The Storey Dance Orchestra was formed in the 1920s by Arthur Storey, playing voilin & banjo, sister Rita-saxaphone,Jean and brothers Bob and Ben. Later, their mother, also Jean, an accomplished pianist and supporter of the orchestra, filled the pianist role after Jean left home to further her career. The car in the photograph was paid for with orchestra earnings. Their music involvement enabled a large family to sustain the farm during the 1920s and 1930s. World-War-Two intervened, this saw the Storey Orchestra disperse, Bob joined Jean in Melbourne, where they continued their musical careers. Ben joined the war effort, leaving Arthur on the farm. Con Taylor played on with a local Dance Band.The photograph tells of the important part that music played in the social structure of families and the wider community, and provided another means of income in the depression years of the 1930s.B&W print of the Storey-Dance-Orchestra, 1937/38, Ben Storey-banjo, Jean Storey-piano, Bob Storey-saxaphone-clarinet, Con Taylor-saxaphone, Keith Baker-trumpet, Jack Proctor-drums. The car,a Ford Rego.No Vic 21695 Noneclothing, musical instruments, storey, men women, dance orchestra, 1937 38, motor vehicles

The British Empire Exhibition was opened by King George V on St George's Day, 23 April, 1924. Its official aim was "to stimulate trade, strengthen bonds that bind mother Country to her Sister States and Daughters, to bring into closer contact the one with each other, to enable all who owe allegiance to the British flag to meet on common ground and learn to know each other". The Exhibition was also the first occasion for which the British Post Office issued commemorative postage stamps Many souvenirs were made to commemorate the exhibition. This tea caddy, produced by Lipton's, includes the exhibition's official mark of the stylised lion designed by F. C. Herrick.This item is a souvenir of a historic event which took place in the first half of the 20th century.A Lipton's souvenir brass tea caddy from the British Empire Exhibition of 1924. The lid fits on to form a sphere. It has a knob on the top"Lipton" on bottom. "Lipton's souvenir tea caddy British Empire Exhibition 1924" on top. A lion on the side.souvenir container tea-caddy lipton-thomas british-empire-exhibition

The original owner of the evening bag was Elizabeth (Betty) McGregor. The bag was a gift from her husband, Ian McGregor (Managing Director of Ingersoll Rand), during a trip to Europe. The bag was purchased in Burlington Arcade, London in 1955. An accompanying photograph shows Betty, in attendance at a Captain's cocktail party with the evening bag on her arm. Betty was the best friend of the my mother, and not having children of their own, Betty and Ian were very good to my sister and I. Betty gifted the bag to me in 1983. As a Kew resident, it gives me much pleasure to pass on this evening bag to the Fashion & Design collection of the Kew Historical Society. (Kate Reeve, 2022)Small brass evening bag, covered with black silk and rhinestones. The box is of a flattened cylindrical shape with a looped handle. The lid of the bag is hinged on one side and contains a mirror on its interior. Inside the evening bag is a small black silk purse attached to the bag with a brass chainNilfashion & design - 1950s, accessories, evening bags

Arthur Henry Miers, pictured back row left in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Modern print copy of an original photograph of a Kew Baseball Club team at Victoria Park, Kew in 1948.Donor notes: BACK ROW: ARTHUR MIERS; ??; FRANK CULLEN, MICK HENLEY; FRED PICKERING; ?? / CENTRE ROW: JACK SIMONTON; MAX ROGERS; CLAUDE BRAY - PITCHER AND GEORGE WAKEFIELD / FRONT ROW NORM LEES AND UMPIRE - AT Victoria Park / TO RIGHT OF TEAM: BETTY MIERS - SCORER / C. LATE 1940Skew baseball club, baseball teams, sports -- kew (vic.), arthur miers

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 12 New Series; Pink Cover; Size 29.5Hx14.5W; 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter,sidney weetman, blackburn, farm and home, mr and mrs e. j. d. abraham, mr and mrs j. e. muir, m. l. miller, henry harrison brown, beech forest, mr hood, washington state school, olaf hanson, ella wilcox, e. cork, the manchester conference, french national conference,

