Formal group photograph of 22 person. R.J. L. Cotsell, David Caro, Stafford McKnight, David Haymes, B.K. Dixon, Robert T. Morrell, Trevor Hastings, W.R.R. Beggs, William H. McGregor, Rex Hollioake, L.M. Francis, M.N. Valentine, Pam Davies, W.D. McGrath, Dick de Fegely, D.W. James, Geoff Blainey, William J. Pryor, A.D.C. Fisken, I.S. Ferguson, J.M. Torney, H.J. Williamsonuniversity of ballarat council, david caro, david haymes, bill mcgregor, rex hollioake, dick de fegely, david james, geoffrey blainey, j l cotsell, s w mcknight, b k dixon, r t morrell, t r hastings, w r r beggs, l m francis, m n valentine, p r davies, w d mcgrath, w j pryor, a d c fisken, i s ferguson, j m torney, h j williamson

Telegram with coloured scene of trees,hills and water at the top of page with AWA in a circle at the top centre. Beam Wireless printed underneath. Stamped Telegraphic Office Bendigo Vic, dated 23 De 38. Telegram is from Baillie, 4 Ovington Gardens. London to Abbott, Bendigo Electric Company, Market Square, Bendigo. Message reads Scalebuoys having sold Italian Patent Want your signature to transfer stop May I sign.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, awa, beam wireless, abbott, bendigo electric company, telegraph office bendigo, baillie

Used by donor in 'Blackburn - a picturesque history'Black & white photo of United Free Methodist Church built in 1888 in Chapel Street. Re-sited in 1902 to cnr. Whitehorse Road and Melvin Street, Ringwood.|The United Free Methodist began working in Blackburn in Sept 1888, when an allotment was presented to church by Blackburn Company. (Freehold Investment and Banking Company).|Original Church built by Mr. Williams - cost 200 pounds.|First service held in 1890. Page 65 of De Costa Book.united free methodist church, chapel street blackburn, blackburn methodists, freehold investment and banking company of australia ltd

A Wilson Famous Player Series, Maureen Connolly Match Point tennis racquet. Base of head features Wilson logo. Throat features gold fleur-de-lis device. Shaft features decal head and shoulders image of Connolly. Cloth butt cover features blue 'W' trademark. Leather handle grip features quatrefoil perforations. Materials: Wood, Nylon, Leather, Ink, Glue, Lacquer, Metal, Paint, Ribbon, Adhesive tape, Clothtennis

Small, self-published, paperback recipe book published by the Ladies' Auxiliary of the 1st Kew Scout Group. The book of recipes was compiled in 1967 from a selection of favourite recipes submitted by the Ladies' Auxiliary and their friends. A preface, written by the President of the Auxiliary, Margaret Jones, acknowledges the role of Miss Bet. De Hays who typed the stencils as well as assisting in the booklet's preparation. The purpose of the book was to raise funds for equipment to be used by members of the 1st Kew Scout Group.non-fictionPaperback with red cover inscribed with the title. Inside a preface including acknowledgements by the President of the Auxiliary. Printed recipes with some annotations by the owner. Text typed onto stencils then printed and assembled by members of the Auxiliary. The 1st Kew Scouts was one of the first Scout Troops in Victoria, being formed in 1909. From 1927 they met in a Scout Hall in Disraeli Street, Kew until it was demolished in 1993. Still operating from their new Scout Hall on the corner of Kilby Road and Kellett Grove, Kew.recipe books, 1st kew scout group, booklets

Monument Hill Consolidated (Bgo.) N. L. to Miss G. Alice Jones. Pink paper dated May 10, 12 1939. Also dated 24 Aug 1939 and 2/10/39. Re North Deborah Shares. Instructions to advise on power of directors to sell these shares. Perusing Rules of Co. Letter to you advising on directors' powers to sell. Cost £1.1.0. "R677 de. 24/8/39" written in top left corner.miss g. alice jones - solicitor - account, monument hill consolidated (bgo.) n l, north deborah shares

