Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton'

John S. Irvine was a resident of Peterborough and one of the original trustees of the present golf club. He died in 1999. Rod Calvert's house (on the corner of Blair & Schomberg) was used as the clubhouse, prior to the purchase of the current clubhouse.This photograph is significant for two reasons: it depicts the second hole plus some of the off shore rocks as they were in 1999. Mainly this is significant as John Irvine, along with N. R. Calvert, & P. G. Clark, guaranteed a loan in 1972 for the purchase of the land and building which are now the golf clubhouse. Until the Hall was built, this clubhouse was the meeting point for the community, and continues to be for many events. This photo was donated in his memory and in appreciation for his long service to the Peterborough Golf club24 inch x 40 inch framed photograph of the second hole, Peterborough and a framed photo of John S. IrvinePrinted title, photographers signature and copyright statement on the front. Plaque is inscribed: Donated in memory of John S. Irvine who helped create and loved this course and was a respected long serving member of this club.peterborough, peterborough golf club, golf, golf links, john irvine, rod calvert

Photographs of title documents related to the Sister’s Rocks. c 1867. In 1866 a photographer Mr. O.G. Armstrong feared the Sister's Rock's would be used for building material. Mr. Armstrong and Samuel John Davidson squatter of Great Western leased the ground around the Rock's under the 42nd section of then existing "Land Act" enclosing the rocks with a rough fence. Davidson's lease application was dated 30th Jan 1867. The area applied for was 10 acres and issued 2nd July 1867. The fee paid 2 pound 10 shillings annually till July 1871 when an application to purchase was lodged. Two years later the land was transferred to the Borough of Stawell. Photographs also show maps of the areas. Information also includes 3 typed pages copied from the documents photographs. Documents relating to the Sister Rock's c 1867.documents relating to sister's rock's

Photographs donated by Valda ConnellyGundry descententsIron Bark Station was purchased by Joseph Gundry in 1844 The property consisted of 7721 acres plus conditional rights to adjoining properties.The station housed 6000 sheep and 60 cattle . In the top left hand corner of the photograph you can see the LLAMBERIS House built by Joseph Gundry. It was thought that later the property was sold and Roderick Impey Murchison was the buyer,he later offered it for sale in 1885 and later that year A N Hassall invited tenders for lots of Liamberis.C j Cook was the listed owner in 1888 ( land of the Magpie)

The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed

Letter describing use of land 'Arlington', Canterbury Road, Blackburn. Purchased in [1936] as a poultry farm and subdivided in 1947 into 7 shops and 5 building blocks.Letter describing use of land 'Arlington',pooley, beatrice, fred, arlington, canterbury road, blackburn south, land subdivision

Sale of 32 blocks of land on former Blackburn East Primary School site, now known as Greenwood Estate. Expected purchase range between $80,000 and $100,000.williams, lloyd, fletcher and parker, hudson conway property group, blackburn east primary school, no. 4800, vicki street, blackburn south

Certificate of Title dated 12/4/1904 covering land in Shady Grove, Nunawading purchased by David Duncan Butchart Wilson. Crown Land Allotment No. 116 Parish of Nunawading County of Bourkeland titles, wilson, david duncan butchart, shady grove nunawading no. 76, higgins, mary, alcock, horace, holmes, dave, thumberstone, henry, helen

Certificate of Title dated 5/11/1909 covering land in Shady Grove Nunawading purchased by Mary Higgins. Crown Land Allotment No. 116 Parish of Nunawading County of Bourke.land titles, higgins, mary, holmes, dave, shady grove nunawading no.76, helen

Certificate of Title dated 4/9/1885 covering land in Shady Grove Nunawading purchased by The Freehold Investment and Banking Company. Crown Allotment No. 116 Parish of Nunawading County of Bourkeland titles, shady grove nunawading no. 76, crown land allotment no. 116, the freehold investment and banking company of australia ltd., higgins, mary, holmes, dave, wilson, david duncan butchart, helen

Ownership history of 4 Austin Street, Mitcham between 1873 to 2019, including the plan of the Mellorton Estate, Mitcham (1923), showing some lots priced at one hundred and forty-five pounds and the Charlesworth Estate ((1913). The Austin Street house was purchased by Martin and Shirley Gleeson 1956 and sold in 2019. Subdivision map of area south of Burnett Street to Harrison Street. non-fictionOwnership history of 4 Austin Street, Mitcham.drake real estate, charlesworth estate mitcham, mellorton estate mitcham, austin street mitcham no4, ainger frank

Original Specification documents for the erection of a house at 27 Good Governs Street, Mitcham for John Kift in 1960.non-fictionOriginal buisling Specification, land purchase and Board of Works documents for the house at 27 Good Governs Street, Mitcham for John Kift in 1960.good governs street mitcham no 27, kift john

Private sale of 22 hillside home-sites on Junction Road, Blackburn, called Hollins Estate by Stanley R. Penny & Co., 524 Whitehorse Road, Mitcham.hollins estate, stanley r. penny & co., real estate agents, blackburn, junction road, suto, joyce

22 Blackburn Road, Blackburn has been purchased by a Chinese developer for $3.9 million to build 20 units & 5 retail spaces. The 1486 sq. m. area was an old petrol station & has been vacant for about 20 years.blackburn road, blackburn no. 22

William Henry Slater emigrated from England and began growing medicinal herbs near Koonung Creek, Blackburn North in 1862. He also distilled eucalyptus oil for use at Melbourne Hospital and it was exported overseas under the 'O'Possum' brand. He later replanted his land with orchards but land taxes and rates forced the sale of the property. In 1979 the Nunawading Council purchased 7 acres of the land, now called , Slater ReserveColour photograph of the Slater family tombstone at Box Hill Cemetery. William Henry Slater died 23 May 1894 - 66 years of age Mary Ann Slater died 12 August 1912 - 83 years of ageslater, william henry, mary ann, herb farms, slater reserve

In 1887, land on the south east corner of Whitehorse Road and Richards Street, Mitcham was purchased and in 1888 a weatherboard church was erected. This early church was used until 1921, when the building was moved to a site in Mitcham Road, just north of Whitehorse Road. The church was enlarged and re-opened in 1921Black and white photograph of the Mitcham Methodist Church which was erected in 1888, on the corner of Whitehorse Road and Richard Street, Mitchammethodist church, mitcham

Mr Murray Jones was the owner of the land directly behind this house at 27 Good Governs Rd.He later purchased more of the surrounding land. In 2009 his land was sold by the executors of his estate for $3.5 million . Part of the land bordered Irvine St and at no 12 a development of 27 unit was erected. Photo shows comparison between 1969 and present day2 Children on a swing in back yard of 27 Good Governs Rd Mitcham.Refer to NP4307 for full details of photogood governs rd mitcham no 27, irvine st mitcham no 12, jones murray