A saw is a tool consisting of a tough blade, wire, or chain with a hard-toothed edge. It is used to cut through material, very often wood, though sometimes metal or stone. The cut is made by placing the toothed edge against the material and moving it forcefully forth and less vigorously back or continuously forward. This force may be applied by hand, or powered by steam, water, electricity or other power sources. An abrasive saw has a powered circular blade designed to cut through metal or ceramic. In ancient Egypt, open (unframed) saws made of copper are documented as early as the Early Dynastic Period, circa 3,100–2,686 BC. Many copper saws were found in tombs dating to the 31st century BC. Models of saws have been found in many contexts throughout Egyptian history. As the saw developed, teeth were raked to cut only on the pull stroke and set with the teeth projecting only on one side, rather than in the modern fashion with an alternating set. Saws were also made of bronze and later iron. In the Iron Age, frame saws were developed holding the thin blades in tension. The earliest known sawmill is the Roman Hierapolis sawmill from the third century AD used for cutting stone.The subject item is believed to date from around the mid to late 20th century and is regarded as a modern item. The maker is unknown but the pattern or design and type of wood used indicate it is a tool of modern manufacture. Compass saw blade with wooden with open handle blade attached with wingnut lever at side to adjust long narrow blade Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood cutting, wood saw, cross cut saw, cabinet makers tools, wood working tools, tool

.1) This one was used in the Writing room which later became a Meeting room then finally the RSL Building & History room. it was attached to the LH side of the Fire Place and ran an old Electric Heater on the Hearth. It was used up to about 2005. .2) This one was in the Old Kitchen built on the side of the Soldiers Memorial Institute in the mid 1960's This one ran the Electric stoves used by the Womens Auxiliary of the Bendigo RSL and to make the Rum & Coffee for the ANZAC Day Dawn service. The kitchen was removed as part of the Renovations in 2016 - 18..1) Heater meter, metal construction black coating, top face has a glass section with a "usage meter" saying "coins paid, unused", metal plate under with details re numbers, maker, coins per hour, on right side slot for "Shillings only" with knob, removeable lockable tray at bottom for coin storage and removing. .2)Same style as .1) but a different glass face style metering, it has 11 circular dials with one hand, these show "Coins paid, coins unused", this one shows the round meter going around when in use. The only differance between to two shapes is at the top re fixing to a wall..1) On plate, "Remote Control Switch - for alternating switch No 26 204 020 - Type Wik 36.1 - Adjustable 1-6 coins per hour, Adjusted for 1 coin per hour" On stickers, "insert 10 cents - Turn knob to right". .2) On glass section, "230/240 revs per KWH - 1200 - Serial No 8338380 - 5 - 50". On label stuck on, "10 c equals 1/2 hour"brsl, smirsl, shilling

Coin collections have a long and varied history. Coins were often collected in churches in a box located near the entrance/exit, and later via a collection plate that was passed amongst the congregation Funds were used to repair the church or feed the poorest of the parish. The donation of coins is and was considered part of religious life and mentioned in Christian, Jewish and Islamic texts. With the need and expansion of charitable works occurring outside religious life, charity boxes began to spread into hospitals, orphanages and asylums. The need for non-fixed boxes grew with the rise in charities and their activities outside a fixed building. Collection boxes could be large (and therefore hard to move) or could be held by individuals acting as collection agents, working at a specific location, moving between dwellings or at events. These boxes were designed to be reused, with a pop out section in the base.2 x metal coin collection tins with printed sidesFront: The Royal Victorian Institute for the Blind St Kilda Road The only Institute in Victoria for teaching blind adults trades & professions educating & maintaining blind children & babies (Lighthouse with words radiating out from light) Modern cottage homes Pensions - after care & sick fund Prevention of blindness lectures, etc. Free wireless radio for needy cases Boat shed & club house Professions & trades Blind babies nursery Wireless sets Social club Happiness for the blind every day & night Musical education Higher education Domestic science classes for blind women & girls A free education Maintenance of blind children The Lighthouse! As a thanksgiving for sight Please place a coin in this box and help to keep the Beacon Light flashing for the Institute's Blind Adults, Babies and Children Side: (Picture of two girls playing with dolls house) Our blind babies and pupils will probably spend 70 years in our Royal Victorian Institute for the Blind St Kilda Road As a thanksgiving for sight please help make their years very happy ones by placing a coin in this box! Reverse front: (Drawing of a man holding his hand to his eyes as a blast occurs in front of him, pushing small objects towards his body.) It might hit You or Me! Please! Will You? As a thanksgiving for the sight you and your dear ones possess, please place a coin in this box to assist the Royal Victorian Institute for the Blind, St Kilda Road, and its Blind Adults, Children and Babies! Reverse side: (picture of workshop at RVIB) One of our many spacious workshops provided by public subscription! The Royal Victorian Institute for the Blind is faced with the problem of employing and otherwise assisting its blind workers. It gives them charitable allowances in addition to their earnings, amounting to approximately 15,000 (pounds) every year, to enable them to support their wives and families! No profits can therefore be made! This 15,000 (pounds) is distributed because the great handicap of blindness prevents blind persons from earning as much as their more fortunate sighted fellows. Please! Ask Storekeepers for our Baskets, Mats, Brooms, etc. And as a thanksgiving for Your Sight place a coin in this box for our blind adults, children and babies! Embossed on the top of the box is Royal Victorian Institute for the Blindfundraising, royal victorian institute for the blind