Vase & Jug made from shells brought home by Gunner Harold Salmon VX32173, enlisted 18.06.1940, discharged 17.09.1945.1 Jug, made from shell casing and silver or chrome plated. Handle is made of rifle cartridges soldered on. .2 Brass casing for "shotgun" type starting system for English Electric engine..1 Stamped on side "Syria", base has "75 DE C ATL 953 18C" .2 On base "Cart Elec Eng Start ME 79/2 87 ME 7/80", stamped in black ink "N010 Mk2"arms-ammunition, metalcraft-brassware, epns, trench art

Donated by Helen Dudley (1945) 18 December 1991 for the Centenary Year.3 black and white photographs of a student ballet beside the Lily Ponds which ends in one student being thrown into the Lily Pond.(1) On reverse, "1944-1945 Helen Hanna, Mary Hume, Rhonda Shaw & Elise de Wilston. Lawn near ponds." (2) On reverse, "1944 Pond throwing episode." (3) On reverse, "Rhonda Shaw having been thrown into pond."helen dudley, centenary, helen hanna, mary hume, rhonda shaw, elise de wilston, lawn, pond throwing, lily ponds, luffmann ponds

Picnic in the bush. Probably Black Ranges. Church group.Black and White Photograph of a group of people in a bushland setting. Women wearing long dresses with large hats. Photograph cropped.Dear Mert, There's nothing like keeping up appearances so you see I got as near the Parson as possible. How do you do di de do how as you do de do di do etc. is Jimmy living where hes living now or has he gone away. From yours sinc. M the other side. P.S. don't run away with the idea that it was Jack I was edging up to. Forgot your number its late to go over home. stawell

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 50% of original electroplating remains, with traces of verdigris. Four of five makers marks on lower rear of spoon handle are legible: (1) Trade Mark (2) Resurrection Cross (3) Maltese Cross (4) Fleur de Lys.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks

A variety of Vegemite jars: 115g jar with yellow plastic lid (manufactured 2008), standard labelling; 145g jar with red metal lid (manufactured 2010), special labelling 'New, Name Me', possibly first edition of 'Cheesymite'; 235g jar with orange plastic lid (manufactured 2016), labelled as 'Reduced Salt', part of the 'Beat the Drum Campaign' to support Australian Olympians in Rio de Janeiro.Shows the variety of this common spread.3 Vegemite glass jars, different labels and sizes. Plastic or metal lid, paper or plastic labels.vegemite jars, kraft foods

The members of the Wickliffe RSL in 1962. From left to right, Back: Alec McAndrew, Lyle Steel, Harry McIntyre, Clair Cooper, F Dunmill, Keith Grimmer. Middle: Col McMurray, Ken Gorst, R Arthur, Wes Sharrock, Ron Otto, Robert Allen, Jack Butler. Front: Don Laurie, Phil de Crespigny, Peter Staughton, G McColl, Dick Purbrick, Col McIntyre.wickliffe, rsl, allen, arthur, butler, cooper, de crespigny, dunmill, gorst, grimmer, laurie, mcandrew, mccoll, mcintyre, mcmurray, otto, purbrick, sharrock, staughton, steel

Ordered in 1938 to replace the aging ships on the Dutch East Indies route, her keel was laid in 1939 at De Schelde shipyard in Vlissingen, Netherlands, for Rotterdamsche Lloyd (now Nedlloyd). Interrupted by World War II and two bombing raids, the ship was finally launched in July 1946, as Willem Ruys. The ship was named after the grandson of the founder of the Rotterdamsche Lloyd who was taken hostage and shot during the war.B SmythA framed oil painting of the Dutch vessel Willem Ruys which was later refitted to become the Lloyd Triestino 'Achille Lauro'.Willen Ruysmv willem ruys, ms achille lauro, migrant ships

