1. Kiewa Valley Consolidated School was established in 1953 combining Dederang North, Kergunyah, Gundowring, Kiewa, Gundowring Upper, Red Bluff, Charleroi and Gundowing North schools on a 10 acre site with 11 rooms at Kiewa. The bark was cut from the canoe tree, by aboriginal craftsmen, to produce a canoe for fishing in the rivers running through the Kiewa Valley either before or just after the 1800's. The tree trunk, located at Kiewa, would have been used at the beginning of European settlement in the Kiewa Valley or just before contact was made. 2. Pictorial record of the graves of early pioneers C Ibbotson, Mrs Elizabeth Eyre and John Eyre who died between 1858 – 1904, all located at Tawonga Homestead 1. The above schools are in the Kiewa Valley. The date and number of combined schools give insight into the change in population and families in the Kiewa Valley before and after 1953. The tree was found along the Kiewa River and indicates that Aborigines lived by the river and used tree bark to craft canoes to cross rivers and to fish in the deeper sections of the river. 2. Pictorial record of the early history of Kiewa Valley pioneers whose descendants have lived and worked in the Kiewa Valley for many years 1. Newspaper article of local school children visiting a canoe tree in Kiewa July 11, 1972. mounted on buff card 2. Black and white photo of pioneer graves at old Tawonga Homestead. Mounted on buff card 1. Handwritten in black ink above newspaper clipping ‘Canoe Tree Kiewa Valley Consolidated School. 11 July, 1972’ Handwritten in pencil at bottom of article ’10 Nov. ‘72’ 2. Handwritten in black ink above photo ‘Tawonga Homestead graves’ Handwritten below photo ‘T Ibbotson D. 1858, Elizabeth Eyre D. 1879, John Eyre D 1879, John Eyre D. 1904 tawonga homestead, canoe tree at kiewa, tawonga graves

These long handled "Blacksmith" tongs were used in the late 1800's to mid 1900's by a blacksmith(or others) within the Kiewa Valley. During these times blacksmiths would regularly visit "remote" rural properties and work on any "hard to manufacture" items. A few properties had either stockmen,farm hands, or owners able to do "minor" blacksmith work. The ability to undertake blacksmith functions was sometimes "by necessity" handled by a local "jack of all trades" person. During this period however demand for rural based blacksmiths was very high. The rural store, however was usually very small and many "off" the shelf rural appliances and apparatus available in the larger rural towns were not available to the semi remote rural areas.This long handled shaped nipper tongs is very significant to the Kiewa Valley because it represents one of the essential mores relating to isolated rural regions as was the Kiewa Valley at this period in time (1800's to mid 1900's). This "ingrained " more was the ability to achieve anything that was required to maintain a living standard or survival in a remote grazing, mining and farming region. The remoteness was due to the small population, poor transport routes and flood prone roads winding through the lower lying flat plains of the Kiewa Valley. Any blacksmith work whilst grazing Cattle on the Bogong High Plains or any part of the Kiewa Valley, had to be done in situ. The part of the "culture" of this regions was that of "self help" either from within the family or from a friendly neighbour.Long handled blacksmith's tongs. The handles are rusted and painted orange. The nippers have one central fixing and are flat edged.tools, blacksmith, horses, trades

These long handled "V" shaped tongs were used late 1800's to mid 1900's by a blacksmith within the Kiewa Valley. During these times blacksmiths would regularly visit "remote" rural properties and work on any "hard to manufacture" items. A few properties had either stockmen,farm hands, or owners able to do "minor" blacksmith work. The ability to undertake blacksmith functions was sometimes "by necessity" handled by a local "jack of all trades" person. During this period however demand for rural based blacksmiths was very high. The rural store, however was usually very small and many "off" the shelf rural appliances and apparatus available in the larger rural towns were not available to the semi remote rural areas.This long handled "V" shaped nipper tongs is very significant to the Kiewa Valley because it represents one of the essential mores relating to isolated rural regions as was the Kiewa Valley at this period in time. This "ingrained " more was the ability to achieve anything that was required to maintain a living standard or survival in a remote grazing, mining and farming region. The remoteness was due to the small population, poor transport routes and flood prone roads and lower flat plains of the Kiewa Valley. Any blacksmith work whilst grazing Cattle on the Bogong Plains had to be done in situ.Long handled tongs with "V" shaped ends on the nippers (used by blacksmiths)I.T.O.C.tools, blacksmith, horses, wrought iron tools

