and finely grooved wood handle. Leather cuff on butt. Oval head. Materials: Wood, String, Gut, Leathertennis -
Tennis Australia
Racquet, Circa 1920s
Spalding "Greenwoodl" model wooden racquet with red whipping on shoulders and finely grooved wood handle. Red leather cuff on butt. Oval head. Materials: Wood, String, Gut, Leathertennis -
Kew Historical Society Inc
Clothing, Beaded Flapper Dress, 1920s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Beaded flapper overdress embroidered with gold and bronze beads. The dress has a large tear in the centre front.evening dresses, flapper dresses, fashion design, fashion -- 1920s -
Friends of Westgarthtown
Box, money, c. 1890s - 1920s
Small cylinder tin with three printed pictures of Charlie Chaplin on paper. Slot in top for coins, tin plate ends and body of layered paper.Savings Bank' on top, one word either side of slot.personal effects, money containers, savings, banking, money box, illustrations, charlie chaplin -
Kew Historical Society Inc
Photograph, East Kew Baby Health Centre, 1920s
Most likely the original photo was taken at or around the time of the official opening of the baby health centre. The building is located in Windella Avenue, Kew East and is still extant. The photo is taken in front of the front verandah of the building. This print is on Kodak photo paper, likely printed circa 1978. The East Kew Baby Health Centre was the first such centre built in the former City of Kew, and one of the first in Victoria. Few photos of the building at the time of its establishment are known. Reproduction print of black and white photograph of group of mothers and their babies, with nurse, in front of health centre.Reverse: "East Kew Baby Health Centre". kew east, baby health centre, windella avenue, maternal health, nursing -
Kew Historical Society Inc
Photograph - Interior of the Kew Congregational Church, Walpole Street, The Sears Studio, 1920s
The first Kew Congregational Church in Walpole Street, was designed by Charles Vickers, and opened in 1860. The second church on the site, designed by the architect Charles Wharton was demolished in 1970s. Rare photograph of the interior decoration and layout of an important and now demolished church in KewBlack and white photograph, on card, featuring the interior of the Kew Congregational Church. Shows detail of pews, pulpit and ornate brickwork. Front: "The Sears Studio" "Melbourne" [printed on mounting board]. Reverse: "P. Inside of Kew Congregational Church" wapole street - kew (vic), congregational churches - kew (vic), chirch interiors -
Kew Historical Society Inc
Photograph - Cousin Bert aged 12 months, Model Studios, 1920s
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Studio photograph of Bert, a cousin of the Figuerola sisters. The photo was in the family photo album of the artist. "Cousin Bert age 12 mths"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Tatura Irrigation & Wartime Camps Museum
Surveyors Compass, Brush and Drummond Melbourne, 1920s
Owned by donor's father and used surveying for irrigation purposes.Round metal case containing magnetic compass needle, eyepiece and sighting hair. The sighting wire frame secures the neelde in a fixed position when depressed, complete with metal close fit lid and leather carrying pouch and strap.irrigation, surveying -
Williamstown Historical Society Inc
Crockery set, Globe Pottery, 1920s
Used by Port Phillip Sea Pilots Association probably when based at Customs house Nelson Place, WilliamstownCream coloured glazed cup, bread and butter plate, soup plate and dinner plateA life buoy with inscription "Port Phillip Sea Pilots" badge surrounding drawing of two masted vessel Made expressly for John Dynon and Sons, Melbourne. Vitrified Globe Pottery Co. Ltd. Shelton, Englandcrockery globe pottery sea pilots port phillip -
Williamstown Historical Society Inc
Sound Effects machine, 1920s
c1911 used for outdoor movie sound effects at the Williamstown Mechanics Institute and live performances in the hallWooden box containing mechanisms for sound effects like thunder, gunshot, wind, carriage and horsessound effect machine theatre cimena mechanics institute -
Port Fairy Historical Society Museum and Archives
Photograph, late 1920s
Owned by the family of Captain William Robertson and part of the Robertson collectionoval framed family photograph: Photograph of Captain William Robertson and his wife in an oval silver frame embellished with a floral raised edge with a small hook for hanging (photograph tucked in back appears to be of Mrs Robertson)local history, photography, photographs, slides, film, robertson, captain or mr william, royal australian naval reserves, s.s.casino -
Brighton Historical Society
Shawl, 1920s
Often referred to as Assiut shawls, where they were made.Cream-coloured cotton bobbinet ground, hand-embroidered with flattened metal strips.shawl, metal embroidery, egyptomania, 1920s fashion, assuit shawl -
Stawell Historical Society Inc
Memorabilia - Realia, 1920s
Double headed Spanner with unusual patternstawell -
Brighton Historical Society
Dress, Evening dress, 1920s
Long sleeveless beaded evening dress with V-front and back neckline. Black tulle base embellished with black, grey and purple beads and sequins with a design of a purple sunburst radiating from the right proper hip and mirrored on the back. Bodice sides split to waist and skirt sides split to hip. 1920s fashion, evening dress, beading, flapper dress -
Brighton Historical Society
Dress, 1920s
Sheer black silk chiffon dress with black beaded front detail and pin tucked front skirt. Long pointed beaded collar. Long sleeves with nine rows of horizontal pin tucking on lower edge.