Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View taken looking towards Cowes along a tree lined walkway known as "Lovers Walk"The Rose Series P3403. The Lovers Walk, Cowes, Phillip Island, Victoria.local history, photography, photographs, postcards, black & white postcard copy, lovers walk, cowes, phillip island

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black and white postcard. Beach scene, large headland in mid-ground, group of people in foreground and the mainland way in background. Fairly dark photograph, people hard to distinguish.Low tide at Shelly Beach, Phillip Island. Valentine Series No. 41local history, photography, photographs, postcards, black & white postcard copy, beach scene, phillip island, shelly beach

Postcard is No.1021 of Valentine Series and is named 'The Pinnacle, Grampians.'Photo shows 2 young woman (girls?) standing on top of a rocky outcrop /peak overlooking a valley. Three sections of a wire fence surround the rock, the girls are standing on . The valley below has some cleared areas but is mostly bush.Valentine Publishing Co., Melbourne & Sydney. Valentines Real Photo Series.(on Back)scenery, peaks

This fold out series of black and white images shows scenes of Bacchus Marsh in the late 1930s or during the 1940s. The date of the set of images is not stated but it shows the Bacchus Marsh Swimming Pool constructed in 1938. The general purpose of the images to promote tourism suggests the collection may date from the post war period of the late 1940s or early 1950s when petrol rationing and other wartime restrictions were being discontinued. The eight scenes are: Railway Station Bacchus Marsh; Bacchus Marsh Post Office; Main Street Bacchus Marsh; The Avenue Bacchus Marsh; Maddingley Bridge; Swimming Pool Bacchus Marsh; Rustic Bridge Maddingley Park; View Across Maddingley Flats. The cover illustration of the fold out envelope shows a happy family in a new model car. The message of the image clearly being to encourage people to travel by motor car to places like Bacchus Marsh for recreation and to engage in the general pastime of tourism.One set of 8 fold out black and white photos showing various scenes of Bacchus, with a cover illustration of a family traveling in a motor car. Measurements: 112 x 90 mm folded; 112 x 750 mm unfoldedSouthern Series Registeredbacchus marsh history, bacchus marsh views, bacchus marsh postcards

Queen Elizabeth II reigned for over 70 years (1952-2022). Following her death in September 2022, the Herald Sun produced this series, outlining her life in pictures and articles.3 editions of a special lift out series, 16 pages each, text and colour and black and white images.queen elizabeth ii, royal family

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.24 / ‘Scene at Healesville’ / Albumen silver photograph mounted on cardOn Reverse: ‘After leaving the villages of Lilydale and S. Hubert the scenery commences to assume a very wild and romantic appearance. The country becomes exceedingly undulatory, and the belts of densely packed scrub, present altogether a very different appearance from the more settled and cultivated districts. Our illustration is taken from one of the many creeks which surround the rising township of Healesville.’nicholas caire (1837-1918), australia - landscape photography

Central Park Gardens Archway beside No1 Grandstand.. Postcard Real Photo Series M. 676.Black & white photograph of Rose covered Archway in the Central Park Gardens, Stawell. Victoria. c1930Archway in the Gardens, Stawell, Victoria Real Photo Series M. 676stawell

Copy of Rose Series Postcard #4797Copy of Rose Series Postcard #4797. View down Main Road Olinda towards Sassafras c1940s showing Post Office to the left.Three people visible in picture.rose series, post office, postcard, olinda, main road

Copy of Rose Series postcard #4481Copy of Rose Series postcard #4481. Mount Dandenong Road (Main Road) passing the picturesque Lich Gate on the left with Kenloch out of view on the right. c1940srose series, postcard, lich gate, olinda, kenloch, mt dandenong road, main road

Early pre world war II, home movie projector. Several series followed made by the same company and were very popularKodak brand and film was internationally recognised brand which dominated projection, camera and film until a shift towards digital media resulting in subsequent decline including the ceassation of camera film production in 2013.Vintage Eastman Kodak Kodascope Model EE series II . 16mm film projector The lens is a 2-Inch by Eastman Kodak.The plaque on the front of the projector reads: “Kodascope, Model EE, made in the U.S.A. By Eastman Kodak Co, Rochestor, N.Y., Trade Mark Reg. U.S. Pat. off., 100-125 volts, 850 watts, for use with slow burning film only, patents in U.S.A. 1,461,794, 1,507,357.”vintage projectors, film projection, kodak, home technology, eastman kodak co, model ee series ii