Limited edition of 1000 numbered copies. Account book relating to Henry Dendy (1800-1881) of Brighton. Dendy was a special survey proprietor with an early association in Eltham where he operated a flour mill in the 1860s. Includes references to Were Brothers and Co. Henry Dendy’s Account book shows the recording of transactions on the frigate vessel York, on which Dendy sailed from England. The work also includes brief records of a brewery business Dendy conducted and the accounts of John Booker, one of Dendy’s emigrants. The records are in sterling currency and contain debit and credit columns while other accounting records included in the work cover transactions for a pastoral lease operated by Dendy. from 1848 until his return to England in 1855.Paperback; 63 p. : facsims., geneal. table, maps ; 25 cm.ISBN 0959710418henry dendy, accounting, were brothers

Brace and eyed auger bits were used for boring deep holes into timber, providing space for mechanical fasteners, such as bolts or spikes. Made of iron, the pictured tool comprises a Jennings type, double twist auger bit with a threaded point to draw the bit into the wood. The other end of the shank is shaped as an eye and fitted to a hand brace. Sometimes simple cross-bars were used instead of a brace. The eye design provides greater strength than a standard auger bit. This tool’s cradle further secures the bit, preventing unwanted twisting during use. Since the late 1800’s, brace and eyed auger bits such as this were used for boring holes in fence posts, bridge building and other heavy construction.Bit bolted on and held with hook. Brace probably blacksmith made. Bit commercially made. May have been used vertically. Surface pitted.auger, fencing, brace, blacksmith, tool, tools, farm, farming, churchill island

Samuel Carson was a local farmer who in the late 1800's acquired land to the West of Warrnambool in the Farnham park estate and towards Tower Hill near Gorman's lane. By the time of his death on May 23, 1920 he left an amount of 11666 pounds. Apart from amounts left to individuals, he bequeathed one hundred pounds each to ten different orphanages, and homes for neglected children and the blind and leaving the remainder to charitable organisations at the discretion of his trustees.The donation of 3500 pounds in August 1922 was in the latter category. This plaque commemorates Samuel Carson's generosity to the newly refurbished Warrnambool Base Hospital. He left a son William who farmed at Yangery at the time of his father's death. This item is significant in that it links a local identity through his generous donation to the local hospital. It therefore has strong social,historical and interpretative value. His generosity is a significant part of the history of Warrnambool Base Hospital.Heavy rectangular cast brass plate with raised edge and text in capitals. Corners have rounded cutouts and there is a hole in each corner for attachment. The Samuel Carson Childrens' Ward.warrnambool, warrnambool base hospital, samuel carson, samuel carson warrnambool, childrens' ward warrnambool 1928

This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing

This cash book comes from the National Bank of Warrnambool and the entries date from 1909 to 1911.The Warrnambool National Bank opened in 1867. The bank opened in temporary premises in Timor Street and in 1869 it moved to a new stone building on the corner of Timor and Kepler Streets which it occupied until 1975. The National Australia Bank still operates today in Koroit Street.This cash book is of considerable interest mostly because of the listing of local names in the early 20th Century.This is a ledger used as a cash book. It has printed red lines and hand written entries in black and red ink. It also has the National Bank stamp. The hard board cover has a mottled pattern on the back and the front and is completely detached from the pages.warrnambool banks, warrnambool national bank, bank ledger 1910

non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making

Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance

Items orginally belonged to Professor Bruce Mayes, University of Sydney c1950-65. According to Professor Warren Jones the items had been in a back room of the medical facility and Professor Mayes gave them to Warren Jones, otherwise they may have been thrown out. Warren Jones took them with him to Adelaide where he practiced from 1975.Mucus catheter, similar to Carton's [see 3448, page 355, Allen & Hanburys catalogue]. Stamp of manufacturer, "Holborn Co".

