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Warrnambool and District Historical Society Inc.
Jodhpur, Riding Pants, Early 20th century
These riding pants belonged to Captain Charles Rogers of the Australian Army (Light Horse unit). He was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934 when, during the Victorian centenary celebrations, the Melbourne Shrine of Remembrance was opened. Charles Rogers was well-known in Warrnambool in the 1930s, 40s and 50s as a horseman and Army member. He was often seen on horseback leading parades and celebrations in the city and was a long-serving Warrnambool Agricultural Show official as a judge of equine events. He died in 1961. The drapery and clothing store of Cramond and Dickson was founded in Warrnambool by John Cramond and James Dickson in 1855 and was a prominent business in Warrnambool until its closure in 1973. A branch of the store was opened in London in the late 1860s and was managed for some years by James Dickson. These riding pants are of interest because they belonged to Captain Charles Rogers, a Victorian Light Horse Regiment member and a well-known horseman in Warrnambool. The item is also important because it came from the well-known Warrnambool store, Cramond & DicksonThese are khaki riding pants. The knees are reinforced with extra stitching and the back of the waist has two buttons on a raised section and four buttons on the waist itself for the attachment of braces. The front opening has five buttons and the garment has two deep side pockets. The top of the garment is lined inside with brown material. On the left leg is a machine-made patch to cover a worn section. Cramond & Dickson Warrnambool & London C. Rogers charles rogers, cramond & dickson stores, history of warrnambool, jodhpur, victorian light horse regiment -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
Shows field dress and webbing equipment worn in 1989. The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two soldiers of 8/13 Victorian Mounted Rifles cleaning the barrel of a 76mm gun on 76mm M113 Fire Support Vehicle. Corporal Marcos Ludeman at left. -
Kew Historical Society Inc
Journal, Kewriosity : October 1988
Before school care [East Kew Primary School] / p1. Children's Week in Kew / p1. New playgroup for Kew [Baptist Church Playgroup] / p1. Dates for October / p2. All the fun of the fair / p2. Commentary / Cr Allen Martin [Kew Conservation Study] / p3. Car cleaning made easy [Rotaract Club of Kew] / p3. Four year old kinder places [Glass Creek Kindergarten] / p3. [1989 Kew] Community Directory / p3. Notices / p4. Changes at East Kew Baptist Church [The Melbourne Chinese Baptist Church] / p4. Community assistance grants / p4. World Service Day for Kew Lioness Club / p4. Family Day Care / p4. Kew Living 1988 [Australian Bicentennial project] / p4. Let Sweden and France come to you [ASSE International Student Exchange] / p5. Light for sight [Villa Maria Society] / p5. Kew Community House / Judy Price p6. [Kew Citizens'] Band for Spring Racing Carnival / p6. Bicentennial Service for Kew / p6. Calling all bookworms [Holy Trinity Anglican Church] / p6. Music in the Round [MLC] / p6. Student Art Show [MLC] / p6. Amazing pipes '88! / p6. Motherhood's challenge [Kew Nursing Mothers] / Karina Buttner p7. Second holiday camp for Kew [Camp Windsor] / p7. Footy News [Kew Football Club] / p8. Cricket vacancies [Kew-Willsmere Cricket Club] / p8. Keeping you informed [Kew Citizens' Advice Bureau] / p8. Kew Bowls Season opens [Kew Bowling Club] / p8. We were wrong [Kew Football Club, Ray Martin] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionBefore school care [East Kew Primary School] / p1. Children's Week in Kew / p1. New playgroup for Kew [Baptist Church Playgroup] / p1. Dates for October / p2. All the fun of the fair / p2. Commentary / Cr Allen Martin [Kew Conservation Study] / p3. Car cleaning made easy [Rotaract Club of Kew] / p3. Four year old kinder places [Glass Creek Kindergarten] / p3. [1989 Kew] Community Directory / p3. Notices / p4. Changes at East Kew Baptist Church [The Melbourne Chinese Baptist Church] / p4. Community assistance grants / p4. World Service Day for Kew Lioness Club / p4. Family Day Care / p4. Kew Living 1988 [Australian Bicentennial project] / p4. Let Sweden and France come to you [ASSE International Student Exchange] / p5. Light for sight [Villa Maria Society] / p5. Kew Community House / Judy Price p6. [Kew Citizens'] Band for Spring Racing Carnival / p6. Bicentennial Service for Kew / p6. Calling all bookworms [Holy Trinity Anglican Church] / p6. Music in the Round [MLC] / p6. Student Art Show [MLC] / p6. Amazing pipes '88! / p6. Motherhood's challenge [Kew Nursing Mothers] / Karina Buttner p7. Second holiday camp for Kew [Camp Windsor] / p7. Footy News [Kew Football Club] / p8. Cricket vacancies [Kew-Willsmere Cricket Club] / p8. Keeping you informed [Kew Citizens' Advice Bureau] / p8. Kew Bowls Season opens [Kew Bowling Club] / p8. We were wrong [Kew Football Club, Ray Martin] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Wangaratta RSL Sub Branch
