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Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 1977-1978, 1977-1978
Articles in annual report include: the retirement of Mrs Esme Dunell MBE - former matron (nurse) of the nursery worked since 1960, 1971 she was awarded Churchill fellowship to investigate work for blind child in other countries, supporting the Anti Rubella Crusade, Margaret Fialides staff member awarded Churchill Fellowship study tour of major libraries and production centres for talking books in Europe, UK and USA, occupational centre in Raleigh Street keeps 36 people employed, establishment of a Vocational Development department, purchase of high-speed duplicators for the library, and the RVIB stand at Royal Melbourne show won 1st prize in their section.1 volume of text and illustrationsroyal victorian institute for the blind, corporation records -
Harcourt Valley Heritage & Tourist Centre
Flight Log Book, 1942
A SCION OF A PIONEERING HARCOURT FAMILY. KENNETH WARREN ENLISTED 3/1/1942. THE FLIGHT LOG REVEALS HIS SUBSEQUENT CAREER, WHICH COMMENCED WITH PILOT TRAINING AT BENALLA, VICTORIA 23/8/1942, TRANSFERED TO MALLALA SA OCT 1942 TO FEBRUARY 1943, THENCE TO CROUGHTON UK FROM 30 JUNE 1943 TO SEPTEMBER 1943 FOR FURTHER TRAINING, AT HUSBANDS BOSWORTH SEPTEMBER 1943 TO OCTOBER 1943, COMMENCED OPERATIONAL FLIGHTS OUT OF MARKET HARBOROUGH 18 OCTOBER 1943 THEN VARIOUS SQUADRONS IN BOMBING RUNS OVER EUROPE UNTIL 7TH MAY 1944 WHEN HIS LANCASTER BOMBER FAILED TO RETURN.. K R Warren was aged twenty when given command of a Lancaster bomber in the RAF. He was one of six Harcourt men who enlisted, trained and took to the air in defence of Britain during WW2BLUE CLOTH COVERED BOOK - BLACK PRINTINGROYAL AUSTRALIAN AIR FORCE -
City of Kingston
Map - Parish of Moorabbin
Warning: This object includes historical language referring to First Nations Peoples which is no longer appropriate but has been recorded for historical purposes. Produced in 1853, this map shows the land holdings of European families. While the majority of holdings are small there are also large land holdings as can be seen with Henry Dendy's Special Survey. Of particular note is the "Reserve for Aborigines" which was established in approximately 1841 and consisted of over 830 acres. This area is the current location of Mordialloc township and Attenborough Park, in Mordialloc, is the last remnant of the reserve. An Alfred Sikes, possibly the surveyor/cartographer who drew this parish plan, purchased land in Berwick in 1854.A handrawn map on fabric, with blue markings representing the coastline to Port Phillip Bay, red markings representing a proposed train line to Mordialloc, major roads and street, as well as a "Reserve for Aborigines", which constituted approximately 830 acres. In the bottom right hand corner, the map has been signed and dated.Handwritten in ink: Alfred Sikes / 38 Collins St East / June. 1853moorabbin, mordialloc, dendy, port phillip bay, aboriginal reserve, attenborough park -
Bendigo Military Museum
Photograph - AHQ Survey Regiment - LTCOL DR Ridge and SSGT G Haswell Circa 1972-1975, 1975
Photograph taken in the Sergeants Mess, Fortuna Villa circa 1972-1975 whilst LTCOL DR Ridge was the Commanding Officer of the Army Survey Regiment and SSGT G Haswell was a stores NCO. WO2 Szentirmay (in the background) was a Lithographic Technical Warrant Officer. 4233 LTCOL DR Ridge was commissioned from the ranks and served from 1946 - 1975, he was Commanding Officer of the Army Survey Regiment from 1972-1975. 310207 SSGT G Haswell served 1950- 1978 after a British Army career, 14613 WO2 T Szentirmay BEM served 1958-1980 after an Eastern European Army career.Black and White photograph of LTCOL DR Ridge and SSGT G Haswell Circa 1972-1975 taken at the Sergeants Mess at Fortuna Villa, Bendigoroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Orbost & District Historical Society
black and white photograph, 1897
