The foundation stone was laid on 29 August 1874 by the first wife of Sir William Clarke, ................. The building of Rupertswood was a most important event in the district history because .........................A black and white photograph of Rupertswood Mansion.rupertswood, rupertswood estate, clarke, william (sir), mckay, hugh victor, salesian college, schools, sunbury, salesian order, george evans collection

The fence and gates at the entrance of the Rupertswood Estate have a heritage listing. The Lodge has been used as a teacher's residence and is now a restaurant.A black and white photograph of the Rupertswood Lodge and the heritage gates and fence which serve as the entrance to the Rupertswood Estate.rupertswood estate, heritage gates and fences, rupertswood lodge, clarke, william (sir), salesian college, george evans collection

Woodlands Homestead was erected by William Greene in 1843 and is one of the state's oldest buildings. Over the years the complex has been renovated and extended. The property has connections with the racing industry over the years along with the neighbouring properties of 'Cumberland' and 'Attwood'. In 1978 654 acres of the original property was purchased by the state government and placed under the management of the National Park Service.A black and white photograph of part of a building showing the verandah with a paved floor. The hipped roof is covered with corrugated iron and the walls are weatherboard. An old steel kitchen chair is on the LHS at the end of the verandah and asparagus fern is growing up over the rear wall.woodlands homestead, greene, william pomeroy, anne, woodlands park, gellibrand hill, george evans collection

In the 1970s extensive renovation work and repairs were done to the 'Lodge' at Rupertswood. For a number of years the building served as a teacher's residence and since 1994 it has been a restaurant and tea rooms.A black and white photograph of the Rupertswood Lodge surrounded with scaffolding.rupertswood lodge, salesian order, salesian college, clarke, william (sir), george evans collection

Harris. WM. & Jane – Diamond Wedding Anniversary. Coloured photo in oval frame.Coloured Oval Photo of Mr and Mrs Harris: Mrs Harris is wearing fromal black with dress. Black jacet has a corsage pink . Mrs Harris is wearing clear bead neckl;ace pink brooch at top of dress. Mr Harris is wearing a blak siuit black tie stand up collar white shirt . coat lapel has corsage.stawell

Mr. Adde Andress Matiess John COOPER was a WW1 soldier from Chiltern and served with the 21st Battalion. He enlisted in 1916 at 21 years of age. He had previous experience pre WW1 in the local based Militia Unit at Chiltern. He was awarded the Military Medal for Bravery in the Field whilst in France on the 3/4/1917. He was wounded in France with a gun shot wound to the upper left arm. He was the son of Mr. and Mrs. William Cooper. He then went on to serve after WW1 with the local based Militia unit (44BN) and was appointed as the Officer in Charge at the rank of Captain. His employment prior to WW1 was that of a Sleeper Cutter for the railway. Black and white photograph of WW1 Soldier in uniform, being Adde Cooper Service Number 5002, Chiltern Resident. attached to the back of the photograph is a piece of paper with the description - Mr. Adde Cooper 1st World War Later Captain Chiltern Branch Victorian Defence Corps. ww1, military medal, adde cooper

WW1 1914-1918 Greetings postcard WW1. Sent to Ethel (Mrs. William Fuge) from brother Bert WW1 soldier.WW1 The Great War 1914-1918Buff coloured greeting postcard WW1 with yellow embroidery wording "I'm Thinking of you". Card contains lace overlay envelope which is empty but has flowers embroidered in white, green and pink. Card has yellow embroidered wording " I'm thinking of you ". ww1, the great war 1914-1918, ethel fuge (mrs. william fuge) cornishtown resident via chiltern

This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery

Photographs of portraits of Mary Gaunt (nee Palmer) and Judge William Henry Gaunt, Parents of Mary Eliza GauntThese two photographs are rare depictions of members of the Gaunt Family, a family of historic influence in the Indigo Shire during the nineteenth century. Photographed are Judge William Henry Gaunt, a respected member of the community whose work in law and order in multiple roles gained him high esteem. Also photographed is his wife, Mary Gaunt, someone rarely depicted and little associated history outside the connection to her husband. Two portrait black and white photographs, female on the left and male on the right, in a single black frame with basic relief and white matte board. Paper overlay in top of frame with textMary Gaunt Judge William Henry Gaunt/ (nee Palmer)/ Parents of Mary Eliza Gauntmary gaunt, judge william henry gaunt, william henry gaunt, william gaunt, mary eliza gaunt

