Bottle clear glass with screw lid "Melanyl" Inventors and Manufacturers Cooper, Dennison and Walkden Ltd. English dye in. Also 2 nibs and wood pen body. Bottle etc all container in cardboard box with sliding sleeve. Small pen with nib corroded, plus spare nib - inscribed "Hinks.Wells & Co "Flexor Pen" England 1884F.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Black and white photograph of Members of the Hogan family - originally from Kurting, Victoria. Standing left to right: Bess Gervasoni (Hogan), Tess Dyer (Hogan), Elizabeth Hogan (O'Toole and mother of the clan), Jack Hogan (groom), Kathleen Raven (Hogan), Win Game (Hogan). Front left to right: John Hogan Gervasoni (Son of Bess) and Ray Hogan. john hogan gervasoni, bess gervasoni, win game, ray hogan

Hand spun, hand dyed, hand woven and hand sewn suit which won best garment in the 1987 Geelong show. Size 12 in a design by Chanel. It was spun with variegated natural greys on a Sheridan horizontal spinning wheel. It was then dyed pink using natural dyes. The jacket had commercially brought warp and hand spun weft in twill on a 24” loom. All spinning, dyeing and weaving was by Jean Inglis of Geelong. The suit was sewn by Caroline Mogic of Geelong, with iron on interfacing, commercially brought trim. It was worn only once in the parade at the Geelong show. The pink suit jacket has four pockets with gold buttons on front, size 12. The jacket has a checker-plate pattern in which the predominate pink is always present and is accompanied in areas which have grey or white showing through the pink. This checker plate pattern continues down the sleeves of the jacket. The edge of the jacket has a lighter pink trim. A pink skirt accompanies the suit jacket. It has horizontal lines with pink as the predominate colour and areas of grey and white showing through in sections. geelong show, hand spun, hand dyed, hand woven, hand sewn, channel

Possibly acquired because of a connection to rural life and the Irish immigrants settled in the Ballarat District. Harry and Edith Holmes visited this area with my mother, their daughter M. Elizabeth in the early 1950s. [Jane Dyer 2024]A town is surrounded by green fields and trees. A mountain is evident in the backgroundchatham-holmes family collection, enniskerry, wicklow, ireland, postcard

Possibly acquired because of a connection to rural life and the Irish immigrants settled in the Ballarat District. Harry and Edith Holmes visited this area with my mother, their daughter M. Elizabeth in the early 1950s. [Jane Dyer 2024]An abbey is surrounded by trees with a lake in the foreground.chatham-holmes family collection, kylemore abbey, connemara, galway, ireland

Murray Comrie Collection.Monochrome photograph of students at Tarnagulla State School, assemble for a group photo. Undated but probably around 1910. Copy of an original photograph, copy probably made in the 1980s-1990s. Same photograph is published on Tarnagulla History page at: http://www.tarnagulla.com/photogallery/gallery3/index.php/School-and-social-Groups/school/school_children with the following names given: Back row: Vera Aspinal, Beatrice Taylor, Evelyn Davies, Kate Lynch, Ettie Whimpey, Lelie Allen, Janie Cox. Fourth row: Myrtle Sheldon, Grace Hayes, Fanny Page, ____ Wilson, Norma Aspinal, Esther Laidlaw, Olive Radnell, Jessie May. Third row (widest): Maude Foers (?), Maria Jago, Daisy Cox, Lena Fitzgerald, Florrie Ousley, Olly Williamson, _______Hennessy, Gertie Jenkins, Addie Radnell, ______ _______ , _____Wilson, Katie Lyndon, _____Pallot, Lila Smith, Bessie Clark. Second row: Kate Green, Maggie Dyer, Myrtle Dyer, Elsie Williams, Grace Langon, Sophia Hayes, Violet Dyer, Amy Smith, ______ ______, Polly Franklin, May Barton, Winnie Runting, May Duggan. First/front row: _______ Wilson, Gwen Williams, Elsie Hatt, Doris Hatt, Florrie Cousins, ________ Wilson, Prudy Clark, Eva Poole, Renie Radnell. tarnagulla, school, education, teachers, students, children, aspinal, taylor, davies, lynch, whimpey, allen, cox, sheldon, hayes, page, wilson, laidlaw, radnell, may, foers, jago, fitzgerald, ousley, williamson, hennessy, jenkins, lyndon, pallot, smith, clark, green, dyer, williams, langon, franklin, barton, runting, duggan, hatt, cousine, poole

