Bishops Palace was built in 1877 as the home for the first Bishop of Ballarat. The Palace was designed by Melbourne architect, Joseph Reed, of Reed and Barnes, and built by George Broom at a cost of £6,000. The property is particularly notable for its four acres of impressive heritage-listed gardens. In 2019, Bishops Palace opened its doors to the public in the form of an accommodation, wedding and event venue.Colour image of the bluestone Bishop's Palace, and it's cast iron lace.architecture, garden, bishop's palace, cast iron lace, cast iron

Wall plaque featuring metal logo of 12th TAC Recon Sq. Motto" Alone Unarmed Unafraid? Black birdsAlan R Reed - Jun 68 - Nov 68. RF-4C vietnam. the Phu Cat Sez Pharewell Phellow Phanton Phlyerplaque, 12th tac recon sqn

Document, W.D.Mason Collection, Memorandum from Reed, Smart ,Tappin, Architects & Surveyors, 44 Elizabeth Street, Melbourne.dated 31.5.1900 This letter is to inform that you can proceed with the stained glass windows for the Bendigo Cathedral in accordance with your tender of May 12th.business, retail, w d mason

A black one piece Dining Suit (party suit) similar in style to a short sleeve Flying Suit, with zippered front and pockets, bearing Squadron Leader epaulettes worn by the then Squadron Leader Alan Reed whilst serving in Vietnam in 1968. It has a white embroidered RAAF brevet on the left chest, with a "Phamous Phantom Spook" (82 Wing RAAF F4E) caricature above the embroidered name ALAN REED on the right chest. Three additional embroidered patches are attached to the suit (RF-4C, 100 Missions Vietnam and Aussie Air Pirate) two on the chest and one on the left sleeve.White embroidered RAAF Brevet on left breast."Phan"alan reed, united states air force, air pilots

Photo of 2 people One tall with reed/Brown Beard wearing a white beanie , blue jumper and blue pants, the second older wearing a blue beanie , blue jumper and blue pants both are holding polystyrene cups - Location and Date UnknownPolaroidorganisation, industry, gas and fuel

Portable foghorn with workings in wooden box. Foghorn sound is made by turning the handle on the outside of the box. The rotational movement pumps bellows inside the box, forcing air across a fine reed, similar to a clarinet reed, which makes the sound. The sound is amplified by the round horn inserted into one end of the box. Different warning signals are made by turning the handle at different speeds and by stopping and starting the handle.Foghorn, portable, in rectangular wood box with handle on side with horn inside. There is a leather strap attached to the top of the box as a carrying handle. This type of foghorn is sometimes referred to a s a Rotary Type foghorn (Norwegian Pattern) flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, foghorn, portable foghorn, ship's signal, rotary foghorn

This is a British coin to the value of 25 newpence. It is a commemorative coin to celebrate the 25th anniversary of Queen Elizabeth's ascension to the throne of England.This coin has no local provenance but is of interest as a British commemorative coin of 1977.Circular silver coin with a reeded edge The obverse depicts a raised profile figure of Queen Elizabeth 11 mounted side saddle on a horse and text. (It is reminiscent of the Queen at the Trooping of the Colour.) The reverse features a crown , an eagle with outstretched wings on a dais, decorative leaves and berries. QUEEN ELIZABETH. 11 DG REG FD . 1977queen elizabeth 11

Olive Elsie May Reed was licensee of the Eltham Hotel from April 1948 to January 1950. Extensions made to the hotel c.1954Colour photograph of an original sepia imagehotels, eltham, main road, pitt street, 1948, eltham hotel, olive elsie may reed, reed's eltham hotel

George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C and his daughter Judy married Mr Clark c1950 After World War 2 the population in The City of Moorabbin increased rapidly and diverse businesses developed to serve the new settlers.An empty blue coloured cardboard box engraved ' Ezard & Clark JewellersTop ; EZARD & CLARK PTY.LTD. /MANUFACTURING JEWELLERS / MOORABBIN, VICjewellers, ezard & clark company moorabbin, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers,housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george, draftsman, architect,

This fitted cotton blouse with cutwork was made and worn by Mrs Gladys Reed c 1950 whilst a resident of the City of Moorabbin c 1950Mrs Gladys Reed, a member of the Ormond Choral Society c 1950 and was an accomplished dressmaker and craftworker. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin A white cotton fitted lady's blouse with short sleeves, cutwork bodice and flared waist.clothing, dressmaking, cutwork, needlework, ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork,

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the Melbourne University Old Physics Building.university of melbourne, old physics building

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the Melbourne University Old Physics Building.university of melbourne, old physics building