Eltham Feed store visible on other side of fence (south side).Digital copy of colour photographfred mitchell collection, 1968, fuel merchant, a.r. warren, eltham feed store, main road, advertisements

This photo taken from township side (northern side looking southward)Color photograph of the footbridge across Cunninghame Arm. It shows the shortened footbridge with the path and recently established lawn and trees. Surf lifesaving club on sand dunes in background. Lakes Entrance Victoriafences, associations, waterfront

These types of metal and glass railway signal lamps were used for communication, safety and lighting by train guards, shunters and signalmen, as well as station staff in the late 1880s to the early 1900s. They were hand operated and used fuel such as kerosene.The railway signal lamp has local significance as part of a set of three lamps donated by a resident of Wodonga who worked for the Victorian Railways. It also has national significance as an example of communication and safety equipment used by the railways in Australia in the late 19th century and early 20th century.Black painted metal signal lamp with a clear glass lens secured at the front and one thin elongated oval shaped handle showing at the back. The metal appears to be tin plated iron under the black paint layer. There is an oval plate with an embossed inscription on the proper left side of the lamp that is partly covered by the door at the front which holds the clear glass lens. The inscription includes the date 1901."...NARIPPINGILLE STOVE / CO LTD 1901 / PATENT...S & / ...NUFACTURERS / RMINGHAM" on an oval shaped plate on the proper left side, which is partly covered by the door with the clear glass lens.railways wodonga, victorian railways

One of a collection of photographs donated by Shirley PetersonSepia postcard of Lovers' Walk lined by a fence on the left side and trees on the right side."The Rose Series P. 3403" "The Lovers' Walk, Cowes, Phillip Is., Vic."lovers walk cowes phillip island, cowes phillip island, phillip island, shirley peterson

Outlines the duties and responsibilities of staff at Preston Technical College in 1971.A snapshot of staff duties in 1971.Photocopied booklet. 14 pages printed on one side only. Staples on left side.preston technical college, ptc, handbooks, staff, nmit

Photograph features two men in hats standing side by side in a paddock with trees in the background.

Report - titled "Report of the Street Works Co-ordination Committee", includes a table of contents and drawings of street cross-sections. Details the committee members, meetings, terms of reference, suggested legislation, summary of conclusions and recommendations, including previous reports and conference and typical cross sections. Dated 1966, for presentation to the then premier Mr Hamer. Looks at the co-ordination road works by authorities including the tramways.Yields information about an investigation into co-ordination of tram track and other road works.Report - approx 50 pages - side stapled, card covers, cloth side binding."KCP Designing Engineer attended some later meetings"tramways, mmtb, tram tracks, parliament, road works