Memorabilia - Framed embroidered cloth
The embroideries were machine chained onto colourful cotton sateen (often mistakenly thought to be silk) and usually bear the words 'Souvenir of Egypt' and a year date. Most have a distinctly Egyptian flavour and show the pyramids, camels or date palms. Others show images associated with different armies (such as the Australian Rising Sun Badge, New Zealand General Service Badge or British unit badges) or nations (such as the Australian coat of arms). However, during WW2 they were usually embroidered on black velveteen and the variety of images was not as great as had been available during the First World War. These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message.Black and gold timber frame containing rectangular black cloth edged in light blue fringe. Machine embroidered on the cloth is image of rising sun badge with a camel and pyramids either side. Souvenir of Egypt 1941 Australian Commonwealth Military Forces1941, ww2, embroidered souvenir, egypt -
Anglesea and District Historical Society
Safety Matches, Bryant & May, "Tropical Greenlites", 1st half of 20th Century
... . The striking patch is on both sides of the cover. The red label shows.... The striking patch is on both sides of the cover. The red label shows ...A box of safety matches made by Bryant & May, Australia. The tray containing the matches slides inside the open-ended cover. The striking patch is on both sides of the cover. The red label shows a traffic light with the bottom light showing green. The box contains green-headed matches and appears to be complete.Front: TROPICAL / GREENLITES / SAFETY MATCHES / STRIKE IN ANY WEATHER / MADE IN AUSTRALIA. Red Label. Average contents 50 By Bryant & May.bryant & may, greenlites, safety matches -
8th/13th Victorian Mounted Rifles Regimental Collection
Document
Typed Administrative Instruction for A Squadron 8/13 VMR support to Corowa Bicentenial Show 27 - 28 February 1988. Current unit, Light Horse Troop and Historical Vehicle Club participated. Six pages including nominal roll. -
8th/13th Victorian Mounted Rifles Regimental Collection
Document - Instruction
Typed Administrative Instruction for A Squadron 8/13 VMR support to Corowa Bicentenial Show 27-28 February 1988. Current unit, light Horse Troop, and Historical Vehicle Club participated. Six pages including nominal roll.military, orders, vmr, heritage troop, corowa -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Anzac Day Corowa
*/13 Victorian Mounted Rifles provided catafalque parties and sentries to Anzac Day Services throughout the regimental district.Shows VMR soldiers taking part in community activityFour black and white photographs of Corowa Anzac Day Service, 1985.Catafalque Party drawn from " A "Squadron , 8/13 Victorian Mounted Rifles. At left Trooper Stevens. right Trooper M. Roberts.military, anzac day, corowa, vmr -
8th/13th Victorian Mounted Rifles Regimental Collection
Artwork, other - 20th LH trophy
Donated to the 8th/13th VMR Collection as part of a collection of regimental silver from the 20th Light Horse Regiment circa 1950. 20th Light Horse (Victorian Mounted Rifles) was raised following WWI as part of the 2nd Cavalry Brigade AMF. It had its HQ at Seymour and sub-units along the Goulburn Valley extending to Tocumwal in NSW. During WWII the regiment was motorised then served as infantry in Dutch New Guinea. It was the only light horse regiment to serve overseas in WWII.Is a representative example of a trophy from between the wars. The size, material and decoration show the relative affluence of the officers of a regiment from regional Victoria. The fact it carries no record of being awarded might indicate it dates from immediately prior to WWII when the regiment was mobilised and moved from its base area.Ornate silver cup with two handles intended for shooting competition in 20th Light Horse Regiment. There is no record of it being awarded."Field Firing Trophy / presented / by the Officers of the / 20th Australian Light Horse Regiment / Won by". Hallmarks on base and "8725 6PT"trophy, 20th light horse, cup -