The play is part of MTC's 25th anniversary season March to September 1978, directed by Mick Rodger. Ray Lawler was Deputy Director of the company. The program includes simplified family trees of the House of York (White Rose) and House of Lancaster (Red Rose).Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, richard iii, william shakespeare, the university of melbourne, athenaeum theatre, bruce myles, ray lawler

ORIGINAL PHOTO OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET , CLUNES.1 & .2 BLACK & WHITE PHOTOGRAPH OF "BACK TO CLUNES". HELD IN EITHER GEELONG OR MELBOURNE. TAKEN IN THE MID 1930? CENTRE FRONT ROW IS CLUNES CITIZEN, MAYOR OF CLUNES, MR. WILLIAM BARKELL. PROFESSIONALLY MOUNTED ON CARD .3.4 SEPIA COPIES OF ABOVE .5.6.7 BLACK AND WHITE COPIES OF ABOVEPRINTED ON MATT BOARD OXFORD PHOTOS COMO STREET ALPHINGTON NORTHCOTE (PH.)1656 HANDWRITTEN NOTE ("RSL HALL?)local history, photography, photographs, events and celebrations, back to clunes

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND ST. CLUNESBLACK AND WHITE PHOTOGRAPHY (COPY) SCENE OF SEBASTOPOL GARDENS CLUNES, VIEW SHOWING GARDENERS AND FENCE IN HARRIS FAMILY FRUIT AND VEGETABLE GARDEN CIRCA 1886 WINNERS OF PICKLES AND JAMS COMPETITION IN CALCUTTA EXHIBITION IN INDIA 1836ON ORIGINAL "SEBASTOPOL GARDENS CLUNES 1886 WINNER OF PICKLES AND JAMS COMPETITION IN CALCUTTA IN INDIA 1886" (IN PENCIL)local history, photography, photograph, rural life, sebastapol gardens - clunes

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES. THE BUILDING OF THE CHURCH WAS COMPLETED IN 1870.BLACK & WHITE PHOTOGRAPH (COPY) OF THE WESLEYAN (METHODIST) CHURCH, CLUNES. BUILDING ON RIGHT OLD POST OFFICE?TANNER PHOTO . (HANDWRITTEN NOTE "ORIGINAL CLUNES PO)local history, photography, photographs, churches, wesley

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES. THE ORIGINAL PHOTOGRAPH WAS TAKEN IN CIRCA 1908.BLACK & WHITE PHOTOGRAPH (COPY) CLUNES METHODIST SUNDAY SCHOOL , TEACHERS IN FRONT OF SUNDAY SCHOOL IN SERVICE STREET WITH SENIOR STUDENTS, 1908local history, photography, photographs, churches - wesley

ORIGINAL PHOTOGRAPH PROPERTY OF MR. WILLIAM HARRIS OF SUTHERLAND STREET CLUNES.BLACK & WHITE COPY OF ORIGINAL PHOTOGRAPH - GROUP OF MEN AND WOMEN ASSEMBLED AT EDGE OF BOWLING GREEN AT CLUNES BOWLING CLUB WITH BUILDING BEHIND. ORIGINAL PHOTO MADE BY HORNBY PHOTOGRAPHERS OF CLUNES.ON ORIGINAL "CLUNES BOWLING CLUB MID 1920? "HORNBY CLUNES" ON BACK "H. BARKELL CLUNES" "V. B. OWENS FRASER STREET CLUNES"local history, photography, photographs, sport, bowling club clunes

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET CLUNES.BLACK & WHITE [COPY] PHOTOGRAPH OF BACK TO CLUNES CELEBRATIONS 14TH TO 21ST OF NOVEMBER 1925. LARGE GROUP OF PEOPLE AND DECORATED VEHICLES IN FRASER STREET OUTSIDE M. DOWNES BOOT WAREHOUSE, SOME PEOPLE IN COSTUME. ORIGINAL PHOTO TAKEN BY HORNBY OF BALLARAT.local history, photography, photographs, shops- l.cook/tea rooms, m. downes boot warehouse, millinry-cash draper, f.c.henry, h. miles central garage., events and celebrations, back to clunes

