Showing 2057 items
matching funds
-
City of Ballarat
Public Artwork, Wallace Anderson, Earle Christmas Grafton Page (Prime Ministers' Walk) by Wallace Anderson, 1940
Earle Christmas Grafton Page served at Prime Minister 7-26 April 1939. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite plinthEarle Christmas Grafton Page Prime Minister 1939prime minister, australian pm -
City of Ballarat
Artwork, other - Public Artwork, John Grey Gorton (Prime Ministers' Walk) by Victor Greenhalgh, c1972
John Grey Gorton, Australia's 19th Prime Minister. The Prime Ministers Avenue is a collection of bronze bust portraits of the Prime Ministers of Australia, located at the Ballarat Botanical Gardens in Ballarat, Victoria. The Prime Ministers' portraits are commissioned after the incumbent term of each Prime Minister by the City of Ballarat. The City of Ballarat has taken responsibility for commissioning the busts after funds set aside by politician Richard Armstrong Crouch were exhausted in 2014. Crouch originally donate money to pay for six busts, the first of which was unveiled in 1940. The collection of prime ministers' busts are unique in Australia, representing the only sculptural portrait collection of all past Australian Prime Ministers. The different styles used reflect the unique artistic practices of the selected artists; textures, sizes and features and proportions are used by the artists to interpret the characteristics of each of the subjects.The artwork is of historic and aesthetic significance to the people of BallaratBronze bust cast on granite plinthJohn Grey Gorton Prime Minister 1968-71prime minister, australian pm, john grey gorton -
Unions Ballarat
Photograph: John Lenders and others at fundraising tea for Sharon Knight, 9/7/2010
Photograph: John Lenders and others at fundraising tea for Sharon Knight John Lenders served in the legislative assembly and legislative council in the period 1999 to 2014. He served in the cabinet, as Minister of Education and Treasurer in the Bracks and Brumby governments. He was appointed leader of government in the legislative council whilst the ALP were in power. John Lenders retired from politics in 2014. At the time the picture was taken, he was Victorian State Treasurer. There are other people in the photograph who have not been identified. There is a calico bag in the foreground that has the slogan, "Park smart: lock it, remove it or lose it" with a picture of a padlock and a Victorian Government logo. The gathering was to raise funds for Sharon Knight's state election campaign. Knight was successor to Karen Overington. Knight is now the state member for Wendouree. She has a background in health and community sectors, including having managed Lifeline in Ballarat. Photographbtlc, ballarat trades and labour council, ballarat trades hall, park smart, sharon knight, election campaigning, lenders, john, cabinet, politicians - state -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1922-1923, 1922
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1922-23 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1922-1923kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1923-1924, 1923
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue enamel on metal membership medallion produced by the Kew Cricket Club for the year 1923-24 and which belonged to Francis Horace Rigg (1882-1946). The medallion in shield shape is enameled in shades of blue with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1923-1924kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1925-26, 1925
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1925-26 and which belonged to Francis Horace Rigg (1882-1946). The circular medallion on a square base is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1925-26kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1928-29, 1928
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1928-29 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1928-29kew cricket club -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1929-1930, 1929
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1929-30 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1929-1930kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1931-1932, 1931
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.One of three blue and gilt enamel on metal membership medallions produced by the Kew Cricket Club for the year 1931-32 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1931-1932kew cricket club, francis horace rigg, numismatics, medallions, sport -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1931-1932, 1931
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.One of three blue and gilt enamel on metal membership medallions produced by the Kew Cricket Club for the year 1931-32 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1931-1932kew cricket club, membership medallions -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1931-1932, 1931