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - TEXTILE, DYE, COLOURED CRAYON ON COATED PAPER. DEPICTS IN DARK BROWN COLOURS WITH SMALL ACCENTS OF PALE BLUE, RED AND YELLOW - BELOW HORSE. VISIBLE IN PAINTING IS A SOLDIER, HORSE AND GUN CARRIAGE. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print; "SIDNEY NOLAN (1917 - 1992) Gallipoli soldier, horse and gun carriage 1961". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period. 252 drawings and painting.framed accessories, prints, ww1, gallipoli, centenary

Commemorative medal. White Metal. Celebrating the centenary of the Church Missionary Society in 1899. Dyes by Allan Wyon. On the front of the medal is a low relief of a missionary preaching to diverse races. On the reverse is explanatory text including in the centre ‘Church Missionary Society Centenary 1799-1899'. Around the edge of the reverse are the words ‘The Lord Hath Done Great Things for Us Whereof We Are Glad’. church missionary society - commemorations, commemorative medals

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments. The photographs were taken inside Villawoods own knitting mill, in the dye house, the spinning department and the winding and knot detecting rooms.BOOK 90 / LADY'S DESIGNS IN / 8 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history textile mills, villawood textile company, knitting, handicrafts - history, textile mills

J. Dyson & Co was a company manufacturing scouring and dyeing vats during the first half of the twentieth century. The company continued to operate into the 1980s. J. Dyson & Sons company relates to Scouring Bowl W468 and Skin Press W1993 in NWM Collection.Metal sign with embossed lettering and four screw holes. J. DYSON & SONS. PTY. LTD. / GEELONG / VICTORIA . AUSTscouring, dyeing, j dyson & co, skin press, wool, industry, geelong

BHS CollectionJohn Mason Shoe Repairs Advertising Match book: White card with black print with grey sandpaper at the bottom for striking the matches. Printed on the front * John Mason Shoe Repairs, 14-15 Dispensary Walk Bendigo, 436676. At the top is * We aim to Please*. On the back * Coloured Laces * Shoe Polishes and colour changes * Sprays * Leather dyes * Insoles. A metal staple is used to attach. Box 625Contents 20 Made in Australia By Hanna Match.ephemera, mementoes, advertising, john mason shoe repairs. dispensary walk.

The Royal Archer Hotel in Koroit Street between Kepler and Liebig Streets was opened in 1894 and closed in 1969. Frederick Viney was the licensee from 1894 to 1910. He had previously run a dyeing business in Timor Street in the 1870s and was a well known musician in town.These whisky bottle labels are from the Royal Archer Hotel, the second of that name in Warrnambool and are of some importance..1White rectangular label with red text and a gold border. .2 White rectangular label with blue text and a gold border adhered to a piece of white card .3 Identical to .2 but not adhered .4 Identical to .2 .5 Identical to .2 but adhered to a piece of white paper. The bottom right hand corner has been torn off..1,. F.VINEY'S Royal Archer Blend WHISKY .2,.3,.4,.5 Royal Archer BLEND WHISKY BOTTLED BY F. VINEY, ROYAL ARCHER HOTEL,WARRNAMBOOL ( Note .4 has a pencilled 'D' on the front.) royal archer hotel, frederick viney, whisky

Hat was purchased from Myers Geelong by Jean Inglis for use in the Royal Melbourne Sheep Show 1988. Jean made the blue patches which are attached to the hat. They are hand spun, woven and dyed by Jean in Geelong, with the dyeing done in Drysdale. Earliest Date: 1988Cream colouored wool hat with navy blue patterned patches affixed. Two labels on inside "Bermona / Trend / LONDON" and another warning not to wear in the rain.jean inglis, royal melbourne sheep show

