brighton, middle brighton, aerial, photograph, airspy, shaw-ross aviation company, suburbs, sea baths, pier, dudley street, st ninian's road, st kilda street, brighton beach, port phillip bay

The Municipal Gardens, Brighton, located at Brighton Breach, were known for their topiary art. They were a great attraction in the early 20th century; people came from all over Melbourne to picnic.municipal gardens, garden, park, brighton, brighton beach, topiary

brighton, beach, sunset, h. singer, photograph, port phillip bay, ti-tree

brighton, pier, middle brighton pier, boats, port phillip bay, beach

sandringham, beach, coast, red bluff, port phillip bay, ti-tree

On 2nd February 1918, Brighton experienced the most extreme cyclone to hit a major Australian city, as recorded by the Commonwealth Bureau of Meteorology. With wind speeds estimated at 320 km/h and resulting in the deaths of two people, the event caused tremendous destruction in Brighton.cyclone, brighton, methodist church, hawthorn road, grant's hay & corn store, wells street, wellington street, billilla, weatherly, halifax street, tornado, colonel kendall

billilla, manison, brighton, halifax street, rose garden, weatherly, cyclone

This flag features the City of Brighton crest which was used by the City of Brighton until 1970, when an official Coat of Arms was issued by the British College of Heraldry. Brighton was first incorporated as a borough on 18 January 1859, it became a town on 18 March 1887 and was proclaimed a city on 12 March 1919.Navy blue flag with circular crest in the centre with the words CITY OF BRIGHTON 1859 in black ink in a white border around the outside. A polychrome scene of the Brighton crest is in the centre showing the coastline with a pier extending to the water, sail boats in the distance, a train on the right of the pier, buildings on the left and the sandy beach at the base. The flag has rope woven through left side.flag, brighton, city of brighton, crest, bayside

The Flag contains the Sandringham seal, which was designed by Sans and McDougall, had been selected in 1917 by a special committee and depicted as its main feature the Sandringham pier and breakwater, with a yacht in full sail, as an inset, and supported by two dolphins. The motto selected was Omni Opere ("With all earnestness.").Dark blue flag with circular City of Sandringham seal in the centre with the words CITY OF SANDRINGHAM in yellow border around the outside. The seal contains a central shield depicting a large sailboat in the water at the top, below it an L-shaped pier protruding from the right and below that another pier protruding from the left with two small boats at the bottom. The shield is flanked by two dolphins, with St Edward's crown above, and a banner containing the motto 'OMNI OPERE' beneath. flag, city of sandringham, seal, crest, omni opere, pier, boat, motto, sans and mcdougall, with all earnestness, st edward's crown

Dark wood honour board with gold lettering attached to the wall in the foyer at the Brighton Town Hall. A roundel in timber relief at the top containing the City of Brighton crest and British Coat of Arms. Below that is a raised timber relief panel inscribed in gold lettering 'MAYORS OF THE MUNICIPALITY'. The list of names and dates of the mayors from 1859 to 1965 is split over 2 raised timber panels, in four columns and divided by the headings BOROUGH, TOWN and CITY. mayor, municpality, brighton, city of brighton, borough of brighton, town of brighton, honour board, crest, coat of arms, brighton town hall

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton and Elwood and was taken on 1 December 1976brighton, elwood, department of crown lands and survey, aerial photograph, elsternwick park, point ormond, north road, ormond esplanade, st kilda street, glen huntly road, bayside, port phillip bay, map, cartographic material, melbourne project 1976

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton, Hampton and Sandringham and was taken on 1 December 1976brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, hampton, sandringham, green point, sandringham yacht club, south road, beach road, hampton street, melbourne project 1976

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton and was taken on 1 December 1976brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, melbourne project 1976, brighton yacht club, middle brighton baths, north road, st kilda street, new street

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton and Hampton and was taken on 1 December 1976. brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, melbourne project 1976, brighton yacht club, middle brighton baths, hampton, green point, brighton beach, south road, the esplanade, hampton street

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton, Elwood and Elsternwick and was taken circa 1965-71.brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, elwood, elsternwick, elsternwick park, elwood tram depot, elwood pier, new street, glen huntly road, st kilda street, nepean highway

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton, Brighton East and Bentleigh and was taken circa 1965-71.brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, bentleigh, brighton east, dendy park, dendy street, centre road, nepean highway, south road, football

