A new bridge over the Snowy River at Orbost was opened for traffic on June 20th 1922. It was designed for future joint use by road and railway traffic, but it was only used for road traffic. During the last few years the condition of an old suspension bridge [the 1893 bridge] which was the only vehicular crossing between the town of Orbost and the railway station, caused much concern. The structure was of timber, except for the wire suspension cables of its central span of about 100 feet. A design was prepared in 1914 for a permanent bridge with five spans of 85 feet composed of plate girders on concrete piers. With great increase in the price of steel work during the war, the cost of this design became prohibitive, and the need for a new structure becoming urgent, alternative proposals were investigated. As a result the present design was adopted as providing a sem-permanent bridge at moderate cost. The new bridge spans the river about 160 feet upstream from the old bridge on a slight skew, the piers being at an angle of 80 degrees with the centre line of the bridge. It has a camber of about 2 feet 5 inches in its total length of 527 feet. ( information from Newsletter March 2014 - Lois Crisp) The photograph shows Mrs James Cameron cutting the ribbon at the opening of the Orbost Pile Bridge in 1922. This second bridge, was built by the Victorian Railways and the Country Roads Board. Constructed at a cost of 35,000 pounds and used second-hand girders from the Flinders Street- Spencer Street viaduct. On July 4 1922 it was officially opened by Mrs James Cameron. Unfortunately, her husband, who had long championed the building of the bridge so that it would be ready for the railway to continue to the border, was too ill to attend the ceremony. In fact, James Cameron died on July 13 after a long and severe illness (ref. S.R.M. 20.7.1922). There is a section of this ribbon in the collection - Registration No. 366. This is a pictorial record of a significant event in Orbost's history.A black / white photograph of a pile bridge with a suspension bridge behind it. There are many people standing on the bridge.on back - "Opening of Pile Bridge - 1922"snowy-river-bridge ceremonies cameron-mrs

The photograph, captured around 1900, depicts a large group of minors located in Beechworth. Importantly, this photograph can provide information into the clothing and fashion of minors during this period of history. These men wear loose fitting shirts which are mostly a pale white colour, several wear vests and/or jackets and loose fitting trousers with boots. The majority of men wear wide brimmed hats to protect their skin and eyes from the sunlight. One man has a wooden pipe in his mouth and a few have ties/neckerchief's tied around their necks. The outfits of these miners has the potential to provide insight into their social status, these men are all dressed equally which provides the notion that they are of equal societal standing. The outfits of these miners dating to the 1900s is not dissimilar to photographs of those captured in the 1880s. The location of this photograph is not easy to interpret, but the photograph is recorded to have been taken in the Beechworth region. Displayed in this image is some wild shrubbery and grass where the men are standing/sitting and behind the group is a tin wall or even tin building. At the end of 1899, companies were continuing to search for gold in Beechworth and the surrounds but these attempts were not overly successful. In the early 1900's Quartz mining was occurring but this was done by individuals or smaller parties. It is unclear if these men are mining for gold or for quartz.The search for gold is ingrained into the history of Victoria and therefore, the study of images like this one which portrays some of the miners who worked behind-the-scenes for these discoveries has the potential to reveal important information regarding society, fashion etc. The date when the photograph was taken is vague but it allows us to form a timeline of mining activities in the North East. This image is of important historical significance for its ability to convey information about society at the time, regarding fashion (which can potentially reveal social status) and mining in Beechworth in 1900. Black and white rectangular photograph printed on matte photographic paper mounted on board.Reverse: BMM 8032/ Group(?) Beechworth Mines about 1900/ 80quartz, north east gold, sluicing, gold sluicing, hydraulic sluicing, mining, gold mining, north-east victoria, beechworth, burke museum, 1900, group, miners, hats, vests, ties, wild shrubs, tin, quartz mining

The photograph is a copy of the original one, with the latter been captured in 1870. The man depicted is Doctor Thomas Thomson Dick, who was the first Medical Superintendent at Mayday Hills Hospital. He was born in Scotland in 1840 and he died in East Malvern in 1919. He obtained his degree of Doctor of Medicine from Melbourne University in 1864 and, later in his career, he became Inspector-General of the mentally ill. Dr Dick promoted the hospital`s self-sufficiency by engaging patients in various forms of work, such as clothing alterations and cultivation of the farm. He also introduced monthly balls, which could be attended by patients, staff and guests, and they were later replaced by concerts. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients.The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides information about the staff served at the Mayday Hills Hospital when it first opened. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history and adds valuable information about the changing approaches to the treatment of mental health conditions.Black and white rectangular photograph printed on paper.Obverse: (7)/ Reverse: 1997.2452/ Dr Dick/No(7) Pioneer Board/doctor thomas thomson dick, superintendent, mayday hills hospital, scotland, east malvern, doctor of medicine, melbourne university, inspector-general, clothing alterations, cultivation of the farm, self-sufficiency, balls, concerts, ovens hospital, benevolent asylum, beechworth, goldfields, kulin nation, panoramic view, mental health conditions

