House provided by the community for Miss Hammarstrom and family after Mr Hammerstrom, a fisherman, was lost at sea in 1926. The Age newspaper collected 400 pounds in an appeal to support the family. House was originally timber clad.|Also one other colour photograph similar, side of building, fibro cladding and two brick chimneys.Colour photograph of a small fibro cement cottage. Corrugated iron gable roof, two substantial brick chimneys, at 43 Roadknight Street, Lakes Entrance Victoriacamping, houses, accommodation, heritage study

Message on back of card, to 'Misses M & A Henderson, Swan Reach, Just a line to wish ......, Yours sincerely, R J Gilsenan.'Black and white postcard of the man made entrance. It shows the works building and cottages on each side of the entrance, timber cribs and rock groynes at Bullock Island, natural vegetation of Jemmys Point in foreground. Lakes Entrance VictoriaLakes Entrance, Cunninghamboats and boating, public works, topography, waterways

Walter Seehusan, first art teacher at Bairnsdale School of Mines. Painting in possession of St Nicholas Anglican Church, Lakes Entrance, Victoria, bequeathed by Miss E L Phillips. Original painting 1890c.Colour photograph of a painting by W Seehusan of view from site of Kalimna Jetty towards Nungurner, showing mill workers cottages, jetty and steamers at Maringa Creek sawmill. Fisherman's cottage in right foreground, settlement at Maringa Creek, Gippsland Lakes, by mill workers and fishermen. Painting shows denuded cliffs and timber slide. Lakes Entrance Victoriawaterways, boats and boating

Lambie Cottage was an addition to St. Agnes Girls' Home, providing more modern accommodation.Development of St Agnes Girls' Home to accommodate additional children in a more modern setting.A b&w photograph of large room with single beds lined up along each wall, bathroom at the end of the room, timber floor.Copied with permission

This low-lying northern-most tip of Queenscliff saw its physical origins in 1863 with allotments let to a burgeoning fishing community previously accommodated on the site of the current railway station and whose construction in 1879 necessitated eviction. Among this community, Chinese fishermen are thought to be of the first international settlers. The success of the fishermen’s settlement was due in part to commercial trading prospects the railway afforded and the size of catch available to those fishing in Bass Strait. Salmon, snapper and particularly barracouta led to the success of the local industry.Original Fishermans Cottage previously located at Swan Bay end of Bridge Street Queenscliff. Timber - Weatherboardfishermen's cottage, fishermen's flat, queenscliff

This cottage was built about 1889 by Jabez Gunner. The family lived elswhere then returned to this home for many years until 1960s / 1970s.Colour photo taken from diagonally across the street of a single-fronted simple Victorian cottage. It is timber with a corrugated iron roof, canter-levered veranda and a single brick chimney. The veranda is unadorned and the fence is of simple post-and-rail construction.cottages, victorian style, croydon road, jabez gunner

The customs house located on the corner of Campbell and Gipps Streets next door to the Court housecoloured photograph of bluestone cottage with verandah and timber rail fencesouvenir, port-fairy, customs house, campbell street, gipps street

Chip carving was a popular hobby/pastime from the arts and crafts movement of the 1890s and remained a popular folk art until the 1920s.This is an example of a popular folk art hand-carved chair made in Australia in the early twentieth century.Hand-carved timber chair, by an unknown enthusiast in the Warrnambool area. Made using the 'chip carving' technique, with whorls and star design in relief on the seat. The timber finish has been given an ebonised tone. Chip carvings

19th century iron and nickel plated brass bed formerly in the Catholic Bishop's Palace Ballarat. Originally purchased for the palace in the 1870s and bought at auction to replace similar bedstead that was broken at Hymettus.A recorded piece with history of only two owners, marketed from Ballarat manufacturer and retailer Tunbridge & Sons in the late 19th century.Nickel plated iron & brass three quarter bed. Base stretcher stencil label of Tunbridge & Sons manufacturer Ballarat.On timber matress base/frame stamped Tunbridge & Sons Ballarat.bishops' palace, ballarat, bed, iron furniture,

The chair’s turned legs and bowed, spindle back are typical characteristics of the popular ‘Douglas’ chair, which descends from the long evolutionary line of ‘Windsor’ style cottage chairs. Also known as ‘Captains’ chairs, they were made on a large scale in England, America and Australia from around the 1860s in various timbers, with seats ranging from heavy pine to cane and in later models, plywood. Australiana expert, Peter Cuffley writes that they were just as much a part of Australia’s frontier experience as they were America’s; Holtermans’ 1872 photographs of the New South Wales gold towns show Douglas chairs, and they appear in illustrations of the exploits of the Kelly gang drawn in the late 1870s. Many Australians now are more likely to associate them with public offices and governments departments’. The chairs met the need for a degree of comfort and tough resilience under rough handling on hard floors. The Cape Nelson chair is known to have been used as a visitor’s chair, presumably in the head keeper’s office. No other examples of nineteenth century style chairs survive among the reliably provenanced furnishings in the five other lightstation collections. The chair complements the lightstation’s nineteenth century office desk and small number of other nineteenth century furnishings in the wider Parks Victoria lightstation collection, the majority of which are domestic items. The Douglas chair has first level contributory significance for its historical value and relative rarity as a lightstation office furnishing.The chair has turned legs and bowed, spindle back .

These flooring nails and lock came from a railway cottage at 2 Ethel Lane, Wodonga. One is a diamond-headed timber nail and the others are simple round headed nails. They were designed so the head of the flooring nail when driven into the Baltic pine flooring was covered over by the timber so was not visible. The cottage was built about 1890. It featured many items labelled with the emblem of Victorian Railways. The house was demolished in November 2006. This lock is significant because it came from an early railway home in Wodonga.Flooring nails - one diamond headed timber nail and four other nails from railways cottage at 2 Ethel Lane, Wodonga. Door lock and striker plate from a railway cottage at Ethel Lane.On Lock - Trademark disc Around edge - REGISTERED TRADEMARK PATENT EXPIRED In centre: Royal Warrant Symbol of Rampant Lion and Unicorn above words NO. 60 JAS CARPENTER PATENTEE On striker plate: VRrailway houses wodonga, jas carpenter locksmith

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 254 Springfield Rd., Nunawading This property is listed as having sold for $220,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a sloping roof. On the left is a driveway leading to an connected garage. In the foreground isa horizontal timber fence, which is enclosing a front garden on right.245 Springfield Rd., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 6 Lusk Dve., Vermont This property is listed as having sold for $136,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with a path up to the front door from the footpath in the foreground. On the left is a front lawn, and on the left is a timber fence enclosing the other half of the property frontage. There are two hole punch holes just below centre of the upper edge5 Manhattan Square., Vermont Margaret Picken - 95 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

Stamford Hill is on the western side of Bacchus Marsh. Main Street which runs in an East to West direction through the town runs directly up Stamford Hill. The precise location of the house or cottage in this image has not been identified and it appears to have been demolished. The identities of the two women and one girl in the picture are unknown.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a frontal view of a cottage. The cottage is behind a high timber fence but most of the cottage can be seen. Two young women are standing in front of the fence facing the camera. Standing between them is a young girl. A dog sits beside one of the women. Another dog stands in the gateway behind the girl.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh