Diggers & Mining. Stores at the diggings. STG. Gold buyer, Forest Creek, (1852). Many store keepers were also gold buyers. Every store needed gold scales, as diggers generally paid in gold. Slide shows store keeper weighing the gold for the miners. Markings: 22 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

This Bateman & Co penny token was given to Les O'Callaghan by his workmate and neighbour Roger Walsh. This is the story which accompanied the gift. 'This penny has been in my possession since 1946. Was obtained at Koroit Races that year -Royal Gem winner of the Caulfield Cup. This penny was wrapped in silver paper and was accepted by the bookmaker Mr Harold James whom I clerked for as a wager. I in turn payed [sic] my wages for working for this bookmaker and received same. Incidently [sic] the custom of this bookmaker in those days was the clerk usually was paid with silver, which was left in the bag as he did not wish to carry the silver home as he lived in Melbourne.Circular coin -obverse has name of company (William Bateman) in an inner circle with the word Victoria across the centre; within outer circle the type of trade engaged in and the year minted. The reverse has a female figure in flowing gown holding scales in the right hand and cornucopia in the left; the value of the coin is stamped around the top edge.WILLIAM BATEMAN WARRNAMBOOL/IMPORTERS AND GENERAL MERCHANTS 1855/VICTORIA (obverse) ONE PENNY (reverse)william bateman, les o'callaghan, penny tokens, horseracing, roger walsh, bookmakers, harold james

Sign - Free Tram Zone logo and background colours printed on a sheet of 5mm clear Perspex. Adam Chandler advised 15/11/2019 - These were prototypes in the office - from memory this was to evaluate the effectiveness of the treatment to tram stop shelter glass (at a much reduced scale)." Unknown sign manufacture - produced for the PTV late 2014.trams, tramways, free tram, signs, shelters, public transport

DWR-00286 Details of Timber truck ironwork, Victorian Hardwood Company, Powelltown, 1919. Blue Print.Victorian Powell Wood Process Ltd details of timber truck ironwork scale 1 1/2" -3" = 1 foot Sheet No 17 11/07/12 Note:- the number off each part are for one wagon only

This Sike’s Hydrometer was donated by the Port Fairy Customs Office as it was no longer required by them due to a change in the law. The hydrometer was part of a system for Ullaging or calculating the amount of liquid remaining in a container of liquor such as a barrel, and the amount of alcoholic content in the contents. It can also measure the free space or head space remaining. Hydrometers were used to measure the density, or relative density, of liquids from the late 1600s. In 1816 Bartholomew Sikes won the competition for the most useful accurate hydrometer. Hydrometers were commonly used by distillers, vintners, and brewers to establish accurate measures of alcohol concentration in their beverages. Following this manufacturing process, government inspectors and excise officers used them to check that the labelled indications of alcohol-proof were correct and that the right amounts of duty were being paid.The Sikes hydrometer is of local significance because of its association with the Government's Customs Office in Port Fairy, in the southwest region of Victoria. It is also associated with Bartholomew Sikes, whose design of a hydrometer was chosen in 1816 as being the most useful and accurate hydrometer. The hydrometer has evolved into the digital version available today to measure density of liquids.Sikes Hydrometer and thermometer in a fitted wooden case with crimson lining inside the lid and dark lining in the base. The case has ten vertical pegs to secure the weights. The brass hydrometer has a spherical float and eight thick brass horseshoe-shaped weights. The serial number is on each section of the float and all weights. Both sides of the float’s upper flat stem have a scale from 0-10, with five divisions between each number. The eight weights are numbered from 20 – 90 in increments of 10. The set includes a mercury thermometer mounted on an ivory back plate labelled with Fahrenheit and Centigrade Scales. The Sikes hydrometer set was made by Loftus of London. The hydrometer model is IID 510, Serial Number is 14674, calibrated by Longs, London. All parts of the float and eight weights are inscribed with Serial Number “14674” The float stem is stamped "SIKE'S IID 51o” Calibrator, "LONG LITTLE TOWER ST LONDON" The weights are numbered individually ”20”, “30”, “40”, “50”, “60”, “70”, “80” or “90” Each weight in inscribed; symbol “(J L) [inside an ova, with textured background]” The thermometer inscribed: “LOFTUS OF LONDON”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, measuring instruments, customs tax, weighing instrument, sike’s hydrometer, calibrator long of london, loftus of london instrument maker, loftus, j long, sikes hydrometer, scientific instrument, pressure measurement, measuring instrument, ullage tool, customs, excise duty, tax, alcohol content, proof, calibrate, standard weights and measures, tariff, scientific instrument makers, specific gravity, liquid density, alcohol testing, technology, alcohol measurement, proof spirit, wine and spirits merchants, local business, brass measuring instrument, port fairy, customs office, port fairy customs, joseph long, instrument maker

