Gabo Island sits off the coast of East Gippsland in Victoria, with cliffs of granite in a relatively unique red/pink colour. Early attempts to build a lighthouse on the island were abandoned due to poor foundations, but when a ship ran aground on the nearby Tullaberga Island in 1853 and led to the death of 37 people, efforts were reignited. Construction of a new lighthouse was completed by 1858, using Gabo Island granite. The lighthouse is Australia's second tallest in Australia and continues to play an important role in guiding boats around the coast as they journey between Melbourne and Sydney. The distinct pink colour from the granite means the lighthouse continues to be a defining feature of the island. Gabo Island granite was also used to construct the Treasury Building at 117 Macquarie Street in Sydney, now the Intercontinental Hotel.Granite in the pink colour of this specimen is relatively rare. The connection to the lighthouse on Gabo Island also gives the specimen historic significance and social significance regarding the maritime history of Victoria. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid palm-sized mineral, coloured by flecks of pink, red, and grey. Granite is formed by the slow crystallisation of magma below the earth's surface. It is typically composed of a mix of quartz, feldspar, and other minerals, though syenitic granite like this sample has a smaller amount of quartz than typical granite. This different mineral composition leads to the more distinct pink and red colouring.First sticker: [torn]logical survey / R........ S........ / Loc Gabo Island / 1/4 Sheet / Second Sticker: 15 Third Sticker: Syenitic Graniteburke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, gabo island, gabo island lighthouse, lighthouse, granite, coast, coastal, granite specimen, victoria, coastal cliffs

The photograph is of the Powder Magazine and gorge in Beechworth. The Magazine was built for six hundred and ninety-seven pounds in 1859 by "T Dawson and company." However, the walls were constructed later in 1860 by "Atchison and Lumsden," a different building firm. The Beechworth Magazine was one of many made by the government for the storage of gunpowder. However, the building eventually stopped being used as the mining decreased in the area, finally becoming unsused with the invention of nitro-glycerine compounds. The magazine was created to hold large quantities of gunpowder and much of its design was to hinder the prospective of damage. These safety features included double arched foundations and an arched inner roof, which would move a possible explosion upwards. Also, a process of lighting conductors, ventilation and heavy granite walls were incorporated in the designThe photograph shows historic significance due to its association with the mining era in Beechworth in the late 1800s. The photo shows the Powder Magazine after construction, most likely when it was storing gunpowder during a signifiant time period for the region.Black and white photograph printed on paper.beechworth, powder magazine, gunpowder, mining, beechworth powder magazine, explosives, atchison and lumsden, t dawson and company, gorge, granite, granite building, 1860

The photograph is of the Powder Magazine and gorge in Beechworth. The Magazine was built for six hundred and ninety-seven pounds in 1859 by "T Dawson and company." However, the walls were constructed later in 1860 by "Atchison and Lumsden," a different building firm. The Beechworth Magazine was one of many made by the government for the storage of gunpowder. However, the building eventually stopped being used as the mining decreased in the area, finally becoming unsused with the invention of nitro-glycerine compounds. The magazine was created to hold large quantities of gunpowder and much of its design was to hinder the prospective of damage. These safety features included double arched foundations and an arched inner roof, which would move a possible explosion upwards. Also, a process of lighting conductors, ventilation and heavy granite walls were incorporated in the designThe photograph shows historic significance due to its association with the mining era in Beechworth in the late 1800s. The photo shows the Powder Magazine after construction in 1960, most likely when it was storing gunpowder during a signifiant time period for the region.Black and white rectangular postcard printed on cardObverse: No 2 POWDER MAGAZINE BEECHWORTH. BUILT OF LOCAL GRANITE IN 1859-60. Reverse: KODAK / POST CARD / CORRESPONDANCE. ADDRESS ONLYbeechworth, powder magazine, gunpowder, mining, beechworth powder magazine, explosives, atchison and lumsden, t dawson and company, gorge, granite, granite building, 1860