National Communication Museum
Document - Telegram, 24/10/1934
This telegram was sent from the Royal Netherlands Airways, Sydney, to the manager of ABC Radio Station 2CO, Corowa, New South Wales. This telegram relates to the 1934 London to Melbourne Air Race. The telegram records the Royal Netherlands Airways' thanks to ABC Radio 2CO radio staff for their efforts in broadcasting an emergency message to the residents of Albury after the Dutch airliner ‘Uiver’ became lost at night in bad weather. As requested local radio listeners drove their cars to the Albury racecourse and illuminated an emergency landing ground using their vehicle headlights. This allowed the lost airliner to land safely.This item relates to the London to Melbourne Air Race of 1934, a significant event that shaped Australia's history as it proved travelling to and from Australia could be done within a reasonable time by air, thereby making the country less isolated. Up to that time Australia was three weeks away from Europe by steam ship. The Air Race was dreamt up by the Lord Mayor of Melbourne, Harold Smith, to commemorate the centenary of Victoria's statehood and was sponsored by the Melbourne chocolate manufacturer Sir MacPherson Robertson. The Royal Netherlands Airways entered a Douglas DC2 plane 'Uiver' - the largest aircraft in the race, and the only one to carry passengers as well as crew, to show that a commercial passenger service to Australia was possible. But in the last leg of the race, the Uiver lost its way in an electrical storm over the Riverina town of Albury. Several communication methods were used to land the plane safely, including the signalling of the word "Albury" in Morse code using the town's street lights. Local ABC Radio station 2CO also made a call for locals to light up a makeshift landing strip for the plane at the town's racecourse. The plane landed safely and the next morning with the help of the townspeople who pulled it out of the mud, took off and finished the race in second place. The story of the Uiver points to the importance of communication in its various forms: two-way and broadcast radio, Morse, and light signals. The survival of the Uiver is a reflection of the ingenuity of Australian communications and the solutions that can be found through the sharing of ideas of information. The landing of the Uiver was an important moment in Albury's social history, as residents participated in the rescue of the plane and its passengers, helping the Uiver to continue on its journey and finish second in the Race. When the Uiver crashed in the Syrian Desert in December 1934, Albury residents contributed to a memorial which honoured those who were killed. Beige paper telegram printed with black ink and overwritten with typewriter. Telegram split into sections designating details of the telegram, details of the recipient and a space for the transmitted message. A small section of paper is missing from bottom left corner."Extend to you my warmest appreciation for your most valuable / assistance rendered to Netherlands machine by continuously keeping your / wireless organisation available during a period of extremely difficult / air navigation stop I assure you that in Holland and in Java your action / is most deeply appreciated Bakker chief representative in Australia for / Royal Netherlands airways. / 6 18pm"telegrams, telegraphic messages, communications, radio, uiver, royal netherlands airways, albury, london to melbourne air race, morse code -
Kew Historical Society Inc
Photograph, Cast Members, Kew Presbyterian Church, 1925-1935
The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew.Members of the cast of a performance take a certain call at the end of a performance. The item was part of a group of photos relating to the Kew Presbyterian Church, so it may show a performance in which members of the church participated or led. The location of the performance is unclear; it might be at the Kew Recreation Centre or in the Kew Presbyterian Church Hall. Intriguingly, what look to be bunya bunya pines appear in the distance above the proscenium. The photograph was originally identified as possibly being the Kew Light Opera Company, however the photograph precedes its foundation. It is more likely to be a performance by a church group.cast photographs, theatre - melbourne -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard – Williamstown Botanic Gardens, c1900-1920