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 13 New Series; Size 29Hx14W; 24 pages (2 copies)deaf newsletter,vicdeaf, newsletter, deaf and dumb newsletter, alice butteridge, lone hand, c. a. jeffries, adult deaf and dumb society, lake park, blackburn, victorian deaf and dumb institution, ernest j. d. abraham, mrs abraham, miss a. graham, our monthly letter, victorian deaf school lacrosse club, adult deaf cricket club,f. j. rose, john jennings, matthew robert burns, henry weedon, agar wynne, w.s. keast,r. solly, e. r. peacock, h. sumner martin, harold kent, g. g. mercy, w. a. dickens, hugh munro, m. l. miller, mr mcbride, dr mccallum, young men's club, sol moss, oriana, eustace miles, robert p. macgregor, world's congress of the deaf, b. f. austin

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 16; Pink Cover; Size 29Hx14W; 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter, deaf and dumb newsletter, deaf and dumb society of victoria, ernest abraham, h. sumner martin, r. j. oehr, harold kent, adult deaf lacrosse club, our monthly letter,

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.Pink Cover 29cmHx14cmW, 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter, deaf and dumb newsletter, deaf and dumb society of victoria

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 1 New Series; Pink Cover; Size 29cmHx14cmW; 24 pagesdeaf cyclists, asylum, burnside, beale, blackburn, flower farm, lake park, xmas rally, new south wales, queensland, james lovett, nellie favison, athur renwick, thomas simpson, western australia, south australia, ostock, barrett townsend, iddleby

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.No. 7; Pink Cover; Size 29Hx14W; 24 pagesdeaf newsletter, vicdeaf newsletter, australian deaf newsletter, deaf and dumb society of victoria, deaf and dumb newsletter, new zealand school for the deaf, hon r. seddon, ernest j. d. abraham, l. miller, a. c. muir, mr and mrs burke, tasmanian school for the deaf, harold gregory, adult deaf and dumb building, samuel gillott, e. newbigin, h. sumner martin, councillor weedon, ernest r. w. smith, e. a. starcke, thomas bent,

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australasian Deaf.No. 3; Pink Cover; Size 28Hx22W; 16 pageshelen keller, ernest abraham, m. miller, j. charles, r. k. beattie, j. anderson, g. stubbs, j. mclean, j. e. muir, w. p. muir, w. a. patterson, r. h. luff, j. dempsey, e. r. w. smith, e. burke, f. e. frewin, l. downes, g. mortimer, a. c. muir, mrs frank frewin, mr and mrs i. a. tenney, melbourne deaf mute cricket club, deaf young men's mutual improvement society, m.miller, young women's society, mrs j. e. muir, miss a. foster, mrs luke, mrs a. wilson, mrs j. martin, captain olden, rev h. kelly, mr hood, mr williamson, john e. muir, w. p. monahan, thomas h. monahan, mrs leslie downes, new south wales institution for the deaf and dumb and blind, g. a. f. lentz, thomas pattison, australian deaf and dumb congress, matthew l. miller, blind deaf and dumb institution in queensland, tasmanian school for the blind, deaf and dumb, western australian school for the deaf and dumb, south australian institution for the blind, deaf and dumb, j. a. gibson, c. hawkins, mr showell

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australian Deaf.Printed Cover, Size 28Hx22W, 16 pagesernest abraham, rev h. r. haweis, dean parkyn, samuel johnson, south australian institute for the deaf and dumbw. h. bostock, william townsend, sir john colton, sir e. t. smith, a.c. w. cox, parafield, miss clifford, mr gregory, c. h. goode, d. nock, w. herbert phillips, mr angas, james a. gibson, ballarat, maffra, sale, bairnsdale, warragul,