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.One of three blue and gilt enamel on metal membership medallions produced by the Kew Cricket Club for the year 1931-32 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1931-1932kew cricket club -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1934-1935, 1934
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Circular blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1934-35 that belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with inscriptions in gilt. The medallion includes the logo of the Club at centre, the full name of the Club at top and the period for which the member would gain access to games at the base.Kew Cricket Club KCC 1934-1935kew cricket club -
Kew Historical Society Inc
Unknown - Membership Medallion, Kew Cricket Club KCC 1935-1936, 1935
Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Circular blue, white and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1935-36 that belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue with the Club’s logo on circular white enameled section in the centre. The full name of the Club and the period for which the member would gain access to games is enclosed in a surrounding section of navy blue enamel with a hexagonal outer edge.Kew Cricket Club KCC 1935-1936kew cricket club, membership medallions -
Surrey Hills Historical Society Collection
Work on paper - Ephemera: Theatre program - Miss Hook of Holland, 24 & 26 June 1933, H Bowley, Printer, 192 Canterbury Road, Canterbury, June 1933
"Miss Hook of Holland" is a musical comedy (described as a "Dutch Musical Incident") in two acts, with music and lyrics by Paul Rubens and book by Austen Hurgon and Rubens. It opened at the Prince of Wales Theatre, London, on 31 January 1907, and had a successful run of 462 performances. A synopsis of the plot can be found at https://www.guidetomusicaltheatre.com/shows_m/miss_hook_holland.htm This was one of a number of productions of the Surrey Hills Amateur Operatic Society during the 1930s. The society formed in 1931 and its first production was "The Cingalee", followed in 1932 by "The Arcadians". Other productions were "Princess Ju-Ju", "The Quaker Girl", "The Hook of Holland" and "The Country Girl". Apart its cultural and social importance, the aim of the Society was to raise funds for charity. Mrs Constance Clucas was a driving force behind the productions. A comprehensive account of the society's activities is found in 'A history of Surrey Hills' Sporting clubs and Cultural Groups" by Ken James. This and other programs of the Surrey Hills Amateur Operatic Society provide insight into the cultural life of Surrey Hills in the 1930s.Cream-coloured stapled program printed in brown of a musical comedy in 2 acts. Includes a cast list and committee of the Surrey Hills Amateur Operatic Society, a synopsis of the play, a list of the musical items, photos of Mrs P D Clucas and Mr Norman Lee and a number of ads for local and city businesses."J Hall" signed on back in ink or biro; Norman Lee has signed his photo in ink.camberwell town hall, operetta, miss hook of holland, tanner and monckton, surrey hills amateur operatic society, j c williamson ltd, surrey hills baby health centre, alfred hospital, orthopaedic hospital, surrey hills orchestra, anne's pantry, surrey hall, entertainment, fundraising, musical events and activities, miss cook, mr j colquhoun, h e witchell, a h chenu, norman lee, jean gordon, wilfred darby, jeanette mcdowell, ronald isherwood, howard p denny, miss phyllis heitsch, una v blaikie, howard burnett, jack chapman, winifred broderick, gladys marshall, scyla cocking, harold g brett, harry cocking, aubrey pearce, william morrison, muriel middleton, barbara brigdon, jessie collins, ethel cerini, isabel callaghan, florrie doreian, violet ebbels, jessie fethers, margot gordon, jean robinson, gordon lavender, marjory gordon, grace linford, mollie middleton, eileen middleton, muriel marshall, gladys oliver, mary scragg, beryl scragg, nina sinclair, jean wearne, gladys roberts, rose pearse, jean douglass, jessie powys, mabel thomas, violet abery, roy brian, herbert darby, wilfred harley, robert rowse, jack walker, fred williams, george duncan, mrs g d clucas, mrs p d blaikie, miss w h duncan, mrs g d grover, mrs b collins, miss m harley, mr r cocking, mr h colton, ada walton, mrs c colquoun -
Vision Australia
Administrative record - Text, Braille and Talking Book Library 94th Annual Report 1894-1988: that all may read, 1988
