Colour photograph of people waiting outside of 717 Flinders St, to be taken by bus/wagon for a picnic. The same truck appears in the photograph 1973. The transport company W.H Hemsworth & Sons was located in Charles St., Footscray. Rectangular (landscape style) colour photograph of people waiting outside of 717 Flinders St, to be taken by bus/wagon for a picniclhlg, picnic, seamen, transport, w.h. hemsworth, footscray, children, dome, flinders street, north wharf

Knitting patterns of objects suitable for use by seafarers, provided by members of The Knitting Association. From the personal Collection of Mrs Pat Dann a former member of the Central MtSV and later with her husband Captain Keith Dann supported and founded the Hastings branch of the Mission to Seamen in the late 20th C. Small thin, paperback booklet, with light blue front and back card covers, and a flag depiction in darker blue of the flying angel insignia at the top of the front cover. knitting, patterns for seafarers

Medium--sized hardcover book of 244 pages. Cover of mid-blue colour, blank front and back covers, book title and author at top of spine in gold print. Book contains a number of illustrations and maps. London : Longmans, Green and Co., 1930 xi., 244 p., [16] leaves of plates : ill., maps, 2 ports. ; 20 cm. non-fictionThis book documents help and guidance provided by the Christian church to merchant seafarers as they traverse the world, particularly at their points of departure and arrival, and the interactions and activities that they are involved in at these ports.flying angel, reverend alfred gurney goldsmith, georgina anne gollock, ethel augusta godfrey 1861-1935, alice sibthorpe tracy

Charles worked in the Merchant service. After enforced retirement due to injury he was active in Civil Defence.The Defence Medal is a campaign medal instituted by the United Kingdom in May 1945, to be awarded to citizens of the British Commonwealth for both non-operational military and certain types of civilian war service during the Second World War. It was Awarded for 3 years, 360, 180 or 90 days, depending on area and nature of serviceThe medal is cupro-nickel, with the uncrowned effigy of King George VI on the obverse. The reverse has a conventional oak tree centrally, with a crown above, with two lions counter rampart as supporters between the dates 1939 and 1945. The base of the medal reverse has the words ‘THE DEFENCE MEDAL’. The ribbon is orange with green outer stripes, each green stripe having a black pin-stripe running down the centre. The green represents the Islands of the United Kingdom, the orange represents enemy attacks, and the black represents the black outs. The medal is housed in a small cardboard box. There is a loose leaf of paper with the medal which conveys salutations.Front of the box: (in black) stamp O.H.M.S. / circular stamp with English crown : OFFICIAL PAID Typewritten in blue ink: Mr. C. Page/50 High Street/Woolton/LIVERPOOL Back of the box: printed in black ink: If undelivered, return to/Defence Medal/Central Index/Home Office/Whitehall/S.W.Icharles page, medal, defence medal

Donated by the estate of Mr Charles Page. Charles worked in the Merchant service. After enforced retirement due to injury he was active in Civil Defence and StJohn's ambulance service.Cast alloy metal medals (gold coloured) of complex shapes, consisting of 4 pieces, 1 larger and 3 smaller, connected together in a ladder formation by small linking rings. Two pieces (the larger piece and one of the smaller pieces) have been electro-plated and are silver coloured. The main medal reads "The St John Ambulance Association". Each of the smaller pieces has a year printed on it - these cover the years 1941-1943 On the back of the main medal: "484333 Charles Page". Each of the 3 smaller medals: "484333"charles page, medal, ambulance

Charles worked in the Merchant service. After enforced retirement due to injury he was active in Civil Defence. Donated by the estate of Mr Charles Page. Commemorative cast alloy/silver-coloured oval medal with attached ribbon and pin. One side of medal depicts profile of QEII, while the other side depicts three shields with acorns. The medal is housed in a small blue velvet lined case.On box: "Civil Defence Long Service Medal"charles page, medal, civil defence

Brown suede album with painted North American Indian portraitcharles page, seafarers, sailors, seamen