In 1870 the Earl de Grey was Grand Master of England, but his rule was short lived. After being converted to Roman Catholicism, he felt it was essential that he resign from Freemasonry as his church at the time was opposed to Freemasonry. Albert Edward Prince of Wales, later King Edward VII, readily accepted nomination as Grand Master of England and continued in office until his Accession in 1901.This portrait the Prince of Wales was painted by Thomas Flintoff. It is held within a very elaborate gilded frame which comes apart in 3 sections and is one of only two known types existing.Portrait oil painting of Prince Albert on canvas stretched over stretcher/strainer. Framed in a very elaborate qilded wood and rosen frame. Heavy ornamentation on top and bottom of the frame. Signed: 'T. Flintoff 1880', Placque: 'Grand Master U.G.L. of England 1874-1901 H.R.H. Albert Edward Prince of Wales by T. Flintoff'. portrait, painting, his royal highness albert edward prince of wales, freemasonry, freemasons, freemasons victoria

Supported by volunteers and friends, and with some members accompanied by their guide dogs, the Illawarra Troopers was a drama group for visually impaired people. Their first concert was held in 1977, and the group continued to entertain local audiences for many years. Illawarra Troopers: a visually impaired drama group (inauguarated 1977) Members Roll: Geoff Cortous, Dulcie David, Les Littleton, Gladys Downs, Hester Whiteside, Eileen McDonald, Peg Clark, Ralph Chamberlain, Albert Smith, Nora Cooper, Arthur Williams, Pat Baum, Ivy Mallet, Mary Chettle, Ethel Jardine, Peter Tapp, Jack Lambert, John Philipson, Len Hoyle, Rob Archibald, Daisy Stepnell, Neville King, Alice Sloan, Ada de Medici, Eric de Medici, Patricia Harrison, Llona Smith. Guide Dogs: Inga, Yvette, Igor, Rene, Leonardo. Producer: Jo Kirtley. Assistants: Judy Phillips, Val Anderson, Maisie Littleton, Dorothy Nicholls, Florence Mlodawski. Troopers Theme Song: Words by Olive FoleyPicture of wooden board with engraved names of the Illawarra Troopersassociation for the blind, nameplates

A Carte de Visite (hereafter CdV) (also known as a calling card) was popular within the mid-19th Century. It is a small card with a photographic portrait mounted on it. These cards were exchanged during the Victorian era (peaking in the 1860s) between families and friends. This particular CdV was captured by James Bray in c.1870. Bray who worked as a professional photographer in Camp Street Beechworth from 1870-1891. He was one of four men who photographed the Kelly Gang after the siege in Glenrowan in 1880. He is also renowned for his previous work photographing members of the Kelly gang. Depicted in this photograph is Isaiah “Wild” Wright. Wright was born in approximately 1846 in County Monaghan, Ireland. At age 11, Wright arrived with his father John Wright, mother Margaret and younger siblings in Victoria on the 9th of July 1857. They sailed on the ship ‘Carleton’ which left from Liverpool in England. Wright was stood 5 foot 11 inches tall and had brown hair with hazel eyes. He had a scar on the inside corner of his left eyebrow, a large scar on his right cheek and a scar on the back of his head. Over the years in Australia, Wright was sentenced on numerous (particularly of horse theft) charges and spent time in Pentridge, Hulk Sacramento and Hulk Sandridge. Wright married Bridget Lloyd in 1973. Through this marriage he was connected to the Kelly family as Bridget’s mother was one of Ellen Kelly’s (Ellen was the mother of Edward “Ned” Kelly) sisters. Wright is famous for his participation in the horse stealing incident of 1871 and subsequent bare knuckle fight against Ned Kelly that occurred in 1874. In 1878, Bridget and Isaiah Wright became parents to John "Jack" Thomas Wright. Jack Wright was an Australian rules footballer who played for Geelong in the Victorian Football League 1902-1906. Wright passed away on the 29th of May 1911.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Individuals like Isaiah “Wild” Wright played an essential part in the Kelly story which have been enlarged and adapted for popular culture. The study of these individuals thorugh their images and records can help researchers to correctly interpret their involvement with Ned Kelly and the Kelly gang. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Beechworth photographer James Bray who is responsible for many images depicting members of the Kelly Gang. Sepia oval CDV printed on Card. Obverse: J.E. Bray/ Photo Reverse: 10238 Portrait & Landscape/ Photographer J E Bray Signature Beechworth/ Victoria/ Negatives Kept. Copies 5I/. Each May/ Be Had By Forwarding Name And Address/ Accompanied With Remittance To/ The Amount Of Order/ Photographs Coloured In Watercolourskelly album, kelly gang, beechworth, wild wright, boxing, burke museum, imperial hotel, bare-knuckle boxing, isaiah wright, ned kelly, isaiah wild wright, horse theft, hulk sacramento, calling card, pentridge, james bray, cdv, carte de visite

