"Death Card" designed to be left on the body of dead enemy soldiers. US soldiers believed that the ace of spades held a superstitious meaning for the Viet Cong, stemming from French colonial rule and fortune-telling practices where the spade suit was associated with death and misfortune. This item was donated by Peter S Sims, who served as a Corporal in the Royal Australian Army Medical Corps in Vietnam 1969-70.Card with black background and white writing. A skull with a Spade symbol on it's forehead.Trong Mien Cua Meo Cua Tham Phandeath card, peter sims, nvvm, enemy, death, ace of spades

These items are typical of souvenir items which would have been commonly purchased by visitors and locals alike.The Warrnambool war memorial is one of the city's most recognisable monuments. The granite column is is 38 feet tall, and topped by the Angel of Peace.At the base is an Australian Soldier with head bowed which is carved in Italian marble. The monument is backed by a wall which has the names of 1100 soldiers from the First World War from Warrnambool and district. of whom 240 were killed. The names of WW 2 soldiers who lost their lives were added on the western section after that conflict. A common object which relates to one of Warrnambool's important landmarks..1 Spoon. .2 Fork. A silver spoon and fork both with a patterned handle with a medallion with an oval image of the Warrnambool War Memorial.It is in enamelled in colours of blue white green with outline in metal. The enamelled ovals are both surrounded by a silver scalloped rim. Both are in a red box with white text and have a clear cellulose cover. Peninsula plate EPNS A1. Soldier's memorial Warrnambool. Swann and Hudson Peninsula Plate is printed on the box.warrnambool, souvenir spoon, souvenir fork, warrnambool war memorial

The Australian Red Cross Society (ARCS) was formed just after the outbreak of the First World War in August 1914, originally as a branch of the British Red Cross. It came into being as a branch of the British Red Cross Society on August 13th 1914 to succour the wounded in the First World War. Carnivals were held in Orbost during war times to raise money for the overseas troops. This is a contemporary record of a significant event in Orbost. It reflects the involvement of Orbost, a small town, in the efforts of the Australian Red Cross Society to provide comforts to soldiers during World war 1.A black / white photograph / postcard of four women in white uniforms standing in front of a cart filled with goods for sale. The cart is decorated with Union Jack flags.on back - "Patriotic Carnival 1914-1918"orbost-red-cross ww1

This photograph shows ladies at a patriotic carnival selling goods to help troops during WW1. The Australian Red Cross Society (ARCS) was formed just after the outbreak of the First World War in August 1914, originally as a branch of the British Red Cross. It came into being as a branch of the British Red Cross Society on August 13th 1914 to succour the wounded in the First World War.This is a contemporary record of a significant event in Orbost. It reflects the involvement of Orbost, a small town, in the efforts of the Australian Red Cross Society to provide comforts to soldiers during World war 1.A black / white photograph of five women in uniform and a small boy in uniform and cap, standing next to a cart selling goods.ww1 orbost-patriotic-carnival

This photograph shows ladies at a patriotic carnival selling goods to help troops during WW1. The Australian Red Cross Society (ARCS) was formed just after the outbreak of the First World War in August 1914, originally as a branch of the British Red Cross. It came into being as a branch of the British Red Cross Society on August 13th 1914 to succour the wounded in the First World War.This is a contemporary record of a significant event in Orbost. It reflects the involvement of Orbost, a small town, in the efforts of the Australian Red Cross Society to provide comforts to soldiers during World war 1.A black / white photograph / postcard of four ladies in uniforms (nurses?) standing on both sides of a cart.on back - "Patriotic Carnival - 1914-1918"

Ballarat born Robert Jenkins (6th Field Company Engineers) embarked from Sydney on board HMAT A40 Ceramic in November 1915. Twice wounded ("shell-shocked"), he returned to Australia in April 1919. Robert Edward Jenkins enlisted in the army (V195393) in December 1941 and in October 1942 joined the RAAF. At discharge, he was a Flight Lieutenant in 514 Squadron.Postcards, photographs, flying log book and film negatives of Robert Edward Jenkins (RAAF s/n 419813) and Robert Jenkins (r/n 3295)robert jenkins, robert edward jenkins, 6 field company engineers, 514 squadron, georgina jenkins (nee lynch), philip henry rutlidge