Prior to 1939 access to the Island was by punt from San Remo or car ferry from Stony Point. A bridge was opened in 1940 but increased traffic and low load capacity was a problem. The decision to build a new bridge was made in the 1960s.HistoricalColoured, bound booklet with a photo of the old and new Phillip Island bridges on the cover and the CRB logo and name on rear. It includes the order of proceedings for the opening and bridge statistics, plans and contractor information. Also photos of construction and a history of travel to the Island before a bridge was built and the first bridge. There is also a 2 page typed document written by the bridge engineer who gives a brief history of access to the Island and problems at the opening with access and a rebel who tried to open it unofficially.Official Opening of the Phillip Island Bridge at San Remo by The Hon. M.V. Porter, MLA. Minister of Public Works. November 21 1969bridges, 2nd phillip island bridge construction, tom russell, phillip island bridge opening 1969

This book has information about shipping companies and the world's ports. It was a handy guide for travellers of the time and included how and where to board ships going to various countries in 1930 & 1931. In effect, it was a reference work like a timetable for shippers and travellers alike.The book has maps depicting N.Y.K. shipping lines all over the world, indexes (including advertisers), and is thumb-indexed. This book is an official guide that supplies vast information for ships and shipping lines but also for tourists of the time. These types of reference works are keenly collected today.Official Shippers Guide reference book to the Principal Ports of the World, OSAKA SHOSEN KAISHA, 1930 – 1931, Seventeenth Edition, edited, compiled and designed by M. Franklin Kline. Large, hard covered, bound book with margin thumb tabs. Covers are dark red with gold lettering and embossed pattern. Centre of front cover has an oval image of a red steam ship on a gold sea. Above the ship is a white flag with a red emblem.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, traveller's guide, shippers guide, osaka shosen kaishaguide, guide to world ports, m. franklin kline

This photograph is of Toby Nixon (Percival Charles Nixon) and Lexie Nixon, his sister. It was taken at the Roll Call for the "Back To Orbost" celebrations in 1937. Toby Nixon was born on 27.3.1902. He was the of George and Emily Nixon. Married to Grace Forbes, he farmed maize at Jarrahmond as well as wheat at Buchan. He was an active member of the Maize Growers Association, helping to create the Maize Board. He was also a director of the Seed Bean Board for many years. His sister, Lexie, married Edward Fortescue Abbott. (more information in "From White Knowle to Pumpkin Point" by Peter Nixon.) This photograph is associated with the Nixon family which contributed greatly to the history of the Orbost district. Toby Nixon was a well-respected Orbost identity.A black / white photograph of a man and a woman on a horse. Behind them is a foal.

Certificate, booklet and information article framed together. Certificate - red and brown print on cream coloured paper. This is a "59th Battalion AIF Association/ Past President Certificate" Booklet - red and brown print on cream coloured paper. Title on front "59th A.I.F. Association/1962" Article - black ink print on cream paper with the title "WHAT THE COVER DESIGN IS". Frame - gold coloured aluminium, with black coloured cardboard backing mount, glass front and MDF board on back.framed accessories, certificate, 59th battalion, 8/7 rvr

"FRANCIS WILLIAM (Dinky) DEAN BEM". Refer to Cat no 124.2 For Service History.Document, white paper with blue and black print, biographical information of "FRANCIS WILLIAM (Dinky) DEAN BEM". Documents, service history, awards, medals and commendations. This framed document is used for display purposes along with a framed photographic collection. Frame, black plastic frame, with glass front and MDF board back.framed accessories, documents, biography, francis william (dinky) dean bem

From information Book - "Readers Digest/Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300. Framed print. Print - colour print on paper. Copy of an oil painting, depicting colour, the dawn landing of Australian and New Zealand troops at Anzac Cove. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES EDWARD DIXON (1872-1934). The Landing at Anzac. April 25th 1915". 1915. Successful British Maritime Painter.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Readers Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting depicting in colour "Australian troops ascending the ridge above Anzac Cove to Plugge's Plateau." Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES W LAMBERT (1873-1930) Anzac, the landing 1915, 1920-1922". Official Australian War Artist in 1917.framed accessories, prints, ww1, gallipoli, centenary

