Set of two instructions, both printed on foolscap duplicated paper in blue ink. .1 - "Notice to One-Man bus operators - Increase in Fares as from Sunday 27th September 1964", detailing both the ordinary and children's fares. Includes instructions regarding prepaid tickets and Gibson ticket machines that are pending the delivery of new printing wheels.. Dated 17/9/1964. .2 - "Notice to Conductors and Conductresses - - Increase in Fares as from Sunday 27th September 1964" - as above, except tickets issued in the city by the Ultimate ticket machines - how the values were to be made up. Dated 18/9/1974trams, tramways, tickets, ticket machines, ultimate, gibson ticket machines

Report - 35 pages, within light blue covers, comb bound with black binder, titled "National Tennis Centre - Transport strategy Report November 1987". Report looks at the then planned Tennis Centre precinct and use of public transport in order to access it. It includes coach and car parking and how to handle various modes. Includes the MCG carpark, maps, parking areas, walking paths, access points. At the time, the tram line was located in Batman Ave. Also includes notes on the public information campaigns. Produced with the assistance of the MTA. Report prepared by Dennis Johnston and Associates for the Road Traffic Authority.trams, tramways, public transport, tennis centre, melbourne, mta

Full colour poster printed on a vinyl plasticized based sheet, titled "Melbourne Tram Network" - showing a diagrammatic layout of Melbourne tram routes, Myki ticket notes and where tickets can be obtained, information numbers (PTV, phone applications) and information on Tram Tracker, twitter and other contact systems on the left side and a blank right side titled "Routes from this stop" Map shown as effective April 2011, and printed December. 2012. Has the document information on the right hand side of the poster. See Reg Item 628 for an example of how this base poster was used. Two copies held.trams, tramways, yarra trams, ptv, maps, tramtracker, myki

Photocopy of seven page foolscap handwritten list of Melbourne trams and their disposal, up to December 1980. Provides lists of tram car number, how disposal, date of disposal, date of last overhaul, last depot and notes - mainly about the disposal location. Includes W3 and W4's, VR cars. Last page has a list of L's, VR cars and some W2's, providing a list of depot, last 01, 02 and 03 overhauls, compressor, compressor change dates, building date, ? date, roof type, blind type, last truck change (if known) and controller type.trams, tramways, tramcars, mmtb, lists, sale of trams, disposal

Manna Gum is a species of a small to a very tall tree that is endemic to south-eastern Australia. These particular trees are part of the Gawa Wurundjeri Resource Trail at Watsons Creek. Signs share information about how the Wurundjeri people lived near the creek and used the land to obtain bush foods, medicines, tools, shelter and clothes. The trail introduces visitors to the indigenous flora and fauna, including manna gums, Lomandra (used to weave baskets) and wombat burrows. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p3This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, gawa wurundjeri aboriginal resource trail, manna gums, watsons creek

Front cover has a photograph of the Patterson family c.1904. Back cover has the blurb of the book and information about the authors of the book.non-fictionOn Taungurung Land: Sharing History and Culture is the first monograph to examine how the Taungurung Nation of central Victoria negotiated with protectors and pastoralists to retain possession of their own country for as long as possible.taungurung nation, elder uncle roy patterson, jennifer jones, acheron aboriginal station, mohican aboriginal station, central victoria, history, white settlement

This pamphlet produced by Major Sam Thompson US Army Engineer Corps on exchange to Australia was published as a guide to AUTOMAP 1, the Army Survey Regiment’s first computer-based map production system. It examined how automation had changed the compilation and drafting phases of the map production process. It attempted to present in a light-hearty story telling style, short and clear description of each AUTOMAP 1 sub-system with photos of staff and equipment, diagrams and humorous cartoons. The cartoonist is unknown. The pamphlet was printed at the Army Survey Regiment, Bendigo Army Survey Regiment pamphlet comprises a manilla card cover printed in colour with 24 pages with photographs in black and white; and descriptions, diagrams, and cartoons printed in colour. It is bounded by two staples on its spine. The coloured pages have been scanned at 300 dpi and are stored on a USB Digital Storage Device. The page images have been converted into a video (.mp4) format and also stored on the USB. The video is 1.3Mb in size and runs for 1.3 minutes.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Hand written inside. "Murray, I will never forget you, how are you? I hope you are always well! My regards to your mother. I hope to one day see you again in V.Nam. Sister Augustine". The card relates to Geoff Murray No 3411521, 3 Cav Regt Vietnam 27.11.67 to 22.10.68, Survey Corp Vietnam 15.10.69 to 15.10.70. On his 2nd tour with Survey Corp Geoff procured a lot of food etc for the Baria Orphanage. Refer 610.2P, 611.8, 1866.3 re the Orphanage and Sister Augustine also 638P.Christmas card with river scene painted on front. .1) Heavy card outer pages. .2) Fine tissue paper inner pages..1) "Greetings" .2) "Merry Christmas and Best Wishes for a Happy New Year"cards, xmas, vietnam

