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Mission to Seafarers VictoriaPhotograph, Mr and Mrs Gurney Goldsmith, Resting, Easter Monday, Heatherbrae, 12 April 1909
Alfred Edward Clarke was a member of the Stock Exchange. He married a niece of Reverend Kerr Johnston, Margaret Helen Gowan (daughter of John Denovan Gowan, himself brother of Eliza Denovan Gowan) in 1886. His first wife, Caroline Long, died in 1884. One of his daughter, Linda Clarke (later married to John William Begg) was secretary of the Malvern branch of the Ladies' harbour Lights Guild. Article in the Standard (Port Melbourne, Vic. : 1884 - 1914), Saturday 17 April 1909, page 3 "SAILORS ENTERTAINED. Picnic at Glen Huntly. A very enjoyable picnic was held on Monday in connection with the Victoria Mission to Seamen, at Mr. Clarke's grounds, 'Heatherbrae,' Glen Huntly. About 90 sailors from ships in the Bay and river were entertained, and a happy time was spent. Tea was provided by ladies connected with the Mission, and cricket, football, and other sports were arranged and carried out with great zest. At the close of the day cheers were given for Mr. and Mrs. Clarke and family, the Mission workers, and all who had helped to make the outing a success."Small monochrome photograph depicting outdoor scene of a small number of men resting. Photograph somewhat faded, particularly on right side heatherbrae, easter, picnic, lhlg, caulfield, alfred edward clarke 1840-1913, margaret helen gowan 1863-1937, linda begg nee clarke 1877-1954, eliza johnston nee denovan gowan, john denovan gowan -
Mission to Seafarers VictoriaPrint - Reproduction of a painting, Blest Were The Wise Men by Daphne Allen, Early 20th Century
Little known as this print was discovered in an old cabinet in the vestry of the Chapel of St Peter. Possibly a donation meant to be framed or possibly an item used at Port Melbourne Mission which at times ran Sunday school services at the turn of the 19th and 20th C.Allen a child prodigy was a significant popular religious artist. This print is a good example of her work.Appears to be a fine quality full colour reproduction of a nativity scene with angels wise men and madonna in the style influenced by late Pre -Raphaelites mounted on heavy card with printed name of artist at left and printer initials at right and title in centre. see imagenativity scene, daphne allen, artwork-paintings -
Uniting Church Archives - Synod of VictoriaPhotograph, Undated
Reverend John Kissack Arnold was a home missionary at Mansfield and was ordained in 1923 for Overseas Mission work. He was appointed to Drysdale, Newtown, Geelong, Yarram, Kyabram, Castlemaine, Kew and Moonee Ponds. He was born in 1895 and died on31 July 1955.B & W head and shoulders studio portrait of the Rev John Kissack Arnold, mounted on grey card.Rev. J.K.Arnoldrev john kissack arnold, home missionary, methodist, overseas mission -
Uniting Church Archives - Synod of VictoriaPhotograph
Rev. Thomas Craike Rentoul (1882 - 1945) was ordained in 1915. Won the William Quick medal for oratory. Chaplain to the 59th Battalion AIF in 1916. Chaplain-General of the Australian Military Forces in WW2. General Superintendent and Directory of the Methodist Inland Mission.Semigloss, black and white studio portrait of Rev. Thomas C. Rentoul in clerical garb.Muntz Malvernrentoul, t. c., methodist -
National Wool MuseumTextile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized checked blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
National Wool MuseumTextile - Blanket, Collins Bros Mill Pty Ltd, 1950s
Collector says: "This pair of Physician blankets was found at the Mission op shop in Blackburn South. I remember having such a lovely chat with the solo staff member there as we shared some blanket appreciation, a regular occurrence when rehoming a relinquished blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized blanket, corn and bluePhysician Blankets/Pure Virgin Lambswool/Mothproofed/Made in Australiawool, blanket, blanket fever, physician, collins bros, geelong -
The 5th/6th Battalion Royal Victoria Regiment Historical CollectionPrint - Reproduction, framed, Bardia (action leading to the fall of Post 11)
