Postcard, Sepia photo of the Tomb of Cecilia Metella just outside Rome on the Via Appia. A round stone tower beside the road with a pine tree in the distance. Handwritten in ink beside the picture 'The old old Greetings For Xmas & New Year 25-12-04' Signature not decipherable. Addressee on the back 'Freddie Binks National Bank Bendigo' Green halfpenny Victoria stamp with cancellation dated 27.12.04postcard, postcard, rome, tomb, freddie binks

CEMA Art Collection Previously located in History HouseA large body of water with a shore line in the foreground on the left. Depicted in shades of grey, the calm water features a patch of white in the centre - reflection. In the background to the right, is a distant view of a small patch of land covered in trees. Behind the land is an out of focus view of mountains in the distance. The top half of the work features a grey cloudy sky. The work has a gilded ornate frame with cardboard and gold mounts and glass.Front: A.S. Murray Label attached to glass front: Presented to Council in 1984 by A.S. Murray Dunrobin Back: W. Hamer 189 Sturt Street Ballarat VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADElandscape

Report on SW6 class tramcar No. 928, 28 pages including appendices "Braking Tests - Car No. 928 - July 1952 - Emergency Brake Procedure". Dated 12th August 1952. Report looks at the impact of using the 1st Emergency brake and the 4th Emergency Brake, stopping distances, skidding and instruction to drivers. Document bound within a manila cover with fold back clips and clear adhesive tape.trams, tramways, preston workshops, reports, tramcars, sw6 class, braking, tram 928

Black and white photograph mounted into a brown card (acid free) surround, titled "Stacked Trams", taken during the tram blockade of Jan. 1990, looking south along Elizabeth St with the Flinders St Station, Elizabeth St clocktower in the far distance. Taken by Mathew Irwin - https://mattirwin.com/ (accessed 3/3/2021) For 600dpi scan see image i2. Note this is copyright photo."Stacked Trams" and "Cc Mathew Irwin '91" in white ink under the photo. Stamped on the rear is "Matt Irwin Photographer Copyright 1993"trams, tramways, elizabeth st, tram blockade, strike, unions, conductors

Two-page document, one typed, one handwritten. Extract from the Bendigo Advertiser, Monday 3 August 1931. The Roberts' nugget was found in the Whipstick Forest a short distance from the Crystal Reef, Neilborough by Leslie John Roberts. It was found 30 cm down in clay and weighed 70 ounces. Leslie and his father were unable to find work and were presumably prospecting in the Whipstick.bendigo, mining, roberts' nugget

Ramon (Ray) Francis Honisett (11.04.1931 - 30.08.2019), Fellow RMIT and medallist specialised in philatelic design, marine and military aircraft painting art and was active in the 1960s - 1990s. Ray Honisett used to live in Rye, in the Mornington Peninsula. According to Gavin Fry's book: The painting likely depicts the Lysaght Endeavour loading at Hastings. "The Lysaght Endeavour and its sister ship Lysaght Entreprise were built in Newcastle in 1973 specifically to serve the regional steel industry on the route Port Kembla - Westernport - Adelaide. Even after being lengthened by 17 metres, the two ships had remarkably short working lines, with both being broken up by 1988."Maritime artLarge framed unglazed landscape format painting predominantly green depicting in foreground a merchant vessel, a roll-on roll-off cargo ship moored at a single quayside on a river or river mouth. The middle ground shows a moderate solid jetty leading to large storage sheds at right. The background appears primarily rural with fields and hills in the distance. The location is probably Hastings Western Port in Victoria - notice the forklifts loading rolls of steel produced at the nearby steel rolling mill - the buildings in the distance. You can see the rolls of steel lined up on the hard stand to the right of the ship. The funnel colours suggest the Australian National Line. The frame incorporates a beige fabric slip with gilt edge the actual dark wood frame also with inset banded gilt edge. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks.at lower right corner single uc word in black paint : "HONISETT"tankers, marine painting, maritime art, ramon honisett, ray honisett, anl maritime art prize, acta maritime art prize, hastings, western port, victoria, steel, roll on roll off, forklift, mornington peninsula, artwork-paintings

