COLLECTION OF RIGHT TO OCCUPY A RESIDENCE AREA -LAND (RESIDENCE AREAS ) Act 1935 / thick cardboard book -cloth and string binding / written on front in texter '1936' / numbers 401 to 500 / inside - stubs of documents showing Granted to , of, period, Date of Right , Description of Land , Allotment, Section, City, Town, Borough, Township of, Parish of, Authorised Person . Rubber stamps show The interest of this Right has been transferred to / note on Bendigo Historical Society Catalogue Sheet dated 12.6.2008 All buts completed and original application forms removed. Note -forms were originally in triplicate on one page with serrations for removal of two parts; butts remain. Residence areas in Central Goldfields / form for butt 454 is included.Bendigo City Council - Acquisition 1990organization, government, bendigo land office, right to occupy a residence area -land (residence areas ) act 1935

COLLECTION OF RIGHT TO OCCUPY A RESIDENCE AREA -LAND (RESIDENCE AREAS ) Act 1935 / thick cardboard book -cloth and string binding / written on front in texter '1936' / numbers 301 to 400 / inside - stubs of documents showing Granted to , of, period, Date of Right , Description of Land , Allotment, Section, City, Town, Borough, Township of, Parish of, Authorised Person . Rubber stamps show The interest of this Right has been transferred to / note on Bendigo Historical Society Catalogue Sheet dated 12.6.2008 All buts completed and original application forms removed. Note -forms were originally in triplicate on one page with serrations for removal of two parts; butts remain .Residence areas in Central Goldfields / form for butt N0 331 is included.Bendigo City Council - Acquisition 1990organization, government, bendigo land office, right to occupy a residence area -land (residence areas ) act 1935

Six page typed document, signed by Albert Richardson, and a handwritten copy of same. Written on top right of typed document: 'These recommendations all adopted by General Meeting Bendigo and District Tourist Association, 30.11.1967' Document describes the 'Central Nell Gwynne area, situated at West Bendigo, approximately 150 yards north of main Calder Highway to Mildura, local section Marong Road, which is a public purposes reserve under Section 14 of the Land's Act 1958. The steel poppet legs donated by the late Jack Barker to the City Council for preservation be a permanent reminder of the gold mining era and containing the engine beds and 20 head crushing battery foundation, be developed as a mining museum for tourists, educational and historical purposes'bendigo, mining, central nell gwynne

Photo of Ballarat tram 27, southbound at Grey St. loop waiting to cross a City bound tram car. Has one male passenger waiting to board the inbound tram and a conductor (in SEC hat) waiting to board the tram and act as the conductor back into the City. Trams between Bell St. and Sebastopol during the day, were driver only. Conductors changed trams at Bell St. or wherever they crossed one another on the single track. Tram has destination of "Sebastopol", and advertisements for "Twin Lakes" and Whitehorse whiskey. Note long grass on the left hand side of the photo. Tram has tiger stripes but not the white dash under the lights. Kodak cardboard mount slide, taken by Peter Moses December 1963.On back of slide in blue ink "1963 Dec. Tram Ballarat" and bottom right hand corner "P. Moses"tramways, trams, grey st, sebastopol, conductors, tram 27

The sport had its origins during the Depression of the 1930s when teams were formed to keep young women fit and healthy. The sport became more organised during the 1940s with a system of scoring developed to ensure teams could compete against one another. Points were deducted for lack of precisions, dressing, movement and length of pace. At its peak marching competitions drew large crowds of spectators. Teams marched not only in competitions but also frequently appeared in parades and social occasions. Jim Trewin trained Orbost's Marching Girls' team, the Waratahs, and served as vice president of the East Gippsland Marching Girls' zone. His wife, Doris, acted as chaperon Together with a trophy, a chaperone's blazer and photos this uniform forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' uniform It has a white pleated skirt, a long-sleeved white blouse and a red velvet vest with 6 gold buttons. There is a badge on the left shoulder. A red ribbon is attached to the blouse as a bow tie. On the vest shoulders are white tabs with gold buttons. The skirt and blouse are made of cotton. A pair of short white gloves are included.On badge- Victorian Girls Marching Associationuniform marching-girls leisure clubs recreation