The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. This card is a rare image of the original aviary built in the Gardens in 1892. The card also demonstrates how postcards were used as a method of contact in contrast to the contemporary use as souvenirs. The writer of the card, Polly, is anxious to receive a return postcard from Lila, writing that a reply should be sent that night. A black and white scene of a curving path with a square looking building at the centre. The 1894 MMBW plan shows that the building was triangular. The building is solid at ground level with the appearance of long vertical columns. The roof is light coloured and hip shaped with a finial at the apex. There is a garden set in the lawn on the left side of the image, shrubs and a palm at the left front corner of the building and tall trees in the background. The building is an aviary, which was built in north east section of the Gardens during 1892. The date of its removal is unknown. Front: ‘GARDENS, WILLIAMSTOWN’. Reverse: Centre top: ‘Post Card’; Vertical on left side: ‘P. & W. Series’; Right side ‘Address Only’. The card is addressed to Lila of ‘Ferguson St, N Williamstown’ from Polly. In pencil ‘1908 or later’ (believed to be inserted by the vendor of the card).postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, garden-path, aviary, 1908 -
National Wool Museum
Textile - Parsons Rolled Oats Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
Nillumbik Shire Council
Painting: Penelope AITKEN (b.1967 Melb. AUS), Penelope Aitken, Mapping Mass & Void 10, 2008
Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015 -
Nillumbik Shire Council
Harris (Maureen) SMITH (b.AUS - active 80's), Evening Eltham, 1984
The painting was purchased from the Eltham Outdoor Art Show. Smith endeavours to capture mood, atmosphere and light in this work by heightening and intensifying the imagery where possible. Smith is concerned with expressing a 'sense of place' inherent in the subject matter. Painting of a landscape at dusk with dirt walking track and trees somewhere in Eltham. Oil on composition board. Moulded frame. Painted in the 'Western Realist Tradition'. Signed 'HARRIS SMITH/84' Hand painted in capitals in red paint; bottom right. eltham, painting, landscape, smith, evening -
Tatura Irrigation & Wartime Camps Museum
Booklet, Our Liverpool Boys
This publication presents the stories of soldiers who were born or bred in Liverpool and who have a strong connection with Liverpool.This edition was supported by the Australian Government's Anzac Centenary Arts and Culture Fund,the Liverpool City Council & My Library Liverpool.`Light olive cardboard cover with black printing "Our Liverpool Boys" on cover. Photo on cover shows six Liverpool boys titled "at ease at Liverpool Military Camp".33 pages. black & white/ sepia photos of the Liverpool BoysMessages. from Mayor of Liverpool Ned Mannoun, Sue Dredge, Heritage Collections Curator and Julie Senior, Family History Officer. Sepia photo of Liverpool Army Camp from the station courtesy of Liverpool Heritage Collectionliverpool boys -
Tatura Irrigation & Wartime Camps Museum
Banner, Afrika Korps Banner, 1941
Captain Robert Ure Bain was Adjutant to Lt. Col. Bush, POW Group Commandant from 1942 - 1947. He was chosen to be one of the Australian Army officers who escorted the German POW's back to Germany in January 1947. A German POW and former member of the Afrika Korps made the item and donated it to Robert.Afrika Korps banners, embroidered, one piece of material. Large hemmed square of white/ cream cotton material embroidered with two unfinished Afrika Korps banners. Line drawn around both, to indicate edge/cutting point/unfinished embroidery point. The photograph show banner 1 which has a palm tree & swastika (emblem of the Afrika Korps). Swastika has been left outlined in pencil but not embroidered, probably so as not to create trouble by displaying the now banned swastika: Banner 2 has red stylised German eagle over the number 8. Also in picture is a model of an aeroplane and a framed coat of arms with Braunschweig (a place in north west Germany otherwise known as Brunswick).Banner 1: Afrika Korps (pink lettering); 1941 (light blue lettering). Banner 2: Zullighau (brown/gold lettering); 4. KOMP / M. G. BATL. (green lettering). (Number 4 company of the Machine Gun Battalion); framed coat of arms "Braunschweig"afrika korps, internment camps, camp 13, garrison, military, handcrafts, embroidery, captain robert bain, german pow's -