Prior to the sealing of the Kiewa Valley Highway in 1950, all heavy road stock including building materials, farm equipment and other heavy machinery had to be transported via railway lines to either Albury, Wodonga or Bright and then transported overland for the remainder of the distance by wagon on rough, poorly made roads. Trains also services the mining industries of the Ovens Valley and the transportation of tourists to Mount Buffalo and the very popular Mount Buffalo Chalet.Steam trains were a major form of transport for rural community members prior to the introduction of road transport. Local producers including farmers relied on rail transport to send and receive essential building equipment, farming produce, materials, stock and mail to maintain their lifestyles and social connections with the outside world. 3 black and white photographs of a building being transported by steam train. Photos show the train in three progressively closer photos. Photo shows a man standing in the doorway at the controls of the train, 3 figures, possibly children leaning out of the window of the carriage and another man, standing on the tracks with hands on hips. Photo could have been taken in Tallangatta, Cudgewa or Ebden near Lake Hume where trains were a major form of transport prior to the 1950’s. No markingstransportables; steam train; railway;, old tallangatta, esther temple

This manual telephone exchange console is an important piece of equipment which provided the most efficient method of long distance communications in the 1950's to the 1980's. Communications were critical, not only for the regional Hospital, but also for large construction sites i.e. the Kiewa Hydro Scheme, especially if they are in dense rugged mountainous regions. The degree of Occupation Health and Welfare on industrial sites were at a bare minimum compared to the work scene after the 1980's.This telephone exchange console is highly significant to both the Kiewa Valley and Mount Beauty region because it was so important in the communications field relating to operational safety and work related controls. The success of any large undertaken relies heavily upon good communications. In the hospital this method of communications is still used i.e. patient to ward station. This flag system link a patient's room to the controlling nursing station. Identification of the patient needing help is crucial for swift action from the available medical staff. Similarly in large construction sites such as the Kiewa Hydro Scheme, successful instant communications was also essential. This switchboard required a 50 volt supply to successfully operate and was in use when both telecommunications and postal were under the one Federal Government carrier i.e. The Post Master General. A benefit with a line communication system (such as the one that fed this console was that interference from atmospheric conditions did not impede the connection.This console telephone switchboard (manual) unit has a shutter operation (precursor to the light indicator) to identify the caller to the telephone switchboard operator. This switchboard has a ten point indication shutter system allowing the operator to clearly identify where the caller is located. The console has a 44 connection point holes with their configurations in a triangular shape. The shutters are held closed by a small lever at the top which is opened by a small electrical charge from the incoming call. The operator uses a wind up handle to power a magneto connector(handle on the console's right side). The telephone hand set is located on the left side of the console. sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth and communications

Bushy Beavis (no actual trophy) Donor: No Deed of Gift: No Bushy Beavis was a well-known member of RBYC having raced in a number of classes and divisions at RBYC. He was also a very keen gardener and regularly looked after the rose garden at the entrance to the club. A memorial plaque was placed there after his death. The Bushy Beavis race is a mid-distance race sailed on AMS handicap and is also part of the Ingénue Series. First Winner: Not known bushy beavis, garden, ams

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.30 / ‘Scene in the Melbourne Botanical Gardens’ / Albumen silver photograph mounted on boardOn Reverse: ‘The Scene of the present illustration is taken from the Hill on the South Yarra side of the Gardens, shewing in the distance the Government Domain. In the centre of the picture a portion of the Lake may be seen. This Lake is of considerable extent, and being surrounded by hills, the slopes of which contain many beautiful Fern Groves and Vistas of the densest foliage, adds greatly to the beauty and picturesqueness of the surrounding scenery.’nicholas caire (1837-1918), australia - landscape photography

Sweet Trip won the Bendigo Pacing Cup on the 11 January 1966, followed by Fosmar and Macaree. Sweet Trip owned by I & K McLean, was trained and driven by BK Coram. Sweet Trip raced from 1963 (3YO) through to 1967 then raced in US from 1968 until 1969 (9YO). Career: 18 wins 34 seconds 19 thirds 140 starts.Two colour photographs, one small one large in a white frame. At the top: Bendigo Trotting Club 11-1-66/ Pacing Cup At the bottom: Left corner: Distance 2600 metres/ Mile rate 2.7-1/5 / Greg Matthews Photo Centre: Sweet Trip (Ribands - Graceful Spring) / Fosmar 2nd / Macaree 3rd Right corner: Owned by- I & K McLean/ Trained and driven by - BK Corambendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, sweet trip, bk coram, i & k mclean, 1966, fosmar, macaree, bruce coram