The image portrays how the Celia Little room (Celia Little plaque on the wall) was used mid 20th C. and date of similar image (see record 0221) The inclusion of the bell from the 'Moreton Bay' vessel dates the image to post 1957 when the bell was presented to the Mission. Used as a sitting room or lounge area at the Mission to Seafarers Melbourne. The image also shows the style of dress and style of magazine covers of the time. On the table stands the shield for the annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney. (see item 0608)The photograph is significant in that it captures the essence of the Mission to Seafarers mid-20th century. It identifies the main use of the Celia Little room as a reading area. It also helps date and track locations of other objects in the heritage collection. A black and white photograph of two men in the Celia Little room at the Mission to Seafarers Melbourne. The top left of the photograph is a bell fixed to the wall that has a bell pull with a long piece of decorative knot-work attached to the clapper. The room is set up as a lounge area with at table left of the centre against the wall. The table is laden with magazines and papers on top of a tablecloth. A picture frame is sitting on the table and leaning against the wall that has a 'shield' or 'coat of arms' displayed. (see also VC records 221 and 0608) One of the men is standing central in the photograph, in a white jumper holding a magazine and half turned towards the wall.The second man is sitting in a chair in the bottom right side of the photograph and appears to be reading. A few tops of chairs are seen at the very bottom of the photo and on the wall are a plaque to the left, a framed picture to the right of the first man's head and another in the far right top corner. The room appears to be lit from the left.melbourne, bell, men, magazine, chairs, wains coting, papers, mission-to-seafarers, celia-little-room, bell-pull, picture-frame, 1940s, celia little, plaque, shield, soccer, football

This book is a mid-20th century updated version of a manual with regulations and instructions for lighthouse staff and the supply of equipment and other goods that are necessary. It includes lists such as protective clothing required, fuel, when to raise a flag at half-mast, how communication must be carried out, the testing of equipment, and other similar information. It also contains templates for the Certificates of Service of various ranks such as Master and Mate. Australia no longer has manned lighthouses although some still have caretakers that report on the weather. The last manned lighthouse was in Tasmania and was de-manned in December 1995.The ultimate purpose of the book was to set down instructions that would be used to carry out life saving procedures, and to avoid shipwrecks. It confirms some earlier methods and updates others. The information within the book is similar to the information referred to by the 19th century and early 20th century lighthouse keepers and staff, and others involved in the preservation of life, such as those published by the Department of Ports and Harbours. The book is a valuable resource to those researching the evolving of maritime history from Colonial Australia to the modern day.Book, orange vinyl surface sealed cover on hard covered ring-binder. Gold embossed title on spine and front cover. Contains cream loose-leaf pages with rounded corners. Pages are printed with text, tables and diagrams, and are numbered with serial page and paragraph numbers. There is a Table of Contents and an Index. The cover displays the Coat of Arms of the Commonwealth of Australia. Published by the Commonwealth of Australia in 1968 for the Department of Shipping and Transport, the book contains the Standing Orders to Masters and Crews of Lighthouse Tenders. It has examples for Certificates of Service for various ranks, a list of books and forms, protective clothing, rates for passengers, and a Scheme of Colour Painting for Lighthouse Tenders.Coat of Arms [Commonwealth of Australia] "COMMONWEALTH OF AUSTRALIA" "DEPARTMENT OF SHIPPING AND TRANSPORT" "STANDING ORDERS / TO / MASTERS AND CREWS OF LIGHTHOUSE TENDERS" "No 1/1968" "No.2/1968"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, shipwrecks, life saving, lifesaving, shiipping and transport, commonwealth of australia, standing orders, lighthouse crew, lighthouse tenders, masters and crews, 1968