Ivor Hele was the Australian official war artist of World War II. This painting depicts the members of 17 platoon 2nd/6th Battalions in their first action of the war. their mission was to "attack and capture Post 11" in order to provide a faint or diversionary attack for the brigades main penetration. The attack was pressed home with the characteristic vigour of Australian soldiers Prior to the attack the commanding officer demanded that " No matter what happens to us, when we go forward we shall give the enemy such a thrashing that they will never willingly stand up to an assault by Australian Infantry again." The Battalion succeeded in its mission and went on to play a vital role in many of the most arduous battles of the war. This painting depicts the actions of one of the predecessor units to 5/6 RVR. Large framed print of painting by Ivor Hele shows 17 Platoon 2/6th Infantry Battalion in an Italian trench during the attack on Bardia. The painting depicts the scene after the capture of one of the Italian dugouts by Corporal Brian Latham's Section. The print is in a large mahogany coloured frame and has a matt finish to the picture. A smaller, separate frame sits below the print and contains the history of the painting. it is in a matching frame and has an olive card backing and the story is printed on an off white sheet. A manufacturers label is located on the obverse " GRAPHIC IMPRESSIONS 239 Burwood Road Hawthorn Vic. 3122 Telephone 9819 5800 76 Harold Street Camberwell Vic 3123 Telephone bardia, 2/6th australian infantry battalion, ww2, ivor hele, wark vc club -
Federation University Historical CollectionBook, University of Ballarat Annual Report, 2006, 2006
Blue and white soft cover book of 55 pages and a cd-rom of financial statements. Contents include: Robert R.T. Smith, David Battersby, mission and goals, National Centre For Sustainability, Dennis Olmstead, David Suzuki, Shenzhen Polytechnic, Wang Qiang, Kwong Lee Dow, Caroline Taylor, John Murray, Martin Westbrook, Opening of the Sir Albert Coates Complex, Steve Bracks. .3) Financial Statementsuniversity of ballarat, mount helen, robert h.t. smith, david battersby, david suzuki, kwong lee dow, rowena coutts, rajni tung, lindsay wilkinson, russell lloyd, john mcclure, e.j. barker, winsome barker, dawn whitehand, ray woodrup, terry lloyd, steve bracks, barbara webb -
Bendigo Historical Society Inc.Photograph - PETHARD COLLECTION: PROMOTE VICTORIA MISSION
GEORGE PETHARD COLLECTION INCLUDING REFERENCES TO TARAXALE BREWING COMPANTY PTY LTD 6 x black and white photos of Promote Victoria mission / photos include aerial view of Boston, Heinz factory, 1957 Universal Pictures Company including American actress Lana Turner from the film The Lady Takes a Flyer / photos are inside a yellow paper brochure with a Boston seal on the front showing the history of Boston.photograph, person, george a pethard, george pethard / taraxale brewing company pty ltd / heinz factory / universal pictures company including american actress lana turne / -
Port Melbourne Historical & Preservation SocietyPhotograph - Panorama view of Port Melbourne foreshore, Commonwealth Engine Works to Williamstown, Alison Kelly, 1989
Colour panorama made up of 6 photographs from 1989. Photos taken by Alison Kelly from roof of Mission to Seamen building. Range of panorama extends from ruins of the Commonwealth Engine Works, Port Melbourne Railway Station, Centenary Bridge, Station Pier, Princes Pier, Beacon, to Williamstown. Ships include the Abel tasman and Linday Clark. The copy is a smaller black and white version in two pieces.centenary bridge, missions to seamen, piers and wharves - station pier, piers and wharves - princes pier, transport - shipping, beacons, transport - railways, alison kelly, abel tasman, linday clark -
Mission to Seafarers VictoriaDocument - Statement, Photocopy, Dagmar Udhe, 1998
The organisation of the 1998 CIP , 6th edition in Melbourne was titled "The Bridge", and took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others like Dgamar Udhe, a German artist, over two years of dedication. One of the oval was left at the Mission since.The item demonstrates the ongoing relation of the Mission with artists since its beginning. http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html The oval ultramarine perspex is still exhibited in the entrance hall: See item 1493 dagmar udhe, art installation, dome, exhibition, cultural events -
