Black and white photocopies of articles and information about the first Blamey House owned by Legacy between 1947 and 1956. It includes articles about the opening in November 1949 with Sir Thomas Blamey in attendance. It shows the property was described as "a home, a huge rambling weatherboard house with a swimming pool, flood-lit tennis court, and four acres of beautifully kept lawns and gardens." The title deed was handed over to Legacy by Sir Robert Knox, the chairman of trustees of Blamey House, Melbourne (the servicemen hostel that had been operating during the war). Other pages show the property had been built in 1930 as a holiday home for Toorak business man Mr Arthur Jack and his wife Ms Langlands-Jack. It was sold to James Picken by 1941 and it was known as 'Mossgiel'. The Pickens remained owners until 1947 when it was purchased on behalf of Legacy with money donated by the Blamey House Trustees (the servicemen hostel that operated during the war) to be used as a toddlers and childrens' home. When Legacy no longer required the property it was sold to the Beaumaris RSL (or it's precursor RSSALIA) as its clubrooms. There was controversy in 2015 when it was sold to developers for housing. The pages were copied from items held by Sandringham and District Historical Society in February 2022.Records different facts about the property that was Blamey House Beaumaris that could be useful even though there are discrepancies with other known facts about Blamey House (the Hostel) trustees donation to Legacy.Black and white A4 photocopy x 20 pages of collected information about the property in Beaumaris before and after it was held by Legacy.blamey house, beaumaris, properties

These badges were produced for the Commonwealth Button Fund to raise funds for the victims of the Armenian massacre in the Ottoman Empire during World War One. The button was designed by Frances Woolcot the Honorary Organiser of the Melbourne Branch of the Commonwealth Button Fund. The buttons were sold late in February 1918 and raised 7,300 pounds for the victims.February These badges are of interest as an example of the Australian fund raising efforts during World War One for a specific group of people - in this case the victims of the Armenian massacres..1 Concave metal badge featuring sky, a minaret, two onion shaped domes, buildings, sand, three mounted camels and palm trees. There is a clip pin on the reverse. .2 As for .1 but discoloured and there is no slot into which the pin may be inserted. SERVIA SYRIA ARMENIA

This is an original policeman’s helmet, known as a ‘Wolsley’. The design was in use by Victoria Police from 1877 to 1947 then replaced by more suitable caps. The helmets were made in Ballarat by the Victoria Police's official supplier, A W Sudweeks. Some of these helmets were re-sold at Stokes and Sons in Melbourne and would carry that company’s name. This Victoria Police helmet represents an early era in its uniforms, from 1877 to 1947, when the design was based on the English versions. The design was later replaced by head wear that better suited the local climate and conditions. Helmets of a similar shape to this one were worn by the local Volunteer Corps.Policeman’s helmet, Victoria Police. The black, stiffened canvas hat has a high crown and a leather chin strap. The five panels of stiffened canvas are stitched together. The helmet has a metal ventilation dome at the top. The two small holes at the front are for the officer’s identification badge. The helmet has a leather sweatband, and the brim and sweatband are lined with beige fabric. The helmet’s brim is wider at the front. A maker’s label in the shape of a shield is attached inside the helmet, which is made by A.W. Sudweeks of Ballarat. "A. W. SUDWEEKS / MANUFACTURER / BALLARAT"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, police, victoria police, police uniform, policeman's hat, helmet, policeman's helmet, wolsley, law and order, victorian government, bobby, stokes and sons, official supplier, government supplier, a w sudweeks, ballarat

The loom belonged to Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and handwoven items. She was a founding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year. The design was to be an image of three candles.W7225 Design for tapestry begun on loom registration no.7225weaving, geelong handweavers and spinners guild inc., tapestry, weaving looms, mann, ms lilian joyce

The Bendigo Woollen Mills were initially designed as a mail order company that sold its wool both domestically and internationally. The mill uses first cross merino wool from Australia that is then sent to China for scouring before returning to Bendigo for grading, dying and spinning. It now includes factory shop sales to the public.Bendigo Woolen Mills Shade Card (With samples of different coloured wool, pattern selections which were available at the Factory Shop Order Form.history, bendigo, merle lummis collection, bendigo woolen mills