Demonstrates the way the SEC advised passengers in Ballarat and Bendigo how the fare and charges systems worked and yielded information about the fare charges in force at the time. A copy was provided in each tram behind framed glass.Dye line print of a drawing showing Bendigo Tramways (SEC) Fares, Charges, and Section Map. Also gives charges for Scholar's Monthly tickets, Luggage, Parcels, Newspapers and Chartered trams. Dated August 1966 Fares only in decimal currency. Titled - "Schedule of Fares and Charges - 1 September 1966". Shows offices as Dispensary Walk. For map - see bgofsmap.jpg and for actual fare tables, btm1733i1.jpg and btm1733i2.jpg."BTPS" in blue ink on reartrams, tramways, bendigo, fares, sections, map

Demonstrates the way the SEC advised passengers in Ballarat and Bendigo how the fare and charges systems worked and yielded information about the fare charges in force at the time. A copy was provided in each tram behind framed glass.Dye line print of a drawing showing Bendigo Tramways (SEC) Fares, Charges, and Section Map. Drawing No. VX1/130/1 Also gives charges for Scholar's Monthly tickets, Luggage, Parcels, Newspapers and Chartered trams. Dated January 1969. Titled - "Schedule of Fares and Charges - 26 January 1969". Shows offices as Dispensary Walk. For map - see bgofsmap.jpg and for actual fare tables, btm1734i1.jpg and btm1734i2.jpg."BTPS" in blue ink on reartrams, tramways, bendigo, fares, sections, map

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments. The photographs were taken inside Villawoods own knitting mill, in the dye house, the spinning department and the winding and knot detecting rooms. The mill manager, Stanley Harrison, can be seen on the back cover.BOOK 91 / LADY'S DESIGNS IN / 12 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history textile mills, villawood textile company, knitting, handicrafts - history, textile mills

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly

This Tapa cloth was presented to the Bishop of Ballarat as head of the Oceanic Bishops' gathering in the 1980s. The Tapa or bark cloth is prepared from the bark of a tree, beaten flat and glued with a native plant. It is then printed with earth dyes and sap from a Koka or candlenut tree. The design is printed by hand and the cloth used, in this case for ceremonial and presentation purposes.tapa, oceania bishops, fiji

Photograph of a Geelong Birney tram in Ryrie St. Note the large bag the conductor is carrying around his shoulder, and who is speaking to two people. Tram has the destination of Eastern Park. Behind is the Mayfair School of Dancing, Gurr Frier & Collins Auctioneer, and a shop showing it as Agents for Tri-Cleaning and Art Dyers. Photo c1940.Yields information about the Geelong Birney trams and their use.Black and white photograph printed on plain paper.tramcars, geelong, birney tramcars, ryrie st, conductors, eastern park

This collection of 17 photos was most likely taken in Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, c1970s. Although these photos are not annotated most personnel are positively identified. Some photos are cropped enlargements of previous photos. See item 6060.8P for more information and photos of platemaking. There is more information on the Ultra-MAN-III, Komoni and Planeta Printing Presses on pages 71 and 120 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. For additional photos, refer to item 6062.4P for the Heidelberg press, item 6063.5P for the Komori press, item 6064.9P for the Planeta press and item 6065.10P for Ultra-MAN-III presses. In photos .11P to .14P the technician is applying a UV-sensitive pigmented dye emulating one of the map print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. .12P and .14P are enlargements of previous photos. See item 6059.4P for more information and photos on the map proof making process. The Krause Wohlenberg operated by George Austen in photo .17P was a heavy-duty guillotine to trim bulk printed map stock in the c1970s and c1980s. See item 6069.6P for more information and photos of guillotine equipment.This is a set of 17 photographs of Print Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, Preparing printing plate, SGT Alvan Howard. .2) to.3) - Photo, black & white, c1970s, Preparing printing plate, unidentified technician. .4) - Photo, black & white, 1979, Planeta Polygraph Printing Press., L to R: SPR Peter Breukel, CPL Lance Strudwick. .5) - Photo, black & white, c1970s, Ultra-MAN-III Printing Press. .6) and .7) - Photo, black & white, c1970s, Ultra-MAN-III Printing Press, unidentified technician. .8) - Photo, black & white, c1970s, Newkoni Komori Printing Press, unidentified technician. .9) - Photo, black & white, c1970s, Original Heidelberg Printing Press, unidentified technician. .10) - Photo, black & white, c1970s, MANN flatbed proof press, unidentified technician. .11) to .14) - Photo, black & white, c1970s, applying dye to a whirl-on proof, unidentified technician. .15) and .16) - Photo, black & white, c1970s, applying diazo coat to a scribe sheet, CPL Colin Hardisty. .17) - Photo, black & white, c1970s, Krause Wohlenberg heavy-duty paper guillotine, George Austen.No personnel are annotated. .2P annotated ‘completed development on a negative working plate.’ .3P annotated ‘a wipe-on plate.’ .4P annotated ‘1979’. .12P annotated ‘Re-coating a proof with the next wanted colour on the vertical whirler.’ .13P annotated ‘has hardened (retained) area required. Done on a vertical whirler.’ .15P and .16P annotated ‘Preparing a sheet of scribe material with a Diazo (light sensitive) coating.’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, printing, litho