Illustration. Taken and cut from a book. Image is a oval The view is looking from land across a path with the sea and cliffs. Man and woman with dog on lead, walking down path. A large sailing vessel is visible anchored to the left with a further ship in the distance to the right. A smaller sailing ship with a white sail sits just inside the first cape. Sky appears murky textured with clouds. Printed at the bottom CAPE BRIDGEWATER.Front: 'CAPE BRIDGEWATER' - printed, lower frame.cape bridgewater

E. R. Watts and Son, makers of theodolites and other surveying instruments, of 123 Camberwell Road, London. The company was established in 1856 by Edwin Watts at twenty-three he had saved £100 from his earnings to start the business with his staff consisting of one boy and later Alexander Clarkson as an apprentice with the workshop a small room over a Bemondsey stable. Watts' first order was from Negretti and Zambra for a mining dial Alexander Clarkson In the early days the firm worked mainly on marine compasses. Edwin Watts would go down to the Docks to adjust the compasses once they had been installed on the ships. In May 1873 the business moved to larger premises a house with a garden. The workshop was also the home of Mr and Mrs Watts and their five sons and three daughters. By now there were fifteen to twenty men employed by the firm. The company were commissioned to supply the Theodolites and Levels for the construction to the Canadian Pacific Railway in 1881. Towards the end of the century, the firm began to make heliographs continuing to produce them for the government until just before the Second World War when by agreement assigned their manufacture to another firm. 1904 The first dividing engine was completed by George William Watts. It was so remarkable an instrument at the time and for years afterwards, In 1907 Arthur Ames went to Canada and started an organisation in Winnipeg in 1909 this became a separate company called E. R. Watts and Son Ltd. of Ottawa. This firm developed considerably and was eventually with the co-operation of three other instrument companies (Cambridge Instrument Co, Ross, and Negretti and Zambra), were reconstituted as ”Instruments Ltd” of Ottawa and Toronto. During the next ten years, the firm expanded greatly to include glass grinding, leather work, dividing and engraving, testing, adjusting and packing. This expansion was continued during the First World War when workshops were completed and the machinery installed and running within eleven weeks from the start of construction. During the war, a Sergeant Coles, among the rats, lice and mud of the trenches, fitted various bits of scrap into his cocoa tin and made the first Flash Spotter for plotting the positions of enemy guns. Coles was rushed home to the firm's factory where he and George William Watts designed a spotter not made out of a cocoa tin and as a result, the Watts Vertical Force Variometer was developed during WWI. Other Watts instruments made in the First World War included the Light Mountain Theodolites which were taken on Mt Everest expeditions. In 1919 ER Watts and Sons was incorporated as a limited company and in 1939 G. A. Whipple joined the Board of Directors. Shortly afterwards, Frank Charles Watts died having been Chairman of the firm for over 37 years and seen it through the First World War with all its expansions and difficulties. He was succeeded by his brother George William Watts with the vacant post of Managing Director being filled by G. A. Whipple. During the Second World War, the company expanded further and the number of employees rose to well over 1,300. In 1946 Watts acquired 78% of Adam Hilger and the microscope maker James Swift and Son Who were Manufacturers of Theodolites, Levels, Alidades, Meteorological Instruments, Variometers, and many other types of scientific instruments Then in 1948 the company amalgamated with Adam Hilger as Hilger and Watts which was then incorporated as a public company.Naval Rangefinder with a vertical wooden handle, and an arrangement of optical lenses. Three reversible brass inserts calibrated on both sides in yards, correspond to various base heights, (20 and 25 feet, 30 and 35 feet and 40 and 50 feet). They are fitted along the axis of the instrument. When the scale for the appropriate base height is selected and inserted, the carriage can be slid for coincidence and the distance read at the index mark on the sliding carriage.inscribed "Rangefinder Cotton Type Mk II" Calibrated scale up to 5000 yds (50 ft), 5000 yds (35 ft), 4000 yds (25 ft) made by E. R. Watts & Son.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, rangefinder, cotton type, e r watts & sons, naval range finder, marine equipment

Black and white photograph. Brick chimney, C.I building, poppet head with tramway, square chimney in centre. Chimneys and poppet heads in distance. Inscriptions: Hand written in ink in bottom margin 'View from Old Chum Hill - 1890's. In foreground 'Lazarus Engine, Horse & Battery', ' Lansell's '222' '. 'New Chum Mines in background'. History of object: James Lerk 18.2.2000 'Correctly labelled on front of photo'.place, mining site

black and white photo ( copy ) view of portion of Bendigo showing weatherboard cottages, large brick houses, mine chimneys, poppet legs, adults in foreground. On image handwritten on top ' New Chum United, Fortuna, B. Lazarus home, Lazarus New Chum, Old Chum. On back in pen ' New Chum Mines, Lansell's Fortuna in background, J.B. Lazarus' home in middle distance.' A. Richardson, 29 Harrison St.,N.J. Caireplace, landscape view, bendigo