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the flagstones at the Melbourne University Old Physics Building.university of melbourne, old physics building, flagstones

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the Melbourne University Old Physics Building.university of melbourne, old physics building

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.university of melbourne, old physics building

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. university of melbourne, old law building, eight hour day, stonemasons

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. university of melbourne, old law building, eight hour day, stonemasons

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. university of melbourne, old law building, eight hour day, stonemasons

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, f.m. white, j.s. gawler, r.e. featherstone

Melbourne University Old Physics Building (1889) was designed by Reed, Henderson and Smart. It later house the Univesity's Centre for Indigenous Education and a conference centre (2010).Colour photograph of the windows of the Melbourne University Old Physics Building.A plaque on the wall of this building states: In April, 1856 stonemasons woking on this building downed tools, marched to the city and inaugrated a movement which win the Eight Hour Day for building workers in Victoria. The victory became an international landmark in the history of the labour movement. Another plaque reads: This, the original building of the University was built of Tasmanian freestone between 1854 and 1857 to the design of F.M. White, architect. It was for many years the University's administrative centre, library, lecture rooms, and professorial residences. The east and west wings were extended in 1930 to the design of J.S. Gawler. In 1969, the quadrangle was completed by the addition of the southern wing which contains the council chamber, designed by R.E. Featherstone. A third plaque states: These cloisters, commenced in 1853 and extended in 1930 nd 1969 were completed in 1981 through the generosity of the late Edward Stevens, a member of Council from 1926 until 1939. The work was also supported by the Wilson Trust and Sir Wilfred Brookes.university of melbourne, old law building, eight hour day, stonemasons, tasmanian freestone, cloisters, edward stevens, wilson trust, wildred brookes

Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Robin Boyd was the editor and designer of this volume. Lines was an annual journal of the Students Society of the R.V.I.A. This is a very rare copy. Most articles have a byline, but the ones without are perhaps by Robin Boyd. There is such an article 'An Australian Architecture?" (2 pages) which is perhaps by Boyd. The journal also contains an article 'The Democratic City' by architect Dr Ernst Fuchs and an article 'An Australian School of Painting?' by John Reed, Deputy President Contemporary Art Society, founder of Heidi with his wife Sunday Reed.rvia, architecture, ernst fuchs, roy simpson, john reed, walsh st library

Silver plaque mounted on solid wood depicting seven fighter jets, five at top, one flying downwards with a dragon in the cockpit, one at bottom with a full length dragon atop of fighter jet. Sgn Ld Alan r Reed is a Life member of the Grand Order Of tap DragonsFor head-sup, hook-down excellence in the emergency snaggin' and draggin' of the nylon tape of the land-based aircraft arresting equipment at Tan Son Nhut, Vietnam on 21st Sept 1968plaque, alan reed, tan son nhut

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

c1950 Mrs Gladys Reed made this 1/2 petticoat from white cotton and knitted pink wool which she wore during winter to keep herself warmGladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she was an accomplished dressmaker and knitted this warm winter petticoat for herself.A 1/2 petticoat with a wide cotton waist band, knitted pink wool skirt and elastic waist insertclothing, underwear, petticoats, knitting, dressmaking, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. This photograph shows Churchill Island employee Ashley Reed, and was probably taken during the Bicentennial celebrations.Photograph of silhouette of a man's head and shoulders with well-lit bushland in the background.catalogue number written on reverse in pencilchurchill island, photograph, ashley reed, bicentennial

Artist's Statement: "Every Wednesday at 10 o'clock in the morning, from the beginning of Winter, 2011 to the end of Autumn, 2012, I photographed the same scene in my Ballarat garden. While the main subject is the weather of the moment, it includes a walnut tree killed in the recent drought, and a deciduous ornamental plum. There are 52 Wednesdays recorded in the tapestry; and 4 frames showing the seasonal changes in the plum tree. The colours bordering each panel are those of deciduous leaves on trees in my garden that week. It is said we only know eternity in the pulse of the moment; and permanence in the cycle of the seasons."Millicent REED Initally training in tapestry from Sara Lindsay at an ATW community class Millicent Reed received a Diploma of Art (Tapestry) from South West TAFE in 2009. Her strength and direction comes from being part of the unbroken continuum of tapestry art from the beginning of recorded time. Similarly, the sameness and difference of time itself has become the focus of all her work. (https://americantapestryalliance.org/exhibitions/tex_ata/down-south-tapestry-in-australia/down-south-exhibitors-biographies/, accesed 03 April 2020)Woven tapestry in eight panels, each with seven images in each panel measured 212.0 x 57.5 cm. weaving, seasons, tapestry, ballarat, weather, millicent reed