This gentleman’s white silk handkerchief once belonged to Mrs W N Barnard of Portland, c. 1910.This silk handkerchief is representative of gentleman's fashion in the 1910s.Gentleman's square cream coloured silk handkerchief, handmade, with wide hem around the edges. Circa 1910flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, gentleman’s handkerchief c. 1910, gentleman’s silk handkerchief c. 1910, gentleman’s fashion c 1910, silk handerchief

This cream coloured length of silk ribbon once belonged to Mrs W N Barnard of Portland, c. 1910.Length of cream coloured silk ribbon with woven pattern throughout, circa 1910.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, fashion accessory silk ribbon, hair accessory silk ribbon, silk ribbon c. 1910

A pair of women's short boots, black & white lace-up style. Brand T. Jerome.Stamped into leather "T. Jerome'flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, short boots, ladies boots, ladies footwear, ladies clothing accessories, ladies fashion, women's footwear, women's boots

A fob watch is an instrument for measuring time. It is designed to hang from a chain that is attached to a wearer's waistband or waistcoat. The chain keeps the fob watch from being dropped or falling out of a pocket. A person possessing a fob watch or similar instrument in the 18th century would be viewed as someone in a good financial position and often a position of power or respect. It was a social statement as well as a useful object.Silver pocket watch and brass iron winder. Watch has Roman numerals on face and gold flower, floral and diamond shaped motif. Marked "0.800 x/5 115/15 39443" Picture of a bird, flying, griping a painter's pallet and brushes and another separate picture of a bird. There is also a floral pattern on the back of the watch. The winder has a number "6" or "9" on one face and a symbol similar to the "Star of David" on the other.Marked "0.800 x/5 115/15 39443" . The winder has a number "6" or "9" on one face and a symbol similar to the "Star of David" on the other.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pocket watch, watch, horology, time keeper, fashion accessory

In the 19thC and early 20thC men often wore their shirts for a week or more. However the collars were detachable so that they could be changed when they became dirty or for special occasions eg Church on Sundays Collar studs were used to attach the collar to the shirt. The leather box was used for storage and when travelling. The collars were very stiffly starched so as to maintain their shape.The Blackburn family were early settlers in Moorabbin Shire4 x mens white, stiffly starched, detachable collars and 2 x brass studs with the leather box used for storage and transport of these items. Each collar has 3 button holes - 2 at neck and 1 centre back for attachment to the shirt. The Leather box has saddle stitching and a strap with a metal buckle for securingInside collar : a) Radiac / 0 2639 - 16 / ALL COTTON / MADE IN IRELAND; b) LAUNDRY / FOR BEST RESULT DIP / IN THIN COOKED STARCH/ Semi / 161/2 ; c) nil d) nilmenswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners

c1900 These white metal buttons could be attached to a dress or jacket to possibly match or enhance decorative silver, pewter or brass buckles that were attached by ribbons or straps to plain shoes for evening and special occasions . These buttons were worn by a lady in the family of Ailsa Hunt in Moorabbin Shire These decorative white metal buttons were a common accessory for early settler women in Moorabbin Shire c19006x square white metal buttons with filigree design and attachment loop at backdetachable silver buttons, footwear, shoes, buckles, clothing, silver, pewter, brass, white metal, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver, pewter or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by the a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x rectangular white metal buckles with floral filigreefootwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver, pewter or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by the a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x oval metal buckles filigree wheat sheathesOn crossbar back : MADE IN FRANCEfootwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver, pewter or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x fan shaped gold metal filigree buckles with claspfootwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver, pewter, gold plated or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . These buckles were worn by a lady in the family of Ailsa Hunt in Moorabbin ShireThese decorative shoe buckles were a common accessory for early settler women in Moorabbin Shire c19002 x fan shaped gold metal buckles joined by a clasp and with 2 bars at back footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver 'pill boxes' were popular accessories carried in a small purse by women for evening and special occasions . This 'pill box' was used by a lady in the family of Ailsa Hunt in Moorabbin SSmall decorative silver pill boxes were a common accessory for early settler women in Moorabbin Shire c1900A small rectangular white metal pill box with gold lining, a hinged lid and snap lock machined pattern on lid with beading on edgeclothing, pill boxes, silver, pewter, brass, evening bags, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

c1900 Decorative silver, pewter or brass buckles were attached by ribbons or straps to plain shoes for evening and special occasions . This buckle was worn by a lady in the family of Ailsa Hunt in Moorabbin ShireThis decorative shoe buckle was a common accessory for early settler women in Moorabbin Shire c1900 An oval white metal shoe buckle with filigree and 2x central square spaces bridged by a bar Bridging bar : Made in Francefootwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, market gardeners, early settlers, moorabbin shire, bentleigh, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strapA lady's beige, beaded, silk lined, evening bag with press stud fastenerevening wear, purses, personal effects, handbags, fashion, needlework, craftwork, dressmaking, moorabbin, brighton, early settlers, pioneers, cheltenham