Taken between circa 1920 - 1930 this photograph depicts a Hydraulic water jet in the foreground and a man dressed in dark trousers, a white long sleeved shirt and broad-brimmed workers hat digging around in the Three Mile Mine at Barramutha. The mine was an important gold resource and was typically mined using a method known as hydraulic sluicing whereby high powered water jets are used to dislodge rock or move sediment. The remaining water sediment slurry is directed through sluice boxes to remove the gold. The Beechworth mining district was one of six mining districts established by the governor-in-council on 4th of January 1858 under the provisions of An Act for Amending the Laws Relating to the Goldfields (21 Vic no. 32).This photograph shows cultural and research value into the historical methods of hydraulic sluicing in the Beechworth mining disctrict. It also shows the evolution of the mining methods and has potential for understanding future engineering endeavors in the context of victorian mine goldfields.Black and White rectangular photograph printed on matte photographic paper. Reverse: Copied from original on loan from Webb (QLD)/ Donated Nov 2009/ Barnawatha Three Mile Mine c1920-1950/ Owned by Plain Bros then Parkinsons/ Managed by John Weir, Peter Jenson, Jack Cox/ Slicing. three mile creek, three mile goldfields, three mile beechworth, goldfields, #beechworth, hydraulic mining, hydraulic sluice, burke museum

Cyril and Joyce Hayward migrated from England in 1955 and quickly became involved in the Arts in Warrnambool. They both became life members of the Warrnambool Theatre Company. Mrs. Joyce Hayward along with her husband Cyril, had a 30 year association with the Warrnambool Theatre Company. They acted, directed and produced a number of works from the 1950’s through to the 1980’s. Mrs. Hayward taught drama and speech at Warrnambool High School and St Ann’s College. They both worked towards reviving the Warrnambool Arts Council.. They were involved in Christ Church choir, readings for the blind, Probus and Penguin club. They retired to Bribie Island in 1985. Joyce Hayward died aged 97 in 2007.Joyce and Cyril Hayward played a significant part in the development of the Performing Arts and Education in Warrnambool over a 30 year period. They both received the Warrnambool Citizenship award. This letter expresses the gratitude of Council and citizens of Warrnambool to the Haywards for their contribution. Cream paper with body of letter typed and signed by the Mayor, a councillor and Town Clerk at the time. It has the City of Warrnambool crest at the top in light and dark blue with gold lettering and at the bottom left corner is the City of Warrnambool seal in red.Cr R.K. Patterson, Cr T, A, McCormack, V. G. Robson, Town clerk. warrnambool, cyril hayward, joyce hayward, citizen award, performing arts centre.

The Australian Red Ensign is a variant flag of Australia. This flag was probably used for a patriotic purpose in Ballarat, such as the end of World War One. The Red Ensign was the only flag private citizens could fly on land. By traditional British understanding, the Blue Ensign was reserved for Commonwealth Government use, with State and local governments, private organisations and individuals all using the Red Ensign.(http://en.wikipedia.org/wiki/Flag_of_Australia) There was some confusion over appropriate use of the ensigns until the Flags Act 1953 set the Blue Ensign as the national flag, and the Red Ensign as the flag of the Australian mercantile marine. Red ensigns continued to be used in Anzac Day marches into the 1960s.(http://en.wikipedia.org/wiki/Flag_of_Australia) Small red paper Australian flag attached to a stick. The Red Ensign features the Commonwealth Star at the hoist, and the Southern Cross in the other half.ballarat, flag, australian ensign, world war, australian flag, red ensign