The Department of Crown Lands and Survey (1857-1983) was responsible for the administration of survey and mapping and the sale, occupation and management of crown land throughout its existence. This aerial photograph shows parts of Brighton and Brighton East and was taken circa 1965-71.brighton, department of crown lands and survey, aerial photograph, bayside, port phillip bay, map, cartographic material, brighton east, dendy park, dendy street, centre road, nepean highway, south road, brighton golf course, golf

The Melbourne and Metropolitan Board of Works (now Melbourne Water) was established in 1891. From that time, as part of their work laying water and sewerage connections, they created detailed plans of houses and other buildings in the Melbourne metropolitan area. In 1956 it acquired powers to construct and maintain highways and bridges, protect and improve the foreshores and create and maintain parks within the metropolitan region. This Interim development order comprises part of the municipalities of Brighton, Moorabbin and Sandringham and was made on 20 October 1959.brighton, moorabbin, sandringham, melbourne and metropolitan board of works, map, town planning, cartographic material, interim development order, bayside

Charles Douglas Richardson, The tired dancer 1909, patinated plaster, 59 x 42 x 45 cm. Bayside City Council Art and Heritage Collection. Donated by the artist 1931.patinated plastersculpture, human figure, dancer, tambourine, charles douglas richardson, cd richardson, c douglas richardson, plaster

Charles Douglas Richardson, A Cornish rock c.1885, oil on canvas, 39.5 x 49.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 1931.oil on canvaslandscape, cornwell, rocks, painting, england, charles douglas richardson, c douglas richardson, cd richardson

Shannon Smiley, Beside the tracks 2015, oil on canvas, 92 x 122 cm. Bayside City Council Art and Heritage Collection. Purchased 2017.oil on canvaslandscape, vegetation, trees, train tracks, painting, shannon smiley, photorealist, leaves

Site specific outdoor installation on permanent display near the Sandown Street Dog Beach, BrightonAnne Ross, Summertime 2017, patinated bronze, 220 x 220 x 150 cm. Bayside City Council Art and Heritage Collection. Commissioned 2017.A free standing, three dimensional sculpture, cast in bronze, patinated and painted. A larger than life dog wearing sunglasses with ears blowing in the wind is sitting under a singular tall tree facing the beach. Both the dog and tree sit on a large rectangular base.sculpture, public art, dog, brighton, beach, tree, anne ross, coastal art trail, foreshore

This work is a plaster maquette of a large bronze statue of politician and land speculator Sir Thomas Bent by Margaret Baskerville that is located on the corner of Bay Street and Nepean Highway, Brighton.Margaret Baskerville, Sir Thomas Bent c.1911, patinated plaster, 55 x 49 x 49 cm. Bayside City Council Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.patinated plaster thomas bent, politician, mayor, premier, bust, sculpture, margaret baskerville, land speculator, speaker, local government, councillor, member of lower house, portrait

Edith Cavell was an English nurse based in Belgium who had been killed by German officers for conspiring to help in the escape of allied soldiers. This work is a plaster maquette of a large memorial marble bust by Margaret Baskerville that is located at Kings Domain on Birdwood Avenue, Melbourne. Although commissioned in 1917, the memorial was not completed until 1926 due to both the difficulty of obtaining Carrara marble from Italy after the war and the increasing number of Baskerville’s other commissions.Margaret Baskerville, Edith Cavell c. 1926, plaster, 82 x 49 x 28 cm. Bayside Art and Heritage Collection. Donated by Charles Douglas Richardson, 1931.plasteredith cavell, bust, sculpture, nurse, world war i, margaret baskerville, melbourne, berkendael medical institute, red cross, brussels, plaster

Baskerville’s Echo references the Ancient Greek myth of the nymph Echo. The goddess Hear punished Echo for misusing her gift of voice by ensuring that she could only echo the voice of others. Echo falls in love with Narcissus, who spurns her and instead falls in love with his own reflection in a pool and drowns trying to reach it. Grieving, Echo fades away until only her voice remains.patinated plasterecho, female, figure, margaret baskerville, ancient greek myth, nymph, sculpture, relief, plaster

marblewild fruit, female, figure, fruit, charles douglas richardson, sculpture, marble, c douglas richardson, cd richardson

patinated plastertempus fugit, time flies, sundial, figure, female, charles douglas richardson, c douglas richardson, cd richardson, relief, sculpture

patinated plasterfaces, relief, charles douglas richardson, memories, genius, scupture, cd richardson, c douglas richardson

This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west

oil on linencardboard box, paper, water, documents, painting, victoria reichelt, fragile, photorealist, archive