Laura and Bernard Ashley began printing fabric in their London kitchen in 1953. Commencing with head scarves and place-mats they gradually developed table-ware and bed sheets. In 1960 they entered the Fashion world with blouses and smocks . The ‘swinging sixties’ saw them in great demand for the feminine florals and flounces of the ‘maxi’ fashions and they opened in smart South Kensington, London. In 1970 they opened franchises in Australia, Canada, Japan, San Francisco that sold their range of fabrics, dresses and accessories. In 1980 home furnishings were added to the range. Laura died in an accident 1985, Bernard retired in1993 and the company is now Public Listed on Stock Exchange.‘Laura Ashley’ clothing, fabric and accessories were very popular in Melbourne in 1970’s.A lady’s white cotton half petticoat with crocheted flounce, Laura Ashley Pty Ltdclothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, craftwork, textiles, laura ashley

Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

Women wear rings to denote their marital status or as a fashion statement. They may be small or large, valuable or costume, or part of the overall accessories to accompany their outfit. Some stones have significance or may have sentimental attraction.A small gold ring that is typical of the jewellery worn by early settler women in Moorabbin Shire c1900A small gold ring with a blue stone in an original paper mache box c1900jewellery, costume jewellery, early settlers, moorabbin shire, bentleigh, mckinnon, ormond, cheltenham,

A programme on cream paper with burgundy print. On the front cover is a picture of a bride and the words, 'Mannequin Parade Programme arranged by Bendigo Base Hospital. Frocking by Courtesy of G. Best & Co. Pty. Ltd. Accessories by Courtesy of FK'S Salon (Mr. F.K. Leech) Wednesday and Thursday. August 20th, 21st, 1952 Programme, 6d. Proceeds Bendigo Base Hospital.' Inside the cover is the program and sponsor acknowledgements. On the back cover is a list of the mannequins, the names of the compares - Margaret Meagher and Des Nichols, and the provider of the music - Bob McGarity. Also on the back cover is a list of firms who helped sponsor the parade. W.A. Swift, Printer, Arcade, Bendigo.cottage, miners, mannequin parade, lydia chancellor, collection, fashion, costume, clothing, mannequin parade, parade, event, program, programme, bendigo base hospital

A paper fan with a person and flowers printed on it.costume accessories, fans, clothing accessories, lydia chancellor, collection, costume accessories, fan, objects, clothing, fashion

A WW1 Trenchart Brass letter opener, fashioned in the shape of a dagger, using a bullet as the handle with a military uniform button on the end and a Belgian coin in the centre. Button reads Australian Commonwealth ER V11, coin shows a Lion seated & reads L' Union Fait ?military, world war 1, trenchart

METAL HAT PIN WITH CUT GLASS DECORATION INSET ON EACH OF THE FLEUR DE LYS PATTERN AT EACH END OF THE PINNILpersonal adornment, fashion item

The stays were used as stiffening and for support in foundation wear and bodices in women's dresses (and waist bands).7 stays encassed in cotton with blue herringbone stitching used to fasten off each end. The stays are bundled together with white cotton thread.corsetry, foundation garments, fashion, clothing and dress, haberdashery, costume accessories, george evans collection

Ladies brown stockings, seamed, with fully fashioned heel and toe.costume accessories, female

Pair of cream fully fashioned stockings in fine lisle with double thickness in soles and tops and a fine centre back seam.costume accessories, female

Queen Alexandra and Queen Mary were photographed holding these fans.|In 'Feather Fans - Collectors Guide to Fans' by Susan Nayer - 'In1880 feather fans returned to fashion -- remained in use until 1930s at court presentations. Also known as Japanese Fans.`Women's fan. Blue and green peacock feathers in circle. Handle wrapped in blue ribbon. Used indoors beside the fire to protect a ladies complexions against the heat.costume accessories, female

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pair of black rubber overshoes, owned and worn by Dione McIntyre. The Flarta shoes protected vulnerable shoes from mud or rain. footwear, shoes, overshoes, flarta shoes, mcintyre collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian long black cotton skirt with a short pleated frill at the hemline. The skirt is lined with a thick brown cotton fabric. It is joined with steel hooks and eyes. The skirt is slightly longer at the back. The skirt was owned by one of the donor's maternal ancestors.australian fashion, women's clothing, skirts, outerwear, micky ashton

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black silk damask outfit comprising a flared skirt and a short bodice. The high necked bodice reflects changing fashions at the turn of the 20th Century in that the silk fabric on the bosom is lightly gathered. The sleeves are pleated at the elbow. The skirt is lined with a black cotton lining. The neckline of the bodice includes a narrow band of pale cream lace. The outfit was owned by one of the donor's maternal ancestors.women's clothing, australian fashion - 1890s, mourning wear, micky ashton

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Late Victorian black watered silk cape with a wide border of machine made lace. The cape is extensively adorned with beads of black jet. Two long pieces of black lace fall from the neck at centre front. The cape was owned by one of the donor's maternal ancestors.capes, australian fashion, women's clothing, victorian fashion