"Potassium permanganate is an inorganic chemical compound with the chemical formula KMnO4. It is a salt consisting of K+ and MnO−4 ions. Formerly known as permanganate of potash or Condy's crystals, it is a strong oxidizing agent. It dissolves in water to give intensely pink or purple solutions, the evaporation of which leaves prismatic purplish-black glistening crystals. (Which is what in contained in the bottle.) As an oxidant, potassium permanganate can act as an antiseptic. For example, dilute solutions are used to treat canker sores (ulcers), disinfectant for the hands and treatment for mild pompholyx, dermatitis, and fungal infections of the hands or feet. Potassium permanganate is used extensively in the water treatment industry. Historically it was used to disinfect drinking water. (From Wikipedia)" Eight sided, rectangular, clear glass bottle containing grey filings. It is closed with a cork, which is probably broken off. Label indicates Potassium Permanagate manufactured by Felton, Grimwade & Duerdins Ltd. "POTASSI PERMANGANATE."/"POISON"/"Felton Grimwade & Duerdins Ltd." on label on front. There are numbers in the glass on the bottom: "1608 M" and small difficult to read letters. deaf children australia,, chemical, antiseptic, potassium permanganate, water purifier, felton grimwade & duerdins ltd, bottle

Douglas ALEXANDER (1945-1981) Born Skipton, Victoria Doug Alexander studied Ceramics at the Ballarat School of Mines. In 1968 he was employed as a thrower and designer at Bendigo Pottery leaving that position to work and travel to New Zealand. He settled at Kerri Kerri, Bay of Islands in New Zealand and operated the Red Barn Pottery. In 1970 Doug Alexander returned to Australia establishing Spring Mount Pottery at Creswick where he used local clays to produce his work. He moved to Tharwa, ACT, in 1976 and established the Cappucumbalong Pottery. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Slab formed stoneware platter with impressed decoration finished with slips and oxide made at Spring Mount Pottery, Creswick.art, artwork, ceramics, alexander, doug alexander, red barn pottery, ballarat school of mines, ballarat technical art school, kerri kerri, spring mount pottery, creswick, cappucumbalong pottery, springmount pottery

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Ad Lib is a magazine produced by the students. It outlines the work they have produced during the 1st Season, 1992. 1st, 2nd and 3rd Years sections outlines what is ahead. Whats On! lists what is happening in the theatre world in Ballarat - local and touring.Six A3 sheets, folded to make 24 page magazine. Items include Editorial, Contents and Introduction from Peter Tulloch. Signature of Peter Tullochperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, ad lib, magazine, 1992, editorial, drac's daughter, the passion and the paradise, first years, second years, third years, lamb of god, cancer, goldilocks, whats on, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Ad Lib is a magazine produced by the students. It outlines the work they have produced during 1992. 1st, 2nd and 3rd Years sections outlines what is ahead. Profiles of three final year students - Miranda Crellin, Sandra Moon and Fiona Bennett.Four A3 sheets, folded to make 16 page magazine. Items include Editorial, Contents performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, screen, ad lib, magazine, 1992, editorial, first years, second years, third years, exhibition, miranda crellin, sandra moon, fiona bennett, lock up your daughters, too much punch for judy, community road safety, vic health, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. "The Wizard" is the first of a program of theatre works for this year. Programme includes an outline of the story, list of the cast, musical numbers, production staff and the list of school children playing M unchkins. They are divided into two groups. Band members are listed. Four A3 sheets of glossy paper folded in half to make sixteen pages. Front cover with rainbow and black shapes of Witch, Dorothy, Tinman and Lion. PhotographsSymbols of sponsorsperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, the wizard of oz, melissa casey, amanda sandwith, sam ritzkoff, matthew lotherington, david mashiko, renee wilner, paul fitzpatrick, john bolger, wookie and muff - dogs, andrew arney, andrew lane, james mclaverty, jeff parker, annie kerr, kylie lockwood, liesl morris, narrell werner, jamie robertson, grant hickey, angela coad, michael mcliver, tim blundell, ruth butler, kathy lucas, rashelle mchugh, anthony wallace, natalie zappulla, laura hill, linda judd, kruse collection

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Visual and Performing Arts courses include Bachelor of Arts - Visual Arts; Bachelor of Arts - Performing Arts; Graduate Diploma of Music Education; Graduate Diploma of Visual Arts. An outline of what each course provides is given. Selection process outlined. A3 sheet glossy sheet folded in half Coloured sections and print. Photographs Symbol of BUCperforming arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, theatre, ballarat university college, buc, visual and performing arts, courses, general information, selection process, bachelor of arts - performing arts, bachelor of arts - visual arts, graduate diploma of music education, graduate diploma of visual arts, applications, kruse collection

