Three bunches of hand-made nails in assorted lengths.nails metal-working

These items are examples of hand-made nails / spikes used in earlier times.Four hand-made large rusty iron pegs. They are tapered to points and have flat heads.spikes trades blacksmithing

A set of three hand-made glass bottle cutters. All are metal looped at each end. Loops are different sizes.bottle-cutter

A hand-made long narrow pick head without handle.Sewell (?) Forgepick-head blaksmithing trade

From the estate of Elsie Cook, daughter of early Brodribb settler John Cook. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert) These items are an example hand-made wooden items of the late 19th centuryTwo small hand-turned wooden egg cups decorated with rings around centre.egg-cups carving handcrafts domestic food

A hand carved wooden ash tray. The base is wattle and the rim is brass.ash-tray smoking personal-effects

These photographs are of Lochiel "Lagoon next to the Cameron House, "Lochiel" owned by James Cameron. The three Cameron brothers had entered into a partnership - John selected 200 acres, James 235 acres and Alex. 273 acres, all adjoining. They also took up 'Lochiel' under the suburban lot scheme. The 'Lochiel‟ property went to James on the dissolution of the partnership.This is a pictorial record of Orbost in the early 20th century. This item is also associated with James Cameron, a prominent early Orbost identity. 3125.1 is a black / white photograph on grey card. It is of a lagoon surrounded by trees, grasses. 3125.2 is a black / white photograph of a lagoon showing a fence on the left side,with two men (one holding a baby), a child and a dog in front of the fence on the bank.on front of 3125.1 - Lochiel Lagoon 1906lochiel-orbost cameron-james

Information with photograph 3146.2 includes the following names : " Myself (Alan Richardson); Lewis; Morrison; Herman; Nixon; Cooney; Herbert; Perry; Wakefield; Reynolds; Waller; Herbert; Wait; Berry; Taylor; Rodwell; Gil; Nixon". "Gil; is possibly Gil Richardson. This appears to be a school football team.Sport is often regarded as an important part of life in rural Australia, contributing to community identity, sense of place, social interaction and good health. This photograph seems to be associated with Orbost High School.Two black / white photographs. 3146.1 is of three rows of boys wearing sports uniforms. The three boys at the front appear to be in school uniforms. The back row is standing, the middle seated on chairs and the front row is sitting on the ground. A boy in the midddle row is holding a football on which is written "1923". The photo has been taken outside. 3146.2 has three rows of boys in sports uniforms. The two back rows are standing and the front is seated on chairs. A boy in the middle of the front row is holding a ball on which is written "1945". The photograph has been taken outside in front of a building. In both photographs the boys have their arms folded.sport-football

This is a photograph of a basketball (netball) team taken in 1921. It is probably a school team. Included in the photograph are: Mollie Hamill; Judy Morgan; Pen Richardson; Hilda Bird; Joy Roach; Alice Hamill; Marion Nixon and Phyllis Salmon.This is a pictorial record reflecting the importance of sport in Orbost society.Two copies of a small black / white photograph showing two rows of young girls in sports uniforms. The three girls in front are kneeling. The row behind is standing. The photograph has been taken outside.on back and front - list of hand-written namessport-orbost-basketball-netball recreation

This photograph was taken at what is now the Young’s Creek picnic area which is located on the site of an old sawmill, once owned and operated by L.E. & H. Williams, dating back to the early 1920’s. The mill was eventually sold, dismantled, and the machinery transferred to a sawmill at Cabbage Tree Creek. there are still some items of old sawmill debris. The old steam engine at the edge of the car park is the remains of the mill’s former power plant. This portable steam engine was constructed in Leiston, Suffolk, in England.This is a pictorial record of a popular recreational area in the Orbost district in the late 19th century.A black / white photograph of a wooden bridge over a creek in forest setting. There is a second copy.on back - handwritten "the Young's Creek Bridge June 1897"young's-creek-orbost bridge-young's-creek

Included in the photograph are Mrs P. Nixon and her two children, Mary Gilbert, Margaret Irvine, Mrs A. Hossack, Annie Gilbert. they are watching a football match around 1920.This photograph is associated with Mary Gilbert, a well-known Orbost citizen. It is a pictorial record of a social activity of the first half 20th century. It also shows the clothing and transport of that time.A sepia photograph of some women and children sitting in cars. Two of the women are holding babies. Two older girls in school uniforms are seated in the back of the car on the right.cars-1920 gilbert-mary nixon-mrs p. hossack-mrs a. gilbert-annie irvine-margaret