There is a brass plaque that states: THIS PLAQUE IS IN MEMORY OF DORA CHAPMAN daughter of William and Estelle Chapman CALLED HOME WHILE PLAYING THE ORGAN ON THE OCCASION OF THE 30TH ANNIVERSARY OF THE SILVAN CHURCH. SEPTEMBER, 27TH 1936 DORA WAS A SISTER TO MR ERNEST CHAPMAN On another plaque it states: THIS ORGAN WAS A WEDDING PRESENT TO ERN AND BERYL CHAPMAN AND WAS DONATED TO MONT DE LANCEY IN THE YEAR 1994 BY MAVIS, BOB, LES AND ALBERT CHAPMAN The organ was a present from Mr Ernest Chapman and his bride on the occasion of their wedding on October 26th 1927. The organ was made in Meriden Connecticut USA by Wilcox and White in 1885. A date inside the organ indicates that it was last tuned June 16th 1900. A highly decorated, delicate ornate carved wooden pump organ with a round mirror set back into the front panel. It has a sheet music rest or shelf with an opening lid to store sheet music inside the cupboard. There are two side shelves with five knobs on each at the front. It has a keyboard with thirteen stops below. Next to the key stops above the keyboard is gold lettering with 'Wilcox & White Meriden. Connecticut. USA.There are two brass patterned pump foot pedals below: the left one has 'WILCOX' stamped on it, the right pedal has '& WHITE' stamped on it and the metal is damaged from use. There are two carved levers underneath the keyboard: the left one has a sticker saying "Grand Organ", the right one's sticker says, "Knee Swell". There is no stool.The brass covered left foot pump pedal has 'WHITE' stamped on it, the right pedal has '......' stamped on it. There are two carved levers underneath the keyboard: the left one has a sticker saying 'Grand Organ', the right one's sticker says, 'Knee Swell'. The manufacturer : WILCOX AND WHITE is printed in gold letters on ......The thirteen 'stops' all have different musical terms printed in a sticker. e.g...............parlour organs, cabinet organs, harmoniums, pump organs

An example of a souvenir issued to commemorate Legacy's 90th anniversary. It says: "90th Anniversary of Legacy 1923-2013" There was a reunion of former Junior Legatees at Government House in 2013 to celebrate the 90th anniversary of Legacy. The handkerchief was donated back to Legacy from the family of Jacobina (Jackie) and Marjorie Bristol, sisters who were both junior legatees in the 1930s and 1940s after their father passed away, he was a World War 1 veteran. Jacobina later became Jackie Wood and Marjorie became Marjorie Bachmann. Also donated were girls' uniform, a photo of the girls at calisthenics classes, a junior legatee certificate and a $100 Legacy badge. These are catalogued separately at 01948 to 01952.A record of an item produced by Legacy to celebrate the 90th Anniversary and given out to former Junior Legatees at a reunion.A white handkerchief with the Legacy torch and text 'Legacy 90th Anniversary 1923-2013' stitched in blue thread in a cardboard sleeve. Embroidered "90th Anniversary of Legacy 1923-2013" in blue thread.90th anniversary, junior legatee, reunion

Ramon (Ray) Francis Honisett (11.04.1931 - 30.08.2019), Fellow RMIT and medallist specialised in philatelic design, marine and military aircraft painting art and was active in the 1960s - 1990s. Ray Honisett used to live in Rye, in the Mornington Peninsula. According to Gavin Fry's book: The painting likely depicts the Lysaght Endeavour loading at Hastings. "The Lysaght Endeavour and its sister ship Lysaght Entreprise were built in Newcastle in 1973 specifically to serve the regional steel industry on the route Port Kembla - Westernport - Adelaide. Even after being lengthened by 17 metres, the two ships had remarkably short working lines, with both being broken up by 1988."Maritime artLarge framed unglazed landscape format painting predominantly green depicting in foreground a merchant vessel, a roll-on roll-off cargo ship moored at a single quayside on a river or river mouth. The middle ground shows a moderate solid jetty leading to large storage sheds at right. The background appears primarily rural with fields and hills in the distance. The location is probably Hastings Western Port in Victoria - notice the forklifts loading rolls of steel produced at the nearby steel rolling mill - the buildings in the distance. You can see the rolls of steel lined up on the hard stand to the right of the ship. The funnel colours suggest the Australian National Line. The frame incorporates a beige fabric slip with gilt edge the actual dark wood frame also with inset banded gilt edge. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks.at lower right corner single uc word in black paint : "HONISETT"tankers, marine painting, maritime art, ramon honisett, ray honisett, anl maritime art prize, acta maritime art prize, hastings, western port, victoria, steel, roll on roll off, forklift, mornington peninsula, artwork-paintings

Cards relate to R.H. Baron's time at Hurdcott AIF Camp during 1918. Part of the "Robert H. Baron", No. 3596, and Cooper Collection. See Catalogue No. 1981P for details of Baron's service.1. Black and white newspaper clipping pasted onto a piece of cream card. Clipping features a black and white photograph of a map of Australia carved into the side of a hill. Caption in black type below photograph. 2. Black and white postcard style photograph of a map of Australia carved into the side of a hill. 3. Plain cream coloured postcard with YMCA logo and AIF insignia at the top. Handwritten address on front and handwritten letter on back.1. Handwritten in black ink on back: 'This map has been cut in the hill and is only about 10 minutes walk from here, Bob' 3. Handwritten in black ink on front: 'Miss M. Baron, 208 Forest St. Bendigo, Victoria, Australia'. Stamped in black on top R.H.C. of front: 'Postmark - AIF Camp P.O. No.4, 18,' Handwritten in black ink on back: 'Letter to R.H. Baron's sister Myrtle from Hurdcott Camp dated 3.11.18.'robert h. baron, cooper collection, postcards, hurdcott aif camp

The photograph shows Tottie Todd with her Tainsh relatives - her cousins Lizzy Tainsh and Jane Hicks, and her uncle (by marriage) Thomas Hicks. Tottie was born Eliza Jane Todd to parents John Todd and Jane Tainsh in 1883.Black and white photograph taken at the wedding of Eliza ("Tottie") Todd and Alex Begg. Photograph shows groom and two other men in formal attire, bride and attendant in long gowns holding flower bouquets, two flower girls in short dresses and large hats, one standing the other seated in front of her on the floor, both holding bouquets."Bride "Tottie" Todd, groom Alex Begg, Bank Manager Kerang. Right hand end: Thomas Francis Hicks. From left to right: Lizzie Tainsh, daughter of William Tainsh and cousin of Tottie Todd; Charlie Bennett of Linton; Tottie (nee Todd) Begg; Alex Begg; Jane Hicks, daughter of Thomas Hicks; Thomas Francis Hicks, uncle of Tottie; front Lily Todd, sister of Tottie." "Mrs Todd made flowers / no wire used".tottie todd, weddings, thomas francis hicks, lizzie tainsh, charlie bennett, alex begg, jane hicks, lily todd

Standing L-R: Phillip Shillinglaw, Elizabeth Docherty (nee Shillinglaw), John Docherty, Florence May Bunker (nee Shillinglaw), possibly Alice Balmira Aldous, Ernest Samuel Shillinglaw Kneeling: Caroline (Carrie) Watson (nee Shillinglaw), Mary Ann Shillinglaw Seated: Ann Shillinglaw with possibly Phillip Alan Bunker on knee, Elizabeth (Lizzie) Ann Shillinglaw and possibly Edward Ernest Bunker, possibly Ethel Vera Aldous (in front), either Sarah Aldous or Caroline Shillinglaw, Ada Maria Shillinglaw with possibly Ethel Myra Bunker The date on the back in very feint pencil appears to be "Jany 1st 1909" Possible that the woman between Mary and Ada (clearly Phillip's sister) currently identified as Caroline Shillinglaw may actually be her elder sister Sarah Aldous nee Shillinglaw and that the girl behind her is her youngest daughter Ethel Vera Aldous who would have been 11 at the time. Or it could be Alice Balmira Aldous who was 14 at the time and Ethel Vera is the girl lying in front. The other possibility is that the date is not 1909 and the three youngest are all Bunker children. PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, 1909, ada maria chrisfield (nee shillinglaw) 1889-1974, ada maria shillinglaw (1889-1974), alice balmira aldous poss, ann shillinglaw (1861-1940), caroline (carrie) watson (nee shillinglaw) 1876-1956, edward ernest bunker poss, elizabeth (lizzie) ann shillinglaw (1879-1972), elizabeth docherty (nee shillinglaw 1861-1942), ernest samuel shillinglaw (1888-1958), ethel myra bunker poss, ethel vera aldous poss, florence may bunker (nee shillinglaw) (1886-1969), john docherty, mary ann shillinglaw (1880-1963), phillip alan bunker poss, phillip shillinglaw (1842-1914), sarah aldous or caroline shillinglaw poss