General purpose open weave cotton scrim as issued in Vietnam war. Used by National Serviceman, Lance Corporal B A Rosenthal, 3rd Battalion, The Royal Australian Regiment 1967-8, Mentioned in Despatches for his command and control during a section ambush in which he was wounded. Unit Citation for Gallantry for his involvement in the Battle of Fire Support Bases Coral and Balmoral.Green crochet cotton scarf used as a sweat rag for soldiers in jungle.scarf, sweat rag, sweat cloth, army scrim, rosenthal

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

The intrenching tool of the Australian soldier was a British design. It is carried in an Australian leather infantry equipment blade carrier, commonly known as P15 equipment The Australian version was made of two pieces, riveted together with three rivets. The depth of the handle (helve) collar is considerably thicker than the accepted British pattern of the same time. http://www.grantsmilitaria.com/Steel trenching tool head with shovel enf and pick end Oval hole for fitting handleStamped AUSTRALIAtrenching tool. entrenching tool

Fredrick Charles Dix enlisted 8th July 1915 at Castlemaine (at the time he was living with his Mother and stepfather in Fryers Town) after serving in the Senior Cadets. He was taken on by the 9th Light horse and sent to Egypt for further training. Unit embarked from Adelaide, South Australia, on board HMAT A30 Borda on 11 January 1916.He served in France and was wounded by shrapnel in the eye socket but eventually returned to active duty on the front.He returned to Australia 6 September 1919 Sgt. F. C. Dix 1790 9th light horse 13th reinforcement 13 Field Artillery Brigade where he (several times) attained the rank of Sergeant. He also served during WWII at Nowra as a driver. Photos of Fred. were taken after enlistment, and the photo of ? 13 F.A.B. is thought to have been taken in Egypt 1916 3 Black and white photographs from WWIWritten on reverse of the image of the soldiers in front of tent "Fred's Mates"f dix, fredrick dix, 13th f.a.b., 9th light horse, castlemaine, wwi, egypt, photographs, photos, postcards france wwi

William Stephen McShane (1897-1918) held a commission in the 67th Cadets, Golden Square, before joining the 6th Australian Battalion. He was wounded in 1916 and was then killed in Action in France 9/8/1918. Prior to the war he had been employed by Mr Sweeney as a carpenter and joiner. Fred Fielding (1895-1918) was a member of the 28th Australian Infantry when he was killed in Action 8/8/1918. His family lived in Breen Street, Bendigo.Bendigo Advertiser ''The way we were'' from 2002. Home-grown heroes: a tribute to missing heroes of the South Bendigo Football Club Lieut. W. McShane (top) and Private F. Fielding (bottom). An extract from the South Bendigo Football Club souvenir programe premiers 1920.newspaper, bendigo advertiser, the way we were

Object. Silver coloured metal medal with suspension piece at crest with suspension ring.Obverse: The figure of Peace on a pedestal with two flying doves. Inscribed ''PEACE 1919 AUSTRALIA''. A figure in chains on the left and another entangled in bushes. Reverse: An Australian Soldier and Sailor support a wreath. Above the wreath is the word ''VICTORY''. Within the wreath is ''THE TRIUMPH OF LIBERTY AND JUSTICE''. Below the wreath on a plaque, ''THE PEACE OF 1919''. These Peace medals were issued to every child in Australia aged 0-14 years (and up to 16 years if their parents were in the Armed Forces. 1.670.000 medals were made. They were issued with a red, white and blue ribbon and a pin. Victorian children received their medals on 18/19 July 1919.numismatics, medals - civil, peace medal 1919

Object. Silver coloured metal medal with suspension piece at crest with suspension ring.Obverse: The figure of Peace on a pedestal with two flying doves. Inscribed ''PEACE 1919 AUSTRALIA''. A figure in chains on the left and another entangled in bushes. Reverse: An Australian Soldier and Sailor support a wreath. Above the wreath is the word ''VICTORY''. Within the wreath is ''THE TRIUMPH OF LIBERTY AND JUSTICE''. Below the wreath on a plaque, ''THE PEACE OF 1919''. These Peace medals were issued to every child in Australia aged 0-14 years (and up to 16 years if their parents were in the Armed Forces. 1.670.000 medals were made. They were issued with a red, white and blue ribbon and a pin. Victorian children received their medals on 18/19 July 1919.numismatics, medals - civil, peace medal 1919