Vera Lynn was a popular artist during the Second World War, known for her wholesome and romantic songs. This record was released on the 40th anniversary of the end of the Second World War and contains twenty songs that were popular during the period, especially with serving troops. Vera Lynn was supposedly fondly referred to as the "Forces' Sweetheart." The record contains the following songs: SIDE ONE 1. (There'll be Bluebirds over) The White Cliffs of Dover 2. Harbour Lights 3. As Time Goes By 4. Beautiful Isle of Somewhere 5. Auf Wiederseh'n Sweetheart 6. Faraway Places 7. Little Sir Echo 8. Mexican Rose 9. A Nightingale Sang In Berkeley Square 10. Jealousy SIDE TWO 1. It's a Lovely Day To-morrow 2. The Bells of St. Mary's 3. A Little Rain Must Fall 4. The Anniversary Waltz 5. Yours 6. When I Grow Too Old To Dream 7. It's A Sin to Tell A Lie 8. When The Lights Go On Again 9. Drifting And Dreaming 10. We'll Meet AgainThough not rare, as a mass produced product, this record is representative of the music that was well-known during the 1940s both on the home front and by serving troops. Its release as an anniversary edition speaks to the enduring memory of the period and for some community members who lived through the Second World War, has strong social significance and ability to recall memories of the wartime period. Glossy square-shaped card sleeve printed in colour with combination of text and black and white photographs arranged as though a newspaper page. From top left corner: green stripe, red album title, union jack, photograph of a young servicewoman, photograph of the Cliffs of Dover, photograph of St Mary's and various song titles in various serif fonts. Newspaper-style page set behind metal square fencing upon brick fence, simulating a newspaper being sold. Reverse features pastel-toned photograph of Vera Lynn, with smaller collage-style image of the newspaper-style text on front, below which are song titles for Side One and Side Two in a numbered list. vera lynn, music, wartime, second world war, world war ii, world war 2, musicians, anniversary

The design for the Memorial plaque was chosen from 800 entries in 1918. Mr E.C.Preston of Liverpool was the winner. The prize was 200 pounds. The plaque was to be, As a solace for bereavement and as a memento. The first plaques arrived in Australia during 1922. They were to become commonly known as the Death penny or the Dead mans penny. Francis Charles Wicks, No 2246 enlisted in 14th Reinforcements 28th Batt AIF on 24.7.15 age 33 years 10 months. Embarked for Eygpt 1.10.15, embarked for France 16.3.16, was reported Missing in Action on 29.7.1916 and was then reported Killed in Action the same day in France, confirmed by Court of Inquiry 4.1.17. Refer 2059, his brother James Henry Wicks Regt No 4626.Circular cast bronze plaque with raised relief of Britannia and a lion with two small seals. Around the outside in raised relief is the wording typical to all plaques. A rectangular section on the right is for individual names of those lost in the British Commonwealth during the Great WarAround the left side and top of the plaque, “HE DIED FOR FREEDOM AND HONOUR” On the right hand side in the rectangular section, “FRANCIS CHARLES WICKS”memorial plaque, 2246, f c wicks, 28th batt aif

The design for the Memorial plaque was chosen from 800 entries in 1918.Mr Preston from Liverpool was the winner A prize of 250 pounds.The Plaque was to be as a solace for bereavement and as a Momento.The first Plaues to arrive in Australia durring 1922.They were to become commonly known as THE DEATH PENNY or DEAD MANS PENNY. R.L.Davey enlisted No 5334 in the 14th reinforcements to the 23rd Batt AIF on 27.3.16. He DOW's on 4.5.17.The memorial plaque was given to the family of '"Reuben Leslie, DAVEY.Circular caste bronze with raised relief of Britannia,and a Lion with two small seals .Around the outside in raised relief is wordind typical to all memorial plaques. A rectangular section on the right is for inividual names of those lost in the British Commonwealth during the Great War.Around the left side and top of the Plaque."HE DIED FOR FREEDOM AND HONOUR". On the Right hand side in the rectangular section. ".Reuben Leslie Davey".memorial plaques, aif

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue.2 audio cassettes in clear plastic casesHandwritten on cassette 1: Side A: "Elijah. Part 1; Side B: "Elijah. Part 2" ;on cassette 2: "Elijah, Part 3"diamond valley choral society, elijah (oratorio)

The model depicts one of many sailing vessels to travel across the world for trade and migration in the 18th to 20th centuries. The craft of model making is also represented by this model. There are many craftsmen with a fascination for the sea and objects connected to it.Ship model, the sailing ship "General Gordon", in a glass and timber display case. The model is of a four masted Barque with the royal sails over double top and top gallant sails. Inscriptions are on the model. Marked "General Gordon" on side of ship and on red pennant. Flag with crab on one side and shell on other. Union Jack. Red ensign.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, general gordon, ship model, barque, sailing ship, vessel

Curved MAC (Macintosh) HEINE laryngoscope blade with light bulb, size 4. Made in Germany with stainless steel materials. Minor scratches and hit surface marks are around the piece, mostly near the base of the blade. Connector point located at the base of the blade is slightly worn out. Stamped on the base of the blade back edge side, HEINE / STAINLESS / W.-GERMANY Stamped at the lateral back side of the blade, MAC 4airway, laryngoscope, alfred hospital, melbourne, mac 4 heine, heine, blade, ball, christine

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.)