Mission to Seafarers VictoriaPostcard - Postcard, Black and white, KODAK, The Mission to Seamen, Melbourne - Central Hall, Celia Little Lounge, c. 1950
One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. The other reason for creation could be the 1956 MTS centenary celebrations. The photograph was take before 1957 as the bell from the SS Morton Bay is not on the wall yet.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne mid 20th C.Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sidesclub, celia little room, sailors, literature, armchairs, flowers, artworks, magazines, reading, seamen, mission to seamen, mission to seafarers, seamen's mission -
Montmorency/Eltham RSL Sub BranchMedal - Commemorative Medallion
In November 2001 Australian SAS troops joined the war in Afghanistan under the operation name "Operation Slipper." Australia's military contribution to the International Security Assistance Force mission in Afghanistan ended in 2014, making Operation Slipper Australia's longest running operation.This commemorative medallion features the tri-service colours, navy, red and light blue, representing the Australian Defence Force, and a golden bounding kangaroo to represent non-combatant contributions. Commemorative text encircles the kangaroo motif and Coat of Arms on the front and back, respectively.On front of medallion, "Operation Slipper", "Commemorating Australia's Operation/Afghanistan and the Middle East" On reverse, "Operation Slipper" and "2001 - 2014" and the Australian Coat of Arms.commemoration, operation slipper, afghanistan, australian army, middle east, international security assistance force -
Mission to Seafarers VictoriaArtwork, other - Stained glass window, Brooks Robinson & Co, 1935
This window, in memory of Ethel Godfrey, was unveiled in December 1935, by Archbishop Head. In June 1936 two other memorials were unveiled: brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (Jottings 1936). The funds were raised by the Mission.Arched windows depicting the female figure altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, ethel augusta godfrey 1861-1935 -
Moorabbin Air Museum
Document (Item) - Miscellaneous Notes 1940/45
Description: Air Ministry account of the Part played by Coastal Command in the battle of the seas. 15 articles on subjects e.g. ''It's the Bismark, ''Men and Aircraft', ''Battle for Norway'', ''Attack for U boats'', ''Rescues and Secret Missions'', ''Tord\pedoes Runni Level of Importance: . -
Uniting Church Archives - Synod of VictoriaPrinted image, Rev. David Lewis, President of Conference 1941, 1941
Alexandra 1908; Hawthorn 1909; Wodonga 1911; Wynyard 1912; Scottsdale 1915; Launceston 1919; Young People's Mission 1923; Brunswick 1927; Hobart 1931; Essendon 1935; Malvern South 1939; Managing Secretary 1942; Supernumerary Canterbury 1955.B & W printed image of Rev. David Lewis"Rev. David Lewis - President of the Conference 1941"lewis, david, president of conference 1941 -
Uniting Church Archives - Synod of VictoriaPhotograph, Undated c.1949
Saimon Qaius was a prisoner of the Japanese during W.W.II. He subsequently worked for the Methodist Missionary Society as a teacher in New Britain. He assisted Rev. C. Mannering in translating the Old Testament into Blanche Bay dialect, as used by the Methodist Mission in New Britain.B & W head and shoulders studio photograph of Saimon QaiusSaimon Qaiussimon qaius, prisoner of war, new britain, teacher, methodist, mission, bible translator -
Uniting Church Archives - Synod of VictoriaPhotograph, Undated c.1950s
Rev. John Wade was a Methodist Minister stationed at: 1934 Wangaratta; 1936 Cudgewa; 1941 Monbulk; 1942 Chaplain; 1943 Womboota, NSW; 1947 Horsham, Pimpinio; 1951 Werribee; 1957 Preston; Home Missions Director at the time of the formation of the Uniting Church.B & W head and shoulders photograph of the Rev. John Wade."Rev. John Wade"wade, john, home missions, methodist, minister -