View of the early 1930's of No. 27 inbound in Lydiard St Nth. Valentine series No. 1492, with caption "Lydiard Street showing George Hotel, Ballarat". See page 59 of The Golden City and its Tramways and for the photo itself. Photo shows the wooden centre poles, street lighting, tram 27 in ESCo colour scheme, buildings on the west side of Lydiard St North, including the George Hotel, A.M.Palmer & Co Chemist, Wm Hiscock Dentist and other buildings. A horse drawn cart and two motor cars parked at the kerb. See item 8983 for the actual postcard. 3893.1 - Digital image from the Wal Jack Ballarat Album of the same photograph. Wal album notes date the photograph as 1931.Image i2 for the rear of the postcard, Image i3 for high res scan of the postcard. Copy negative image i4 added 3-5-2020.Yields information about Lydiard St Nth in the 1930's, the centre poles, traffic and the appearance of the trams.Black and White copy photograph of a Valentine Series postcard.tramways, trams, esco, lydiard st nth, george hotel, tram 27

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984View from end of Cowes Pier showing the Jetty Shed on right, Isle of Wight Hotel in extreme background. Black & White Postcard.The Rose Series P.657. Cowes from the Pier, Phillip Island, Victoria.local history, photography, photographs, postcards, phillip island, black & white photograph, jetties, jetty shed, isle of wight hotel, cowes

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984View along the Beach Road, Cowes looking towards the Isle of Wight Hotel on left of photograph (hidden by the trees).The Beach Road, Cowes Phillip Island Vic. The Rose Series P.674.local history, photography, photographs, postcards, cowes, phillip island, black & white photograph, the esplanade cowes, isle of wight hotel

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. Phillip Island showing Back Beach near Pyramid Rock, VictoriaThe Rose Series P668. Back beach near The Pyramid , Phillip Island, Victoria.local history, photography, photographs, postcards, black & white postcard copy, pyramid rock, phillip island.

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. Road to the Back Beach, Phillip IslandThe Rose Series P662. Road to the Back Beach, Cowes, Phillip Island, Victorialocal history, photography, photographs, postcards, phillip island, black & white postcard copy., back beach

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View of rocks near Forrest Caves. Group of people on edge of the rock formation watching the waves.The Rose Series P3435. Near Forest Caves, Cowes, Phillip Island, Victorialocal history, photography, photographs, postcards, phillip island, black & white postcard copy, rock formation, forrest caves, phillip island

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984View on Cape Woolamai showing an outcrop of rocks known as "The Inferno"The Inferno, Cape Wollomai, Phillip Island Victoria. The Rose Series P.10453local history, photography, photographs, postcards, cape woolamai, phillip island, black & white postcard copy, the inferno, rock formation

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black and white postcard.View of Cape Woolamai showing some of the many rock formations"The Chimneys" Cape Wollomai, Phillip Island, Victoria. The Rose Series P.10494local history, photography, photographs, slides, phillip island, black & white postcard copy, rock formation, cape woolamai, the chimney

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984B & W postcard. View of "Phillip Island Hotel", Walpole Street, Cowes.Phillip Island Hotel, Cowes Victoria. Real Photo Series M.1257local history, photography, photographs, postcards, hotel, cowes, phillip island, black & white postcard copy, phillip island hotel, walpole street

Rose Series Postcard number 965Copy of Photo Series postcard #965 with view looking west to Mt Dandenong Road and Ridge Road. Looking across to where the Log Cabin (Kellys) would now be.mount dandenong, dulce domum, photo series

Copy of Rose Series postcard #332Copy of Rose Series postcard #332 showing a windy bend on the new road c1924. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.The Windy Bend in 1924. Landslide of 1971 occurred at lower right hand corner.mt dandenong road, rose series, windy bend, landslide

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.25 / ‘Scene on the River Campaspe’ / Albumen silver photograph mounted on boardOn Reverse: ‘The River Campaspe flows into the River Murray, near the Town of Echuca. It is a river of considerable size, and is subject to frequent overflowing of its banks, in consequence of the low flat country through which it runs. Our illustration represents the River during one of the periodical floods, its depth being over thirty feet at the time.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.26 / 'Bend of the River Watt' / Albumen silver photograph mounted on boardOn Reverse: 'The present illustration represents a scene on the River Watt, and is situated in the valley between Mount Juliet and Mount Monda. The immediate neighbourhood abounds with scenery of the wildest and most romantic character. The River here is as clear as crystal, owing, no doubt, to its bed being composed of rock and pebbles. The banks on either side are studded with foliage so dense as to render access to the neighbourhood almost impracticable.’nicholas caire (1837-1918), australia - landscape photography

The Villa Alba Restoration Fund was established by the Villa Alba Preservation Committee. As part of a fundraising activity, they commissioned Suzie Dickson to photograph six panels in the Upper Hall that had been uncovered to date by conservators. The dado panels extend along the entire upper hall. Many are still to be restored. These images were used to create a series of six large postcards. Jonquils - No. 1 in a series of postcards of the dado panels to the Upper Hall, Villa Alba Museum, Kew.villa alba museum - kew (vic), interior design - 19th century, paterson brothers - decorators - melbourne, signor rizzi - artist, villa alba preservation committee