This is a surveyors' camp in the McCulloch Ranges April, 1897. Surveyors were among the first European settlers to arrive in Australia. A Surveyor-General was present on the First Fleet, as well as the first two ships which landed in South Australia. These men were issued with instructions to record observations in a journal that included the country’s general appearance, its soil, flora and fauna and the customs and language of local inhabitants. The conditions they worked in were harsh and they embarked on journeys with drays carrying cumbersome surveying and camping equipment, spending months camping out in the bush and mapping the land. It was not until well into the second half of the nineteenth century that the professional training of surveyors became mandatory in Australia. This is a pictorial record of a surveyors' camp in the late 19th century.A black / white photograph of a group of men standing at a campsite in the bush. Two tents are in the background.on the front - "Surveyors Camp, McCulloch Ranges" Some names have been added for identification - Bates, Thorn and others which cannot be read.surveyors-camp-mcculloch-ranges land-settlement -
The Beechworth Burke Museum
Photograph
This photograph was taken of an avenuw of acacias on Sydney Rd, Beechworth. Picture on the left hand-side is a row of Liquidamber trees also known as American storax, hazel pine, bilsted, redgum, satin-walnut, star-leaved gum, alligatorwood, or simply sweetgum. On the right is a row of English Oak trees commonly known as common oak, pedunculate oak, or European oak. Behind the English oaks is Old Beechworth Goal. Many of the trees in the Beechworth township were planted in the 1860's and today have exceptional historical, botanical or cultural value. Their place within the built environment reflects the importance in the Victorian era of town planning for a community, wealthy in gold and civic pride.Black and white rectangular photograph. The image is printed on gloss photographic paper and mounted on cardboard. Obverse: NO INSCRIPTION Reverse: 7760 The old Acacia Avenue alongside the jail. Sydney Road Beechworth Gardens & Parks beechworth, acacia avenue, gaol, sydney road, burke museum, photograph, post card, english oak, liquidambar -
Warrnambool and District Historical Society Inc.
Card - Concert Ticket, Modern Print, Warrnambool, Complimentary Concert, 1926
This is a ticket for a complimentary concert to the Victorian soprano, Miss Mollie Hayres, in the Warrnambool Town Hall in 1926. Inez Mary (Mollie) Hayres (1897-1980) was born in Port Fairy and received her early musical training from the Good Samaritan Sisters in Port Fairy. She received local funding to enable her to study at the Melbourne Conservatorium of Music under Madame Weiderman and toured the Western District in 1926, supported by the pianist May Broderick and the violinist Cecil Parkes, in a series of complimentary concerts to give her funding to study in Europe. She became a well-known singer and singing teacher in Melbourne, featuring in radio programs and concerts. This ticket is of interest as a memento of Mollie Hayres, a noted singer in Victoria in the first half of the 20th century.This is a small white card with black edging and printing. Grand Complimentary Concert to Miss Mollie Hayresmollie hayres soprano, good samaritan sisters port fairy -
Eltham District Historical Society Inc
Book, Shire of Nillumbik, Laughing Waters Road: art, landscape & memory by Jane Woollard, 2016
"Laughing Waters has been a source of inspiration for many artists and designers, and was a natural extension of the dynamic art and lifestyle movement that began in the 1930s at Montsalvat. It was also an important site in the development of the Melbourne art scene in the 1960s and '70s, especially the earth building movement known as the Eltham Style. Since 2001 more than eighty artists have been in residence at Laughing Waters in Birrarung House and Riverbend. Their experiences and art making are woven together with Wurundjeri, European and family histories to create an evocative account of a special place in a bushy outer suburb of Melbourne." -- back cover. Eltham District Historical Society is acknowledged in the Acknowledgments section of this book.264 pages : illustrations, maps, portraits ISBN 9780994486707laughing waters, eltham, yarra river, artists, killeavey, mud bricks -
Warrnambool and District Historical Society Inc.