Tatura Irrigation & Wartime Camps Museum
Model Hut, Camp Hut, 1990's
Made by former internment Camp internee Lothar Streker.Handmade model of typical camp hut with section of roof removed to show interior. Comprises 4 rooms with beds, bedroom furniture (suitcases, wardrobes, blankets, pillows, sheets). Has central light in each room. 2 windows in front wall, steps to entrance doors. Roof made with match sticks and covered with paper.model, hut, tatura, ww 2 camp, handcrafts, lothar streker -
Puffing Billy Railway
Peckett, 1711 Peckett Steam Locomotive, 1926
Steam Locomotive - 1711 Peckett “Sir John Grice” Date built - 1926 Locomotive type ; Cranmore Original owner - Metropolitan Gas Coy., West Melbourne Original gauge - 762mm Withdrawn - 1941 Next owner - Whistle Stop Amusement Park, Frankston Built in 1926 for the West Melbourne site of the Metropolitan Gas Company, and issued to traffic the same year this saddle tank locomotive was named “Sir John Grice” in 1928. It was withdrawn from traffic in 1941 and stored until sold privately in 1962. In 1965 it was sold again and went to the Whistle Stop Amusement Park in Frankston and again stored until bought at auction by the Puffing Billy Preservation Society in 1974 and put on static display in the Steam Museum. Restoration started in 1978 and it was returned to service in 1981 painted light green with yellow lining. It is temporarily renamed “Thomas the Tank Engine” with a fibreglass “Thomas” body cover each time it appears in the “Thomas the Tank Engine” shows at Gembrook station.Historic - Industrial Narrow Gauge Railway - Steam Locomotive used at the Metropolitan Gas Coy., West Melbourne, Victoria, AustraliaSteam Locomotive made of steel, wrought iron Peckettpeckett “sir john grice”, 1711 peckett, puffing billy, steam locomotive, industrial narrow gauge railway, metropolitan gas coy., west melbourne -
Port Fairy Historical Society Museum and Archives
Postcard, The Lighthouse, Port Fairy
Picture shows Lighthouse and the Lighthouse Keepers cottage. Hugh Haldane painted the lighthouse white so this photograph was taken after 1929Black and white photograph of the light house with the lighthouse keepers cottages in the backgroundThe Lighthouse, Port Fairy- V.6lighthouse, maritime safety, cottage -
Vision Australia
Administrative record - Text, 88th annual report 1894-1982 Braille and Talking Book Library, 1982
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: a rocking chair gifted to Alice McClelland on her 60th year of involvement, retirement of Merle Griffin, 'Please Touch' exhibition at National Gallery of Victoria, creation of the Benalla Studio - funded by the Benalla Auxiliary and able to accommodate 3-4 people in a session, Margaret Ingham appointed Children's Book Specialist, renaming of existing studios to R Graeme Orr Studios (to honour former President), Library Talk commended at Public Relations Awards given by Australian Library Promotions Council, thanks for Joyce Nicholson, Barrett Reid and Dr Stephen Murray-Smith as Award Selection Panel for Braille Book of the Year, need for newer building as Commercial Road premises are expensive to heat and light and all available space is occupied, book bounty scheme available for braille and audio books, Louis Braille Productions Ltd set up as a subsidary company, book reading broadcasts by ABC shows will be donated free of charge, inaugural children's catalogue of Braille books produced, resignations of Dr Simon Haskell and David Hume, appointment of Elaine Leahy and Norm Fidge, and death of Maxene Hewitt and establishment of children's book collection known as 'The Maxene Hewett Collection for Children' in her honour.1 volume of text and illustrationsbraille and talking book library, annual report -
National Wool Museum
Ribbon
... THE GREAT NORTHERN SHOW - ROCHESTER 1963 Champion LIGHT... Champion LIGHT STANDARD FEMALE Awarded at Agricultural show ...Awarded at Agricultural show.THE GREAT NORTHERN SHOW - ROCHESTER 1963 Champion LIGHT STANDARD FEMALEagricultural shows, rochester, victoria -
Stawell Historical Society Inc
Photograph, Diamond House