Hewitt’s airway was the first known oral airway and laid the foundations for the numerous other airways that were later developed. The development of the oropharyngeal airway is one of the lesser-acknowledged advances in anaesthesia. Oral airways made anaesthesia safer and significantly reduced the trauma associated with earlier attempts at managing the obstructed airway. The Hewitt Airway – the first known artificial oral ‘air-way’. In 1890, Frederic Hewitt noted the frequency and danger of upper airway obstruction. In 1908, dissatisfied with the use of tongue forceps and that Esmarch’s maneuver sometimes failed, he described the first oropharyngeal airway, the Hewitt Airway. The tube was less than 8 cm long, ideally connecting the oral opening to the hypopharynx. The Hewitt Airway was the foundation for many subsequent oropharyngeal airway designs.The oropharyngeal airway is significant because of its lesser acknowledged advances in anaesthesia.Round metal tube with a brown rubber tubing sleeve around the outside.medical health, anaesthesia

Newspaper Clipping from The Courier, October 1971, titled "Tram 42 Retires as a Church Kindergarten", with a photo of tram No. 42 being manoeuvred into the Zion Congregational Church yard in Sebastopol on a low loader, with the church in the background. Notes that tram was delivered by SEC workmen and that the foundations had been prepared for several weeks prior to delivery. People mentioned in the story are Rev Syd Munn, C. Merrett, SEC I. Pellas and SEC works superintendent Mr. W. Trusler. Noted that the bogies, motor and "trolley arms" had gone to the Western Australian Electric Transport Association. See Reg. Item 939 and 1046 about the tram being used as a Kindergarten. closure, sale of trams, disposal, zion congregational church

The Trefoil Guild consists of former members of the Girl Guide Movement. It is a self governing and self financing guild that provides support to the Girl Guide movement. Originally formed as "Old Girl Guides" in 1936, it became the Trefoil Guild in 1944/45.Grreen cloth banner. The words Merle Bush Trefoil Guild at the top. Taking most of the centre a gold triangle, at top right a poppethead and top right a bottle of wine and grapes. At the centre of the triangle Bendigo flower emblem and at the bottom Suu Loong and the word Bendigo. At the back. Green for the local gum leaves and reefs of gold. Bendigo's position marked in the golden triangle by its floral emblem, the waxflower. Poppet head for Bendigo's wealthy foundations. Sun Loong for the heritage and many nationalities that contributed to Bendigo's character. Lettering the colour of our summer land and grass. Grapes for the vineyards and wines in the area. By Gwen Berby 1997. The banner is in a green carry bag.

Digital Image of Sydney Road, Coburg, looking south from near Bell St, showing the track repair work to remove bricks from the rails that were resulting in damage to the track foundations by letting water into the track. Photo supplied for identification purposes May 2020, by the Editor, Australian Railway History - see htd4680doc for email correspondence. Image belongs to the ARHS NSW Div. Rail Resource Centre No. 117413 Was used in the June 2020 issue of Australian Railway History - see Reg Item 4684. In the background are the Commercial Bank of Australia, A. M. Hadden Chemist, Walkers Stores, Joblings Boots, a Lending Library with advertisements for "The Age", "The Argus" and "The Herald".trams, tramways, sydney road, coburg, track repairs, trackwork

1239.1 - Notice to BTPS members about a Social Meeting to be held at St. Cuthbert's Church Hall, Sturt St. West on 27 Jan. 1972. Notes an inspection of the proposed track to Wendouree Parade and work commenced on the depot foundations. Signed by Hal Cain, President. Printed on pink paper using Stencil process. 1239.2 - Appeal form or notice to members, seeking funds to cover the cost of acquisition of tram No. 33, ($750) and transport ($450) from Hamilton. Gives notes on history of 33 in Hamilton. Donations to be sent to the Treasurer, Mrs. Dean in Box Hill. Gives date of return of tram 33 to Ballarat as 28 April 1977. Printed on yellow paper with duplicator process.1239.2 has "Nancy's" in top right hand corner in blue ink.museums btps, appeals, hamilton, social meetings