Field Marshal Viscount Kitchener of Great Britain was invited by Prime Minister Deakin in 1909 to visit Australia and advise on the best way to provide Australia with a land defence. Kitchener’s report echoed the bill, introduced to Parliament in 1909 and supported by the Opposition Labor Party at its 1908 conference, to introduce compulsory military training in peace time (referred to as universal training). On 1 January 1911, the Commonwealth Defence Act 1911 (Cth) was passed as law and all males aged 12 to 26 were required to receive military training. Men were divided according to age, with junior cadets comprising boys 12-14 years of age, senior cadets comprising boys 14-18, and young men aged 18-26 assigned to the home militia defence. The support of schools was vital to the success of the scheme, since the system of cadet training began in the primary schools, with physical training prescribed by military authorities. Junior cadet training was entirely in the hands of school teachers, who had first been trained by military officers. This early training was less military in nature than focused on physical drill and sport. It also acted to inculcate boys with the notions of loyalty to country and empire. At this age, uniforms were not worn, although there were schools with pre-existing uniformed cadet units, who continued to do so. Senior Cadets were organised by Training Areas, administered by Area Officers. If a school had at least 60 senior cadets, they could form their own units. Unlike their junior counterparts, Senior Cadets were issued uniforms, a rifle, and learned the foundations necessary for service in any arm of the defence forces. Boys and men could be exempted from compulsory training if they lived more than five miles from the nearest training site, or were passed medically unfit. Those who failed to register for training were punished with fines or jail sentences, and the severity of this punishment generated some of the strongest opposition to the scheme. While institutions such as the political parties and most churches generally supported universal training, some in the broader labour movement were less enthusiastic, as evidenced in the Daily Herald newspaper’s editorials and letters. Universal military training persisted after the conclusion of World War 1, with the Junior Cadet scheme the first to go, in 1922. Senior cadets and service with the militia was suspended in November 1929. (http://guides.slsa.sa.gov.au/content.php?pid=575383&sid=4788359, accessed 29/10/2015) According to Neil Leckie, Manager of the Ballarat Ranger Military Museum: * Originally 12 – 14 year olds went to Junior Cadets attached to their school. * From age 14 – 17 they were Senior Cadets attached to the local militia unit. * After 1 July of the year a Cadet turned 18, the Cadet left the Senior Cadets and became a member of the Citizen Military Force. * In October 1918 the AIF, Militia and Cadets were renamed to give some connection to the AIF battalion raised in the area. Ballarat saw: 8th Australian Infantry Regiment comprising: * 8th Battalion AIF renamed 1st Battalion 8th Australian Infantry Regiment * 70th Infantry Militia renamed 2nd Battalion 8th Australian Infantry Regiment * 70th Infantry Cadets renamed 3rd B, 8th Australian Infantry. 39th Australian Infantry Regiment comprising: * 39th Battalion AIF renamed 1st Battalion 39th Australian Regiment * 71st Infantry Militia renamed 2nd Bn, 39th Australian Infantry Regiment * 71st Infantry Cadets renamed 3rd Bn, 39th Australian Infantry Regiment Prior to the reorganisation in 1918 the 18th Brigade was the 70th, 71st and 73rd Infantry. It is thought that the 18th Brigade Cadet units in 1920 were those that came from the old: * 69th Infantry (Geelong/Queenscliff) * 70th Infantry (Ballarat/Colac) * 71st Infantry (Ballarat West) * 72nd Infantry Warrnambool) * 73rd Infantry (NW Vic) The next name change came in 1921!Mounted sepia photograph of 21 young males. They are the Ballarat School of Mines Cadets on a training camp at Lake Learmonth. Back row left to right: Harold Wakeling; ? ; T. Wasley; H. Witter; H.V. Maddison (staff); Lieutenant S.J. Proctor, Joe ? ; ? ; B.C. Burrows. Centre left to right: Howard Beanland; ? ; F.N. Gibbs; H. Siemering; P. Riley; ? : E. Adamthwaite. Front row left to right: Albert E. Williams; Francis Davis (RAAF Dec.); A. Miller; W. Shattock; T. Rees From the Ballarat School of Mines Magazine, 1916 "Our Competition Team, 1916 At a parade, held on the 25th August competition teams were called from from the three colleges - Ballarat College, St Patrick's College, and the School of Mines. In each case, a large muster was obtained, twenty-nine volunteering fro the School of Mines. On account of the number in a team being limited to 21, some had to be weeded out. The team decided to have a camp at Learmonth in the vacation for the benefit of training for the coming competitions. The tents, within our baggage, were brought to the Junior Technical School at 10 a.m. on Monday, 11 September. Everything was carted to the station on a lorry, which was very kindly lent by Mr C. Burrow. ... Arriving at our camp, which was in the Park, we first raised the tents. This was done in record time. Three large tents, A.B.C., were pitched one behind the other. We also pitched a smaller one to act as a provisions tent. The provisions supplied by each cadet were placed in this tent. Dinner was ready by 3.30, and was prepared by the three senior non-coms., who also acted as orderlies. Things went alright Monday night, the two senior non-coms. acting as sentries for the first two hours. On Tuesday morning Reville sounded at 7. There was no need for it, however, as nearly all the cadets were up before daylight, owing to their beds being too hard. After physical exercises were gone through we had breakfast. We then had rifle exercises until Messrs A.W. Steane and F.N. King arrived. The former put the team through the table of physical exercises set down for competition work, many valuable points being obtained. The visitors remained for dinner, afterwards returning to Ballarat. Wednesday was uneventful, until the soldiers arrived at about 11 a.m., stopping at the park for lunch. As we handed over the coppers, etc., to them, our lunch was delayed. Two more visitors arrived after lunch, and after taking a few photos returned home. That night we had a "Sing-a-long" in C Tent until "Lights out" sounded at 9.30. After physical exercises ad breakfast on Thursday, we went for a six mile route march round the lake, doing skirmishing on the way. In the afternoon we practised rifle exercises and the march past. A concert was arranged for that night, the chief singers being cadets H. Siemering and W. Shattock. Supper was served at the end of the entertainment. On Friday, Reveille sounded at 6.30 instead of 7, and, as usual, we had physical exercises before breakfast, after which the team went through skirmishing at the reserve. In the afternoon, section drill and the march past were practised. Friday night, being our last night in camp, leave was granted until 10 p.m., "lights out" sounding at 11. Reveille sounded on Saturday at 4.30, the reason being that all kits, tents, etc., had to be packed away ready to catch the 8.15 train to Balalrat. At 7.30 we were all ready to leave for the station. We had a very enjoyable time in the train, each cadet having a chip in at the patriotic songs. On arriving at Ballarat, we found the lorry awaiting us. The luggage was carted to the Junior Technical School, the team following. The team were here dismissed, everyone feeling that he had had a very good time. F.G. Davis"Written in ink on front 'cadet camp at Lake Learmonth about 1916. Training for South Street Competitions. ballarat school of mines, cadets, ballarat school of mines cadets, lake learmonth, world war one, boomerang, camp, cadet camp, h.g. wakeling, harold wakeling, f.g. davis, albert w. steane, f.n. king, h. siermering, w. shattock, francis davis, harold wakeling, t. wasley, h. witter, h.v. maddison, s.j. proctor, b.c. burrows, howard beanland, f.n. gibbs, h. siemering, p. riley, e. adamthwaite, albert e. williams; francis davis, a. miller, w. shattock, t. rees, photography, foto, boxing gloves