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the district working from an original settlement map in an effort to cover all areas. The Lundy-Clarke family were related to the Price family through the marriage of two Ross sisters - Annie Ross to Edward Joseph Price and Helen Ross to Robert Lundy-Clarke. Edward Joseph Price took up Lot 1 in the Village Settlement and Robert Lundy-Clarke was persuaded to take up Lot 2. He felt it would be unproductive. He signed it over to Edward Joseph Price and took his family to New Zealand. After his death in 1911 the family returned to the district. The Lundy-Clarke family were related to the Dunbar family as Caroline Dunbar was a sister to Annie and Helen Ross. Agnes Annie Clarke aged 18 daughter of Robert Lundy-Clarke and Helen nee Ross. Born 1893 died 1974. James Ross Clarke aged 12 son of Robert Lundy-Clarke and Helen nee Ross. Born 1898 died 1972. John Lundy-Clarke aged 10 son of Robert Lundy-Clarke and Helen nee Ross. Born 1901 died 1993. John Stewart Dunbar aged 13 son of Andrew Dunbar and Caroline nee Ross. Born 1898. This photograph was taken in 1911 in the grounds of Dunbar's Hazeldene Dairy in Falls Road. Black and white photograph showing four young people outdoors in a group. A girl and boy standing with two boys seated on chairs, one holding a dog. Reverse of photograph has handwritten description by John Lundy-Clarke.1911 Right to left - Agnes Annie Clarke aged 18 daughter of R. Lundy-Clarke and Helen nee Ross. Born 1893 died 1974. James Ross Clarke aged 12 brother of Agnes. Born 1898 died 1972. John Stewart Dunbar son of Andrew Dunbar and Caroline nee Ross. Born 1898. John Lundy-Clarke. Brother of Agnes with "Possum" (Apart from Agnes, not sure of the accuracy of the other name placements)lundy-clarke, john lundy-clarke, robert lundy clarke, agnes clarke, james clarke, john dunbar, andrew dunbar, caroline dunbar, caroline ross, helen lundy-clarke, helen ross, annie ross, annie price, dairy, hazeldene, hazeldene dairy, dunbar's dairy, falls road

The child's silk smocked dress with feather stitching is believed to have been worn by Mary Hodgetts, sister of the donor's mother. The dress is estimated to have been made in c.1919, but from its style it may date from the 1900s. This would not be uncommon as children's clothing was often 'passed-on' or reconfigured to fit a new wearer. Mary Hodgetts grew up in Kensington Park, Adelaide. As an adult, Mary enlisted in 1941 to the 1st AWAS camp. After six months she volunteers for the 58th AASL (Anti Aircraft Searchlight Battery). She was sent to Sydney where she attended Training School with 33 males and one other female. Mary was the first AWAS to receive a Commission in the RAA (Royal Australian Artillery). Mary Downer was one of many under Mary's command on returning to Adelaide. After a March through the streets of Adelaide, most of the unit transferred to Western Australia (Fremantle area) in 1943 and were scattered amongst the 55th and 65th AASL Batteries. At the conclusion of WW2, Mary travelled to Melbourne to be with her sister and studied Accountancy. She first lived in Mary Street, Hawthorn, and then bought a unit in Harcourt Street, East Hawthorn. During this period she worked as Bursar to St Catherine's Girls' School. On retirement, she purchased a house in Edgecombe Street, Kew, and lived there happily for many years. During this time she was active with the Kew Meals on Wheels, receiving her 10-years of service certificate. Mary Hodgetts died in 2018.Child's clothing associated with the history of a significant Australian woman who served with the 2nd AIFChild's silk smocked dress Shoulder width 26 cm / Length 52 cmmary hodgetts, 58th aasl (anti aircraft searchlight battery), children's clothing, women- ww2