From information book: "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints. Collection of 20 prints' refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of a watercolour on paper. Painting depicts a soldier leading a donkey carrying a wounded soldier along a cliff path. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "HORACE MILLICHAMP MOORE - JONES (1868 - 1922) Simpson and his donkey 1918". Enlisted with the New Zealand Expeditionary Force in 1914 and was sent to Gallipoli.framed accessories, prints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints." Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of a "watercolour, gouache, pencil on brown paper". Depicts "soldiers near huts and trenches surrounded by cliffs and a ravine” Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "HORACE MILLICHAMP MOORE-JONES (1868-1922) Anzac Headquarters Gallipoli, 1915." Enlisted with the New Zealand Expeditionary Force in 1914 and was sent to Gallipoli. framed accessories, prints, ww1, gallipoli, centenary

From Information Book - "Reader's Digest/ Gallipoli? 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer to Cat. No. 7300.Framed print. Print - colour print on paper. Copy of six "Badges of Honour" poster. Two rows of three badges. Name of each badge and reason for award documented below each badge/ribbon. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "Badges of Honour". Badges listed "Victoria Cross (VC)"/ "Distinguished Conduct Medal (DCM)"/ "Military Cross (MC)"/ " Distinguished Service Order (DSO)" / "Military Medal (MM)"/ "RSPCA Purple Cross".framed accessories, prints, ww1, gallipoli, centenary

From booklet front cover "ROYAL AUSTRALIAN AIR FORCE - THE AIR FORCE LIST - JUNE 1961 Issued for the information and guidance of all concerned By Command of the Air Board, Secretary. DEPARTMENT OF AIR, CANBERRA, A.C.T. AAP 598" Item in the collection re R.W McGilvery RAAF, refer Cat No 2787P for his service details.SOFT COVER BOOKLET. Cover - lightweight cardboard, pale blue colour with black print on front. 108 pages, cut, plain, off-white paper. Information manual for RAAF. Front cover - handwritten black ink - top left - "ORFS". top right - "Camp Commandant O..." Back cover - stamp - purple ink HEADQUARTERS SUPPORT COMMAND UNIT RAAF/ VICTORIA BARRACKS/ MELLBOURNE S.C.I. VIC.history, booklet, raaf

From information Book - "Readers Digest'/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints." Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. MAP ANZAC - map scale 1:10,000 elevations in feet. Depicts the line of Australian and New Zealand Front Trenches. Intended as a working document. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GERALD R. CAMPBELL Anzac: Map of Gallipoli Peninsula, 1916"framed accessories, prints, ww1, gallipoli, centenary

From Information Book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Original painting polyvinyl acetate on hard board. Depicts five soldiers in vivid cobalt blue. The soldiers stand huddled together, one wearing an emu plume in his slouched hat, another has Corporal's stripes and one is holding a rifle. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print. "SIDNEY NOLAN - (1917 - 1992) Soldiers 1959". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period.framed accessories, prints, ww1, gallipoli, centenary