TROVE : Jewish Herald (Vic. : 1879 - 1920) Friday 14 March 1913 p 10 Advertising. Mr. Frank Newman desires to intimate that he has purchased the old-established business of the late MR. W. A. STOKES, recently carried on by Mr. P. J. Winch, and hopes by giving; his personal attention to the Pharmacy to merit your support. 181 CARLISLE ST.. BALACLAVA. Tel. Windsor 30. TROVE : The Age (Melbourne, Vic. : 1854 - 1954) Tuesday 13 December 1887 p 5 Article " ROUGH ON RATS" POISON.' . PROSECUTION UNDER THE POISONS ACT. At the St. Kilda police court, on Friday, W, A. Stokes, chemist, Carlisle-street, Balaclava, was prosecuted under the Poisons Statute on the charge of selling to one Mrs. Hannah Charlton a poison without having made and signed the entry required by the act. A second charge of selling to Mrs, Hannah Charlton a poison without having obtained the signature of the purchaser to an entry as required by the act was also preferred against the defendant. Both cases were taken together. Mr, Donovan appeared to prosecute, and Mr. Cole for the defence. Senior-constable Connell deposed that he knew the defendant. On the 24th of October last an inquest was held at East St. Kilda relative to the cause of the death of a man named Charlton. A packet bearing the label " Rough on Rats," which was found. in the deceased's bedroom, was produced at the inqiry, and afterwards handed over to Mr. Blackett, Government analytical chemist for analysis. The verdict of the jury was that the deceased died from the effects of arsenical poisoning. Hannah Charlton, a widow, residing in South Yarra, said in September last she purchased a packet of "Rough on Rats" from the defendant's assistant. Witness was not asked her name, place of abode, occupation or for what purpose the poison was required; neither did she observe the assistant make any entry in a book, She did not attach her signature to any document, and was not asked to do so. The packet was purchased for the purpose of poisoning rats. Cuthbert Robert Blackett, Government analytical chemist, stated that Constable Ballantyne handed him the packet produced. Witness made an analysis of the contents, and found it composed of arsenic, slightly coloured with a carbonaceous matter. The mayor announced that there was a doubt in the minds of the magistrates as to whether the defendant could be held guilty under the law, but they thought the prosecution had attained its object by making known the fact that "Rough on Rats" is a poison. They thought that such preparations should be entered by the sellers, but in that case they were inclined to give the defendant the benefit of the doubt and dismiss the case.Rectangular clear light green tinted glass bottle with embossed text and numerals on side and base.'W. A. STOKES CHEMIST EAST ST.KILDA' on side. 'K6232' on base.chemist, poison, arsenic