Named after Thomas Hustler who purchased the lease in 1854. It was an opencut mine at this stage and Hustler patented a quartz crushing machine. HE later sold the mine to the Hustlers Reef Mining and drainage Co. and by 1865 the Great Extended Hustler's was operating 31 levels at a depth of 1053meters. The mine ceased operation in 1921.A4 copy of an original photograph, sepia toned print. View of hustler's Mine facing Barnard Street, Bendigohustler's, barnard street, james brierley

This aerial photograph shows the Kew Cottages, and doctors/clergy residences on the north side of Wills Street, before the State Government sold the land for residential development. The doctors residences in Wills street were made of 'Glen Iris' Olympic Bricks. According to neighbours of the time most of the buildings were demolished overnight in the 1980s.Aerial photograph of Willsmere and the Kew Cottages bounded by the Boulevard, the Chandler Highway, Princess Street and Fellows Street. The roundabout at the intersection of Princess Street, Wills Street, and Eglinton Street is at the top left. The Eastern Freeway is at the lower edge of the photograph.kew cottages, eastern freeway, willsmere, yarra river, aerial photographs -- kew (vic), kew boulevard, willsmere mental hospital, kew mental hospital, kew childrens cottages

The man in the photograph is John McGrath who regularly travelled to Bulla from Essendon to catch rabbits, which he sold at the market. He made a compact mobile refrigeration unit to keep the rabbits fresh in transit. His invention resulted in larger companies in Australia adopting the use of refrigerated trailers to transport perishables. Refrigerated transport systems resulted in perishables being carried quickly and to many more markets across the nation.A sepia photograph with a cream border of a man seated on a dry stone wall.mcgrath, jack.

Merchandise from the Australian Nursing Federation, given/sold to union members and staff. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and phone numbers in Melbourne changed from the 7 digit format to an 8 digit format in May 1995, suggesting this keyring is from the early 1990s.Square plastic keyring. Keyring is printed on both sides, with the ANF [Australian Nursing Federation] logo on one side and 'ANF ... Maximising the influence of nurses.' on the other, as well as phone and fax numbers for the Victorian Branch.Plastic and paper are both discoloured. Text is slightly faded.nursing, australian nursing federation, lobbying, nurses, victoria, unions, trade unions, labour history

This building was constructed by James Elijah Crook in 1865 as a residence for Doctor Bone. Between 1874 and 1890 it was in use as a Post Office. From around the 1920s F.C Pearce sold motor cars from this site for a number of years. The site is now occupied by the Bacchus Marsh Newsagency and Stationers located at 138 Main Street.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. Image shows a brick cottage with a verandah attached to part of the building. Four brick chimneys can be seen extending from the building. Part of the building has a white picket fence to the front and side.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, post offices bacchus marsh, doctors residences, james elijah crook, motor car dealers

Typed report on the type of brake shoe fittings fitted to each tram as at 8/7/1963. The report lists each passenger tram from VR 52 to W71040, and what their status was if not in use - eg stored, sold, scrapped. The list excludes the early MMTB trams of A to V class. Works cars are not listed. Yields information about the status of the MMTB Passenger fleet in 1963 and the type of brake shoe types fitted to each.Document or report 5 foolscap sheets - carbon copytramways, tramcars, lists, scrapped trams, brakes

Image shows W2 class tram 302 (Route 69, Kew Cotham Road) possibly running out of the tram depot in Glenferrie Road. Tram has adverts for Royal Insurance, Rub-a-dub car wash, a beer bottle advert and an unreadable one. The tram was withdrawn and sold by the MMTB during 1979.Demonstrates a W2 class tram in service.Colour print on Kodak paper."Photo received 15/4/65"tramways, trams, w2 class, tram 302

Rolex and Bucherer Jewelers were retail partners. In the 1950's Keepsake or souvenir spoons were made as an advertising gimmick. To obtain one of these spoons a customer had to purchase a Rolex watch from a Bucherer store. They were not sold separately. This spoon features the Lucerne lion and is actually the most common of the Rolex spoons.Souvenir spoon. Logo impressed in bowl of spoon - Lion, and cross..ROLEX Bucherer. Indistinguishable? Bucherer of Switzerlandephemera, mementoes, souvenir spoon

Rolex and Bucherer Jewelers were retail partners. In the 1950's Keepsake or souvenir spoons were made as an advertising gimmick. To obtain one of these spoons a customer had to purchase a Rolex watch from a Bucherer store. They were not sold separately. This spoon features the Lucerne lion and is actually the most common of the Rolex spoons.Souvenir spoon. Rolex Bucherer. Lion and cross logo in bowl of spoon. Logo on handle.Bucherer of Switzerlandephemera, mementoes, souvenir spoon