This particular aircraft was modified with a search radar in the lower fuselage to help locate and track targets and was then redesignated as a B-24R model. The RAAF took A72-176 on charge in late 1944 and this saw it issued to 7 OTU (Operational Training Unit) based at Tocumwal, south west NSW. The training saw bomber crews learn how to fly the bomber, operate as a team and work with fighters. Towards the end of the war there were up to 50 aircraft located at Tocumwal along with 5000 personnel. A72-176 was noted as flown on training missions by various aircrew.This aircraft is one of the only remaining B-24 bombers in the southern hemisphere and 1 of only 8 remaining B-24 airframes still existing in the world, out of the nearly 19,000 which were originally built. The restoration honours the contribution of one of the RAAF’s main bombers of the WWII era. This restored Liberator aircraft was assembled from parts salvaged from B-24M models, manufactured during the 1940s in the USA. Made from aluminium, the plane is 68 feet long, with a wingspan of 110 feet, and is metallic silver with a distinctive blue and white target design on each side. The aircraft is powered by four wing-mounted engines, and is fitted with 10 heavy machine guns.Registration number on side of fuselage at rear of plane: 'A72-176' Inscription on side of fuselage at front of plane: 'ROYAL AUSTRALIAN AIR FORCE / US ARMY B24-10 CO / AIR FORCES SERIAL NUMBER 44-41956' aircraft, liberator, bomber, wwii

“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall

Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. The bookends (item F157) were designed as a small scale model for the Chancery exhibition. Placing the disc (item F158) underneath the adjacent two half-cylindrical bookends (item F157) demonstrates how the bookends behave as a lens.Photocopy of a image on a transparencyaustralian chancery, robin boyd

At a press conference in Melbourne, the Australian Council of Church, Australian Catholic Relief, the Baptist World Aid and Relief Committee, the Lutheran World Service and the Seventh Day Adventists joined to speak about a combined appeal to relieve drought victims in Africa. One speaker was Anglican priest the Rev. James Murray, who had recently returned from some of the drought-stricken areas with a film-maker, having been sent on behalf of the appeal. The article has three columns and provides more detail about the drought and its effects and how the churches' help will be used.Head & shoulders photo of middle-aged man wearing a beard.C&N identification.combined churches drought action in africa, murray, james

There are several different designs of drench guns within the NWM Collection that show the change in their development over time. This drench gun has a large diameter curvature suggesting this gun was typically used for dosing ewes as opposed to lambs. The attached spring-loaded hose is the only example in our collection how this mechanism works. The hose will be screwed into the liquid which is used to drench the sheep. This liquid is typically located on the back of the operator who will wear a large container in a backpack. This gun also has a adjustable dosing mechanism located on the right side of the gun.Silver metal with black finishing drench gun. Large curvature tip on gun protrudes from the body which feature a thin squeezable trigger to the front of the body. The main bulk, which the trigger is squeezed towards, has badge which reads “Manufactured and designed by N.J. Phillips Pty Ltd, Sydney”. Behind this body is silver cylinder featuring attachment point for the tubing which would have carried the liquid drench into the gun. The attached tubing has a yellow/orange appearance from remanence of drench which would have been this colour.Left rotated lettering: MANUFACTURED/ & DESIGNED BY/ N.J.PHILLIPS PTY. LTD./ SYDNEY . AUSTRALIA/sheep drenching, veterinary instruments

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

Black and white film of Boys and Girls practising for annual demonstration at Melbourne Olympic Swimming Stadium. Commentary on how important more than 1,000 Melbourne Legacy Legatees are in caring for fatherless children, and the opportunities given to these Junior Legatees. The film then moves on to the night of the actual performance, when the President conducts the Ceremony of Remembrance. See also Cat No.00018. 27 mins. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.This film shows the activities of Junior Legatees and Legatees involved with their activites. Shows how a group of dedicated volunteers assisted families in need.Blue canister with a reel of film of the Annual Junior Legacy Demonstration at the Olympic Swimming Pool in 1960s of 1970s.Melbourne Legacy, Legacy House, 293 Swanston, St, Melbourne. NOTE: be sure that this film ?? Is not fouled by the. ?? Lower half of the l???? house. IMPORTANT! Good copy.junior legatee, annual demonstration