Three page typed copy of notes for signs on Victoria Hill. Mentions items to be seen at Victoria Hill. Sign posts listed are for: Ballerstedt's First open Cut, Quartz Veins (Spurs), Prospecting Shafts 1929, Engine beds for Lansell's big 180 Mine, 20 Head Crushing Battery Stampers, concrete dam, Victoria Quartz Mine, Foundations of steel poppet legs of the Victoria Quartz Mine, Victoria Quartz Dams, Rae's Open Cut, Site where the quartz was roasted, Anticlinal Arch , coloured rock formations, primitive tunnels, Adit, Engine bed for Great Central Victoria, Prospecting Tunnels, Great Central Victoria (Midway). Notes prepared by Albert Richardson.document, victoria hill, notes on signs for victoria hill, gold mines hotel, ballerstedt's first open cut, quartz veins (spurs), prospecting shafts 1929, engine beds for lansell's big 180 mine, 20 head crushing battery stampers, concrete dam, victoria quartz mine, foundations of steel poppet legs of the victoria quartz mine, victoria quartz dams, rae's open cut, site where the quartz was roasted, anticlinal arch , coloured rock formations, primitive tunnels, adit, engine bed for great central victoria, prospecting tunnels, great central victoria (midway), a richardson

Three page hand written carbon copy of Sign numbers at Victoria Hill. No 1 North Old Chum Shaft, No 2 Ballerstedt's First Open - Cut. Special Sign Post, No 2 C Rock Formations Pitching North, No 2 B Rich shallow shafts, No 2 A Quartz veins, No 4 A Concrete Dams, No 3 Engine Beds - Lansell's 'Big 180' Mine, No 3 B Lansell's 'Big 180' Shaft, No 4 Twenty Stampers Crushing Battery, No 3 C Foundations - 'Cleopatra Needle' type Chimney for Lansell's 'big 180' Mine, No 5 Victoria Quartz Mine, No 5 A Fou;ndations Victoria Quartz Poppet Legs, No 5 C Foundations Victoria Quartz Winding Plant, No 5 B Victoria Quartz Dams, No 6 Rae's Open - Cut, No 9 Quartz Once Roasted Here, No 12 Anticlinal Arch, No 15 primitive Tunnels, No 14 Beautifully Coloured Rock Formations, No 16 Adit, Graded Bedding, Oblique Fault, Spurry Quartz Veins, No 17 Prospecting Tunnels, No 18 Floyd's Small Crushing Battery, No 19 Gt Central Victoria (Midway) Shaft, No 20 Great Central Victoria (Midway) Engine Bed, No 21 ballerstedt's Small 24 Yard Claim, No 22 Humboldt Shaft, No 23 Wittscheibe's 'Jeweller's Shop', No 24 The 'Adventure' ground, Large Open - Cut, No 26 Luffsman and Sterry's Ground, NO 27 A Round Shaft, Notes prepared by Albert Richardson.mine, gold, victoria hill, victoria hill, victoria hill key to sign posts on area map, north old chum shaft, ballerstedt's first open cut, lansell's big 180 shaft, 'cleopatra needle' type chimney, victoria quartz mine, rae's open cut, prospecting tunnels, floyd's small crushing battery, gt central victoria (midway) shaft, ballerstedt's small 245 yard claim, humboldt shaft, wittscheibe's 'jeweller's shop', adventure, luffsman and sterry's ground, david sterry, sterry's 'gold mines' hotel, round shaft

The Pipe Bridge at Greensborough is a significant and highly visible part of the system. It was constructed to carry the wrought iron aqueduct pipes over the Plenty River. The use of wrought iron meant the pipes were 75% lighter than cast iron, with the bridge construction reflecting this innovation. Photograph of the Maroondah Aqueduct pipe bridge at Greensborough. The Pipe Bridge is 210 feet long, divided into 4 spans. The main girders are light lattice 11 feet deep and 11 ft 4 inches apart. The bridge carried two wrought iron tubular mains, 53 inches in diameter, supported at intervals by cross girders and chairs, placed between the main girders. The bridge is carried on braced cast-iron columns, 18 inches in diameter, set on concrete foundations, with a clear headway of 20 feet above the Plenty River. The eastern side of the bridge is reinforced with a bluestone abutment at the river bank.Digital copy of colour photograph.maroondah aqueduct, aqueduct pipe bridge greensborough