This is a set of seven photographs of map grid production using co-ordinatorgraphs at the Army Survey Regiment, Fortuna Bendigo. c1960s to 1970s. The Aristo Co-ordinatorgraph introduced in 1962 was a large heavy steel framed light table with a scribing head that moved in a XY direction using a vernier calibrated measuring scale to 0.001 of an inch. Whilst hand operated it was much quicker and accurate than manual grid and graticule calculation, plotting and scribing. Mapping PNG presented the Regiment with many challenges. WO1 Farrington and CPL John Dean developed computer software for the digitally controlled co-ordinatorgraph, the Calcomp 718 Flatbed Plotter. Much time was saved by automatically plotted cartographic grids and graticules, and automatically draw base compilation sheets complete with aerial triangulated stereo model control. This could be used for a number of maps and was the first step towards map automation. The history of co-ordinatorgraphs is covered in more detail with additional historic photographs, in pages 50 to 51 and page 88 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. SGT Bill Boyd appearing in photo .1P reach the rank of WO1 and for 11 years was the technical warrant officer at the Detachment Army Survey Regiment located at Bonegilla, Victoria. He was awarded the OAM, the Order of Australia Medal for the development of the Flexiflow quality control system. This system comprised a series of job plans and charts linked to a task allocation to resource magnetic planning board. Using critical path analysis and task prioritisation, complex job planning was efficiently scheduled, and re-prioritisations readily made. Reproduction requirements were effectively coordinated by way of weekly courier to the Army Survey Regiment. Supervisors and technicians fully embraced the system as they could understand their role, others around them and the positive production achievements. Bendigo. See page 178 of Valerie Lovejoy’s book for more information on WO1 Boyd’s contribution to RA Svy.This is a set of seven photographs of map grid production using co-ordinatorgraphs at the Army Survey Regiment, Fortuna Bendigo. c1960s to 1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s, L to R: SGT Bill Boyd demonstrating Aristo Co-ordinatorgraph equipment to unidentified technicians (x3) .2) - Photo, black & white, c1960s, Aristo Co-ordinatorgraph equipment. .3) - Photo, black & white, c1960s, unidentified technician operating Aristo Co-ordinatorgraph equipment. .4) - Photo, black & white, c1960s, L to R: PTE Desi Asaris and CPL Kalen Sargent operating Aristo Co-ordinatorgraph equipment. .5) - Photo, black & white, Photo, black & white, c1970s, John Bloor operating Calcomp co-ordinatorgraph equipment. .6) - Photo, black & white, Photo, black & white, c1970s, unidentified technician operating Calcomp co-ordinatorgraph equipment. .7) - Photo, black & white, Photo, black & white, c1970s, L to R: SGT Andy Covington and SGT John Waight operating Calcomp co-ordinatorgraph equipment..7P annotated on back ‘Covington & Waight’.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto, air survey

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton, which dates from 1850s. There are several works of art and photographs of Clifton Banks dating from the late 19th and early 20th centuries. Mary Norman (later known as Mary Norman=Bail) came to Warrnambool in 1901, residing with Canon and Mrs McGeorge. She studied art with Samuel Pearce Fuller and later taught art at Fuller's studio and at a local private school. She produced several seascapes and landscapes while she was in Warrnambool, leaving the town in 1905. She devoted the rest of her life to art as an artist and teacher. In 1922 she married Jess Bail. This art work of Clifton Banks won first prize at the 1902 Annual Ararat Art competitions. It was reported at the time that the work was not a copy but had been drawn from nature. The Warrnambool and District Historical Society has five of Mary Norman-Bail's art work.This is a most significant item as it is one of Mary Norman's art works and she was known in the early 20th century as a competent artist and a member of the Victorian Artists' Society. This art work also has historical significance as one of a number of Clifton Banks representations still surviving. Mary Norman also had an impact on the cultural life of Warrnambool during her short stay in the town. She also returned to teach in the town several times for short periods during the summer vacation times.This is a water colour mounted on art board and with a gilt framed and three outer layers of wooden gilded ornamental frames. The sides of the frames are broken in places and the guided material is somewhat discoloured. There are Les O'Callaghan handwritten notes and some typed material on the back giving information on Mary Norman and the art work. The back is sealed with pasted paper and there are both string and wire attached for hanging the pictureBack of art work: 'Diamond Bros, Photo Enlargers, Importers of Mouldings, Mounting Boards, Albums, Mirrors etc, Picture Framers. Mount Cutters and Plush Workers, Studio - 27 Bridge Road, Melbourne, Factory- 45 and 47 Duke Street, Richmond, Armstrong Street, Ballarat, Pirie Street, Adelaide, Brisbane, & Freemantle W.A.'mary norman, clifton banks, warrnambool

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary

The Loch Ard had left England in March 1878 and 90 days later on June 1st it was approaching the coast of Victoria when it wrecked off the coast near Port Campbell at what was to become known as Loch Ard Gorge. Two people survived, Eva Carmichael and Tom Pearce. While much has been recorded about the survivors, this is the first publication which looks at the other 51 people on board. This book lists where they came from, family histories and lists internet references for further information. Some of the names listed are Yates, Stuckey, Jones, Rolleston, Godby, Mitchell, Fax, Hunt and Giles.An interesting insight into an aspect of the Wreck of the Loch Ard which has been previously unknown. Written by local authors.Soft card cover with coloured aerial photograph of Loch Ard Gorge Title in brown with sub title in white. Authors name in white on brown strip at bottom of cover. The back cover has blurb written in panel imposed over photo of Loch Ard Gorge looking seaward. 160 pages.Authors Carlyn and Ron Sproston.warrnambool, loch ard, lost of the loch ard, loch ard gorge,