Bendigo Historical Society Inc.Book - STRAUCH COLLECTION: A HISTORY OF HOLY TRINITY BENDIGO
Initially set up as an outreach mission church of St Paul's, Bendigo, to serve the outlying paddocks and farms of the Flora Hill area. The church was originally built on the corner of Hallam and Somerville streets in 1904. In 1972 it moved to a new church built in Keck Street.A History Of Holy Trinity Bendigo A Spiritual Home.Keith Colebook, bendigo, church -
Flagstaff Hill Maritime Museum and VillageTextile - Altar Cloth, 1986
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. Mariner’s Cross symbol and what it symbolises The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. This design is also known as the Anchored Cross or Cross of Hope. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery is an example of traditional handcraft skills used over the centuries and still continuing in use today.Altar cloth, white linen, with custom made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand stitched. The cover has two white tape ties and embroidered text in blue silk thread. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross -
Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, Group of Swedes - Boxing Day 1920, 26 December 1920
Supporters of the Mission often made their homes and gardens available as venue for Christmas Boxing day and Cup day events or picnics. On Boxing Day 1920 around 100 men were welcomed by Mr and Mrs Duckett on the grounds of the home Riversdale. They went there on a river excursion.A record of just one group of international sailors a long way from their home an country attending a Mission event. Black and white photograph of a trio of sailors in dress uniform – 2 seated on cane garden chairs one with piano-accordion being played. The standing sailor holds a cameraPencil inscription on verso in pencil handwritten :" Boxing day 1920 / Group of Swedes" ; at right angles a number "893"camera, uniforms, accordeon, accordion, picnic, seamen, swedish, 1920, boxing day, riversdale, edward duckett -
Mission to Seafarers VictoriaDomestic object - Forks, ea
Possible remnants of the dinner equipment used at mealtimes for seafarers at the Mission to Seafarers during the first half of the 20th C. and hosted and prepared by Ladies Harbour Light Guild members. Found early 21st C in a box of miscellaneous objects marked Ladies Harbour Lights.See images in this collection depicting mealtimes hosted by the LHLG.3 dinner forks and 3 dessert forks On underside of handles of 3 large dinner forks stamped: "ALLBRITE N.S."forks, cutlery, lhlg -
Mission to Seafarers VictoriaArtwork, other - Stained glass window, Brooks Robinson & Co, In memory of Thelma Forster, 1946
Thelma Jessie Forster (1892-1945) was a member of the Ladies Harbour Lights Guild. Daughter of Henry William Forster and Jessie Graham Wheeler. On electoral Rolls she is registered as typist so it is likely she was typing the documents, newsletter or administrative documents for the Mission or the Guild.Arched windows st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, jesus, hlg, thelma forster, n. martin, b. martin, typist -
Uniting Church Archives - Synod of VictoriaPhotograph, 1908
Mrs Mary Holden (1843 - 1930) was the mother of the Rev Albert Thomas Holden CBE V.D., B.A., D.D. Director of the Methodist Inland Missions, Chaplain-General of the A.I.F. and President-General of the Methodist Conference of Australasia. She was the mother-in-law of the Rev. Samuel HobanB & W composite photo of the Young Men's Class at Ashby Methodist Sunday School in Wellington Street, comprising 30 oval head and shoulders photos of the young men, and 1 rectangular head and shoulders photo of their teacher, Mrs T. Holden."Wellington Street Methodist Sunday School Young Men's Class. Presented to Mrs T. Holden as a slight token of esteem and respect from the members of her class. March 1908. P. Buchanan,N. Buchanan, L. Pash, T. Cortous, C. Walter, B. Palmer, S. Dorling, W. Hancock, N. Potter, E. Thomas, E. Potter, H. Reeves, R. McCann, H. Gallagher, P. Baxter, L. Viccars, F. Walker, F. Wynn, E. Whitton, J. Thomson, A. Sykes, W. Gallagher, G. Littleton, A. Wilson, N. Johnston, H. Viccars, H. Bell, C. Cortous, C. Bond, L. Muir, R. Thomson, H. Johnston.mary holden, rev albert thomas holden, rev samuel hoban, ashby methodist, sunday school -