Depicted in the photograph are ten miners standing at a cliff face using a high pressure hose, in Beechworth, Victoria. The miners are located in the Three Mile Creek division, in the Beechworth Mining District established January 4th 1858 under An Act for Amending the Laws Relating to the Goldfields by the Governor-in-Council. The Ovens Gold Rush began at Beechworth in February 1852 and was followed by Yackandandah and the 'Indigo Goldfield'. The strategies applied to mining in Beechworth were distinct in comparison to other goldfields in Victoria such as Bendigo and Ballarat. The miners in Beechworth utlised 'hydraulic sluicing' to remove washdirt, the long water races and deep tailraces constructed through solid rock with an estimated 900 miles of water races cut through the Beechworth fields by 1880, demonstrating great engineering feats. The photograph taken is significant as it is a visual representation of the mining strategy, 'hydraulic sluicing' that was particularly unique to the Beechworth mines, particularly in Victoria and an engineering feat.Black and white rectangular photograph printed on matte photographic paper, unmounted print.beechworth mining district, mining, three mile creek division, three mile creek

Christmas 2001 articles include: Governor of Victoria re-dedicates KG War Memorial Tower Election details (2002) Summer at the Diamond Creek Pool Community Safety Expo Nillumbik Festival of the Arts: ‘art, caught in the act’ 22 Feb to 3 Mar 2002 Neighbourhood Character Study out for comment Plans to revive St Andrews Market site Integrated Transport Strategy seeks less car usage Eltham Festival Album Rural connector roads strategy Rural Collector Roads to be Sealed Roundabout funding for Diamond Creek Community Fireguard helps prepare for fire Planning for bush fire this summer Capital Works projects on track for 2001-2002 Eltham Town Square opens council newsletters, nillumbik news, nillumbik shire council