This photograph was taken at the junction of the Snowy and Brodribb Rivers. The Snowy River starts in New South Wales on the slopes of Mt Kosciuszko, Australia’s highest mountain, in New South Wales. It flows into Bass Strait at Marlo in Victoria. The Brodribb River is a tributary of the Snowy which enters the estuary at Marlo. This is a pictorial record of a road in Marlo near Orbost in the late 19th-early 20th centuries. It also depicts the transport used at that time.A black / white photograph of four men in suits seated in a horse - drawn buggy on a dirt road alongside a creek or river. There appears to be another horse - drawn vehicle behind them.on back - "at the Brodribb - Snowy junction. this road was corduroy (packed logs of tea trees?)brodribb-river snowy-river marlo transport-horse-drawn

There is no information with this photograph. It could be a photograph of the first house that Henry James occupied.Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF.A black / white photograph of a light coloured timber house with a neat picket fence in front. On the right is a trellis with trees behind it. On the left there is a barn and a shed in the backyard.on back - JAMES HOUSE - November 1896 (Henry James?)house-james

There is no information with this item.This is a pictorial record of local Orbost people in typical mid 20th century fashion clothing which tended to be more conservative than current fashion..A black / white photograph of three people in - a man on the left in a suit and tie; two women with hats and pearl necklaces.The woman in the middle is wearing a spotted dress and holding a white hat with a handbag over her arm. The other woman, in glasses, is wearing a plain dark dress and a more formal hat.on back - "Jack Irvine, Audrey Cameron, Elsie Norman (nee O'Brien)"irvine-jack cameron-audrey norman-elsie

Those identified in this photograph are: Grace Cameron - back row second right and Effie Wait on the left. (Smooker? Firth?)This photograph is a pictorial record of typical women's fashion in the mid 20th century when women's dresses were were modest, revealing very little skin, compared to today’s fashion. Squared shoulders, narrow hips, and skirts that ended just below the knee were the height of fashion. Tailored suits were also quite popular. Generally older women wore hats, gloves and jewellery. The women in the photograph are associated with Orbost.A black / white photograph of a group of women most wearing hats and jewelry. on back- "left Effie Wait Grace Cameron back second row right"cameron-grace wait-effie orbost-social-gathering -mid 20th

This is a photograph of Dave Hawkless at Bete Bolong with a wagon load of maize from the farm of Sam Lynn. David Hawkless was married to Mary Downey in 1906. They had five children. This is a pictorial record of the transporting of maize in the Orbost district in the late 19th century. A black / white photograph of a man standing in front of a wagon loaded with sacks. There are six large horses tethered to the wagon. In the background are buildings. The wagon is standing on a gravel road.on back - "D. Hawkless M. Gilbert"hawkless-david maize-orbost transportation-agriculture wagon-horses

Included in this photograph are Phil Derby, John Zimmer, Peter Coulton and Rae Ash.This photograph is of local musicians in the latter half of the 20th century.A balck / white photograph of a band. On the right is a lady playing piano, at back is a man on drums, on left is man, seated, playing guitar and standing at front is a man playing a saxophone. There is a curtain behind them.on back is a list of namesentertainment-orbost music-orbost zimmer-john derby-phil coulton-peter ash-rae

This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers. A small handmade fabric pincushion. It is edged in beading and embroidered on the top side. The padding is soft.

This appears to be unused as it is starched.This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homesA hand embroidered cushion cover. It is cream coloured with blue edging. In the centre is an orange diamond shape with an oval in the centre. There is a vase with flowers branching out. They are yellow and pink. The cover closes with 3 press studs.handcraft embroidery cushion-cover

The scarf became a real fashion accessory by the early 19th century for both men and women. By the middle of the 20th century, scarves became one of the most versatile clothing accessories for both men and women. Men often wore them as an evening accessory.This item reflects the type of clothing worn by men as evening accessories in the late 19th to early 20th century. It also has aesthetic appeal as a handcrafted item.A hand knitted man's silk scarf. It is knitted in moss stitch and is fringed at both ends.silk handcraft men's-accessory scarf

Under-bodices were first made of silk, though cotton was the fabric of most underwear from the second half of the century. These bodices were worn to protect against wear and soiling but more often for modesty. Undergarments such as this item were seen as essential to wear under blouses. This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th centuryA hand made white cotton woman's undergarment (chemisette) - an underbodice. It is of fine cotton with lace insertions at back and front. It has four buttons for the front opening. The bottom is gathered.women's-undergarments chemise bodice