Mission to Seafarers Victoria
Photograph - Reproduction, Jay Miller, 6 June 2019
This photograph was published in the Geelong Advertiser on Friday 23 November 1906, page 4 with this article: "Owing to the generosity of an anonymous donor, the Victorian Missions to Seamen has been supplied with a long felt want in the shape of a modern motor launch to facilitate and render more efficient the work among the vessels in the Yarra and Hobson's Bay. The order for the construction of the boat, was placed with Mr. Chas. Blunt, of the Eastern Beach, and complimentary references were made to her graceful line- as she rode in light .trim after the launching on Wednesday afternoon. She is 31ft. long. Oft. beam, and has a depth of 3ft. The frame is of jarrah and ben* blackwood. and inch kauri planking has been used in building Iter. A neat deck-house with Oft. headroom is situat ed-umidsliip*. and a short mast is pro vided to carry the well-known blue flag of the -.fission. The launch motors will develop a speed of between nine and ten miles an hour: The finishing touches have yet to be given her. and she will afterwards be row«l to have her engines fitted in. -The launch will he ready for service for the busy wheat season com mencing at- the end of the year. The launching ceremony took place at 6 p.m. on Wednesday at the builder's yards, in the .presence of njarge gather ing of spectators. The Archdeacon of Geelong. the Rev. O. P. C'ros-.ley. ecu ducted a short dedication service, and the other clergymen who took part in the service were the Primate of Aus tralia. the Right Rev. Dr. Sauiuarcz Smith: the Rev. A. Giirney Goldsmith, the Missions chaplain: and the Rev. H. Kelly. The Bishop of Newcastle, Dr. Stretch, and the chaplain of the New castle Mission, the Rev. AYnddy. and Canon Nash were also present. The Primpte. addressing the gar boring as "My good friends of Geelong." said be had never been in sight of the hay before. bill had'gladly accepted the in vitation to say a few words in connec tion with the dedication of tiro launch. He had always been interested in mis sions of all sorts, as they ali as Christian men and women 110 doubt- were, and lie was particularly interested in Missions to Seamen, because in the Society at' borne, with which this Society was con nected, he had a son-in-law who was mission chaplain in the Medway. He therefore know something about a launch for the purpose of a mission like this, and also knew 'something about missions to seamen. In Sydney for some time past it had been doing good work—work which he was sure they would all feel was of the widest possible value. This year he was at the annual meeting of the Missions to Seamen in London presided over by the Bishop o-f Stcphney. -He (the Primate) at that meeting remarked that the Mission in it, value was personal, local and Im perial. It was of personal value to thee who came under the ministra tions of the church, and in the social as pect : it was local because where the Mission existed the feelings of the lo cality were thrown out. in sympathy with j tlie -Mission, and the people themselves thus benefited. It was also a matter of Imperial interest because it- was really i a world-wide Mission, inasmuch as the | sailors as they" went from one part of the world to another were in themselves j missionaries either for evil or for good, i Thev might he missionaries with a mcs i sago which might degrade and "work ail I evil influence amongst, men, and with i conduct which might reflect a reproach !' upon Christian profession. On the other hand, they might be Chrisian men endeavoring more and more to show the .example of the Christian life in the J midst of very big difficulties and tempta tions. • -Ho came to show liis sympathy with tlio appropriately-named '"'Southern Cross," and from what lie had boon told he believed she was a good boat, a good gift, and launched for a good purpose. They should be thankful that it was a good boat and .thankful because it was a good gift by an anonymous