CITATION TO ACCOMPANY THE AWARD OF THE DISTINGUISHED FLYING CROSS (First Oak Leaf Cluster) Squadron leader Alan R Reed distinguished himself by extraordinary achievement while participating in aerial flight as and RD-4C Aircraft Commander in Southeast Asia on 24 August 1968. On that date, he flew his aircraft repeatedly through intense hostile ground fire to obtain complete photographic coverage of the target. In addition, he voluntarily remained in that hostile environment for as long as fuel would allow, to act as a spotter and to pass firing corrections to friendly artillery. The professional competence, aerial skill, and devotion to duty displayed by Squadron Leader Reed reflect great credit upon himself and the United States Air Force.Black and White photo in black and white frame of SQN LDR Alan Reed receiving a citation to accompany Distinguished Flying Cross 21 /08 /1968. with supporting info.flying cross, alan reed

A photo of a boy and his mother that was used on a brochure explaining Legacy's work and providing information on how to donate. Whom does Legacy help? What kind of help does Legacy provide? What is the composition of a Legacy Club or Group? How many dependents is Legacy actively helping in Victoria? What does Legacy spend in this Sate in its work? Why it necessary to provide this degree of help, when there is a generous Repatriation Act? What is Legacy's aim? Donations. Address given for Junior Legacy is Legacy House, 293 Swanston St, Melbourne. The photo was also used on the cover of the Legacy Newsletter in September 1953. The boy is wearing a Boys Class uniform with the Legacy logo and his mother is wearing a fur.A record of how Legacy portrayed itself to the wider community.One page white paper, printed, folded in half. Black and white photograph of a boy and his mother and printed text.Handwritten 'Mrs Masters 7330' in pencil on back page.marketing, legacy promotion, uniform

Edward Augustus Atkyns was born in Wiltshire, England in 1840. His family emigrated to Australia in 1852. As a young man he was a keen cricketer and played at the first cricket ground in the district, located between Barkers Road and Hawthorn Grove, on the site of the future Barker railway station. Atkyns was admitted to the Victorian Bar in 1861, initially working in his father’s practice. He sat as a local magistrate in both Kew and Hawthorn and acted as solicitor for several shire councils. Elected to the Hawthorn Borough Council in 1863 at the age of 23, he served in that municipality as mayor in 1866-67. By 1877, he had moved to Kew where he lived at Neama in Studley Park Road, a property later incorporated into the St Paul’s School for the Blind.Rare colour photograph of what was once a significant house in Kew.Original colour positive photograph (Kodak print) of the main house of 'Neama', colloquially known as the 'farmhouse'. Photographed by Stewart West in April 1978 (it was later demolished by the Villa Maria Society).Annotated reverse: "Front view of Neama / Farmhouse on St Paul's School for the Blind Children / Fernhurst Estate"st paul's school for the blind, neama, studley park road -- kew (vic.), historic houses -- kew (vic.), villa maria society

Edward Augustus Atkyns was born in Wiltshire, England in 1840. His family emigrated to Australia in 1852. As a young man he was a keen cricketer and played at the first cricket ground in the district, located between Barkers Road and Hawthorn Grove, on the site of the future Barker railway station. Atkyns was admitted to the Victorian Bar in 1861, initially working in his father’s practice. He sat as a local magistrate in both Kew and Hawthorn and acted as solicitor for several shire councils. Elected to the Hawthorn Borough Council in 1863 at the age of 23, he served in that municipality as mayor in 1866-67. By 1877, he had moved to Kew where he lived at Neama in Studley Park Road, a property later incorporated into the St Paul’s School for the Blind.Rare colour photograph of what was once a significant house in Kew.Original colour positive photograph (Kodak print) of the secondary building at 'Neama', colloquially known as the 'hall'. Photographed by Stewart West in April 1978 (it was later demolished by the Villa Maria Society).Annotated reverse: "Timber hall on Fernhurst land / Transported there approx 1878."st paul's school for the blind, neama, studley park road -- kew (vic.), historic houses -- kew (vic.), villa maria society