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 20. Section of completed coffer dam with river diverted over the concrete foundations of dam that were placed during the first stage of operations. New South Wales. January 1927. Cofferdams are temporary structures used where construction is being carried out in areas submerged in water. They are most commonly used to facilitate the construction or repair of dams, piers and bridges. To divert the river, a Coffer Dam was built across the old bed above and below the Dam site and tying into the end of the concrete wall built inside the levee bank. This completely surrounded the remainder of the site of the Dam and south wing wall, including an area of 12½ acres. hume reservoir australia, river murray waters scheme, hume reservoir construction

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 37. Bethanga Bridge Site. A bridge is being built to cross the Reservoir to serve a large area of country which will be cut off from its natural outlets by the submergence of existing bridges when the Reservoir is in being. The site of the bridge is nearly a mile up the Murray from the Hume Reservoir Quarry. Its length will be approximately half a mile. There will be nine spans of 269 feet with steel truss girders resting on concrete pillars. Some of the pillars are founded on rock while others will rest on nests of reinforced concrete piles. The foundations and concrete piers are in the hands of the Victorian Constructing Authority and the superstructure in those of the New South Wales Authority. August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction

The first Emerging Writers’ Festival was held at the Victoria Hotel in Little Collins Street in January, 2004. The inaugural festival developed out of Express Media's Make It Up zine fair. It brought together the offerings of 68 writers from across Australia in a two-day series of panels, readings, performances and workshops. Express Media ‘s Artistic Director Richard Watts was the driving force behind the ground breaking initiative that was to become the Emerging Writers’ Festival. It was clear to him through the success and the demand of the Make It Up zine fair, which had its origins in 2000, that writing and writers were in the process of radical change and needed a new environment to grow. In response, Express Media formed a partnership with the Victorian Writers’ Centre and held the first Emerging Writers’ Festival with the tagline, the best Australian writers you haven’t heard of yet. The beginnings were humble but the foundations strong. In those early years the festival found its feet, its independence and a loyal and passionate audience.An eight page, stapled program for the 2004 Emerging Writers' Festival printed in black, white and three shades of orange."Featuring the best Australian writers / you haven't heard of (yet) including new, young and / emerging poets, zinesters, short story / writers, spoken word performers, novelists, / screenplay writers / and playwrights, and a range of panels, / readings, workshops as well as an / independent publishers' trade fair."2004 emerging writers' festival, richard watts, express media, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. WODONGA'S SECOND COURTHOUSE The Court House was situated in the Customs or Bond Store building alongside the Wodonga Police Station in 93 High Street. This was on the west side of High Street at its intersection with Bond Street. The building was converted to the courthouse in 1920. In early 1964, the courthouse building was burnt beyond repair and furniture and other property destroyed. The cause of the fire was never found. The Police Station was lucky to survive but only because of the efforts of the local Fire Brigade. After the fire, the court was held first at the old Fire Station premises near where the present Wodonga Post Office, then it moved to a vacant building in Mitchell Street which was later turned into a Child Care Centre. Foundations for the new courthouse in Elgin Street were laid in October 1965.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.2 black and white photos of the Court House, formerly used as a Bond Store for collection of customs.high st wodonga, wodonga court house

Colour photograph of a small painted brick building with a story board in front of it. The photograph is mounted on a bright blue sheet of paper, along with a typed caption of the text from the story board.Caption text: "Browns Plains Chapel. In 1866 the Browns Plains community funded the construction of this building to be used for religious and educational purposes. Erected on granite foundations carted from nearby Mt Ochtertyre, the shingle roofed brick building was opened as a Common School No 821 on the 1st of July 1866. In 1880 a weatherboard school was built to the south of the brick building. The School closed on 31st Dec 1895 there were 12 boys and 12 girls in attendance. Regular community church services are still being conducted here."browns plains, churches, schools, common school no 821