donor, whom he congratulated on doing such a useful thing." The idea of the launch ing ceremony was to ask the blessing of God because ".Except the Lord hless'the house their labor is hut lost'that build it." The Archdeacon expressed thanks to the Primate for attending the cere mony, and regretted that the Arch bishop was unable to attend. They dc- | sired that the boat- should always be as sociated with the.Church Congress 1906. I The opening hymn was "For those in j peril on the sea," followed hv Psalm I 107, "'They'that, go down to the sea in 1 Ships." Tlio prayers included an ap peal foiUDirine blessing on .the launch, and for tho preservation of those who may travel in her. ' Xlio Benediction was pronounced by the Primate, and the christening cere mony performed by Hiss Connibere. From the bow there was suspended a bottle of pure water covered with red, white and blue streamers and roses. Dashing the bottle in,fragments against the launch's bow. Miss Connibere named her the "Southern Cross." Cheers were given for the launch/and as she travell ed down the slip further cheers were given. She carried the Mission flag at tho masthead, and between Union Jacks at tho bow and stern, a long string of flags fluttered gaily* in the breeze. The collection was in aid of the Mis sions to Seamen and the Geelong Sailors' Rest.Reproduction of a photograph from a newspaper.Fujifilm / Quality Dry Photo papersouthern cross, motor boat, mission to seamen, seamen's mission, charles blunt, blunt boatbuilders, geelong -
Orbost & District Historical Societybook, Footprints, 2008
Co-author Simon Flagg from the Koorie Records Unit, Public Record Office Victoria, did most of the research for the book. Rita Watkins, a descendent of Percy and Lucy, provided photographs and family stories for the book. "As well as brief chapter introductions, the book contains transcripts of the letters to, from and about the Pepper Family. Among various aspects of the family's life, the letters show Lucy Pepper's long battle with tuberculosis and her request to live with other family members on a mission. But she was denied this natural wish because 'half-caste' Aboriginal people were excluded from the missions." -co-author Simon Flagg from the Koorie Records Unit, Public Record Office Victoria,This book, with its transcripts of original letters, is an invaluable historical resource for university and school students on Aboriginal history in Victoria and what happened on Aboriginal reserves. A book titled "Footprints", which portrays the struggles of Lucy and Percy Pepper in the first half of the twentieth century. It was published jointly by the National Archives of Australia and Public Record Office Victoria, both of which hold original records of the family's correspondence with bureaucracy over the years. The book was authored by Simon Flagg and Dr Sebastian Gurciullo. The cover has a dark brown background with black footprints printed over it. They are both bare foot and shoe prints. It has a b /w photograph of a family posed for the camera. Across the top is the title FOOTPRINTS printed in pale yellow. At the bottom of the photo in pale yellow script is "the journey of Lucy and Percy Pepper". At the foot of the front cover is " An Aboriginal Family's struggle for survival". pepper-family aboriginal-history -
Mission to Seafarers VictoriaArtwork, other - Stained glass window, Gerry Cummins & Jill Stehn Pty. Ltd, In memory of those who have gone down to the sea in ships, 1980-1981
In conjunction with the fraternal visits of Hearts of Oak and the Maritime Lodge (now defunct), joint chapel services have been held in the chapel of St. Peter at the Missions to Seaman in Flinders St over many years. In 1975, the two lodges jointly funded the donation of a window in the Mission's chapel. The window was also part commissioned by what was then the Kanimbla Association who loaned the artist a book called "Cry Havoc - HMAS Kanimbla, a postscript" of photographs which was very valuable and formed part of Gerry's research. Interestingly the Association wanted the Kanimbla depicted in its post WWII passenger liner livery not during WW2. Reverend G.B Muston consecrated the window with Reverend Reginald Bolt on Christmas Eve 1981.Arched windows depicting a yacht shilling in the ocean, in the background a ship liner, on top the freemasonry symbols.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, yachting, freemasonry, hmas kanimbla, hearts of oak lodge, gerry cummins, jill stehn, ss kanimbla, freemasons, sandringham yacht club, hms kanimbla, kanimbla association -