PHOTO OF BURNS CLUB HOTEL FRASER STREET, CLUNES. ORIGINAL PHOTO OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES..1 SEPIA COPY OF "BURNS" CLUB HOTEL CLUNES. CIRCA 1900, PEOPLE ON FOOTPATH AND HORSE DRAWN VEHICLE IN FOREGROUND. .2 .3 BLACK AND WHITE COPY OF THE ABOVE PHOTOGRAPH PRINTED ON MATTE PAPER .4 BLACK AND WHITE COPY OF THE ABOVE PHOTOGRAPH LAMINATEDlocal history, photography, photographs, hotels, club

MRS. HOLLY BARKELL DONATED THIS BUILDING TO BE USED AS A MUSEUM. IT IS NAMED WILLIAM BARKELL MEMORIAL ARTS & HISTORIC CENTRE.BLACK AND WHITE PHOTOGRAPH OF MRS. WILLIAM BARKELL, TAKEN ON STEPS OF HER SUTHERLAND STREET HOME IN CLUNES.local history, photography, photographs, barkell family

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET CLUNES. THE ORIGINAL PHOTOGRAPH WAS TAKEN CIRCA 1910.BLACK & WHITE PHOTOGRAPH [COPY] OF OWEN DAVIS WITH HIS CHAMPION RACING GOAT "BEN LOMAN" NEAR THE RAILWAY STATION.local history, photography, photographs, early citizens

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET ,CLUNES.BLACK & WHITE PHOTOGRAPH [COPY] CLUNES BOWLING CLUB MEMBERS C1900.local history, photography, photographs, sport, bowling club clunes

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES.BLACK & WHITE PHOTOGRAPH [COPY] OF THE WOLFENDEN FAMILY.ORIGINAL PHOTO TAKEN IN GEELONG BY C. V. BLANDlocal history, photography, photographs, early citizens

TOP FROM LEFT - W. KINNERSLEY, H. LAZARUS, T. HARDEN, G. KELLER. BOTTOM FROM LEFT - C. PEARCE, L. TOLLIDAY, AMY HARDEN (SECRETARY), F. EBERHARD.1 BLACK AND WHITE PHOTOGRAPH OF CLUNES DISTRICT HOSPITAL COMMITTEE, TAKEN OUTSIDE CLUNES TOWN HALL .2 REPRODUCTION OF THE ABOVE PHOTOGRAPH ON MATTE PHOTOGRAPHIC PAPEROn reverse handwritten in blue biro; .1 William Kinnersly (sic), Harry Lazarus, Theo Harden, Godfrey Keller Clem Pearce, Les Tolliday, Amy Harden, Fred Eberhardlocal history, document, photocopy, hospital

This bonnet is part of a collection of clothing donated to the Brighton Historical Society by Dr William and Helen Wells. It is believed to have belonged to William's grandmother Winifred Marshall (nee Hayball, 1886-1971). William's family has had a long association with Brighton, dating back to the town's earliest days in 1843 when his ancestors Robert and Eliza Hayball, who had emigrated to Melbourne two years prior, established a wattle-and-daub hut in what is now New Street, close to Tovell Street. Robert established a business as a timber merchant on the opposite side of New Street. His sons, Robert, William and Edwin took over the firm following his retirement, trading as the Hayball Bros. Hayball Court, which runs off New Street, is named after the family. Robert's son William (1855-1926) married Jessie Robertson and had four children. Their eldest, Winifred Grace Hayball (1886-1971), married Andrew Hollingsworth Marshall at the Black Street Congregational Church in 1907. They subsequently lived in Hill Street, Hawthorn, before moving into a house designed by Andrew and Winifred's brother Robert at 39 Bay Street, Brighton in 1915. Their daughter, Dorothy Marshall (1910-2000) married Robert George (Argie) Wells in 1937 at Wesley College Chapel. They lived in East Malvern until 1947, when they moved into a newly built home in Hawthorn Road, East Brighton, where they lived for the rest of their lives. Their son, William Wells (b. 1939) married Helen Pickering in 1968 and the couple have lived together in Brighton ever since.Pale pink silk bonnet (sleeping or house cap) with cream lace edging. The bonnet is embellished with oval-shaped embroidered appliqué on either side, featuring floral design in white and pale yellow, blue and green. A cream silk ribbon and a row of pale blue and green rosettes run along the top edge between the two appliquéd segments. A length of elastic is sewn through the bottom edge.wells family, winifred grace hayball, winifred grace marshall, bonnet, 1900s