Brothers Davis and Lowell Chamberlain, along with their sister Izanna, established what became known as the Chamberlain Medicine Company in 1873. The Des Moines, Iowa-based company eventually stretched to Australia, Canada and South Africa. Chamberlains Colic and Diarrhea Remedy used alcohol, ether, and chloroform to soothe upset stomachs. The company also sold a cough remedy, liniment, pain relief balm and lotion. Chamberlain’s Colic, Cholera and Diarrhea Remedy was one of many thousands of patent medicines that made incredible, and often false, claims about their effectiveness, and became tremendously profitable. Eventually government regulations were put in place to prevent medicine manufacturers from making unfounded claims about their products.This item is an example of a typical "over the counter" patented medicine commonly used by families. It reflect the changes in public health, medical practice and research over the last century.Small green tinted medicine bottle. Writing on front. Cork is attached with wire handle.Front-Chamberlain's Colic & diarrhea Remedy Side- Sydney NSW Side Chamberlain's Ltd Bottom-1185bottle chamberlain's medicine remedies

This book was given to Henry Huntingdon Smith in 1918 by a grateful sister of a soldier killed in World War One. Private Percy Palmer was listed as coming from the Warrnambool area even though his enlistment place was given as Bannockburn. H.H.Smith (1857-1941) is an important figure in Warrnambool’s history. He had a bakery business at the corner of Lava and Fairy Streets. He was a Warrnambool Councillor and Mayor, a Hospital Committee member for 39 years, a Methodist church office-bearer and an active worker for the welfare of local returned soldiers. It was said that he greeted every returning soldier at the Warrnambool Railway Station. Mrs Sharpe was one of those who benefited from his solicitude and kindness. This is book is of antiquarian interest but more importantly it is a lovely memento of Henry Smith’s untiring concern for local soldiers returning from World War One and for their family members. This is a hard cover book of 38 pages. The cover is blue with gold lettering and gold ornamentation on the front and back covers. There are two sepia-coloured photographs of Melbourne at the front of the book and two blue stamps of the Warrnambool and District Historical Society at the front and the back of the book. The pages of the book have become detached from the binding. The inscription at the front of the book is handwritten in purple ink. ‘Melbourne, Aug. 28, 1918, To Mr H. Smith as a small token for kindness shown on behalf of my dear late brother, Private Percy Palmer from N. Sharpe.’ private percy palmer, world war one and warrnambool, henry huntingdon smith, warrnambool history

Possibly sisters to Sarah Ann Shillinglaw (nee Kidd) The Kidds lived at Diamond Creek CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 2, 1885, cabinet photo, diamond creek, female shillinglaw 2, female shillinglaw 3, house, kidd family, unknown

This book The Poetical Works of Thomas Hood was awarded to Margaret Jane McGowan as second prize for Latin and Class work. Margaret was one of the first enrolments to Clarendon Ladies' College at the age of 12. Margaret's father, Samuel, and mother, were personal friends of the Reverand Robert and Mrs. Kennedy. Margaret attended school in the same class as the Kennedy's eldest son Tom who was 11 at the time. Margaret's sister Edith was the 2nd enrolment to the college. Margaret resided at 15 Royal Terrace Webster Street, Ballarat. Her parents were employed as Carrier and forwarding agents. Margaret's married name became Steele. Archives also hold a second book prize awarded to Margaret (000126). Socially significant due to connection with first prize-giving ceremony for Clarendon Ladies' College. Blue and gold decorative cloth cover, corners and edges rubbed, page edges gilt, gold lettering on front cover and spine; embossed border on back cover; two black and white plates; 414 p. Book plate inside front cover: CLARENDON LADIES' COLLEGE/BALLARAT/Second PRIZE/ Latin and Class work/AWARDED TO/J McGowan/R KENNEDY PRINCIPAL/18TH December, 1879 Hand-written inscription on flyleaf: This book was a Prize/at the first Prize-giving/of the College/The College having been/ established/in 1878. margaret-j-mcgowan, elizabeth-kennedy, robert-kennedy, tom-kennedy, clarendon-ladies-college, latin-and-class-work, book-prize