This was the wedding dress worn by Mrs Jessie McKinnon (nee Campbell). It has been made for riding side-saddle. Only highly-skilled tailors could produce the complex skirt required for riding side-saddle. It had to curve neatly over the rider’s knees.This dress reflects the fashion of the early 20th century as well as the needlecraft skills of the women at that time.A hand-made, long-sleeved wedding dress of beige satin. It is tapered at the waist and covered buttons from the collar to the waist. There are bows on the wrist. There is fringing at the waist and it is ankle length. There is a huge pocket on the left hand side. There are box pleats at ankle length and a frill of chiffon at the bottom.costume-female handcrafts-dressmaking dress-wedding

this item was made to commemorate the coronation of Queen Elizabeth !! in 1953. In June 1953 , Elizabeth II was crowned Queen of the United Kingdom, Canada, Australia, New Zealand, South Africa, Ceylon (now Sri Lanka), and Pakistan, and became the Head of the Commonwealth. Many souvenirs were made to mark this occasion. Some were unique and hand-made. The main sources for crochet and other needlework designs available to women were in journals, magazines and pattern books.This milk jug cover reflects an important pastime for Australian women of the late 19th to mid 20th century. Women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes, decorating or protecting furniture, floors and walls, and keeping flies and insects away from food. It is also a tangible souvenir of the coronation of Queen Elizabeth 11.A rectangular jug cover hand crocheted in white thread. It has blue and red beads sewn into the edges. the design is "JUNE" above a crown with "E 11 R 1953" below the crown.

These doilies reflect the needlework skills of women in the first half of the 20th century.Two hand made doilies with crocheted edgings. Both are cream linen with embroidery. 1592.1 has brown stems with green leaves and orange/pink flowers, 1592.2 has a green vase with an orange lily and buds with green leaves.doilies needlework embroidery table-linen handcraft

This item reflects the handcraft skills of women in the first half of the 20th century. A circular white cotton crocheted doiley.doiley crochet handcraft table-linen

This ticket was for an entertainment at Brodribb for the celebration of the incoming bi-centennial year, 1988. The bicentenary of Australia was celebrated in 1988. It marked 200 years since the arrival of the First Fleet of British convict ships at Sydney in 1788. Many events were organised to celebrate the occasion.The Apex Club of Orbost was a volunteer service club which contributed to the Orbost community. A declining population has led to the demise of many social groups in the area. The Apex Club, like other groups in Orbost have organised social events for the local community for many years.A rectangular shaped cardboard ticket coloured white/cream. On the front in brown print is " APEX 'Up the Broddy' new Year's Eve - '87/88 WElcome in the Bi-Centennial Year BYO barbecue and drinks. 50/50 dancing - prizes and games. Light supper provided. Entertainment for all the family. $10 per family/couple". In red is 000052.celebration bicentennial-celebration-orbost

This book was produced by Ron Anderson, a resident of Cann River in 1985 - 159 years following the establishment of Victoria. It contains a collection of photographs as well as a brief history of the Cann River District. This book is a pictorial record of Cann River and as such is a useful research tool.A large format black covered book, titled, "The Cann River Collection Volume 1". On the front cover is a black and white photograph of a four-wheeled buggy pulled by four horses standing outside a hotel. It contains a collection of photographs of the Cann River district.

Photographic print of the Walmer Street Bridge. The view of the Bridge is from the Abbotsford side of the Yarra. A section of pipe on the near side of the bridge is a remnant of the irrigation pipes that carried water from above Dight's falls to the Melbourne Botanic Gardens. The former bridge, constructed in 1896 was swept away in the 1901 Flood. It has two major brick piers while the remainder of the trestle supports are metal. The original photograph from which this copy was made was taken after 1901 as it shows the second bridge under construction. Houses in Young Street, Kew, can be seen on the far side of the river.Reverse: " Walmer St footbridge 1901 being repaired after flood / Constructed 1892 substantially renewed in 1901 and in 1928 / Rebuilt in 1977 by Kew Council aided by State funding. Won for designer Martin Aylard a New Zealand award presented by the timber Research & Development Assoc / Site of Simpsons Road passenger foot ferry". bridges - yarra river -- kew (vic.), walmer street bridge -- kew (vic.)

This tablespoon was recovered from the wreck of the Loch Ard that sailed from Gravesend, London. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware and cutlery items. These spoons are representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. History of the Loch Ard: - The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Spoon, tablespoon; nickel silver plated spoon with fiddle-back design handle, narrow stem with flared collar and elongated bowl. Marker's marks are impressed on the back of the handle. It was recovered from the wreck of the Loch Ard.Crown with diamond with W P inside Oval with anchor or key Square with cut corners with fancy cross inside Circle with lion Diamond with "P"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dessert spoon, petrified timber, conglomerated cutlery, silverware, dining utensil, spoons, conglomeration of spoons, spoon, tablespoon, cutlery

Set of three colour slides of flooding in Flinders St at Market St on 17/2/72. See Reg Item 114 for flooding in Elizabeth St. TMSV Copy slides. .1 - Looking west from Market and Flinders St with a tram stopped and a train on the viaduct. .2 - As above .3 - looking east Photographer possibly Ron ScholtenKeith has written details on the rear of each slide including the date and the "TMSV 332 Flinders St Melbourne" stamp.trams, tramways, melbourne, flooding, flinders st, market st, tmsv