Document - Passport British Commonwealth of Australia, Australian Government, 1950s and 60s
This passport belonged to Alexander Swinton, a member of a prominent family in Warrnambool. The passport shows that he travelled extensively in Europe, U.S.A. and Central and South America. Alex Swinton’s forebears, William and Ann Swinton came to Warrnambool in 1854 and William Swinton opened a shop selling hardware, china and glassware in Timor Street Warrnambool in 1865. The Swinton businesses expanded in the 19th and 20th centuries and a Swinton furnishing store still exists today, making this store one of the oldest family businesses in Australia. Alexander Swinton (1907-1986) was the son of George and Florence Swinton of Merri Crescent Warrnambool. He attended Warrnambool Technical School in the early 1920s.This box is of interest as a memento of Alexander Swinton, a member of a prominent Warrnambool family. It also shows the type of passport issued to Australian citizens in the 1950s and 60s. These are two passport booklets joined together with white tape. Each has 32 pages and the booklet contains two black and white photographs, personal information (both printed and written), stamps and printed information from various countries and two inserted certificates. The front cover is black with printing and the image of the Australian Government crest.British Passport Commonwealth of Australiaalexander swinton, warrnambool, history of warrnambool, swinton, passport -
Flagstaff Hill Maritime Museum and Village
Functional object - Lamp, Kosmos Brenner, First half of the 20th century
The Kosmos burner is probably the most popular burner used in European lamps. A patent for the design was first lodged in the UK in 1865 by Wild & Wessel from Berlin. In 1875 they began using the trade mark 'Kosmos' on winder knobs. The mark was taken over in 1899 by Brokelman, Jager & Co. who changed it to 'Kosmos Brenner', (literally 'Kosmos burner'), they continued to manufacture right up to the 1970's when the factory closed and most tooling was destroyed. A very popular burner in Germany and still manufactured today in France it has been used in all sizes of lamps from small hand lamps up to large table and hanging lamps.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item is believed to have been produced in the first half of the 20th century. Many different lamp manufactures used Kosmos Burners in their lamps up until the 1970s, therefore exact provenance and age is difficult to determine.Lamp, copper, handle on top and one beneath attached to a reservoir made of copper. No glass and painted green.Marked "Kosmos Brenner" to winder flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp, kosmos burner, kerosene lamp, lighting -
Churchill Island Heritage Farm
Tool - Crosscut Saw
Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division.Steel. Designed with bow in middle of blade. Small offset. Original ends in good conditions. No handles.churchill island, crosscut, saw, tool -
Churchill Island Heritage Farm
Tool - Crosscut Saw
Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division.one end original minus handle. Other end has replaced handle. Steelchurchill island, crosscut, saw, tool, machinery -
Churchill Island Heritage Farm
Tool - Crosscut Saw
Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, increasing efficiency.double ended steel saw with "M" patterned teeth. Handles missing. All rivets in placechurchill island, crosscut, saw, tools, machinery -
Churchill Island Heritage Farm
Tool - Crosscut Saw
Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division.single handed cross-cut saw. Peg grip missing?circular brass manufacturer's plate: SPEAR & JACKSON Sheffield. Crown symbol.churchill island, crosscut, saw, tool, machinery -
Churchill Island Heritage Farm
Tool - Crosscut Saw
Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division. Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” steel blade, wooden handle and peg grip. Single person sawcrosscut, saw, churchill island, tool -
Churchill Island Heritage Farm
Tool - Crosscut Saw
Cross cut saws have been used for millennia, but they came into wider usage in Europe from the 15th century onwards. The term 'cross cut' refers to the blades on the saw’s cutting edge which come in a variety of different patterns. These saws are specifically designed for cutting across the grain of the wood by timber workers, sawyers, and other land workers for tree felling and cutting up larger pieces of lumber into smaller more manageable pieces. The saws come in variable sizes and lengths and are designed for use by one or two people. With the two-man saws, a method of alternating 'pull and push' to drag the blade back and forth through the timber, maximising efficiency and labour division. Donated by Wilfred Dungan on behalf of the Dungan family Collection originally used on the property of the late Dr Rae Dungan in Falls Creek Rd Olinda, purchased in the late 1930s from Olinda pioneers Harry and Minnie Holden. Also on the property of late May Farndon of Farndon’s and Falls Rd Mt Dandenong – aunt of Dr Rae William Dungan and also an early pioneer. Family holidays and weekends involved use of these sorts of farm implements plus working with horses. Post-war, the Olinda hand tools and machinery moved to the Shady Creek, Nilma North area where bush, pasture and cows had replaced the Olinda property. Wilfred well remembers being on one end of the crosscut saws cutting fence posts, logs and timber under “the tireless and vocal instruction” of a red headed local Darnum Rd legend called Harry Collyer. “He drove an old Rugby car and nearly pulled me through the logs with every cut!” Two handled cross cut saw. One manufactured handle and one bush replacement wedged with three inch nail. 6 broken teeth. Rivets for handle broken off at home-made end. M shaped tooth profile.churchill island, crosscut, saw, tool -
Ruyton Girls' School
Photograph - Studio Portrait, [Henry Henty], c.1890
Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. Henry Henty and his wife Marion Ann Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Half-length, sepia-toned studio portrait of Mr Henry Henty (b.1833-d.1912). Mr Henty wears a dark suit and tie. His body is one quarter turned to his left, while he looks straight towards the camera. The background behind him is plain and dark. Photograph is mounted on cream card.henry henty, tarring, marion henty, selbourne road, kew (vic), ruyton girls' school, businessman, politician, 1890s -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Why did we go further than monkeys, monkeys know how to be monkeys, 2008
This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west -
Kew Historical Society Inc
Accessory - Black silk and rhinestone evening bag, c.1955
The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags -
Kew Historical Society Inc
Postcard, Murray Views, Murray Views No.13 - Goulburn Valley, Alexandra, Vic, 1920-1955
The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout. Murray Views is an Australian company, founded in 1908 by Fred Murray in Gympie, Queensland.Monochrome postcard of the Goulburn Valley near Alexandra, Victoriaalexandra - victoria, goulburn valley - victoria, postcards -- goulburn valley (vic.) -
Kew Historical Society Inc
Headwear - Brown Fur Hat, 1960s
Fur hats were a necessary accoutrement for fashionable women who wore furs. Typically, the fur hat might be purchased from the furrier to match the colour and often the pelt of the coat or stole, rather than from a milliner. Hats, like coats and stoles were often dyed to achieve uniformity of colour. Tastes in the colour of furs also changed over time, so hats, coats and stoles could be updated to match prevailing tastes. Until the 1960s in Australia, there were many furriers, who usually brought from Europe experience in identifying fur types. With the decline in the fur industry, these skills are noticeably scarcer in Australia today.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular, brimless women's fur hat.Nilheadwear, women's hats, fur hats, furriers -
Federation University Art Collection
Ceramic - Artwork - watercolour, Three Gold Fish Hanging by Chris Headley
Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection -
Wodonga & District Historical Society Inc
Leisure object - Stereoscope c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure -
Wodonga & District Historical Society Inc
Leisure object - Stereoscope c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure -
Wodonga & District Historical Society Inc
Leisure object - Stereoscope c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A wooden stereoscope with a cardboard 'view' of a streetscape.stereoscope, stereographs, entertainment, fun, leisure -
Wodonga & District Historical Society Inc
Card - Stereoscope Cards c. late 1800s - early 1900s
In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A cardboard box full of stereoscope cards showing street views and landscape scenery. stereoscope, stereographs, entertainment, fun, leisure -
Sunbury Family History and Heritage Society Inc.
Photograph, Lamgama Park - Soccer Pitch, C 1970s
Sunbury United Soccer Club was established in 1973 by a group of expatriate Europeans who wanted to play the game they grew up with. Their first games were played on the recreation reserve in Evans Street on the ground designed for AFL football. (Now the site of a shopping complex). In August 1975, Sunbury United moved to its present home on seven and a half acres of sporting ground at Langama Park in Mitchells Lane . Over the years that area has developed and there are now three senior, and two junior soccer pitches with two cricket pitches and practice nets. Although there is still room for improvement to the floodlighting on the main pitch, the night games have proven successful. The Sunbury United Soccer Club has played an important roll in district competition and is one of the many sporting clubs in Sunbury.A non-digital black and white photograph of a soccer ground showing a set of goal posts with the clubrooms and change rooms in the background.soccer, sunbury united soccer club, football, langama park, mitchells lane -
Buda Historic Home & Garden Castlemaine
Photograph, Leviny Silver Standing Cup, c1863
The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint -
Eltham District Historical Society Inc
Photograph, Liz Pidgeon, Moor-Rul Viewing Platform Panel: The Highland Taken, 10 August 2016
"The Scots were the first Europeans to farm this place". The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalshire of nillumbik, kangaroo ground, moor-rul viewing platform, interpretative signage, interpretation panel, indigenous history, display panel, early settlers -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon
The teaspoon is a European invention. Small spoons were common in Europe since at least the 13th century; the special spoons were introduced almost simultaneously with tea and coffee. (Pettigrew points to its use in the mid-17th century.) Originally the teaspoons were exotic items, precious and small, resembling the demitasse spoons of later times. Also used for coffee, these spoons were usually made of gilt silver, and were available with a variety of handle shapes: plain, twisted, or decorated with knobs, also known as knops, hence the knop-top name for such spoons. Widespread use and the modern size dates back to the Georgian era. The teaspoon is first mentioned in an advertisement in a 1686 edition of the London Gazette. Teaspoons, probably of English origin, are present in the 1700 Dutch painting by Nicholas Verkolje, "A Tea Party". An 1825 cartoon makes fun of a Frenchman unfamiliar with the British etiquette. The guest did not place his spoon into the cup and is thus being offered his thirteenth cup of tea! A special dish for resting the teaspoons, a "spoon boat", was a part of the tea set in the 18th century. At that time, the spoons played an important role in tea drinking etiquette: a spoon laid "across" the teacup indicated that the guest did not need any more tea, otherwise, the hostess was obligated to offer a fresh cup of tea, and it was considered impolite to refuse the offering. Pettigrew reports that sometimes the spoons were numbered to make it easier to match the cups with the guests after a refill. https://en.wikipedia.org/wiki/Teaspoon#:~:text=Teaspoon%20is%20a%20European%20invention,the%20mid%2D17th%20century).A history of the teaspoon.Metal teaspoon, badly corrodedNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village