The post card features a view of the two storey Rupertswood Mansion which was built in Sunbury by Sir William Clarke in 1874. It had 50 rooms as well as a cellar and outbuildings ands built of bluestone. The tower is 100'(38.5metres) high. The card was sent by Waddy Paterson to his sister, Gladys, who was living at 89 Stirling Street, Perth in WA. He wrote the following message: "Dear Gladys, Keith and Waddy are having a grand time and we are here with Grandma and Auntie Anne in Sunbury we will be home soon now we leave by the SS Caroola on Wednesday 7th Dec. So be good until we come home your loving Waddy & brother Keith." Rupertswood Mansion is an important historic building in Sunbury and has had many functions over the years. A sepia photograph in post card format of a large mansion with a tower in a garden setting. A message has been hand written on the back of the card.RUPERTSWOOD/ SUNBURYrupertswood mansion

Date is approximate. His full name was William John Willaton - Service Number - VX68674 : Date of birth - 20 Mar 1909 : Place of birth - SURREY HILLS VIC : Place of enlistment - CAULFIELD VIC : Next of Kin - MURIEL WILLATON He was the son of Herbert Charles Leopold Willaton and Lily Jenkins and had a sister Lille Louise (Lil) who taught callisthenics and dance in Surrey Hills. Photo references also in this collection. Bill married Muriel Pearl Blake in 1935 and they lived at 18 Grovedale Road. He died Heidelberg in 1972. Bill was a driver (carter) for C E Gray & Son, bakers of Canterbury during the 1930's also recorded in this collection.Black and white photo of Bill Willaton in army uniform including a slouch hat. He is standing with his arms behind his back in front of a fairly young deciduous tree beyond which is a boundary fence and a timber building with a tiled roof. A child's pedal-car can be seen adjacent to the house of the garden. world war, 1939-1945, uniforms, william john willaton, bill willaton,

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

These gloves belonged to Maria Frisch who had survived a number of concentration camps during the war and emigrated with her daughter Anne to Australia in 1948. Maria and her daughter Anne were Polish Jews. As a small child Anne had been smuggled out of the Krakow ghetto in 1942 and was taken in by a Polish woman. At the end of the war Anne was reunited with her mother in Krakow. In 1945 they travelled to Italy to be with Maria's sister Ida who had lived in Florence since the 1930s. When Maria and Anne emigrated to Melbourne, they lived in Martin Street, Brighton. Maria's husband, and Anne's father, perished in Mauthausen concentration camp. Maria Entenberg married Jack Frisch in Melbourne in 1952.Pair of black suede gloves with original paper bag from Florence. The gloves are embroidered with small pink rosebuds and green leaves. They are unused and are still tacked together. T0098.1 - left glove T0098.2 - right glove T0098.3 - paper bagPaper bag, printed in blue and red: "Vasto assortimento GUANTI in pelle / A LARGE STOCK OF KID GLOVES / BEFORE YOU BUY, VISIT US / ELEGANCE AT LOW PRICES / MARIA PIA NICCOLINI / P.za S. Lorenzo Stand N. 21 / FIRENZEgloves, florence, emigration, holocaust, maria frisch, anne gouttman

David Andrew was born in Castlemaine in 1866 and moved with his family to Bendigo in 1871. He took over his fathers auctioneering business which was situated on the corner of Hargreaves and Williamson Streets in 1893. David Andrew married Myra Swan McIntyre in 1888 and they had two children. After the death of Myra in 1892 aged 27 he married Myra's younger sister Clare and together they had a further two children. David Andrew was a prominent member of the old Bendigo Caledonian Society, Captain of the Bendigo Fire Brigade, a member of the Bendigo Masonic Lodge and for many years Secretary of the Easter Fair. He served as a Councillor from 1904 - 1925 and Mayor 1909 - 10 and 1913 - 14.Event program for the Mayor's Ball. Gold and purple print on white and cream card. Half fold with menu and wine list inside. Back cover has portrait of both the Mayor and Mayoress.Front cover: Mayor's Ball / 1910 / (Picture: City of Bendigo Coat of Arms) / MENU / Cr. D ANDREW, Mayor. / TOWN HALL, BENDIGO, / July 1910.bendigo town hall, making a nation exhibition, councillor david andrew, mayor andrew, bendigo caledonian society, bendigo masonic lodge, mayoress myra andrew, clare andrew, city of greater bendigo ceremonial item, city of greater bendigo events