This bottle was bought at a chemist either locally or in a large city on a shopping expedition. The embossing pattern indicates that the contents are poisonous. Bottles changed - shape, size, seal, use and embossingHistorical: Change in bottles - colour of glass, embossing, shape, size and use Aesthetic: Display showing embossing, shape, size, sealOpaque brown glass bottle with 6 sides. The front is wide, the 2 end sides and back side are short with the 2 adjoining longer sides coming out at 45 degrees. The sides at 45 degrees have heavy embossing of rows of crosses and the back side has heavily embossed print in capital letters read sideways from the top of the bottle to the bottom. The sides taper quickly to a short neck and then opening. The bottle has a brown screw top lid with embossed sides. The bottle is empty. A label has been sticky taped onto the front.Back: "Not to be Taken" Base: 'F 1158' and '856' along the edge Label: "Caution / Not to be Taken / Gentian Violet Solution / 2 % / For external Use - Onlyopaque brown glass bottle, chemist, poison, medicine, irregular hexagonal bottle

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed double sided landscape artwork by David Alexander. One side is 'Towards Avoca' and the other side is 'Buninyong From Main Road, 24/04/1999'David Alexander wrote on 'Buninyong From Main Road, 24/04/1999' "Wash wouldn't dry. People everywhere"art, artwork, david alexander, alexander, buninyong, avoca, watercolour

Photo of SEC Ballarat Trams No. 37 and four others (4 single truckers) in City Loop at the east end of Sturt St. Ballarat. and Sturt St stop. Tram 37 has destination of "Special". In the photograph are the buildings on the south side of Sturt St., including Patersons, the Town Hall, T&G building. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in blue ink "Ballarat, Siding Sturt St. " and in top left hand corner in black ink "P. Moses". On other side of the slide is the word "Siding" in blue ink.tramways, trams, sturt st, city loop, tram 37

Yields information about the alternative working used by the SEC when part of Sturt St was not available.Digital image from the Wal Jack Ballarat Album of a photograph of No. 37 climbing the Sturt St hill on the north side, running wrong line ex Mt Pleasant, due to road repairs on the south side of the street, 12-4-1962, Photo Wal Jack . Has the Ballarat Co and Patersons buildings in the background. Tram has the destination of Mt Pleasant. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negativeOn rear of photograph in ink "SEC, Ballarat No. 37 from Mt Pleasant climbing Sturt St hill north track 3.10pm 12-4-62, south side of Sturt St under road repairs" and Wal Jack stamp in top right hand corner with number "T1266" written in.trams, tramways, sturt st, mt pleasant, tram 37

Without refrigeration, storage of meat was difficult. Flies were a problem, and it was important to keep meat cool and out of the way of pests. One way of doing this was to use a meat safe: a kind of cupboard designed to store meat and keep it fresh enough to eat. Meat safes are ventilated. They were sometimes made with sides of wire mesh or perforated metal, so that air could circulate around the meat while keeping flies and other animals out.The Coolgardie safe was invented in the late 1890s by Arthur Patrick McCormick, who used the same principle as explorers and travelers in the Outback used to cool their canvas water bags Originally they were handmade using materials to hand. In the early 20th century, Coolgardie Safes were manufactured commercially across Australia, and found their way into homes in both rural and urban areas. These safes incorporated shelving and a door, had metal or wooden frames and Hessian bodies. The feet of the safe were usually placed in a tray of water to keep ants away. (refs ABC-Home; Museum Victoria)The Coolgardie safe was an Australian invention used especially in country areas from the 1890s until the mid 20th century. It began to be replaced by ice chests from the turn of the twentieth century in cities and country towns which had ice works. This item is an example of a domestic appliance commonly used before electricity was widely available for domestic use.A cube-shaped metal Coolgardie safe painted blue. It has a triangular hook on the top for hanging or lifting. There are small feet at bottom . The sides are perforated in a Above the door; Inside a rhomboid shape "WILLOW"food-storage coolgardie-safe domestic

Part of the Kelly family collectionJack Kelly is the son of Willian Clyde Kelly DCM who served in both WWI and WWIIFrame hand coloured photograph of 159390 LAC J. Kelly, black wooden frame with glass 320 x 420 mm; photograph measures 197 x 243 mm mounted on a white cardboard backing board and framed in black mounting board. The reverse backing is cardboard is secured by packing tape, picture hooked on each side of the frame and picture wire. At bottom left hand corner is one WWII identity disc stamped with his service detailsAdhesives label on bottom left of frame inscribed with; 159390 LAC J Kelly / R.A.A.F W.W. 2; On the reverse side in blue marking pen JACK KELLYphotograph hand coloured, identity disc

Shellac Zonophone Record with a green label. Side A: The Border Ballad - this side has a 1/2d B&Co stamp on it. Side B: Mandalay - this side has a copyright supervision stamp on it. Sung by Mr Peter Dawson with Orchestral Accompaniment.Serial number 914 Ref x -2-42379

Olive green tin with squatting man drinking a cup of tea on one side. Man sitting, boiling a billy on the other side. Description of how to prepare Australian Billabong Tea on one side. Description of Billabong Tea on the other side.