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: consultants used to streamline structure to reduce costs, take advantage of computer catalogue and resignation of Iris Whittaker and Seija Makinen, legacy from Valmai Jean Grey Bequest, Anne Barca, David Scott and Peter Walsh joined the Board, Braille Book of the Year panel (Joyce Nicholson, Stephen Murray-Smith, Barrett Reid) continue to short list titles for readers to vote on and Australia Council funds production of these titles, increased wait times to 18 months for new borrowers, introduction of computerised Profile matching for readers, full audio rights secured for six titles by LBP Ltd (Louis Braille Productions) and tone indexing introduced on to magazines at beginning of 1988.1 volume of text and illustrationsbraille and talking book library, annual report -
Vision Australia
Functional object - Object, Donation tin - round Radio 3RPH circa 1990's, 1980-1990s
Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the 3RPH tin could be used gathering coins at events such as outside broadcasts or other special marketing days.1 metal coin collection tin with handle and paper wrap1170 Radio 3RPH For the print handicapped A service of the Association for the Blindassociation for the blind, 3rph radio station -
Vision Australia
Functional object - Object, Donation tin - round Vision Australia, 2005-2018
Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. In this example, the Vision Australia tin could be used gathering coins at events such as Carols by Candlelight or other special marketing days.1 metal coin collection tin with paper wrapPaper wrapper around tin: Help me to break down the barriers and achieve greater heights Vision Australia blindness and low vision services Paper on top of tin: Thank you for your support Vision Australia blindness and low vision servicesvision australia, fundraising -
Vision Australia
Functional object - Object, Donation tin - rectangular RVIB tin, 1936
Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. These boxes were designed to be reused, with a pop out section in the base.2 x metal coin collection tins with printed sidesFront: The Royal Victorian Institute for the Blind St Kilda Road The only Institute in Victoria for teaching blind adults trades & professions educating & maintaining blind children & babies (Lighthouse with words radiating out from light) Modern cottage homes Pensions - after care & sick fund Prevention of blindness lectures, etc. Free wireless radio for needy cases Boat shed & club house Professions & trades Blind babies nursery Wireless sets Social club Happiness for the blind every day & night Musical education Higher education Domestic science classes for blind women & girls A free education Maintenance of blind children The Lighthouse! As a thanksgiving for sight Please place a coin in this box and help to keep the Beacon Light flashing for the Institute's Blind Adults, Babies and Children Side: (Picture of two girls playing with dolls house) Our blind babies and pupils will probably spend 70 years in our Royal Victorian Institute for the Blind St Kilda Road As a thanksgiving for sight please help make their years very happy ones by placing a coin in this box! Reverse front: (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body.) It might hit You or Me! Please! Will You? As a thanksgiving for the sight you and your dear ones possess, please place a coin in this box to assist the Royal Victorian Institute for the Blind, St Kilda Road, and its Blind Adults, Children and Babies! Reverse side: (picture of workshop at RVIB) One of our many spacious workshops provided by public subscription! The Royal Victorian Institute for the Blind is faced with the problem of employing and otherwise assisting its blind workers. It gives them charitable allowances in addition to their earnings, amounting to approximately 15,000 (pounds) every year, to enable them to support their wives and families! No profits can therefore be made! This 15,000 (pounds) is distributed because the great handicap of blindness prevents blind persons from earning as much as their more fortunate sighted fellows. Please! Ask Storekeepers for our Baskets, Mats, Brooms, etc. And as a thanksgiving for Your Sight place a coin in this box for our blind adults, children and babies! Embossed on the top of the box is Royal Victorian Institute for the Blindfundraising, royal victorian institute for the blind -
Vision Australia
Photograph (Item), Major Vision Australia Foundation donors 2001 and 2002
To assist in providing services, Vision Australia Foundation needed to raise additional funds through donor relations, particularly for building or renovation projects. In 2001 and 2002, the following donors were recorded as providing a substantial amount of funding towards this and were commemorated with a glass plaque displayed in the building. The following names (estates) were listed: 2001 - Henry Edward Bird Estate, Jakob Bursztyn Estate, Ian Sloan Hamilton Estate, Harold Charles Hill Estate, Kathleen Mary Johnston Estate, Jean Learmonth Shoosmith Estate, Ena Lemon Estate, Frederick Francis Percival Thornton Estate. 2002 - Betty Rae Collie Estate, Ivy May Horne Estate, Elaine Millicent Lewes Estate, Elsie Lorraine Lynch Estate, Patricia Marian Macfarlane Estate, Andrew John Watson Estate.Major Vision Australia Foundation donors vision australia foundation, nameplates -