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Ozone Hotel, Warrnambool – Construction of Warrnambool’s Ozone Hotel and Coffee Palace on the corner of Koroit and Kepler streets began in 1890. The luxury venue included ballrooms, dining rooms, a theatre and a tower. In 1929 it burnt to the ground in a spectacular fire. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This postcard of the Ozone Hotel and Coffee Palace is significant for its connection to the Victorian-era hotel. The hotel was a luxury facility that attracted visitors to the town by sea, rail and road. The postcard also represents the short period in which the hotel operated and the notable, unforgettable event of its burning to the ground. Out of the set of nine postcards in this donation, this card is the only one that includes the location of Warrnambool on the back. It is also the only one with text within the outline for the postage stamp and with headings in this font. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image is of a grand three-storey building on a street corner with a tall turret, shorter turrets, and arches on the verandas. The back has inscriptions and outlines for a postage stamp. There is no correspondence written on the card. Jordan Series, printed in Great Britain.Front, in red: “Ozone hotel, Warrnambool” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, ozone hotel and coffee palace, ozone hotel, warrnambool hotel, destroyed by fire, coffee palace

24 NB - Carriage (NB 3rd series) 6 compartments (36) Vehicle Length 29 feet 6 inches ( 8992 mm) Coupled Length 31 feet 4 inches (9550 mm) Width 6 feet 7 inches (2007 mm) Height 9 feet 9 inches (2972 mm) Weight 11 tons Capacity 40 passengers, or 36 with guard's compartment. Built 1906 - 1915 Number Built (1st Series) 6 Number Built (2nd Series) 17 Number Built (3rd Series) 4 In use NB 24 VR Service History NABAB 4.VA - 18/ 9/1909 NWS Built new - circa 1910 - To NAB 4.VA - NAB 4.VA - 18/ 6/1917 - To NB 24.VA - *NB 24.VA - / 6/1926 - Modified AC Malco 19/ 1/1932 NWS Into Workshops - 10/ 5/1932 NWS Out of Workshops (113 days) 21/ 6/1933 NWS Into Workshops - 17/ 8/1933 NWS Out of Workshops (58 days) 28/ 8/1934 NWS Into Workshops - 13/ 9/1934 NWS Out of Workshops (17 days) 9/ 2/1937 NWS Into Workshops - 17/ 3/1937 NWS Out of Workshops (37 days) 31/ 5/1940 NWS Into Workshops - 5/12/1940 NWS Out of Workshops (189 days) 27/ 1/1948 NWS Into Workshops - 29/ 7/1948 NWS Out of Workshops (185 days) 12/12/1954 - Scrapped Body to Eng. Spcl Works 17/ 8/1957 - Traced at Stocktake STET - Return to Register Puffing Billy Service History or Notes NB (3rd series) The Puffing Billy Railway built a guard's compartment built in 24 NB. This reduced the passenger capacity to 36. The car retained its classification as NB in an attempt to emphasise that this was only a temporary conversion. The NBC classification was already in use. One day the guard's compartment will be removed and the vehicle returned to the classification of NB. The guard's compartment has a radio, air brake taps and gauges but no hand brake.Historic - Victorian Railways Narrow Gauge - Passenger Rolling Stock: NB Passenger carriage Passenger carriage 24NB - Carriage (NB 2nd series 6 compartments), Timber body on a steel frame 24NBpuffing billy, 24nb, nb passenger carriage, 2'6" guage, victorian railways, narrow gauge passenger rolling stock

Shows a view looking south from the Town Hall in Swanston Street at Collins Street with a W class, along with many pedestrians, motor cars and passengers boarding or alighting from the tram. In the background is a building advertising "Table Talk" magazine. There is possibly a cable tram signal on the left hand side of the photos by a hop awning. Photo taken after the 1926 conversion of Swanston Street from cable tram to electric trams. 6423.1 - shows the full-size image obtained from an internet - shows tram W2 328 - from Rose Series P10522.Yields information about Swanston Street after the conversion from cable to electric trams.Black and white photograph - one of a series of photo cards from item 6424. has "L" in ink on rear.melbourne, cable trams, swanston street, w class tram, collins street, passengers, traffic, tramways, tramcars, tram 328

Copy of Rose Series postcard #251 showing 'Mountjoy' named as 'Hollywood'. Mount Dandenong and Ridge Roads are visible at the FiveWays intersection along with the TeaRoom/Post Office. c1940Black and white photograph of a bushed setting with a building centre front and another, larger building up hill on RHS. Two unmade roads are visible with fences and telephone/power poles.The ROSE SERIES P. 251 VIEW SHOWING "HOLLYWOOD". KALORAMA, VIC.rose series, fiveways, guest house, mt dandenong road, ridge road, post office, hollywood, tea rooms, mountjoy