This book was used as a text book at Camberwell Grammar School by Jack Roper whose family lived and farmed at Mt Yorke Station, Tawonga. At the time there wasn't a local High School, the closest one being in Albury. Historical: Students studied History. Country students boarded in Melbourne for their education. Provenance: Jack Roper had a private school education. His family still live and farm in the Kiewa Valley. Comparative to his descendants' education.Blue book with embossed hard cover including cloud like patterns in a rectangular shape around the title.Inside cover - hand written: Jack Roper / Camberwell G.S. / Jack Rooper / Mt Yorke Station / Tawonga/ Via Yackandandah Also handwritten notations: Marathon 490; 130 to 136 History; 4 chapter after holidays 18 to 24; !V chapter. Also smudged ink stain.education. history. greece. jack roper. mt yorke station. tawonga. camberwell grammar school.

The current (2015) Mt Beauty Tourist Centre site was to be upgraded into a 'Sports Tourism Cluster' with funding from the Government and the Alpine Shire with 'In Kind' assistance from Falls Creek Resort management Board, Parks Victoria and the Local Community & Tourism Industry. This project didn't go ahead.The Mt Beauty town was handed over to the Alpine Shire in the 1960's after completion of the Kiewa Hydro Electric Scheme. Plans for up dating facilities are on-going but are rarely completed. This poster is an example of this.Very large laminated poster depicting 6 points for the Alpine Region Sports Tourism Cluster. Each point has a coloured border and background to black writing. There are 3 maps.mt beauty. tourism. discovery centre. sports cluster.

Telephones were mounted on the wall and were operated by turning a small handle situated in the middle of the phone. This connected the speaker to the switch board where they were 'put through' to the other end (speaker).Wall phones were used by State Electricity Commission of Victoria workers and their families on the Kiewa Hydro Electric Scheme. The SECV had a switchboard located at Mt Beauty. Also refer to article in "This Week" Newsletter 30th June 2023 and attached to KVHS 0050Black bakelite wall mounted telephone with handset connected by black spiral plastic cord. The round dial in the centre has a small handle with knob for turning. The base is silver steel with screws to attach it to the wall. The handset has a circular end with 4 small holes for the ear and the other end, the speaker end has 3 rings of small holes and a curved protective mouth piece to direct speech into the holes.On white circle in centre of dial: "To call turn handle and lift hand set. / When finished replace handset and turn handle" Handset embossed on inner side: 164 55wall mounted telephone; state electricity commission of victoria; kiewa hydro electric scheme; telecommunications; switchboard

This Hookey board was made of metal unlike many made of wood. The Mt Beauty Rural Fire Brigade was established by the State Electricity Commission of Victoria as an 'industry' brigade. When Mt Beauty was handed over to the Shire in 1961, the Fire Brigade became a member of the Country Fire Authority (C.F.A.). Today it is an urban fire brigade.This Hookey board was used by the members of the Mt Beauty Rural Fire Brigade from 1948 when the State Electricity Commission established the brigade. Grey metal round board with edge. 13 metal hooks spaced on front with embossed numbers 1 - 13 under each. A small circular engraved brass plaque under No. 13 and between No.s 9 & 10. Metal chain attached at top (for hanging). Embossed "Hookey"between No.s 1 and 13. Embossed numbers 1 - 13. Plaque "C A V .. Sales" on top. "Melbourne" on Bottom. "Quality Products" in middle. Cream paint splash right of centre and slightly on plaque.hookey; mt beauty; rural fire brigade; entertainment;

This is a booklet of 62 pages. It has a white cover with red and blue printing on the front cover and a blue-toned photograph on the back cover. The pages contain printed text, advertisements and black and white photographs. The pages are stapled.non-fiction This is a booklet by the Warrnambool Tourist Publication 1913warrnambool tourism, visit to warrnambool 1915 by george mcdonald

This ledger contains the names of clients and financial entries of business transactions of an unknown person or firm in the Warrnambool district from 1913 to 1916. The amounts recorded and the names on the loose sheets suggest the cash book may be connected to a stock and station agent of that era. This cash book is of minor interest as the name of the business involved is unknown. The mase of clients listed may be of some use to researchers.This is a ledger of 300 pages. The cover, made of brown hard board with a composite material covering, has a brown leather-covered spine. with a label almost indecipherable. The cover is torn and dirty and in parts missing the covering material The pages have ruled red lines with handwritten entries in blue and black ink. There are several loose sheets possibly relating to the handwritten information. warrnambool businesses in the early 20th century, warrnambool stock and station agents