Soft cover, glossy paper. Black print on gold background showing soldiers in silhouette. Front cover to page 20 printed in English. Back cover to page 20 printed in French. 20 English & 20 French cut, plain, white pages. Illustrated black / white / colour photos & maps.Printed on front: “Order of Service Dedication and Burial Fromelles (Pheasant Wood) Military Cemetery 19 July 2010” Printed on back: “Protocole de la Ceremononie Inauguration et Inhumation Fromelles (Pheasant Wood) Military Cemetery 19 Juillet 2010”booklet, fromelles, dedication, pheasant wood

University of Ballarat is a predecessor of Federation UniversityColoured group photograph of Final Year Commerce students 2009. Back Row: David Chalmers, Warwick Devery, Tristan Metcalfe, Matthew Fontana, Peter Kuereng Third Row: Sarah Blomley, Georgie Millar, Rachael Frawley, Yaseen Tiry, Timothy Boyle Second Row: Jennifer Close, Binaca Widgery, Shane Mortlock, Yinlin Duan, Brennan Weir Front Row: Cassandra Bird Jane de Valle, Matthew Skontra, Justin Ralston, Xue Wang, Brendan Veitchuniversity of ballarat, commerce 2009, school of business, final year

This gas pipe fitting was one of a group of artefacts in the McCulloch Collection that were recovered from the shipwreck Loch Ard and were donated together. The fitting could have been from the ship's cargo or a ship’s fitting. Lamps from this era were fuelled by gas. There are other gas lamp fittings in our collection that were recovered from the Loch Ard The object is now one of the shipwreck artefacts in Flagstaff Hill’s Mc Culloch Collection, which includes items recovered from the wrecks of the Victoria Tower (wrecked in 1869) and Loch Ard (wrecked in 1878). They were salvaged by a diver in the early 1970s from the southwest coast of Victoria. Advanced marine technology had enabled divers to explore the depths of the ocean and gather its treasures before protective legislation was introduced by the Government. The artefacts were donated to Queensland’s Department of Environment and Heritage Protection (EHP) by a passionate shipwreck lover and their locations were verified by Bruce McCulloch. In 2017 the Department repatriated them to Flagstaff Hill where they joined our vast collection of artefacts from Victoria’s Shipwreck Coast. The Loch Ard: - The three-masted, square-rigged iron ship Loch Ard belonged to the famous Loch Line which sailed many ships from England to Australia. The ship was built in Glasgow in 1873. The Loch Ard made three trips to Australia and one trip to Calcutta before its final voyage. The Loch Ard left England on March 2, 1878, under the command of Captain Gibbs, bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo included straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that were intended for display in the 1880 Melbourne International Exhibition, including the famous Loch Ard Peacock. On June 1, 1878, Captain Gibbs was expecting to see land but visibility was reduced by fog. As it lifted, the sheer cliffs of Victoria's west coast came much closer than expected. The captain was unable to steer away and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck was loosened from the hull, the masts and rigging came down and knocked passengers and crew overboard, and even the lifeboat crashed into the side of the ship and capsized. Of the 54 people on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael. The well-packed Minton porcelain peacock also survived, safe inside its crate. Much of the cargo was washed up, smashed and broken, and some was salvaged. Other cargo is still with the wreck at the base of Mutton Bird Island, now protected by Government law. The artefact is an example of cargo or personal items on board a ship in 1878. It provides a reference point for classifying and dating similar items. This artefact is significant for its association with the sailing ship Loch Ard, one of the best-known, and one of the worst, shipwrecks in Victoria’s history. Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. It is historically significant for representing aspects of Victoria’s shipping history. Brass decorative gas lamp fitting. Two flat arms of different lengths are joined on either side of a fitting that has a fleur-de-lis-like design. The shorter arm has a J-shaped brass pipe fitted to it with a decorative threaded cube joint part way along, and ends with a triangular tap and knob. The longer arm is also J-shaped and ends with a feather design on it. There are remnants of green paint on the cube fittings and the knob. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, shipwreck artefact, wreck dive, mcculloch collection, bruce mcculloch, loch ard, 1878, loch line, victorian heritage register, sailing ship, captain gibbs, eva carmichael, tom pearce, mutton bird island, loch ard gorge, migrant ship 1878, cargo ship 1878, lamp fitting, gas lamp fitting, ship’s fitting, ship’s lamp, brass lamp fitting, lighting, domestic lighting, ship’s lighting