Sir William St Clair founded Rosslyn Chapel in 1446. It is located south of Edinburgh, Scotland. St Clair hoped to spread intellectual and spiritual knowledge and to ensure his place in Heaven. Rosslyn Chapel is a fine example of stonemason's work. It has many atropaic marks and mason's marks with other symbolism adorning it's structure as well. Excavations in the 1800s uncovered further foundations and building but Sir William died and the larger building was never completed. The village of Roslin (differing spelling) grew up around the estate and chapel due to the large number of craftsmen who helped build it over a 40 year period. William St Clair was the 3rd Prince of Orkney. He died in 1484. His name and the names of his descendants are linked to the beginnings of freemasonry in Scotland. Sir William Sinclair of Rosslyn was granted charters from the Masons of Scotland in 1630.The author Dan Brown who published the Da Vinci Code in 2003 is responsible for the upsurge in interest and visitors at the centre. The Visitor's centre was officially opened in 2012. Colour photographs showing Rosslyn Chapel.rosslyn chapel william st clair freemasonry freemasons scotland

The barrel was used in the Wodonga Court House as part of the selection process for jurors. It was a standard issue barrel used throughout Victoria. It was retrieved from the ruins of the court house which was destroyed by fire. It was then donated to the Wodonga Historical Society. The timber display stand was made and donated by Jake Tooley, a Wodonga Historical Society member, The Court House was situated in the Customs Store building alongside the Wodonga Police Station in 93 High Street. (The house where the Police Station was had originally been the home of the Customs Officer). In early 1964, the court house building was burnt beyond repair and furniture and other property destroyed. The cause of the fire was never found. The Police Station was lucky to survive but only because of the efforts of the local Fire Brigade. After the fire, the court was held first at the old Fire Station premises near where the Wodonga Post Office is near Woodland Grove, then it moved to a vacant building in Mitchell Street which was later turned into a Child Care Centre. Foundations for the new court house in Elgin Street were laid in October 1965 Local significance due to its use in the Wodonga Court House and its survival of a major fire. State significance as it documents a procedure used in the Victorian Court and Legal system Cylindrical metal-iron barrel painted black with writing stenciled on the front in white The timber mount was made for storage and display is not part of the original object,Inscription on Barrel "WODONGA./ Jurors in use./ Special"wodonga court, jurors, selection, legal system, fire

Joan O'Shea Collection. Victoria Hill Bendigo Gold Mining on the Richest Quartz Reef in Bendigo, from 1854 to 1916. Colour and Black and White Booklet 16 Pages. Includes Maps of the Victoria Hill Area, photographs of the remains of a twenty head crushing battery, burnt ground from quartz roasting, The Victoria Quartz Mine Photograph from Australian Mining Standard June 1899, The compressor beds and concrete foundations for the poppet legs all that remain today of the Victoria Quartz Mine deepest mine on Bendigo Goldfield 4613 feet or 1406.04 metres. Also included photograph of the view of Victoria Hill from The New Chum Hill in the 1870s. The Location of the 3 mines Ballerstedt's open cut, North Old Chum and Lansell's 180 are marked. A depiction of Rae's Open Cut gives an understanding of the primitive nature of early workings on the Goldfields. The Booklet also provides a brief history of Victoria Hill itself.Bendigo Trust Publication March 1972. Printed in Bendigo Cambridge Press.bendigo, mining, victoria hill