Black and white photograph of original. Large excavation in foreground. Weatherboard building at left with wood pile and brick chimney. 3 poppet heads in middle distance. 1 poppet head on horizon. Total of 4 chimneys visible. Im inage on original photo ' …. Reef near Ironbark Hill' In margin at bottom ' Mr. Lansell's No. 180 claim/North Old Chum/Victoria and New Chum/Old Chum Claim'Original photo by N.J. Caire, 1875, looking south New Chum or Victoria Reef'organization, business, lansell's 180 claim

sepia photograph on cream board. Driveway/pathway, gravelled, eucalypt and conifer trees, uncut grass, wire fence middle distance. Pathway curving to left from front of photo. Written in blue pen on rear of photo : Botanical Gardens or early path in Fortuna. English trees planted, e.g. cypress. Holdsworth Road, adj. White Hills Cemetery Reserve. Crowned road grade. Heavy intermediate fence posts.unknownplace, land, botanical gardens, fortuna ?

black and white photo: Easter Fair Procession 1898, showing Cohn Bros. Float in middle foreground. Photo looking south down Pall mall towards City Family Hotel in distance. Crowd lining route, horse and jinkers behind. On bottom ' W.H. Robinson, Photo, Bendigo. Across top ' Bros. Limited' Part of top missing , would be 'Cohn Bros Limited' ? Down both sides ' Klondyke' .W.H. Robinsonorganization, society, easter fair procession

Advertising material. Use this blotter with the compliments of George Prowse, the quality butcher. Where your money goes further and where you can rely on quality meat and strict attention to orders. Our shops situated at: Pall Mall and Hargreaves Street, Bendigo, tel 798. On the left a copy of a painting titled ''Evening Splendour'' by H. Henderson showing a country landscape with a small lake, trees and vegetation, the top of a church in the distance.bendigo, business, george prowse

Postcard, WW1, B&W photo of three 18 pounder guns practice firing in a desert landscape. Smoke coming from the near gun. Two mounted soldiers observing in foreground. Two horse drawn guns and soldiers standing in right background. An indistinct row of mounted horsemen on a ridge in far distance. Handwritten in ink on the back Cinema Film Series 18 pders in action Zeitoun Feby '16postcard, postcard, ww1, zeitoun, egypt, 18 pounder guns

Document: Gold Mining Lease Crown Land No 11272 Bendigo, entered in the register book Vol 331 Fol 36450, embossed seals of Central Napoleon Gold Mining Co N.L & King George VI, Map: No 11272 Mining District of Bendigo, Parish of Sandhurst, County of Bendigo, shows the minerunning between Harvey & Inglis Streets and crossing Empire and Sparrowhawk Roads and running a good distance beyond Sparrowhawk Rd.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Polaroid instantaneous EE44 camera for taking and developing photos instantly. Film pack would be loaded in back of camera. Each photo pack would have its own chemicals within the pack and procedures commenced to print the the photo when its section of the pack was removed from camera. Distance adjustments in both Imperial and Metric. Instructions on back of camera. Provision for flash cube. Developing clip slides into back of camera.Polaroid EE44photography, cameras

The photograph is from the album of Ivy Child. The homestead appears to be that of Ted and Ethel Child. The people in the photograph have not yet been identified but are most likely family members. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a group of people in the yard of a homestead. One young man on a motorbike is wearing a cap and smoking a cigarette.A woman nursing a child is in the sidecar of a motorbike while a young girl is on the pillion seat. A man wearing a hat and smoking a pipe is standing between the two motorbikes. A young man in a jacket is standing behind the motorbike with sidecar. In the distance a man and young girl are standing in the open doorway of a shed.Handwritten below the photograph in the album: SEEING THEM OFFivy child, chhild homestead, motorbike, side car

Yields information about Ballarat's trams at the Sebastopol terminus and the tram operations at the Bell St loop.Agfa blue/white mount, colour slide of tram 21 at the Bell St loop, taken from the rear cab of a preceding tram. In the distance is another tram, most likely going to Sebastopol Tram 21 has the destination of Lydiard St North. On the right hand side of the photograph is the W. Parkin Milk Bar with a Peters Ice cream cone sign. See Reg Item 7490 for another photo of this shop."11-4-71" in ink.tramways, trams, bell st, skipton st, tram 21