Ida May Boughen was born in Rainbow in 1908. In the 1940s she was office secretary of the Presbyterian Girls' Fellowship. She was commissioned as a deaconess in 1946 and was appointed the Presbyterian Fellowship of Australia field secretary between 1946 and 1951. After service in Scotland, she returned to Australia and served at Carlton, Jordanville, Colac, Lismore,Ballarat, Scot's Church Croydon, Kew and Belmont and retired in 1975.B&W head and body photograph of Ida May Boughen"Ida May Boughen Student setting out on visiting"boughen, ida may, presbyterian girls' fellowship

6975-35 Stawell High School Social Service Representatives, 1975 Back Row, Pam Guy, Barbara Wilson, Toni Mitchell, Tina Redman, Leanne White. Beth Dart, Wendy Kindred, Front Row, Debbie Giles, Judy Kindred, Christine Watson, Stephen Henley, Andrew Tangey, Wayne Driscoll, Debbie Pickford, Leanne Banks, Vonda Holloway. Students Sitting in fornt of Pebble Building wallStawell High Schooleducation

This captured enemy flag bears the signatures of 9RAR, 1969. It was collected by Private Lionel Leslie Corrie, Service no:1201398, who served in Vietnam 1968-1969. It is the flag of The People’s Army of Vietnam, the communist North Vietnamese Army (NVA) which infiltrated and then invaded South Vietnam between 1955 and 1975. It is believed that the members of 9RAR signed this at a reunion after the war had finished.Faded red and blue material flag with a yellow five pointed star in the center. Gold Vietnamese embroidered lettering at the top on the red/orange half of the flag and on the bottom blue half of the flag. Autographed by Australian soldiers in black. Sewn with red cotton. Red and blue flag of the People’s Army of Vietnam. Vietnamese writing at top and below the yellow star. LUCLUONG VO TRANG GIAI PHONG MIEN NAM VIET NAM. GIAI PHONG NUI DAT 1968.flag, 9rar, people's army of vietnam, captured, corrie, lionel corrie, north vietnam, north vietnamese army, nva

To recognise outstanding contributions to the Institution, Life Governor certificates were awarded. Signed by the President and Manager/Secretary of the day, they were worded as follows: "Royal Victorian Institution for the Blind Life Governor. This is to certify that (blank) was this day appointed a Life Governor by the Board of Management." 28th August 1969 - signed by Charles Bennett and F.G. Turley Stanley Marsden Esq. 17th April 1975 - signed by E.J. Hanlon and E. Netson (?) Mrs Phyllis Marsden 20th November 1975 - signed by E.J. Hanlon and E. Netson (?) Mrs Lurleen C. Slaney John H. Weymouth, Esq Alan J. Murphy, Esq Mrs Phyllis Crook Christopher Williams Esq Dr. Alan Crook Adrienne N. Mursell November 19, 1981 - signed by E.J. Hanlon and E. Netson (?) Mrs Phyllis Wilson June 12, 1992 - signed by L. M. McCredie and Peter (?) Donald Gordon Boyle11 certificates with RVIB crest At the head of the page, a round circle with 'Royal Victorian Institute for the Blind' in Gothic typescript, a red crown atop the circle and a red cross with four white stars divides the inside of the circle into four areas. A picture in with and black, against a blue background, rests in each of these quadrants and a banner with the words 'I will lead the blind by a way they know not' is centred in between them. The pictures are: a harp, a bee hive, an open book and a flag with the words 'A.D. 1867'.royal victorian institute for the blind, awards, stanley marsden, phyllis marsden, phyllis crook, alan crook, john weymouth, christopher williams, adrienne mursell, alan murphy, lurleen slaney, phyllis wilson, gordon boyle

Members of the Legacy Club, Melbourne, Board of Management in 1938 which included Syd Birrell, Carl Carleton, Jack Barnes, Os Gawler, H Nicholson, W (Bill) Pearce, Lionel Wallace, Brian Armstrong, Eric Harding, Doug McKinlay. Another copy of this photo is labelled as being 1938 which appears to be correct as it was written and framed for presentation to J G Gillespie to commemorate his year as President. The names list around the photo may not be correct either. Second from Right is Legatee Eric Harding OBE, MM, who was also a member of the Limbless Soldiers' Association of Victoria as he lost a leg as a gunner in France in WW1. He served with the Australian Field Artillery in the original Anzac Corps. Despite loosing a leg he was active enough to ride with a Light Horse Party at the head of Melbourne's 1975 Anzac Day march. (Source Trove 18/4/1975)A record of the Board of Management of Melbourne Legacy.Black and white photo of the Board of Management mounted on brown card. Names in black pen around the border, including C Carleton, J Barnes, O Gawler, H Nicholson, W Pearce, L Wallace, B Armstrong, S Birrell, E Harding, D McKinlay. A yellow sticker of the photographer 'Darge 360 William Street Melbourne.'board of management, syd birrell, carleton, os gawler, brian armstrong, eric harding

Alison M Grant (18/3/1925–15/4/1984) studied for a B.D. as a private student and when in 1974 the General Assembly of Australia approved the ordination of women she applied to be a candidate for the ministry and was ordained in 1975. She served in Robinvale and Balmoral before her untimely death from cancer on Palm Sunday 1984. She was very highly regarded as both an educator and as a minister.B & W photograph of Alison Grant riding a bicycle.Rev. Alison Grantrev. alison m. grant; ordained 1975; robinvale; balmoral.

This evening outfit was made and worn by Bertha Frances Dudfield (nee Bruere, 1892-1982). Bertha was born in Christchurch, New Zealand in 1892, one of twelve surviving children. Her family migrated to Australia, living first in St Kilda before building the house 'Avon' at 42 Bay Street, Brighton, where Bertha lived with her husband Ambrose Reginald Dudfield until 1975.Evening outfit comprising magenta feathered cape, full-length black velvet dress and a spray of silk flowers. Hem of dress lined with magenta and yellow silk. .1 - cape .2 - dress .3 - floral sprayevening dress, feather cape, bertha dudfield, brighton, 1930s

non-fictionUNA, the journal of the Victorian Trained Nurses Association (1903-1974). Media images: UNA Nursing Journal Vol. 74 No. 4 July-August 1976. Members have often asked where the name UNA originated. On this final issue, that question is answered UNA Nursing Journal Vol. 74 No. 2 March-April 1976. RANF (Vic Branch) Specialised Area Nurses - Special Interest Group: four members of the committee at the Burns Study day held at Repatriation General Hospital, Heidelberg on Wednesday 11th February. Left to right: Robyn Millership, Chairman; Judy Aiello, Vice Chairman; Diane Blair; Margaret Farnfield, Hon. Secretary UNA Nursing Journal : Journal of the Royal Victorian College of Nursing Vol. 67 September 1969. Cover picture: Miss Judith Watts is featured on the cover as the graduate of St. Vincent's Maternity Hospital who gained the highest marks in the Midwifery examination in September, 1969 UNA : Journal of the Royal Victorian College of Nursing Vol. 42 No. 9 September 1944. Group of nurses leaving the University after the theoretical examination of the Nurses' Board UNA : The Journal of the Royal Victorian College of Nursing Vol. 38 No. 1 January 1940. Women's Hospital Melbourne UNA : The Journal of the Royal Victorian College of Nursing Vol. 37 No. 12 December 1939. The caravan comes to the Mallee UNA : The Journal of the Royal Victorian Trained Nurses' Association Vol. 18 No. 5 July 1920. Council intelligence; personal; the Alfred Hospital Nurses' League UNA : The Journal of the Royal Victorian Trained Nurses' Association Vol. 11 No. 4 June 1913. List of members UNA : The Journal of the Royal Victorian Trained Nurses' Association Vol. 3 No. 11 January 1906. Hospital news: Queen Victoria Hospital; Women's Hospital; Kyneton Hospital; Maldon Hospital; Maryborough Hospital; Ovens District Hospital; Warrnambool Hospital. Christmas, 1905, amongst a few of the district nurses' patientsnursing history, nursing, nursing education, nursing professional standards, nurses - labour unions - victoria, labour unions, history of nursing, australian trained nurses' association, nursing periodicals, royal victorian college of nursing, royal australian nursing federation, australian nursing federation. victorian branch, anmf, anf, ranf, rvcn, vtna, atna, rvtna

Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style. She uses the traditional motifs of her people blended with contemporary interpretation.

Historically this ledger not only details the legible hand writing of this era but also the day to day commercial activity in this region(first entry in 1895).The neatness and the diligence of those who were required to pen the information was a requirement by all who were in commercial trade. Emphasis on neatness was ingrained in students at a young age. This era was well before general typewriters and computers. Generally all students of commerce required an accuracy in writing and arithmetic. Neatness and order were a selection requirement. This ledger belonged to a general store, which was a forerunner to supermarkets and specialty stores. The shop provided everything from food, postage stamps, nails, tobacco, boots and Epsom salts. The general store provided nearly every product required to exist in a remote rural area of Australia in the 1800's.This item clearly identifies the Kiewa Valley as having a substantial financial hub to accommodate the various commercial enterprises within a rural environment Circa 1880's. Although Kiewa Valley had mining, agriculture, cattle and sheep it was also composed of a mixed society, encompassing all levels of society at that period. It identifies some the commercial activities(newsagency/general store) undertaken by specific families farming in the Kiewa Valley and relates their history in the pioneer period of the late 1800's. Some of those pioneers still have descendants living on the same home sites provided by the 1847 Land Act.This ledger has a very thick cover of strong compressed cardboard. Originally it had a cloth covering both front and back(Glued on) but due to wear and tear it is only attached to the back cover) and is a faded blue colour. The corners of the opening side of the cover are reinforced by suede cloth,in a triangular shape, and enclose both the front and inside portions of the the ledger. The spine is reinforced by a suede section to provide increased strength and protection. The inside cover (both front and back) has an orange bubbles with red and blue sinuous lines forming shapes in a haphazardous pattern. The grammage of the lined sheets (blue) is approximately 120g/m. Originally the first seven of twelve pages were indented and alphabetically marked with black letters (one letter per page) however this ledger had been modified to cover only the initials of customers and the pages of unused letters were glued to the previous page. The remaining pages are numbered in black print at the top outside edge of each page. There are 890 page numbers. Each page has thirty seven blue horizontal lines and one double red line ( top). Each page has thirteen vertical lines starting from the top horizontal double red lines and ending at the bottom of the page. These lines segregate the page into blocks for the date, the transaction and financial input. There are three double vertical red lines which designate the amount of money of each transaction (in pounds, shillings,and pence).On the suede spine in gold lettering and on a red (port coloured) background "LEDGER"grocery shop, haberdashery, general store

This pair of silk split-leg drawers was handmade by Gladys Angus for her trousseau in 1929 when she married Dr. Angus. The design became popular in the mid-1800's and continued into the early 1900's. It is part of the W.R.Angus Collection and was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. The Collection that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. Dr Angus was the last Port Medical Officer in Warrnambool.This garment is an example of the beautiful handmade clothing produced in Australian homes in the early 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Lingerie, split-leg drawers, beige silk, handmade, with scalloped finish on legs and drawer string waist. Each leg is finished separately then drawn together at the waist by a ribbon drawer-string, with the legs overlapping slightly. It is part of the W.R. Angus Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, handmade lingerie, lingerie 1920's, silk lingerie, split leg drawers, split-leg drawers, early 20th century, ladies underwear, women's underwear, underwear, silk inderwear, undergarment

On the spine in gold on all "Bendigo RSL Sub - Branch", on three, "Committee Minutes, on one "Annual reports" and last, "Annual General Minutes". The years to each specific volume. When the History of the Bendigo RSL was being compiled by Murray Poustie the original foolscap documents were put together and then reprinted in these volumes in A4 size. Refer Cat No 8093 re the history Bendigo RSL Sub Branch..1 - .3) Three leather bound volumes with brown spine and corner covers, front and back face green, on the spine is text in gold. These are the minutes of the Bendigo RSL Sub Branch from 1960 - 2000 being 1960 - 74, 1975 - 91 and 1992 - 2000. .4) Same leather volume these being the Annual Reports of the Sub Branch from 1964 - 2000. .5) Same leather volume these being the Annual General meetings from 1949 - 2014. Each has a black book mark ribbon. As well each is slightly different in thickness size.brsl, smirsl, volumes