Black and white photograph of seaman in attire sitting on funnels on the deck of a shipseamen, boatdecks, peaked caps, charles page

Pale blue cover with an anchor and buoy design on cover.non-fictionprayer book, seafarers, apostolatus maris, apostleship of the sea, catholic church, stella maris, pat dann, hastings mission, welfare

Blue cover with image of a ship. xvi, 202 p. ; 22 cm.non-fictionfishermen, christian missions, pat dann, hastings mission

Knitting stand at Hastings Mission to SeamenAn example of the many ways in which knitting was a key way of providing support for seafarers either by making directly useful gifts such as beanies socks and mittens or as a means of fundraising for Missions.knitting, hastings mission, keith dann, pat dann

Opened by His Excellency Sir Eric Neal AC CVO on 30 September 2001, the Memorial is located in City Park, Port Pirie, South Australia. The monument commemorates those who were lost at sea while serving with the Merchant Navy. Mr Noel Smith, a resident of Port Pirie, former Merchant Navy seaman and Port Pirie tugboat officer designed the memorial, found the anchor located on the top of the memorial during a dredging operation in a creek near the Nystar plant and wrote the poem inscribed on the main plaque. Front Inscription Lost Ones They live in the curl of the breaking wave, They sing when the sea winds blow, They lay not confined in a land locked grave, Nor in dim dark depths below. Do you hear them laugh in the rippling tide, Call free in the ocean breeze ? Do you see them soar where great gulls glide At peace with the fearsome seas ? They live still in the hearts of those who wait Held strong in the bonds of love 'Til their souls unite and congregate In God`s great harbour above. Noel Smith Merchant Seaman For those who were lost to the depths of the sea Emma Hindmarsh Left Side Inscription Memorial unveiled by His Excellency Sir Eric Neal AC CVO Governor of South Australia and His Worship the Mayor Ken Madigan Port Pirie Regional Council Memorial blessed and consecrated by Right Reverend Garry Weatherill Bishop of Willochra 30 September 2001Colour photograph of the memorial made of an anchor on a bricks and stones base with a black marble plaque titled The Lost Ones. The logo of the Merchant Navy, MN, on the top left corner of the plaque.merchant navy, mn, port pirie, memorial

A4 page printed in black inkpat dann, keith dann, hastings mission

flag (item 2002)hastings mission, keith dann, pat dann, ships, captains, flying angel flag

fjb, david conolly

See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings

Under the cup: elephant design suggesting Indian maker, C.J.A (name of silver maker), BMPS (date made), Made in England

Appears to have arrived with immigrants, the Bartletts who first landed in Sydney and then travelled to Sandridge and paid the sum of 62 pounds to be landed onshore via a rowboat in 1852.Research in progress Large and heavy Old and New Testament family devotional bible with handwritten calligraphic page recording provenance inscription and annotations'Black cover with lthographed illustrations see condition report below.bartlett family, migrants, bibles, frank james bartlett, arundel, st andrew chapel, port melbourne, seamen's mission, mission to seamen, sandridge

Reverend Howard Sinclair Bailey and his wife left the South Shields Seamen's Mission, England, to work in Melbourne to replace Reverend John Reginald Weller who had left in January 1929 to work as Superintendant in London. Reverend Bailey arrived in May 1929 on the ship Cathay. He had been working in South Shields for two years. During WWI, he was on active service with the Australian troops in Egypt and Palestine. The article was found loose in the fan album dating 1928.The article relates to one of the chaplains who have worked at the Melbourne Mission.Newspaper article with photographreverend howard sinclair bailey, south shields, england, 1929