Soldiers’ Memorial Street scene with Coffee Palace formerly Castlemaine Hotel. Two people in a horse drawn wagon are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner. A telegraph pole is behind the memorial and a decorate pole sits on the corner.Small sepia Street scene showing Soldiers Memorial, Coffee Palace building in the background. The Soldier's Memorial is surround by a timber fence with an ornate pole possible a flagpole in front of 2 timber seats. The weigh bridge can be seen behind the memorial and Infront of the Stawell Coffee Palace. Two people in a horse drawn and cart are driving away from the corner on the right hand side while a man dressed in a suit is walking toward the corner.Coffee Palace Stawellstawell ww1

One of 15 A3 sheets with copies of postcards on each page. Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: 1. Cowes War Memorial with Jetty in the background. 2. View of San Remo from Cape Woolamai. 3. Cowes Sea Baths. 4. Douglas House Cowes. Right side from top to bottom: 1. Phillip Island Hotel Cowes. 2. Looking towards the Nobbies - man in horse drawn jinker with dog in front of horse. 3. People walking down the Cowes Pier after the departure of a boat. 4. Taken from the pier looking toward the Jetty Shed and Cowes.Left side from top to bottom: 2. "The Rose Series P680 - towards San Remo from Cape Woolamai P.Is". 3. "The Rose Series P660 - the Baths Cowes Phillip Island". 4. "H. Donn Proprietor Douglas House Cowes Telephone 25". Right side from top to bottom: 1. "Photo Shop Series No 29 - Phillip Island Cowes". 2. "the Rose Series P666 - Looking to The Nobbies Phillip Island Victoria". 3. "Valentine Series M4911 - After the departure of the boat Cowes P.Isl." 4. "The Rose Series P656 - From the Pier Cowes Phillip Island Vic."cowes war memorial, cowes baths phillip island, douglas house cowes, cowes pier phillip island, the nobbies phillip island, view san remo, shirley jones collection, thelma astbury

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Small rectangular gold metal pin for five years service with a faceted pink stone inlay on the proper left side, the name and initials of Sarah Coventry in the central area and three flowers on the proper right side. The 10 K stamp on the back surface suggests it is made of 10 karat gold. Abraded areas on the high points of the clasp on the back surface expose underlying silver coloured metal indicating that the clasp is plated."Sarah / SC / 5 YRS / Coventry" on the front surface. "® cTo / 10 K" stamped into the back surface on the lower proper left side, indicating 10 karat gold. The (®) symbol indicates that the manufacturer's mark is federally registered with the US Patent and Trademark Office. The 'cTo' is the trademark by O. C. Tanner Jewelry Co. in Salt Lake City, U.S.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pin, jewellery pins

The McLeods, were the original holders of the Orbost station. Sir William Clarke bought the station from McLeod Bros. Sir William was a very fine man and noted for his philanthropic actions. He finally cut up and sold the Orbost station and presented 10 acres of land to the people of Orbost for a show and recreation ground. Sir William Clarke had taken over the Orbost run from the McLeods in 1870. (more info. July 2006 Newsletter) When Sir William died the property was owned by his son, Rupert who offered the land for sale at 4 pounds per acre. No sale resulted and the property was leased for a few years until in 1898 it was subdivided and sold to many of Orbost's first families. (info. from In Times Gone By- Deborah Hall) This house was located on the western side of Forest Road. Orbost.This is a pictorial record of one of the first residences in Orbost.A black/ white photograph of a large wooden house. It has a verandah at the front and sides. There are three children two girls and a boy - standing on the verandah to the left of the door. The house is surrounded by gardens.on front - Orbost Home Stationorbost-station clarke-william clarke-rupert

This photo taken from south side (looking towards township on northern side)Colored photograph of the footbridge over the Cunninghame Arm, taken from the path on the southern shore. It shows sand, scrub, treated pine fences and rubbish bin, town in the distance on northern shore. Lakes Entrance Victoriawaterfront, topography, bridges