Items show two different wire terminations - fully wrapped - 7 wires and part wrapped and secured by bending the wire. Shows how the galvanized span wire - 7 strands - can corrode within the insulator and lead to failure if not inspected and replaced. The items were probably erected by the SEC during the mid 1930s and replaced by the BTM 2024. Salvaged from Wendouree Parade during overhead span wire replacement and repair work March 2024 undertaken by the BTM. See also item 9020 for a corroded pole eye bolt.Demonstrates a corroded span wire and a typical egg type insulator.Overhead equipment - two brown egg insulators with associated corroded span wire.overhead, insulators, span wires, btm, tramways

.1 Brown leather book with gold embossing on front, spine and back cover. Brass clasp to hold book closed. .2 Membership card in the shape of a shieldnon-fictionRELIGIOUS TEXT - CHURCH OF ENGLAND COMMON PRAY BOOKhull, common prayer book, sabine hendra, 1866, netherdale methodist

A speech by Legatee Bill Rogers at the planting of a Lone Pine tree at Oakleigh South Primary School. The dates is not noted but probably in 2007. He briefly mentions the Gallipoli campaign and then the story of how Legacy have propagated the trees as a symbol of remembrance of all the men and women who have given their lives for our nation. The two pages showing the history of the Lone Pines have been superseeded. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of a ceremony to plant a Lone Pine tree at a primary school.Print out x 2 pages of a speech at Oakleigh South Primary School and 2 pages of the history of the Lone Pine trees.lone pine, students, schools

A Beryl Billing and Elaine Ward at Legacy House sorting stamps in 1996. Beryl Billing (seated) was the co-ordinator of the stamp sorting for many years and Elaine Ward was President of the Melbourne Legacy Widows Club in 1996. Beryl would put reports in The Answer showing how much had been raised. With a group of photos about stamp sorting with post-it note "Stamp Ladies Past to 2004". The widows have sorted used stamps and sold to a stamp dealer for many years to the present day. It raises some funds and provides a purpose for gathering together.A record of the type of activities Legacy provided as a social outlet for widows and for fundraising. Colour photo of Beryl Billing sorting stamps with Elaine Ward.widows, fundraising, stamps, elaine ward, beryl billing

Set of three notices regarding the introduction of Decimal Currency that took place on 14/2/1966 1 - Notice No. 3 dated 6/9/1965 regarding how revenue pay-in would be made and coins counted. Has a sample pay-in form showing the methods. Notes the training to be provided. 2 - Notice No. 4 dated 16/9/1965 - in a question and answer format about the conversion from imperial to decimal currency. 3 - Notice No. 5 dated 31/10/1965 - training using plastic model coins and conversions.Yields information about the conversion from imperial to decimal currency and the training undertaken for this.Document - Set of three notices foolscap, each with two punched holes on left side.Some have numbers in the top left hand corner in ink.tramways, instructions, operations, conductors, decimal conversion, decimal currency, training

Folder with The Met logo on the cover containing five separate A4 pamphlets fact sheets marketing or promoting the Metcard system. Written for use by staff, part of the consultation process. 1 - How long will it take? - two phases - double sided 2 - What equipment will be on my tram? - single sided 3 - Consultation and operation - single sided 4 - What's it all about & why will it be good for Melbourne? - doublesided 5 - General fact sheet - about services, fare evasion, staffing, ticket availability, information, costs and implementation - folded A3 sheet.Yields information about the introduction of Metcard for The Met staff.Card folder containing five A4 marketing pamphlets about Automated Ticketing.trams, tramways, metcard, the met, tickets, ticket machines

Australasian Post report on tramways and in particular Melbourne and their use in other places in the world. Notes Melbourne's cable system and how it operated. At the time only Adelaide was the only other Australian operator. Features photos of Melbourne's trams along with Bendigo, Geelong, Melbourne 1041, Stuttgart, Gothenburg. Written by George Hart. On page 16 is a cartoon by Ken Maynard about drink driving and blood alcohol testing. Also has a story of an absent-minded professor and his problem of getting his fare out of his pocket on a Melbourne tram.Yields information about Melbourne's tramways and its place in the world.Set of 8 pages with centre staple remaining from the Australasian Post 10/3/1977australasian post, tramways, cable trams, melbourne, ken maynard, stories