Vision Australia
Administrative record - Text, Sixteenth Annual Report of the Association for the Advancement of the Blind 1911, 1911
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including membership of 299, 1000 visits were paid during the year, the Public Works department erected a set of steps from the top of the cliff to the sands so that Home residents may be able to access the beach, Railway Permits will now also be honoured on the Prahran-Malvern Electric Tramway and Bay Excursion Steamers, a concert party toured to Egerton, Ballan, Bacchus Marsh, Myrniong and Toolern Vale for the dual purpose of raising awareness and funds for the Association, Mr A Solomon has been appointed as a second Collector to visit Country Towns and with the support of the wife of the Minister for Public Works, Miss Aston and Miss Munce waited on the Lady Mayoress of Melbourne, gave her full support to organise a fund to purchase the land and buildings in Mair Street for the Association.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
City of Greater Bendigo - Civic Collection
Award - Set of Twenty Two Security Loan Honour Pennants, Commonwealth of Australia, c 1946 - 1963
Australia, like many countries involved in both the First and Second World Wars realised that they would need more funds to resource their campaigns, so war loan programs were developed. These programs encouraged the population to purchase government war bonds which would be repaid with interest at a later time while immediately assisting the war effort. Post WW2 the government continued to encourage citizens to save money in an attempt to curb inflation. Security loans formed part of this countries economic program from the 1940's onwards. Districts were allocated a quota for which they encouraged citizens to subscribe and pennants were awarded for the highest per capita payment amongst the town population. In 1946 Bendigo was the first country city in Australia to record a quota success for the Second Security Loan, raising £260,480 from 1953 subscribers. Triangle felt screen printed pennants, various colours with two ties along left side. Pennants range in date from 1942 until 1963. 253.1 Blue felt triangle pennant with two ties on long side. Gold printed Commonwealth of Australia Coat of Arms, cream printed text and one star top left of crest. Dimensions: 1010mm W x 355 H x 3mm 253.2 Blue felt triangle pennant with two ties on long side. Gold printed Commonwealth of Australia Coat of Arms, printed cream, red and blue coloured text . One cream coloured printed star top left of crest. Dimensions: 985 W x 367 H x 3mm 253.3 Blue felt triangle pennant with two ties on long side. Gold printed Commonwealth of Australia Coat of Arms, printed cream, red and blue coloured text . One cream coloured printed star top left of crest. Dimensions: 955W x 355 H x 3mm 253.4 Green felt triangle pennant with two ties on long side. Gold printed Commonwealth of Australia Coat of Arms, printed cream, red and green coloured text . One cream coloured printed star top left of crest. Dimensions: 970 W x 367 H x 3mm 253.5 Green felt triangle pennant with two ties on long side. Gold printed Commonwealth of Australia Coat of Arms, printed yellow, pink and green coloured text . Two cream coloured printed stars top left of crest. Dimensions: 975 W x 370 H x 3mm 253.6 Red felt triangle pennant with two ties on long side and remnants of bronze ribbon stapled to long side. Yellow printed Commonwealth of Australia Coat of Arms, printed white, yellow, cream and light blue text . Two cream coloured printed stars top left of crest. One light blue star centre right. Dimensions: 1055 W x 355 H x 3mm 253.7 Light blue felt triangle pennant with two ties on long side and bronze ribbon stapled to long side. Yellow printed Commonwealth of Australia Coat of Arms, printed red, white and dark blue text . One cream coloured printed star top left of crest. Dimensions: 966 W x 355 H x 3mm 253.8 Green felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms, printed pink, white and yellow text . One cream coloured printed star top left of crest. Dimensions: 970 W x 350 H x 3mm 253.9 Red felt triangle pennant with two ties on long side and remnants of bronze ribbon stapled to long side. Yellow, blue, red and cream printed Commonwealth of Australia Coat of Arms with printed black, white and light blue text. Additional text on long side of pennant adjacent to ties. Three cream coloured printed stars top left of crest. Dimensions: 965 W x 350 H x 3mm 253.10 Blue felt triangle pennant with two ties on long side and remnants of bronze ribbon attached to ties. Yellow printed Commonwealth of Australia Coat of Arms with printed dark blue, cream and red text. Two cream coloured printed stars top left of crest. Dimensions: 930 W x 365 H x 3mm 253.11 Red felt triangle pennant with two ties on long side. Yellow, blue, red and cream printed Commonwealth of Australia Coat of Arms with light blue and cream text. Three cream coloured printed stars top left of crest. Dimensions: 1025 W x 355H x 2mm 253.12 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with light blue text. Additional text on long side of pennant adjacent to ties. One cream coloured printed star top left of crest. Dimensions: 920 W x 338 H x 3mm 253.13 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with maroon text. One cream coloured printed star top left of crest. Dimensions: 930 W x 360 H x 3mm 253.14 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with yellow text. Two cream coloured printed stars top left of crest. Dimensions 910 W x 345 H x 3mm 253.15 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with light blue text. one cream coloured printed star top left of crest. Dimensions: 905 W x 345 H x 3mm. 253.16 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with brown text. One cream coloured printed star top left of crest. Dimensions: 930 W x 360 H x 3mm 253.17 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with blue text. One cream coloured printed star top left of crest. Dimensions: 915 W x 350 H x 3mm 253.18 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with blue text. One cream coloured printed star top left of crest. Dimensions: 950 W x 355 H x 3mm 253.19 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with blue text. One cream coloured printed star top left of crest. Dimensions: 950 W x 355 H x 3mm 253.20 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with cream text. One cream coloured printed star top left of crest. Dimensions: 965 W x 360 H x 3mm 253.21 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with blue text. One cream coloured printed star top left of crest. Dimensions: 950 W x 365 H x 3mm 253.22 Dark blue felt triangle pennant with two ties on long side. Yellow printed Commonwealth of Australia Coat of Arms with cream text. One cream coloured printed star top left of crest. Dimensions: 940 W x 365 H x 3mm 253.1 Austerity /War Loan / Nov - Dec 1942 / Honour Pennant 253.2 Second / Security Loan / Oct - Nov 1946 / Honour Pennant 253.3 Third / Security Loan / April - May 1947 / Honour Pennant 253.4 Fourth / Security Loan / Oct - Nov 1947 / Honour Pennant 253.5 Fifth / Security Loan / April - May 1948 / Honour Pennant 253.6 Seventh/ Security Loan / March – April 1949 / Bendigo 253.7 Eighth / Security Loan / Sept – Oct 1949 / Honour Pennant 253.8 Ninth / Security Loan / March 1950 / Honour Pennant 253.9 Special Award / Tenth / Security Loan / August 1950 / City of Bendigo 253.10 Eleventh/ Security Loan / Nov-Dec 1950 / Honour Pennant 253.11 Special Award / 12th Security Loan / may- June 1951 / City of Bendigo 253.12 Sixteenth / Security Loan / Nov-Dec 1952 / Honour Pennant 253.13 Eighteenth / Security Loan / Sept – Oct 1953 / Honour Pennant 253.14 Nineteenth / Security Loan / March 1954 / Honour Pennant 253.15 Commonwealth / Security Loan / August 1954 / Honour Pennant 253.16 Commonwealth / Security Loan / august 1954 / Honour Pennant 253.17 Commonwealth / Security Loan / August 1956 / Honour Pennant 253.18 Commonwealth / Security Loan / August 1957 / Honour Pennant 253.19 Commonwealth / Security Loan / May 1960/ Honour Pennant 253.20 Commonwealth / Security Loan / September 1960/ Honour Pennant 253.21 Commonwealth / Security Loan / February March 1961/ Honour Pennant 253.22 Commonwealth / Security Loan / February 1963 / Honour Pennant commonwealth loan scheme, city of greater bendigo awards -
Melbourne Legacy
Album - Photo album, One Week's Legacy Club Publicity. Tribute to Capt P E Potts, 1928
An album of newspaper clippings and photos compiled to thank Legatee Philip E Potts when he was leaving Melbourne in 1928. L/ Potts was president of Legacy in 1927-28. The album was compiled by Legatee Frank Doolan. The articles included the first annual demonstration being held on 28 March 1928 with 300 junior legatees performing. Legatee Aaron Beattie was in charge with help from Mrs Gillies and Jim Tierney. Also articles about the proposed building of the Shrine of Remembrance and the appeal for funds. One page shows pictures of a social event held on the Burns Philp ship 'Marella'. Another photo of Marella is in the collection. Legatee Potts was manager of the old-established shipping firm Burns, Philip and Co Ltd. He also was president of the Melbourne 'Highland Pipe Band, a councillor of the Melbourne Scots and English Speaking Union, and a member of the Rotary Club. A record of a tribute to a past president and outlines significant events in 1928.Brown cardboard album x 13 pages of newspaper clippings and photos from 1928 held together by brown string.shrine of remembrance, philip e potts, past presidents -
Bendigo Historical Society Inc.