Mission to Seafarers VictoriaBook (item) - Visitor logbook, Visitors, 1907 - 1951
The book was used as a visitors book for the early Mission to Seafarers. The first date in the book is the 13th of December, 1907, although there are almost six pages of signatures before this. The last signature is dated the 28th of June, 1951. The book documents some of the most significant moments of the Central Institute: - the Opening Ceremony of the "new" Mission to Seafarers building in September 1917. - the signature of HRH Edward, then Prince of Wales, and a newspaper clipping, detailing his visit, during has Australian tour in 1920. - the visit by the Governors General including HRH the Duke and Duchess of Gloucester in 1945. Also registered: the Australian Chaplains conference attendees of both 1936 and 1949. Many supporters, ladies from the Guild and seafarers signed the book.The book is a significant record of VIP visitors to the Mission to Seafarers 1907 to 1951. It records respective Opening Ceremonies for Mission Buildings of both 1907 and 1917 and attendees. The book also documents a visit from Edward, Prince of Wales in 1920, travelling on the H.M.S "Renown". Significant national and international visitors throughout the first half of the 20th Century range from the royal, Vice regal and political through to international Members of the Mission to Seafarers, participants in diocesan conferences and AGMs.Printed in gold on the front cover: VISITORS; First name registered and handwritten: "Northcote" in black ink ; Last name entered "Paul Morra"signatures, handwriting, 1907-1951, h.m.s-renown, duke of gloucester, chaplain conferences, catherine florence aviss nee frampton, martin frampton, elizabeth frampton, herbert aviss, prince of wales, duchess of gloucester, seafarers, sailors, seamen, prince edward, opening ceremony, edward northcote (1854-1926) -
Uniting Church Archives - Synod of VictoriaPhotograph
James Legge was born of Scots parentage at Dunolly, Victoria on 2 July 1873. He was educated at Scotch College Melbourne, and at the University of Melbourne. He worked as a teacher before starting the Theological course at Ormond College. He completed his theological training in 1902, and was appointed by the Home Mission Committee to the parish of Boort, where at Durham Ox he was ordained and inducted in May 1903. He married Susan Ison at the Collins St. Independent Church on 11 September 1907. Legge was called to Clunes (1907), Preston (1917), Mildura (1920), Dandenong (1924), and Kew (1926). Demitted 1942. Home Mission appointment Mitcham 1946. Died October 21 1951B & W waist length photo enlargement of Rev James Legge B.A. printed on buff card.Rev. James Legge, B.A. 1926 - 1942james legge, presbyterian, minister, scotch college, university of melbourne, ormond college, kew -
Uniting Church Archives - Synod of VictoriaPhotograph, Undated c.1913
John Barnaby was born in 1867 near Rosebud, Victoria. In 1885 he came to Melbourne and started working as a teacher at Caulfield Grammar School. In 1894 John Barnaby entered the Theological Hall at Ormond college. He graduated B.A. in 1895 and finished his theological studies in 1896. He was ordained in 1898 and called to Kew Presbyterian Church. In 1903 he took his M.A. degree. In 1912 he left Kew and was appointed Neil Walter Black Lecturer at Ormond College Theological Hall. Graduated Bachelor of Divinity and also gained a Diploma of Education. Convenor Home Missions Committee until 1923. Superintendent of Group Mission from 1923. Died 12 September 1933B & W half length, seated studio portrait of Rev John Barnaby M.A. printed on buff card.Rev. John Barnaby, M.A. 1898 - 1912john barnaby, presbyterian minister, ormond college theological hall, kew, neil walter black lecturer, home missions committee