Found in an opportunity shop in Melbourne and purchased by the donor. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Tatra Inn was built in 1964, after an Act was passed in 1960 to allow private development leases in national Parks. The lease was terminated in 1975 and Tatra was taken over by the Government. Tatra was renamed the Lodge throughout the Belles 10 years management, from 1993.Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).A pair of ceramic mugs / goblets. The foot is black and the top of these mugs is sandy coloured with a black buffalo and a black inscription on reverse sideTATRA INN CRESTA MOUNT BUFFALO

A menu card from a dinner dance held in 1962. Charity balls were held with the proceeds from the evening going to aid Melbourne Legacy. The ball was held under the patronage of 'His Excellency the Administrator of the Commonwealth of Australia, General Sir Dallas Brooks.' From Wikpedia: "Brooks was appointed Governor of Victoria by Premier Thomas Hollway and served from 1949 to 1963. During his term as governor, he acted as Administrator of the Commonwealth three times. He served in this capacity for almost seven months after the governor-general, Viscount Dunrossil, suddenly died in office in 1961 after serving only one year. Sir Dallas was in effect Acting governor-general until the appointment of the Viscount De L'Isle.A record that Legacy used gala dinners and balls for fundraising events. It was attended by the Governor of Victoria who was patron of Legacy.Printed menu card for a dinner dance in aid of Legacy, at Southern Cross Hotel 1 September 1962.fundraising, governor of victoria, gala performance

What was distinct about the Performing Arts Course at the University of Ballarat is it had students from a wide range of back grounds with an age range from 17 to 53 years. Students are keen to not only act but to write, design, direct, production manage, stage manage, design lighting and sound and create their own theatre. They also take responsibility for a large percentage of the decision making and administration. Artistic Director and Course Co-ordinator was Peter Tulloch. Card advertises the University of Ballarat 3rd Year Performing Arts Graduating Company's presentation of "Maelstrom". Writer Chris Dickins was commissioned by the graduates to write this contemporary piece. "Maelstrom" deals with a generation lost in a world of mobile phones, electronic gadgets, bright lights and gambling phenomenon.Postcard, black, with illustration on one side and written information on reverse in maroon and whiteSymbol of Malthouse theatre.performing arts, write, design, direct, production manage, stage manage, lighting and sound, training, acting credits, skills, peter tulloch, director and co-ordinator, directing, third years, 1997, third year graduating company, maelstrom, chris dickins, contemporary piece, lost generation, malthouse, kruse collection

In 1905, Mr. Frank Jarvis and Mr. Tommy Garner formed Conway Stewart & Co. Limited at 13 Paternoster Row EC1, next to St Paul’s Cathedral in London. Today, this area is known as Paternoster Square having been redeveloped after its complete destruction during the Blitz of World War II. Although there is much debate regarding the origins of the Company’s name, it is believed that the name “Conway Stewart” derives from a popular vaudeville act of the day. Conway and Stewart were supposedly a comedy double act who appeared at Collins Music Hall in Islington. The two entrepreneur took a great risk in leaving their secured jobs to start a new enterprise reselling fountain pens made by other manufacturers. They concentrated their energies and invested in importing pens from the United States. After an arduous month of persistent selling of their stock, they reaped the rewards of a rather healthy turnover of more than £13 and 9 shillings. This was a great accomplishment considering that the rent for their business premises was only five shillings a week. Even though this turnover would be pleasing to many new ventures, the strength of De La Rue in the fountain pen market made it impossible for the company to continue selling no-named fountain pens. In the same year, De La Rue reportedly invested £50,000 in a promotion campaign for their new launch, the Onoto. However, Garner and Jarvis soon recognized there was an audience desiring good, reliable writing instruments that were also affordable. This is when Conway Stewart began to capture a market amongst the English. Jarvis and Garner developed a single aim, to produce elegant and beautiful, yet functional writing instruments – a principle that Conway Stewart holds true to this day.Red "Conway Stewart Ink" bottle with black metal lid and red round label. Square bottle with flat edges. One quarter filled with ink.Front: 20 fl. ozs./Conway/Stewart/ink (white letters on red background, label, upper area of bottle)ink, writing, bottle