Rose Series postcard No. P 1704 titled "Elizabeth Street Melbourne", looking south from the Post Office steps, just north of Bourke St. Has three cable trams in the view, along with the State Savings Bank Building, Flinders Street Railway Station building, adverts for Tintex Dye, Carlton draught beer and R W Rab.Yields information about Elizabeth St, c1930Postcard - printed real photograph with Rose Stereograph Co. name on the rear.On rear in pencil "KM-M-079" and a Ken Magor stamp.trams, tramways, flinders st station, cable trams, elizabeth st

Ribbon is for Efficiency Decoration.1. Battle dress woollen jacket. Khaki colour. Captain's Pips on epaulettes. Royal Australian Ordinance Corps shoulder flashes. Green and Yellow service ribbon above left pocket. 2. Trousers, Khaki. 3. Shirt Polyester, khaki, short sleeved. 4. Tie, Khaki, cotton/polyester. Has had an 'Ad Hoc" modification to stay knotted. Elastic under shirt collar. 5. Belt, black. Brass fittings inside still has signs of a green dye.post ww2, army uniform, passchendaele barracks trust

Nyuwara Tapaya (5 August 1971-c2005) Born Ernabella, South Australia Pitjantjatjara speaker Nyuwara Tapaya had distinguished career in print media and textiles (batik). She trained at Ernabella Arts and studied dye technique in Indonesia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition lithograph print. If you can provide information on this artist or artwork please use the comment box below.Edition 11/17art, artwork, nyuwara tapaya, printmaking, ernabella

Probably taken at a Holmes family property: "Launchley' or 'Sauchieburn" at Ascot, Ballarat District or "Launchley Park", Derrinallum in the Western District. The latter property was a property Harry and Edith Holmes purchased in 1938 on the return of their eldest son, John Henry [Jack], from WW2. David looks to be wearing his St Patrick's Christian Brother College, Ballarat school uniform. [Jane Dyer, May 2024]Photograph of three children. L- R Mary Elizabeth Holmes, ? [ nephew David Smerdon Holmes] and ? [ brother David Coghill Holmes]chatham-holmes collection, mary elizabeth holmes, ww2, derrinallum, ascot victoria

Book. ALEC H CHISHOLM COLLECTION. 316 page hardcover book of a collection of fishing stories by various authors, Australian and overseas, with drawings by Australian cartoonists and B & W photos of fish. Published in 1966 by Lansdowne Press, Melbourne and printed by the Speciality Press, Clayton, Victoria. Contributors include - Bob Dyer, Arthur Upfield, Russell Drysdale, Zane Grey, Nino Culotta, Ion Idriess. Catalogue sticker ''2173 POL'' on spine. Handwritten in biro on flyleaf ''For Alec, with kind regards, Jack Pollard''.Jack Pollardbooks, collections, fishing, alec h chisholm collection, fishing, angling, jack pollard, australian authors

Knitting by Joyce Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting by Joyce Hucker.knitting, hucker, mrs joyce