Document - DOCUMENTS RELATING TO: THE BENDIGO AND DISTRICT TOURIST ASSOCIATION, July 7th, 1970
Various documents relating to the Bendigo and District Tourist Association. Includes Minutes of five meetings of the Board (1970/1971); Notice of AGM 1969; Annual Report 1971; Articles of Association (as amended 14/9/1971); single page headed ''Development of Nell Gwynne and Victoria Hill Sites'' - extensive plans for a 'tourist site with museum, cemetery, chapple (sic), rotunda. Theatre, façade of Charing Cross, a flying-fox from Nell Gwynne to Victoria Hill (no date); Mining Sub-Committee Report and Recommendation (Tourist Development Committee) 1967 re Resolution that ''Quartz Hill'' be developed as a mining tourist attraction (details provided ($75.000 est.); Draft Proposals for Brochure (authored by Miles Lewis, Carlton) - brochure to promote the idea of a museum and tourist development at the Nell Gwynne site; letter to Bendigo businesses re seeking funds for tourist development - Daryl McClure, Hon Sec June 1970.;bendigo, tourism, bendigo and district tourist association -
Southern Sherbrooke Historical Society Inc.
Information Folder - St. Bartholomew's Anglican Church, Ferntree Gully and St. Thomas' Anglican Church, Upper Ferntree Gully
Information folder containing items pertaining to the history of St. Bartholomew's Anglican Church, Ferntree Gully and St. Thomas' Anglican Church, Upper Ferntree Gully. Contents: -letter, Bob Collie to Susan Heywood-Downard, dated 12 October 1995 -photo, Rev. W. M. Robertson -photo, "Rev. W. G. Thomas 1913-1918" -photo, "St. Bartholomew's/Ferntree Gully/Station St -Lower FTG/No longer there" -photo, aerial shot of Ferntree Gully township, "Mr Curlewis, Gacidal (?) St, North Bayswater. The clergy house is at the extreme RH of photo, on top of hill. It is no longer there on 'The Avenue'" -booklet, "The Anglican Church of St. Thomas, Upper Ferntree Gully. A Short Guide & brief history" by Brian Kennedy, June 1993 -booklet, "The Church of England, St. Bartholomew's Ferntree Gully Lower, St. Thomas', Ferntree Gully Upper. Combined Funds Canvass - 1957"st. bartholomew's anglican church, ferntree gully, st. thomas' anglican church, upper ferntree gully. -
Melbourne Tram Museum
Document - Notice, Tramway Board, "Influenza sick pay", May. 1919
Set of 6 notices and other documents concerned with the sick pay during the Influenza pandemic of 1919. .1 - Notice to Superintendents, Line Mangers titled "Influenza sick pay", two foolscap duplicated sheets dated 13/5/1919 - with pencil alterations relating to item .2 .2 - Replacement notice for above, dated 15 May 1919. .3 - Form - printed foolscap sheet, ruled, to certify employees that had were sick and subscribers to the local sick pay relief fund - No. 780, printed 5/19. Two copies held. .4 - Memorandum - "donations to the "Influenza sick pay" funds - by the Board - dated 13/5/1919 - half foolscap duplicated sheet - two copies held. .5 - Notice to Employees - D424, similar to above - dated 12/6/1919. .6 - Receipt of payment form - No. 785 of May 1919, printed form, special size - 10 copies pinned together.trams, tramways, tramway board, cable trams, sickness, influenza, employees -
The Beechworth Burke Museum
Audio - Oral History, Mr Doug Craig
Doug Craig was born in Beechworth but had lived in Stanley. His parents had been in Stanley since the 1850's. He went to secondary school in Beechworth. His family roots are from France and Scotland. Doug gave an account of his younger years as a student at Beechworth in the post war periods of 1959 to 1953, his employment and the culture within companies he worked for, the changes brought by the new drug era, working in the hospital, This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.beechworth, mental hospital, drugs, burke museum, stanley state, hospitals, hospital patients, cocky's loft, may day hills, may day -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Grace Irvine, 20th April 2000