A tilt-top Sphairistike lawn tennis racquet, with solid concave throat, leather crown protector, and white leather handle grip wrapped along almost the whole length of the shaft. Impressed inscription along throat and shaft on obverse: FRENCH & CO./46 CHURTON ST./LONDON/SPHAIRISTIKE. This historical racquet was literally one of the first lawn tennis racquets - sold as part of a lawn tennis set - to be produced by French & Co., upon the order of Major Wingfield, in anticipation of the patenting and publication of his game rules. Once the patent was granted, Wingfield had his rules published in two days, and had copies slipped into the already constructed French & Co. tennis sets, and from that point, the lawn tennis craze began. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Inktennis

3047.1 - Printed form titled "Revenue Journal", for recording the value of tickets sold by Conductors. Headed - Electricity Supply Depart, Provincial Tramways". Has value of tickets up to 12c, parcel tickets of 8c. Gives the opening and closing number of tickets or checks issued to the conductor, check returned by conductor, total number issued, value, returned by conductor, cash returned, both decimal and imperial currency, space for hospital vouchers and area where signed by conductor. Printed on off white paper. Has form number TYE 1-280 (R2/66). 3047.2 - same form but with values up to 7d, parcel tickets of 4d. Prepared in pounds, shilling and pence format, or notes, silver and copper. Used in during the mid 1950's. Two copies held. trams, tramways, tickets, accounting, revenue journal, conductors

Yields information about Bendigo tramcars - provided in a list form that enabled sharing of the information with others.Hand written list of Bendigo tramcars on buff colour ledger paper - ruled with blue and red lines - two sheets or four pages listing tramcar numbers, builder, date in service, and whether sold or scrapped. Has "Please Return" on top right hand corner of first sheet. Page 1 - Bendigo Battery and Steam tram motors. Page 2 - Steam trailers Page 3 - Electric trams - with information through to 1943 Page 4 - Electric trams, electric trailers (double deck), and when last used and water tank scrubber - Bush of 1908, noted as "still in action". No mention of any bogie tramcars, so presumed made c1944 Contained originally within Reg Item 5623 at the front of this note book. For items see BTM5623 loose items list.pdf. bendigo, steam tram motors, trailers, tramcars

Diggers & Mining. Getting the Gold. Slide: In this respect, Ballarat resembled a great mercantile exchange, where whole, half, and quarter shares, besides minuter fractions, were continually being bought and sold, at rates that incessantly varied with the latest reports, either from the shaft itself . . . Or from such of its close vicinities as might be supposed to affect the direction or richness of the lead. This system tended greatly to equalise the uncertainties of deep sinking. It also enabled those who had spare means to invest them wit probable advantage in these shares, and this furnish the requisite capital to their poorer neighbours, by which these were in a position to meet the heavy preliminary expenses of deep sinking . . . (From the book 'Victoria in 1857' by William Westgarth.) Markings: 57 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Two red covered auction catalogues for an Auction Sale at Lauriston Reservoir, Lauriston (Near Kyneton) on 16th and 17th September, 1941. Sale consisted of Well-built Workmen's Homes, Corrugated Iron Buildings & Storerooms for Removal, Collection of Timber, Stores, Rails, Tools, Scrap Iron, and Contractors' Machinery and Equipment By Order of The State rivers & Water Supply Commission, Melbourne. Auctioneers were J. H. Curnow & Son. Contains description of buildings. Has a loose page of Additional Plant to be sold at the Lauriston Reservoir Auction on 17/9/1941. Also has two black and white photos, the first one of the Lauriston Reservoir showing the concrete bank during construction and the other, a Section of Residential Area. In the background is the bank and a tower each side of the bank.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - lauriston reservoir, state rivers & water supply commission, j h curnow & son, j l jamieson & co, r g knight, e d shaw, h h c williams, hon a a dunstan, cambridge press

Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A photograph of Mount Eri, 9 Highbury Grove, an 11-room house for sale near the junction of Cotham and Glenferrie Roads. The substantial red brick, slate-roofed house and its location are not identified in the photograph, although the extent of the house is noted. It was described then as ‘well situated’ and close to 3 trams. Mathers, a financial agent in Cotham Road, placed advertisements about the sale of the property in The Argus in May and June 1919. The advertisement additionally refers to a billiard room and asserts that the house has every modern convenience. An annotation on the plan indicates that the house, with tennis court, was sold for £1960. Following extensive research, the house has now been conclusively identified, albeit extended and rendered. The house was originally built in the 19th century as a school and for much of the 20th century was used as a venue for receptions.