Black and white image of three armoured vehicles each with soldier escorting large guidon/flags of the 8th/13th/20th Australian Light Horse regiments on parade through township of Wangaratta in February 1959 Gold colour metal frame containing cream mount and black and white photograph depicting three armoured vehicles each with soldier holding a guidon/flag Regimental Parade Wangaratta February 1959 Guidons of the 8th/13th/20th ALH8/13 victorian mounted rifles, 1959, guidons, wangaratta

this document belonged to deceased Marian Dabrowski, ex-soldier, migrant from Poland who came to Australia as a refugee after II World War; It was issued on 8 August 1946 in Bad Reichenhall (Germany)one of a few items of this kind which has survived to present daysgreen papercover - stamp of town hall, No: DPG 09703260 inside - photo of holder Marian Dabrowski and his signature; stamp of town hall and signature of authorised representativedriving licence, germany, migrant

A replica model of M16 automatic rifle as on issue in Vietnam: on wooden stand with 1 straight magazine and 1 curved magazine and including bayonet - depicting one of the most common weapons of the Australian soldier in Vietnam.Lifelike model of a mainstay weapon of the Australian soldier in Vietnam.Model M16, replica, on wooden stand with 1 straight magazine and 1 curved magazine including bayonet, polished mahogany coloured wood.On the base: VIETNAMvietnam, vietnam war, diamond valley vietnam veterans sub branch

Greek soldiers during the Balkans Wars 1912-1913 or possibly WWI. A number of Ithacan born Greeks who had emigrated to Australia and other parts of the world returned to Greece to fight in the Balkan Wars.A black and white photograph of two soldiers wearing the uniform, which was worn by members of the Greek army in the early years of the twentieth century.

The Sailors and Soldiers Fathers' Association was established in the First World War and appears to have had branches in most states. The group was active (and often outspoken), involving themselves with hospital visits, repatriation issues, employment of returned servicemen and the establishment of returned servicemen’s rights relating to principles such as pensions and housing. There appears to be a close co-operation between this group and the Returned Sailors and Soldiers Imperial League of Australia in forming a group with strong lobbying abilities. Similarly, they were active in raising funds to build Memorials after the war. The Association remained active after the First World War in pursuing returned soldiers’ rights. They appear under a slightly different name during the Second World War (Sailors, Soldiers and Airmen’s Fathers' Association) but their goals were identical........The Sailors and Soldiers Fathers' Association, established during the First World War, was active in fundraising, establishing memorials and advocacy for issues such as the repatriation and employment of returned servicemen. The group worked closely with the Returned Sailors and Soldiers Imperial League of Australia, now known as the RSL.Round bronze and enamel badge badge with blue circular border enclosing a white and red diamond. Crown on top. In white border: "Sailors & soldiers Assoc.n of Vict." In red diamond: "Fathers" On back: "167 / Stokes Melb."badge, sailors and soldiers association of victoria, sailors and soldiers fathers' association

The paper was issued by the Australian Imperial Forces in the Middle East, contained War news, advertising (Cairo) and sports. Interesting on page 1 is that all 3 Aust services were in action together for the first time in history, last page has photos of Australian soldiers in Syria and the Litani River.Newspaper The AIF News, classed as 8 pages, yellowed, all print in blackFront page, “The AIF News Saturday 12 July 1941, No 70”the aif news, papers, middle east

A pre-Militia (now CMF) Field Ambulance group, at a Seymour Training Camp, Victoria circa 1910-1913. These men, as CMF, did not serve outside Australia unless they transferred to the regular AIF. The two soldiers in the back row, far right, are wearing the First Commonwealth pattern uniforms 1903-1912 and would be Regular Army instructors. At least twelve of the men in the group are Sergeants. Nil

Christmas postcard with two black and white photographs on the front. To the right is a portrait image of Noel Blundell, an Australian Army soldier in summer uniform. To the left is a woman with two children in an outdoor setting. To the woman's right is a teenage boy and to the woman's left is a younger teenage girl. The photograph was sent home to family by Noel Blundell who served in the Middle East during World War 2. The card is inscribed "A Happy Christmas and A Victorious New Year"postcard, christmas, middle east, 2nd aif, australia, army, aif, ww2, world war 2