Green cloth hardcovered book with black leather spine, featuring the art deco work of Bernaux, Beligant and Feseau, Binquet, Bouchard, Bouraine, Bourdelle, Chassaing, De Bardyere, Gallerey, Gauvenet, Guenot, Hairon, Jallot, Lalique, Le Bourgeois, Malcles, Joel and Jan Martel, Max Blondat, Follot, Sad, Sue et Mare and Vera and J. Martin. Monochrome prints numbered 1 to 32, showing examples of modern wood and stone carving, all by named people. Text in French.non-fictionsculpture, carving, art nouveau, art deco, seguin, joel et jan martel, repousse, plaster, modelling

black and white photo: interior of room in Lancewood House, McLaren St., Bendigo. Home of Ernest Mueller. Room with pictures hanging from the picture rail, drapery around a large trompe de oil ? Upper pelmet has vases and plates displayed. Heavy plaster cornice visible. Many chairs and small occasional tables, whatnot in corner and Edwardian sideboard on right wall. Some statuary. Gladioli in vase on one table. On front BR margin ' UI 589.6 'buildings, fittings & materials, lancewood house

Advertising silk banner for a performance of 'Les Cloches de Corneville' by La Mascotte Musical Society. Performed at the Royal Princess Theatre on May 23, May 24 and May 25 1888. Cream silk banner with blue printing. Pattern printed border. Advertising Advertising - Bendigo Advertiser (Vic. : 1855 - 1918)Tuesday 22 May 1888 - Page 1 ELMORE TO GUNBOWER RAILWAY. Article - Bendigo Advertiser (Vic. : 1855 - 1918)Saturday 26 May 1888 - Page 4

Booklet of postcards: old images reproduced. , The Mall showing Alexandra Fountain Building, Mining Bendigo, Pall Mall & Law Courts, Bendigo looking towards Mitchell Street, Alexandra Fountain, Bendigo, Chinese Dragon 'Loong' 180 ft. long, made in China, Shamrock Hotel, Williamston Street, Bendigo. On rear of cards ; Rose Series De Luxe, proudly printed in Australia since 1880.. / One card has a photo of the Duchess tribute Company minebendigo, streetscape, various views, bendigo, streetscapes

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1907. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for First Prize was awarded for Piano Duet and was won by Miss Kathleen Foster. Certificate is signed by President E S Cahill and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1907. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for First Prize was awarded for Piano Duet Under 18 and was won by Miss Kathleen Foster. Certificate is signed by President E S Cahill and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1906. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Solo Under 16 and was won by Miss Kathleen Foster. Certificate is signed by President E J Vigau? and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music

Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1907. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 18 and was won by Miss Kathleen Foster. Certificate is signed by President E Cahill and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music