This cup was awarded in 1880 to James Dickson Junior for winning a 400 yards race. The cup was awarded by the South Norwood Athletic Club. There is a Norwood in South Australia and Scotland and a South Norwood in London. James Dickson Junior (1859-1949) was born in Warrnambool to James and Susan Dickson. His father had established a general store in Warrnambool in 1855 in partnership with John Cramond. This store, known as Cramond and Dickson, was a prominent one in Warrnambool until its closure in 1973. James Dickson managed the London branch store of Cramond and Dickson from 1870 to 1880 and James Dickson Junior lived in London during that time and went to school in Scotland. So the cup could have been won in Scotland but it is most likely from a London athletics meeting. James Dickson Junior became a senior partner in the Cramond and Dickson business and was a leading citizen in Warrnambool as a director of the Warrnambool Cheese and Butter Factory, a committeeman on the Warrnambool Hospital Board for nearly 50 years and a president of the Warrnambool Racing Club. This cup is of considerable significance as it was won by James Dickson Junior in 1880. James Dickson Junior was a prominent businessman and active community worker in Warrnambool for more than 50 years.This is a silver cup or trophy with a maker’s symbol and four other hallmarks. It is in the shape of a goblet and has the race and winner’s information etched on the side of the cup. It has some small dents.‘South Norwood Athletic Sports 12 June 1880 400 Yards Maiden Race won by J. Dickson Jnr.’cramond and dickson store, warrnambool

This is a de-luxe edition of a 1984 facsimile publication of Edward Vidler’s 1907 book, ‘Sixty Years of Progress’. The facsimile book was published by the Osburne Group, a group of three Warrnambool men who reproduced several books that were out of print but were important in Warrnambool’s history. The facsimile book features the photographs and text of the original 1907 book alongside photographs and text concerning Warrnambool in the 1980s. J.B. Dwyer, who was given this de-luxe edition, was a prominent 20th century lawyer in Warrnambool. The original Edward Vidler book was produced to mark the sixty year anniversary of the founding of Warrnambool. It is a very rare book today but it is very important because it featured many photographs hitherto-unpublished and an accompanying text that is deemed today to be very accurate in historical terms. Edward Vidler, a publisher, writer, journalist and editor, was in Warrnambool in the early 1900s and, through his membership of the Warrnambool Progress League and the Chamber of Commerce, was responsible for initiating many improvements in the town and he was also responsible for organizing the making of the Pioneer Honour Board with its portraits of 204 pioneer men in the Warrnambool district.This book is of interest as a de-luxe edition of the 1984 facsimile publication of the Edward Vidler book, ‘Sixty Years of Progress’, a 1907 book on Warrnambool’s history. The reprinting of Vidler’s book enabled many researchers and others interested in Warrnambool’s history to access the Vidler information more easily as it is now rare to find a copy of the original Vidler book. This is a hard cover book of 120 pages with 90 pages of text and a biographical register, a bibliography and an index. The cover is dark blue with gold printing on the front and the spine. osburne group, warrnambool, j.b. dwyer, warrnambool, edward vidler, history of warrnambool

Sliding Gunter was the nom de Plume of Thomas Hamilton Tracey Osborne. Thomas Hamilton Tracey Osborne was born at Belfast 4/9/1851, the son of Thomas Hamilton Trail Osborne and his second wife Eliza nee Treacey. The young Thomas spent many hours among seamen and ships at Port Fairy. He moved to Warrnambool and commenced work as secretary to the Western Steam Navigation Company becoming manager in 1883. After the company failed he joined with Mark Saltau and they traded as Saltau and Osborne. His writings as Sliding Gunter appeared in The Warrnambool Standard and the Belfast Gazette. He was knowlegable and maintained an interest in shipping and the sea. He died in 11th December 1902 and his body was taken on board the Julia Percy and was buried at sea out from the Breakwater. He was well liked in the district and people lined the Cannon Hill area and the foreshore to farewell him. As an avid writer he corresponded with many people and this letter is one such letter The writer J J Crawford from Koroit tells the story of some of his family and their travels to Australia and early years in South Australia. The contents of letters such as these show he drew information from various sources.These letters as they relate to one of Warrnambool's earliest writers hold historic and social significance.002192.1 Plain white paper letter handwritten in black ink on back and front of letter 002192.2 Plain white paper letter handwritten in black ink on front and section on the back written sideways. Both letters are in the same hand.002192.1 dated 27 Feb 1902, Koroit. Signed J J Crawford 002192.2 Dated 1 March 1902, Koroit.sliding gunter