(3) Used by Linda Hipwell for her Honours Thesis.Plans of the Orchard later known as the Field Station. (1) Copy, "Drawing: Orchard Site Plan." Each section labelled. (2)Tracing paper, 2 paper copies and 3 enlargements, "VCAH Burnley Field Station Plan," some printed labelling and some in pencil. 1992.(3) "VCAH Burnley Field Station Proposed Redevelopment," drawn by MG July 1992. (4) Tracing paper copy, Site Plan of Orchard by Alexander Metherell Pty. Ltd. Job No BHC/1 drawing No SP/2 Dec 1983. Scale 1:500. (5) Plan on tracing paper, includes Energy Education Centre. (6) Plan on tracing paper, includes Energy Education Centre. Scale 1:500. Also see B15.0352 Full Report. orchard, field station, linda hipwell, alexander metherell

Map traced from a photocopy of :- Map TP8A Bairnsdale. 'Site. Sand Hummocks of Lakes Entrance'. Drawn by John Lardner 18 January 1898. Scale two chains to one inch. ( A photocopy of this map in Latrobe Library map collection, June 1983)Black and white photograph showing sketch map of 1898 by John Lardner Plan of Sites - sand hummocks. Drawing shows sites of buildings at entrance along Cunninghame Arm shoreline at Lakes Entrance, Victoria.islands, waterfront, boats and boating, township

The Eltham Courthouse annex was the venue for the Society's 40th anniversary celebration lunch on Saturday, 14th July 2007. Guests included: L-R: - Ron Gordon (Nillumbik Historical Society), Judy Wadham, - , Lilas Scale, Peter Bassett-Smith, Diana Bassett-SmithColour photo print 100 x 150mm40th anniversary, celebrations, diana bassett-smith, eltham courthouse, eltham district historical society, judy wadham, peter bassett-smith, 40th anniversary, celebrations, ron gordon, diana bassett-smith, judy wadham, peter bassett-smith, lilas scale, eltham district historical society, eltham courthouse annex

This scale model of the Robin Boyd-designed Pelican house, Davey's Bay Victoria, commissioned by Kenneth and Prue Myer in 1955. This house has been demolished. This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design, Masters student.Model of Pelican House, Davey's Bay in Mornington Peninsula, Victoriarobin boyd

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton tea) from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters

Single page plan printed showing allotments included in un-named subdivision layout surrounding Adam Court, Ringwood North. Subdivision includes Adam Court, Burlock Avenue, and Felix Crescent. Sold allotmenets marked in red, with price notations.Page heading - Part of Crown Allotment 27B Parish of Warrandyte County of Evelyn Scale 60'-1". Rubber stamp imprint and handwritten address at bottom of page - "Binburra Estates Pty. Ltd. 23 Pitt St., Ringwood, 870-1184".

The first recorded discovery of gold in Moliagul was in September 1852 and, before long, the area was flooded with over 4,000 miners. Two of those miners, John Deason and Richard Oates, had arrived in Bendigo in 1954 seeking their fortune. After eight years of little success, the friends moved to Moliagul and pegged a puddling claim. On 05 February 1869, Deason discovered a nugget near the roots of a tree, just 3cm beneath the soil. With the help of Oates, he uncovered the largest recorded alluvial gold nugget – known as the Welcome Stranger. The 61cm x 31cm nugget was taken to Dunolly to be measured on the bank’s scales, however at 69kg the gold needed to be broken on an anvil to actually fit on the scales.Photograph of the monument for the Welcome Nugget, a large gold nugget found by John Deason and Richard Oates at Moliagul.Obelisk inscription Welcome Stranger Nugget On this spot the largest nugget of gold in the world was discovered on the 5th February 1869 by John Deason and Richard Oates. Weight 2316 oz, Value £9553 Erected by the Mines Department 1897 Henry Foster Minister of Mines, D. J. Duggan M.L.A. Member for Dunollywelcome nugget, welcome nugget monument, john deason, richard oates

A map of the Ballark area within the County of Grant showing roads, waterways, property boundaries and property owners in 1915.Significant to people researching land usage and ownership. Also those researching families in the area at that time.A map of Ballark in the County of Grant. Black printing on buff coloured paper. Extra notations by hand and various coloured highlighting of certain features. Details roads, rivers, property boundaries and names of property owners and districts. The map is easily readable although there is some physical damage to the borders and some sellotape residue. Shows a scale in Chains and the number L.6030Various numbers and directional arrows added to map.bungal, borhoneyghurk, bungeeltap, ballark, beremboke, moreep, meredith, morrisons, moorarbool river