Set of three colour photographs of buildings and demolition of the former ESCo / SECV Wendouree Parade Power station sent to the Editor of Trolley Wire - used in the November 1997 issue of Trolley Wire. All photos by Alan Bradley. Photos taken during November 1993 or March 1994. All photos on AGFA paper. 1140.1 - The gate house building in Wendouree Parade - Nov. 1993 - used on page 21 of Nov. 1997 Trolley Wire. 1140.2 - Foundation stone - 23/8/1904 - of the ESCo power house. Gives names of people involved and contractors etc. - used on page 20 of Trolley Wire. Taken during November 1993. 1140.3 - Demolition work well advanced showing foundations and basement areas of power station - taken during March 1994. Used on page 25 of Trolley Wire. Hi res image of i2 added 16-12-2015. All have yellow stickers with photo number for magazine printer, and white sticky labels with photo number and words "same size" written on black ink. 1140.1 and 1140.2 have pencil cropping marks.trolley wire, esco, power station, demolition

Clutha was the home of John Carson, the second mayor of Kew. Leonard Terry designed the house for him in 1856. Terry was the architect of the Melbourne Club (1858), the former London Chartered Bank (1861), Lothian Terrace in Carlton (1865), and the ES&A Bank in Hawthorn (1873). The commission for Clutha was won three years after Terry’s arrival in Victoria.An extremely rare photograph of a major residential architectural commission of Leonard Terry. The photograph of the house has statewide significance as the home of the Victorian pioneer and businessman, John Carson. A rare, nineteenth century photograph of ‘Clutha’ in Studley Park Road, Kew. The sepia-toned photograph is of the front of the house, with its bluestone foundations and its second storey balcony. A real estate advertisement in 1875 described the house as: 'First-class family mansion, and about 8½ acres of pleasure grounds and fruit garden. The house, erected under the plans and supervision of Mr. Leonard Terry, is most substantially built of brick, stuccoed, on solid bluestone pediment, forming a noble basement story, large entrance hall, and lobby, with conservatory on the left. *** A wide verandah and balcony, erected on cast-iron columns, runs round the house, the views from which are perhaps unequalled in extent and beauty in the neighbourhood of the city, commanding the bay, shipping, Mount Macedon, and Dandenong Ranges. Th e whole forming a most complete gentleman's residence, no expense having been spared in its erection and comfortable finish.'"Clutha West Side Studley Park Road Kew / Clutha West Side"clutha, john carson, leonard terry

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 12. View from the Victorian bank of the river showing in the foreground a levee bank along the New South Wales side of the river with connecting wings back to the higher ground, May 1923. The first stage in the construction of the Dam foundations was carried out inside the levee bank which was at a sufficient height to protect from floods the work going on inside. A length of 300 feet of the Dam was left at a low elevation to allow of the river flowing over it in the second stage of the operations and at the ends of the concrete was brought up above flood level. To divert the river, a Coffer Dam was built across the old bed above and below the Dam site and tying into the end of the concrete wall built inside the levee bank. This completely surrounded the remainder of the site of the Dam and south wing wall, including an area of 12½ acres.hume reservoir australia, river murray waters scheme, hume reservoir construction

Official invitation to Miss L J Parry from The Council of the Royal Historical Society of Victoria. A large cream coloured card printed with the Royal Historical Society emblem in gold in the upper section and printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe, The President Mrs E W Tipping and the Council of the Royal Historical Society of Victoria in association with the Matthew Flinders Bicentenary Citizens Council invites Miss L J Parry to the Matthew Flinders Oration by Professor Joseph Burke, "The Enlightenment: Foundations of Australian Art and Science" on Tuesday 19 March 1974 at 8:00pm in the Great Hall, National Gallery of Victoria St Kilda Rd Melbourne. In the lower left hand corner is printed RSVP 8th March The Director RHSV 459 Collins St 3000 and in the lower right hand corner Please present this card at door Admits two persons.event, official

Official invitation to Bendigo Historical Society from The Council of the Royal Historical Society of Victoria. A large cream coloured card printed with the Royal Historical Society emblem in gold in the upper section and printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe, The President Mrs E W Tipping and the Council of the Royal Historical Society of Victoria in association with the Matthew Flinders Bicentenary Citizens Council invites Bendigo Historical Society to the Matthew Flinders Oration by Professor Joseph Burke, "The Enlightenment: Foundations of Australian Art and Science" on Tuesday 19 March 1974 at 8:00pm in the Great Hall, National Gallery of Victoria St Kilda Rd Melbourne. In the lower left hand corner is printed RSVP 8th March The Director RHSV 459 Collins St 3000 and in the lower right hand corner Please present this card at door Admits two persons.event, official

Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs

Set of 18 photographs of the completion of the sheds and commencing on the house extensions at Bungaree over the period 6/5/00 to 24/6/00. All taken by Carolyn Dean. 6/5/00 1. Cladding the second shed 2. ditto 3. ditto 4. House being repainted and wheels storage 7/5/00 5. Fittings doors to first shed - trail fit 6. House block 7. Roof sheeting to 2nd shed 8. The two sheds 11/6/00 9. The two sheds complete with doors and flashings 10. House with sheds in background (photo used in July 2000 Fares Please! and 1999-2000 Annual Report) 11. ditto 12. House extensions - old shed demolished 13. Modifying pipe work 14. ditto 15. Old foundations 16. Mini mix delivering concrete 17. New slab over old 18. and extending front step.All have date and "Photo by Carolyn Dean" on rear.bungaree, sheds, house extensions

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates - Vol 3 "Nithsdale", built for J.S. Crouchin 1858 and extended in 1885 with a tower and associated rooms, survives as testimony to the nineteenth century occupation of the vicinity of the Kambrook/Glen Eira Road intersection. Caulfield's Building Heritage by Dr Geulah Solomon, Vol 1 p49 records it as a small Victorian mansion home on bluestone foundations of Italianate style with a tower. Built for J S Chambers circa 1860, it was built in stages and then the land subdivided in the 1920s. Other owners include Adolph F Brockhoff (of Brockhoff Biscuits company). Names used besides Nithsdale have been Bundoora and Five Way Hill. Page 102 of Photograph Album with four photographs (three landscape and one portrait) of Nithsdale, now known as Five Way Hill. Three views of the tower and one of the house.Handwritten: "Nithsdale" now "Five Way Hill" Kambrook road [top right] / CNR KAMBROOK AND GLENEIRA ROADS [under bottom right photo] / 102 [bottom right]trevor hart, north caulfield, victorian, mid victorian, late victorian, tower, j.s. crouchin, 1850's, 1880's, italianate, rendered, five way hill, nithsdale, slate roof, plaster arches, ornamental columns, triangular pediment, ornamental parapet, cast iron balconies, kambrook road, glen eira road, t crouch, j s crouchin, mansions, j s chambers, bluestone foundations, land subdivision, adolph f brockhoff, bundoora, house names

The Fundamentals of Legacy was a paper offered to the Fortieth Annual Conference of the Legacy Clubs of Australia, held in Ballarat from 7th to 10th November 1968, by the Sydney Legacy Club. It was presented by Legatee Daniel S. Aarons, past president of the Legacy Club of Sydney (1946-47). By resolution of the Conference it was printed by Legacy Co-ordinating Council for distribution upon their request to Legacy Clubs. The first part of the brochure examines birth of Legacy growing from the seeds of comradeship that were sown in war service. Comradeship from the deep friendship forged in war time. The second part examines the personal service that is fundamental to Legacy. It includes a story of burial after a fierce battle at Pozieres in August 1916 where the writer witnessed a mate pledge to the deceased "don't worry, our friends, we will look after your widows and children". The final words of the of the brochure. "Legacy is a magnificent monument whose foundations made from everlasting materials, Mateship, Comradeship, and Friendship. The edifice upon that foundation was erected by the dedicated, personal service of a mere few thousand Legatees of whom it may truly be said, that, Never in the history of social service Has so much been done for so many By so few." The notation H65 in blue pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record of speech at a Legacy Conference being reprinted for distribution among Legacy Clubs.Brochure on white paper with black type x 8 pages about The Fundamentals of Legacy.Handwritten H65/1 in blue pen. history, speech