Mrs Grace Irvine was born in 1907 as one of eight children to the Shennan family in Silver Creek, a town three kilometres east of Beechworth that was considered a part of the town. Her father was a 'wood-carter', contracted to deliver wood to the mining dredges at Silver Creek and the Mayday Hills asylum. Wife to Dick, and mother to four children, Mrs Irvine spent her life in Beechworth, recalling many transformations in its history and living through wars and the Depression. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The oral history record of Mrs Grace Irvine is a rare and representative insight into life in Beechworth from the turn of the 20th century to the 21st century, specifically in the descriptions of the everyday, commerce, business, family, and leisure activities for residents of the town throughout war-time and the Depression. Mrs Irvine's recollections have a social value to the Irvine family who have a long enduring history with Beechworth, and so also provide significance to the social and cultural history of the town. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Grace Irvine /listen to what they say, beechworth, oral history, burke museum, irvine, grace irvine -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Beth Miller, 8 June 2000
Mrs Beth Miller was born in February, 1924 in Latvia. Her family left for Germany after Russian occupation was implemented in Latvia, and eventually sailed for Australia from Naples, Italy in 1949. A working contract and position at the Mayday Hills Mental Hospital brought her to Beechworth, where she settled with her husband and parents. Mrs Miller recounts the daily work in the Mental Hospital during the 1950s, life in Black Spring and the isolation of the immigrant experience. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mrs Beth Millers account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She gives important insights into the life of post-war European immigrants in the area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Beth Miller /beechworth, beth miller, miller, listen to what they say, jennifer williams, oral history, latvia, bonegilla, immigration, mayday, mayday hills, mental hospital, asylum, black spring, bakery, lutheran, immigrant -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Helen Jackson, 9th March 2000
Mrs. Helen Jackson, originally from Melbourne, moved to Beechworth in the 1950s for the purpose of her husband's employment with the Mayday Hills asylum as a vegetable gardener. Living in Beechworth for over 40 years, Mrs. Jackson spent her time as a devoted full-time mother raising her family of biological and foster children where she has fond memories of Beechworth being a safe and fun place to live - "Oh it was, life was fun!". This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The oral history record of Mrs. Helen Jackson is a representative insight into life in Beechworth from the 1950s onwards, specifically in the descriptions of commerce, business, family, and leisure activities for residents of the town during the post-war period until the present day. Mrs. Jackson's recollections have a social value to the town of Beechworth as a local perspective on its development and contributes to its cultural and social history. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Helen Jackson /listen to what they say, beechworth, oral history, burke museum, jackson, helen jackson, linda peacock, mayday hills -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mr Harry Mason, 13th April 2000
Mr Harry Mason was born in Stanley, Victoria, on the 23rd of July 1925, attending the primary school in Stanley and high school in Beechworth on the mail truck. His family initially moved to the area during the initial Gold Rush period. He moved to Beechworth in 1960. For seven years after school, he worked in the local orchard full time before becoming the local gravedigger, responsible for digging the graves of Beechworth residents and Asylum for 23 years. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth-century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mr Harry Mason's account of his life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. He details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal roles in a rural area. Mr Mason also discusses agricultural and gravedigging practices of the time as well as what it was like growing up in rural Australia. This first-hand account is imperative to our understanding of life during the last century. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Harry Madon /listen to what they say, beechworth, oral history, burke museum, harry mason, stanley, orchard, jennifer williams, asylum