A small map of the Bullarook State Forest Reserve. Drawn on a fine buff coloured paper attached to a stiff cloth backing sheet. The title is hand written and includes a "scale one mile to one inch" hand written also. The map is signed "John Wrigglesworth, assistant ? and dated 26/6/1869" although the month and year are almost illegible.moorabool west, state forest, bullarook, eastern moorabool river, werribee river, moorabool east, blakes saw mill, wombat, andersons saw mill

William Wilson Jamieson came to Warrnambool around 1857 after running a Ironmongers business in Hawthorne died . He opened his store in Liebig St which he operated until his death in 1882. He was quite active in the community serving on the town council for a number of years and also the Oddfellows Lodge and the Mechanics Institute. He came to Warrnambool in 1857, after running an Ironmonger's business in Hawthorn and having worked for the hardware company McEwan & Co. in Melbourne. He bought a weatherboard building that had previously been a 'bowling saloon' in Liebig Street and opened a business that Gardner describes as a general store and Turnbull describes as a drapery store. He was a member of the town council from 1862 to 1874 and from 1877 to 1880 and also served as mayor for two terms. He was also active in community organisations including the Mechanics institute and the Oddfellows This token is of great importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens)A round copper token. The token was issued by: W.W. Jamieson & Co.. Liebeg St. Warrnambool, Storekeepers 1862 which is in raised lettering on the obverse of the token. The reverse features a blindfolded woman with the scales of Justice in her raised right hand. She is standing beside the seashore with a sailing ship in the background AUSTRALIA is stampedabove the figure anf the date 1862 is stamped below.W.W. JAMIESON & CO STOREKEEPERS LIEBEG STREET WARRNAMBOOL. AUSTRALIA1862jamieson token, warrnambool, william wilson jamieson, warrnambool ironmonger

Sold by Ringarts Bookshop, Haifa1. This is a small pocket book, grey cover, black ink printing. It has words and phrases of colloquial Arabic and/or Hebrew. 32 pages. It is for Australian Imperial Forces in the Middle East. 2. Palestine Road Map. It has cardboard cover and opens out to a road map, scale 1:500,000. It has a drawing of the old section of Jerusalem on front cover.passchendaele barracks trust, 1. nr9430t, 2.9431t, ww2

The large plaster Illisos depicted in the back of this image is still held by Federation University Australia. The Ballarat Technical Art School (No. 10) was part of the Ballarat School of Mines and was established in 1907. After conducting classes in various locations around Ballarat a custom built art school was erected on the site of the former Ballarat Circuit Court House, previously used as the initial building of the Ballarat School of Mines. Examples of drawings undertaken by students, as well as some plaster castes are held in the University of Ballarat Historical Collection. The Ballarat Technical art School is the oldest continuous Tertiary Art School in Australia. Sir Alexander Peacock opened the new Ballarat Technical Art School building in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios could be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. (http://guerin.ballarat.edu.au/curator/buildings/technical_art_school.shtml) Black and white mounted photograph showing eleven students of the Ballarat School of Mines Technical Art School drawing from plaster models of human bodies in various poses and of various scales. The students are in a room of the Ballarat Technical Art School which was custom built for teaching art. The image was reproduced in the 1920 Ballarat School of Mines Students' Magazine. drawing, ballarat school of mines, ballarat technical art school, art studio, plaster caste, gribble building, illisos, hercules, drawing from the antique, visual arts

Bendigo Advertiser '' The way we were'' from Wednesday, March 3, 2004. The Johnsons were a family hailing from Leichardt. They were chaff cutters. This old photo shows what is presumed to be members of the Johnson family at work on the family farm. Judging from the scale of the machinery captured, there was some hard toil undoubtedly ahead of them. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Hand drawn plan for Changing House for Central Deborah G. M. Co. Bendigo. Drawn by A. Richardson 14/11/1971. Drawing has approx. measurements and is not drawn to scale. Also some Central Deborah Gold Mine Information . Ref. Mines Dept. Surface Plan 15/1/1954. Written by A Richardson 14/12/1971.mine, gold, central deborah gold mine, central deborah gold mine, plan of changing house, a richardson, mines dept. surface plan 15/1/1954

Anglesea, Victoria [cartographic material] produced by Royal Australian Survey Corps. Colour; Scale [1:63,360] 1 mile to 1 inch; transverse Mercator projection; Sheet No. 866, Zone 7. Two stamps: 1. Rankine and Dobbie Pty Ltd. 2. Authorised for sale / Price 2/- / By Department of the Army Original date: November 1928.(See above)anglesea map, topographic map