Diamond House Stawell. This unique house was built by John Hearne between 1866-1868 using white quartz stone gathered on Church Hill opposite. Mr. Hearne showed considerable skill and patience in construction as the stones had to be carefully cut & fitted into uniformity which has lasted 130 years. Its is said not a nail was used. It became the Diamond house restaurant in 1932. The photo was taken in 1903.Two Black & white photograph of Diamond House including neighboring houses. There is a light post on the left hand side and what appears to be a dirt road in front of the houses. Photo taken in 1903.stawell -
National Wool Museum
Photograph
Photograph was found by a friend of the donor. Rear of photo has a stamp for "Ritter-Jeppesen Studio, 111 Lonsdale Street Melbourne", which would indicate that it was made between 1940-1962. Image appears to be of staff working at mending tables in an unknown woollen mill.Black and white photo attached to a light brown backing board. Photo shows women seated at desks in an unknown woollen mill, presumably working on 'mending' cloth. Roof appears to have a sawtooth design. -
National Trust of Australia (Victoria)
Photograph, Drawing room, c1903
Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Drawing Room looking towards the north facing bay window.Stamped onto front left bottom corner of photograph: 'Johnstone & O'Shannessy/ & Co./ Propy. Ltd/ Collins St. Melb.' Written on photograph: 'DRAWING ROOM' rippon lea, sargood family -
National Trust of Australia (Victoria)
Photograph, Bedroom, c1903
Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Bedroom taken looking towards the west facing bay window.Written on photograph: 'BED ROOM' Written on front of mount: 'Rippon Lea' sargood family, rippon lea -
National Trust of Australia (Victoria)
Photograph, Drawing room, c1903
Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Sitting Room taken from the East wall.Stamped onto front left bottom corner of photograph: 'Johnstone & O'Shannessy/ & Co./ Propy. Ltd/ Collins St. Melb.' Written on photograph: 'SITTING ROOM' sargood family, rippon lea -
National Trust of Australia (Victoria)
Photograph, Dining room, c1903
Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Dining Room taken from the north-west corner. Photograph incorrectly identified as the Drawing Room by the photographic studio. Written on photograph: 'DRAWING ROOM' Stamped onto front left bottom corner of photograph: 'Johnstone & O'Shannessy/ & Co./ Propy. Ltd/ Collins St. Melb.' Written on verso of mount: 'Copy of this photograph. Rippon Lea pamphlet' sargood family, rippon lea -
Uniting Church Archives - Synod of Victoria
Badge
The logo of the Uniting Church in Australia (UCA) shows the cross of Jesus Christ, in its light and love, standing over a darkened world — redeeming it through grace and truth. By that cross people are bound to Christ and each other. The Holy Spirit, symbolised by the dove with the wings of flame, empowers and guides us to be witnesses to Jesus Christ. The wide U at the bottom points to the fact that we are uniting; as a semicircle it also reminds us that the renewing of both church and world are as yet incomplete.B051.1, B051.2 - Lapel badge or tie pin with Uniting Church in Australia logo at the centre. -
Hume City Civic Collection
Photograph - Train smash, 17th April 1919
17th April 1919 a stock train travelling north crashed head-on with a goods train coming in the opposite direction. The driver thought he had been given the all-clear to proceed into Sunbury and it was only when the train was approaching the Macedon Street bridge that he saw the red light and it was too late. The accident caused damage to rolling stack and disruption on the Bendigo and Maryborough lines. The train coming from Bendigo smashed onto the platform at Sunbury. The driver of the stock train was thrown under the van and suffered a broken arm and facial injuries. The fireman was thrown clear of the tracks. A local Sunbury doctor treated them before they were taken by a casualty train to hospital. A crew from Melbourne came to Sunbury to repair the damage. The track was cleared by that afternoon. This photograph shows the crane lifting steam engine off the platform at Sunbury Station. This rail crash was one of many that has occurred in and near Sunbury and further on the tracks on the Bendigo Line over the years. A black and white photograph with a cream border of a steam train engine on its side with a crane lifting it back onto the rails. Two workmen are standing by the tracks.train crashes, sunbury station