Yields information about the use of Wendouree Parade and the milk cart that use to run during the day at the time.Digital image of tram 13 in Wendouree Parade, with a horse drawn milk cart alongside. No. 39 is in the far distance. The tram has the destination of Victoria St and an ANA mutual benefit society roof advert. Photo by John Ward 27 Feb. 1971. Slide title "04410 270269 6926-D SECV Single truck trams 26 & 20 at night time on layover in Sturt St Ballarat Vic"trams, tramways, wendouree parade, horse drawn vehicle, milk cart, victoria st, tram 13, tram 39

The design of this crest was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859. It became a town on 18 March 1887 and was proclaimed a city on 12 March 1919. Four circular cast bronze plaques with City of Brighton crest. The outer border surrounding the central crest includes CITY OF BRIGHTON lettering around the top half, two diamonds on the bottom left and right sides with the British Coat of arms at the bottom centre. The central crest depicts the Brighton coastline in relief, with a pier extending to the water, sail boats and a ship in the distance, a train on the right of the pier, a bathing box and trees on the left.plaque, city of brighton, brighton, crest, coat of arms, municipality, bayside

Flooding of the Yarra Valley, including that section of the Yarra bordering Kew and Kew East in the north and west of the municipality, was a regular occurrence. Extreme flood events of the Yarra River are recorded to have occurred in 1891, 1901, 1916, 1923 and 1934. The Municipality of Kew's response to these floods was to enact planning decisions restricting residential development in flood prone areas following the floods of 1916, 1921 and 1934. While floods continued after the development of the Upper Yarra Reservoir (construction 1948-57), the regularity and extent of these inundations diminished. Original, large sepia photograph showing men, women and children who have gathered on a grassy verge, probably farm land, to look out across the flooded Yarra Valley at Willsmere, North Kew. In the medium distance are three houses that are largely submerged by the flood waters as well as a number of Eucalypts. Judging by the clothes of the spectators, the date might be 1901 or 1916, but probably the latter due to the hats worn by a number of the women. Inscribed reverse: "Gift of Kerrie Woollard (KCC) (P)C.1923yarra river valley, kew east (vic.), floods, willsmere

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of an original mounted photograph showing a worker standing on a ladder in Glenferrie Road, Hawthorn, working on the overhead electric cables that would be used to power trams on the New Kew tramline.Other railway workers are working on platforms or viewing the man on the ladder. The ladder appears to be only supported by one other worker. "The Don Store" at left is immediately behind the old railway level crossing which can be seen in the distance to the south.Annotated verso: "Preparing for electric trams in Glenferrie Road, near Glenferrie Station, showing railway gates / Taken by E.J. Dower 1914"theme --- travelling by tram, theme -- connecting victorians by transport and communications, glenferrie road -- hawthorn (vic.), railways -- hawthorn

Colour-tinted postcard, titled in red upper left: “RIVER YARRA AT STUDLEY PARK, KEW”. On the divided reverse, the card is addressed to “MISS JOLLEY / MELB. TRAM & O[MNIBUS]. CO / BOURKE STREET, MELB”. The sender has dated the card 21.12.08. In the upper right corner, there is a pink Victorian one penny postage stamp; sent from Melbourne on 22DE 08. (The division of the reverse of the postcard, allowing a message to be written on one half and the address on the other, was not permitted in Australia until 1905.) The manufacturer of the postcard is indicated by the initials “W.T.P”, printed in a green floral diamond, printed centre top. This was the trademark of WT Pater, printers & stationers. William Thompson Pater was born in Melbourne in 1861. His business at 271 Little Collins Street offered Christmas cards, booklets, calendars, and leather goods as well as postcards and albums.Hand-tinted postcard of the River Yarra in Studley Park, Kew. The birds-eye view is of a bridge on the Yarra (Johnston Street?) linking Kew and Abbotsford as it appeared in c.1908. On the Abbotsford side of the river, fields lead down to the river, with some remnant trees. The Kew side of the river, in contrast, due to its steep banks, retains its original vegetation. In the distance is industrial development, in what might be Fairfield and Alphington.“RIVER YARRA AT STUDLEY PARK, KEW”river yarra -- kew (vic.), william thompson pater, w.t.p., postcards -- kew, postcards -- studley park, bridges - yarra river -- kew (vic.)