Article with photographpadre frank leslie oliver, pulpit, st peter chapel, 1950

The Chapel of Saint Peter was dedicated on September 6, 1917 by His Grace the Archbishop of Melbourne. The total sum necessary for the construction of the chapel was collected by the L.H.L.G and the chapel stands as a tribute to the honoured memory of the officers and men of the Mercantile Marine who lost their lives in the Great War. Note that the building was erected to commemorate fallen Mercantile Marines in the Great War before the war was concluded. This shows that the war and death toll thus far was significant enough at this point that it was having a serious impact on Australian society. Highly significant as the identifier of the raison d'etre for the chapel building and the massive fundraising effort made by the Ladies Harbour Lights Guild to fund the building prior to the end of the Great War.Large rectangular engraved brass plaqueMEMORIAL CHAPEL OF SAINT PETER / THIS CHAPEL WAS BUILT WITH FUNDS / COLLECTED BY THE LADIES HARBOUR LIGHTS GUILD/ TO THE GLORY OF GOD / AND TO THE COMMEMORATE THE/ BRAVE AND FAITHFUL MEN / OF THE MERCANTILE MARINE WHO/ GAVE THEIR LIVES IN THE/GREAT WAR / THEY ARE TOO NEAR TO BE GREAT / BUT OUR CHIDREN SHALL UNDERSTAND/ WHEN AND HOW OUR FATE/ WAS CHANGED AND BY WHOSE HAND/ ERECTED 1917 At the bottom manufacturer's name and address: P.J. King / 175 Collins Stmemorial, memorial chapel, wwi, first world war, great war, 1917, lhlg, merchant navy, mercantile marine, st peter chapel, walter richmond butler, p.j.king engraver

For Trafalgar Day, 20 October 1914, the Archbishop of Canterbury in England had "drawn up a new form of private prayer to be offered up specially for the sailors of the Fleets in the present crisis. He suggested its use particularly at noon as a silent prayer, when those at work may be reminded by the ringing of the " Angelus" bell to lift up their hearts to the Lord. The prayer was as follow: "O Thou that slumberest not nor sleepest, protect, we pray Thee, our sailors from the hidden perils of the sea, from the snares and assaults of the enemy. In the anxious hours of waiting, steady and support those on whom the burdens of responsibility lies heavily, and grant that in dangers often, watching often, in weariness often, they may serve Thee with a quiet mind, through Jesus Christ our Lord. Amen.” The prayer illustrated by English artist G.M. Langley became popular. Prints were sold as gift for 7/9 each with an oak frame. As mentioned in the ' Quarterly Jottings from our log" no 47 midwinter 1917: the etching was gifted to the Mission for display in the new Chapel by the Godfrey sisters. The frame was gifted by their cousin's wife, Mrs William Scott Purves Godfrey ( ' Quarterly Jottings from our log" no 48 Michaelmas 1917).The print was gifted by the Misses Godfrey, influential and long term members and supporters of the Ladies Harbour Light Guild. At the time of the completion of the St Peter's Chapel in September 1917, it was dedicated to the memory of all merchant seamen serving in the long war. The print subject, of the sailor guarded by Jesus was no doubt intended to inspire faith and hope but also acknowledges and reflects the anxious days of waiting not only of the sailors and seafarers negotiating the dangerous waters and oceans but also the challenge for families, experiencing the widespread anxieties of a world at war. Wood framed and glazed engraved print of Jesus Christ with sailor in the foreground and printed inscription on mount belowSignature of artist lower left of print.: G M Langley Printed on mount at lower right: "In the Anxious hours of waiting"g.m. langley, prints, engravings, merchant seamen, seafarers, ww1, godfrey family, ethel augusta godfrey, frederica godfrey, first world war, great war, mrs william scott purves godfrey, rica godfrey, rita godfrey, artwork-paintings

The quote is by English poet Thomas Jordan (c. 1612–1685).Print in black ink on white cardboard frame and black wooden frame depicting a ship Our God and the Sailor we adore in time of danger, not before The danger past both are required God is forgotten, the Sailor slighted.ship, god, sailor, artwork-paintings, sea

MedievalismMedieval type illumination framed in wood painted blueBotton left corner: Charles Terry, Printer, 183 and 184, High Holborn, London, W.C. Bottom right corner: Sunday School Union, 56, Old Baily, London.illumination, religion, artwork, artwork-paintings, sunday school union, old bailey, london, charles terry