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The Erin Heights Estate in Kew included just seven lots in in Valerie Street. These were all that remained of this wartime subdivision, the other 11 allotments on Balfour and Belford Roads having already been sold. Balfour Road was to be only a temporary name as the street is currently called Windella Avenue. Now, the parkland opposite the subdivision is the reserve created from the route of the Outer Circle Railway. This Railway reached Kew East in 1925, but had been planned as far back as 1873. The development focuses on the benefits of living in Kew: being at the highest of Kew’s ‘suburbs’; being a good residential area; its rapid growth; and the proximity of the Kew East tram in High Street. In 1917, the electric tramline only extended to a terminus at the Harp of Erin hotel. The terminus is clearly represented on the plan.subdivision plans - east kew, erin heights estate

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community. Shelley Railway Station - Shelley was once Victoria's highest railway station, located 781 metres above sea level. The Shelley Railway Station was opened in 1916 and closed in 1979. The railway was used early in its life to transport farmer’s livestock from the Upper Murray to Wodonga. From the 1950s the railway was used heavily to transport equipment and machinery from Wodonga to the Upper Murray to help build the Snowy Mountains Hydro Electric Scheme. The Snowy Hydro Scheme was completed in 1974 and after several years of low level use, the railway was closed. Some remnants of the Shelley Station passenger platform can still be seen today, along with some information boards. The Shelley Railway Station now forms part of the High Country Rail Trail.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Left to Right: Fireman Bert Cadman, Driver Wally Riley, Guard Hugh Fraser. Locomotive S300 - the ‘Matthew Flinders’ The S class diesel locomotives were built by Clyde Engineering in 1957 for the Victorian Railways. Designed as premier express passenger diesels, they assumed the ‘S class’ title from a fleet of steam locomotives. They were also given names of famous Australians. The S300 took the name ‘Matthew Flinders’. In 1962, S300 was converted from the Victorian broad gauge of 5’3” to the New South Wales gauge of 4’8.5”, in order to operate the new Southern Aurora between Sydney & Melbourne. As the locomotive grew older it was removed from these duties and was sold to Chicago Freight Car Leasing Australia (CFCLA) in 2004. It is now owned by a private owner and is on loan to the Canberra Railway Museum.railways wodonga, fred rochow, wodonga railwaymen, s class locomotive

Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th centuryBusinesses from Left to right J. McSwiney & Co Chemist, Dempster’s Café and Pilkington’s Shoes. This building is still standing and now includes business High Exposure, Junction Pizza, Greg’s Takeaway and Barbers Quarter Haircuts and Shaves. Born in Chiltern in 1875, John T McSwiney moved into his premises in High Street, Wodonga in 1901. He operated his pharmacy from this site for over 64 years. At its peak, John put the Wodonga store under the care of a manager and moved to set up a second pharmacy in Wangaratta. He later returned to his Wodonga pharmacy where although semi-retired John continued to go to work each day up to his 90th birthday. His chemist shop was sold about 1967.wodonga businesses, high st wodonga, pilkingtons, mcswiney chemist

Andrew Balsillie (30/8/1874-28/7/1949. For 50 years he was associated with the Bendigo Mutual Permenant Land and Building Society and was its secretary from 1916 to 1945. He was the son of Andrew and Maria (nee Laing), who operated Edinburgh House selling ladies and gentlemen's clothing. Andrew Jnr. married Helen (Nellie) Calder in 1903.Black and white photographs (2) mounted on rectangular brown board. House, stained weatherboard board to sill height, rough cast above, bow lead- light window on right, leadlight windows on left, louvred vents to both front gables, tiled roof, roughcast verandah surround and pillars, 3 steps to veranda level, one chimney visible, small white veranda lamp, woven wire fence. Gate wooden gateway with lintel. On back of photo 18a: 'Sold Balsillie £875 sewered, or £825 plus sewerage. Stamp with T.C. Watts & Son, 253 Mitchell St., Bendigo., 12 April, 1929' On back of 18b. A. Balsillie, Marks St., £950 (crossed out ) £875, sewered or £825 plus sewerage.' May 1929.Frank A. Jeffree Bendigobuilding, residential, t.c. watts and son, balsillie, marks street bendigo

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood