Air Navigation Facility, Palara Court Montmorency, is made up of a tower and brick building surrounded by wire fences. It is sited in parkland at the end of Palara Court close to the Plenty River Trail. Warning signs are placed on the fences, including: "This facility is provided for the control and guidance of aircraft".Digital copy of colour photographair navigation facility, air control, palara court montmorency

Air Navigation Facility, Palara Court Montmorency, is made up of a tower and brick building surrounded by wire fences. It is sited in parkland at the end of Palara Court close to the Plenty River Trail. Warning signs are placed on the fences, including: "This facility is provided for the control and guidance of aircraft". This photograph shows signs at tower.Digital copy of colour photographair navigation facility, air control, palara court montmorency

Air Navigation Facility, Palara Court Montmorency, is made up of a tower and brick building surrounded by wire fences. It is sited in parkland at the end of Palara Court close to the Plenty River Trail. Warning signs are placed on the fences, including: "This facility is provided for the control and guidance of aircraft". This photograph shows the tower on the site.Digital copy of colour photographsair navigation facility, air control, palara court montmorency

A 128-page book of printed matter, photographs, engravings and drawings. The hard cover is white with the title in gold lettering on the front. The dust-cover is also white with black lettering. Along the lower half of the cover, front and back, is a strip of six photos, three coloured and three black and white. 128 p. : ill. (some col.), ports. ; 22 x 25 cm.non-fictionWharves to the World: The Development of Melbourne's World Trade Centre is a photographic chronicle of the history of the World Trade Centre and its surrounds. The book traces the journey of land and the buildings that occupied it - from its beginnings with the Wurundjeri people to its role as a trading hub in early Melbourne, then as the site of the modern-day World Trade Centre, and now as part of a flourishing residential and commercial Precinct. As with any major project The World Trade Centre has face its share of fêlures, but despite thèse it has become an integral part of the City. So it goes that was once home to swampland and the City morgue has been transformer into a Diamond of the Yarra River.yarra yarra tribe, early melbourne, world trade centre, melbourne, southbank, northbank, australian wharf, siddeley street, waterfront, amy zurrer, wurundjeri, spencer street bridge, north wharf, riverlee, wtc, wharf, harbor trust, sir john coode, harbour trust, little dock, polly woodside, wharfies, divers

Sponsored by Alfred M. Nicholas the Deco era Mission building facing Beach street built by Architect Harry Norris opened in 1937. The building was then in WW2 requisitioned with the Mission returning to full use of the complex some years after the War ended. The building in later years was relinquished due to decreasing shipping at Port Melbourne and need to consolidate seafarers services in the Central Mission at 717 Flinders St. The building was used as an art centre just prior to demolition in the 1990s. The Port Melbourne Historical and Preservation Society was instrumental in ensuring the the old foundation stone was preserved in the sea wall opposite the original site. A single brick from the building is also part of the MtSV Heritage Collection. This stone is one of the few items remaining from this building demolished in 1995.Photograph depicting the foundation stone laid on the 18 May 1937 for the new Mission in Port Melbourne.TO THE GLORY OF GOD/AND THE WELFARE OF ALL SEAFARERS / THIS FOUNDATION STONE WAS LAID BY / HIS EXCELLENCY THE GOVERNOR OF VICTORIA / THE LORD HUNTINGFIELD K.C.M.G. / MAY 18th 1937 / THIS BRANCH INSTITUTE OF / THE VICTORIA MISSIONS TO SEAMEN / WAS ERECTED THROUGH THE GENEROSITY OF / ALFRED M.NICHOLAS ESQ. / OFFICE OF HARRY A.NORRIS ARCHITECTSfoundation stone, lord huntingfield, port melbourne, beach street, art deco, brick, harry a. norris, alfred m. nicholas, maurice nicholas

Donated by N. M. & J. D. Archibald. April, 1973.Colour 18.5 Sketch done from old photograph. Chicory Kiln - Jansson Family, approximately 1880's. It was built on the land next to the Caravan Park. The only remains of it now are a few bricks on the site. The sketch shows Mr Frank Jansson as a young boy in the doorway. Galvanized iron structure was sold to Mr N Cleeland.local history, illustrations, agriculture buildings, historic, chicory kiln, water colour sketch, jansson family, n & j archibald, jean archibald

Originally The Warley Hospital built by Robert Walpole in 1908 and moved to its present site in Genista Street, when the present hospital building was erected c 1967. Now owned by Mr Reith. In 1923 Mr & Mrs W E Thompson purchased the property of the late Robert Walpole and presented it to the people of Phillip Island for a hospital.Early house built by Robert Walpole. White timber with pale blue roof. Lace work on verandah. Two bay windows. White picket fence.local history, photographs, buildings, historic, buildings - historical, coloured photograph, john cook, phillip island, warley hospital

Take Hold of the Clouds is a curated exhibition featuring two key works by renowned international contributors – Forensic Architecture’s Cloud Studies (2021) and Cauleen Smith’s Sojourner (2018) – along with six, newly commissioned, responsive works from local and national creative practitioners. The experimental exhibition is distributed across seven of the city’s most significant buildings and urban spaces, with each temporal creative work adding a new layer to how we understand these spaces in relation to the world around us. Embedding the work within the city itself rather than a traditional gallery, the exhibition models best practices for high-impact yet sustainable and resource-sensitive exhibition-making. Created in partnership with Monash University, Take Hold of the Clouds navigates the Weekend’s theme of Built/Unbuilt through a series of thoughtful encounters in which artists reveal the invisible stories and issues in corners of the city. The exhibition is conceived by Tara McDowell, Director of Curatorial Practice at Monash Art, Design and Architecture, and co-curated with Fleur Watson, Open House Melbourne’s Executive Director. To create this poster, the artist used a copy of of one of Walter Butler plans for the 7171 building held in the archives as an homage to the architect. The sketch was then retouched to make it loo like a blueprint. The Mission is one of the sites open every year during Open House. A3 size Blue print type plan print on glose paper.open house melbourne, 2022, ying-lan dann, circular temporalities, norla dome, blueprint, plans, walter richmond butler (1864–1949), cultural events

In 2009 the MtSV was encouraged to ‘open’ the building for public access and in 2010 the building was a feature in the highly successful Open House Melbourne event attracting over 2000 visits. This event began a succession of public programming activities expanding the MtSV’s scope of works.The Mission is one of the sites open every year during Open House except 2023.Pink colour bookopen house melbourne, cultural events, 2018

This organ was gifted by the Bethel Community in 1890 to the then Victorian Seamen's Mission, originally founded by the Bethel Union in 1857. The gift was intended to assist with worship. Despite all appearance, this organ is not a pipe organ but a reed organ that works in a similar manner to an accordion. In May 1890, the sum of seventy pounds was put towards the purchase of the organ. The sum being raised via subscriptions. The organ was inaugurated in September 1890. Jabez Carnegie (1832-1892), importer of piano and organs in Melbourne, had made a trip to Europe and Canada in 1887 and had secured the agency of Bell organs. W. Bell & Co were a Canadian organ and piano manufacturer, considered the premier organ manufacturer of the time. W Bell & Co changed its name to Bell Organ and Piano Co in 1888 meaning this organ had to be manufactured prior to the name change. The organ was first used in the mission main room from 1890 to 1915 when the St Nicholas chapel was built at the back (see item 0548. It was transfered to the new Port Melbourne mission in 1937 (link on postcard from State Library Victoria). In 1972, it was transferred to the Holy Trinity Church in Bay Street after the closure of the Mission In the late 1980s during a National Trust campaign to save the building, the organ was sold by the Anglican Men's Society to the Trust's organ committee, who carried out some restoration work and returned it to the former Missions to Seamen chapel. In 1991 the Office of Major Projects had control of the whole 'Bayside' development site. With the Mission to Seamen Building emptied and proposed for demolition, the Office of Major Projects removed the organ and placed it in storage in various locations - finally, in the Museum of Victoria store in Abbotsford. In 1995-6, enquiries by Jim Hillis resulted in the return of the organ to the control of the Port Melbourne HIstorical & Preservation Society. As the Society had no suitable location for the organ, several churches and schools in Port Melbourne were approached to take the organ with no results. The nearby suburbs were suggested next. Finally the Melbourne Maritime Museum (Polly Woodside) was approached and agreed to place it in their Museum on a long term loan. In 1997 it was on display in no 5 shed South Wharf (23/3/1997). In 2006, the Polly Woodside South Wharf site was to be re-developed, and they could no longer retain the organ. Accordingly, on 4 May 2006, the organ was transferred to the Mission To Seafarers building in Flinders Street Extension as an indefinite loan (refer OL 022) The PMHPS deaccessioned it to finally transfered it in 2018 to MTSV.(See also acquisition details re 21st C finalisation of acquisition) This organ is a tangible reminder of the longevity of the Mission to Seafarers, a link with the original Bethel Union which was instrumental in 1856 calling a public meeting and inviting subscriptions by various non-conformist churches to found a mission to Seamen. Rev Kerr-Johnson delivered the first service in 1857 aboard the Emily. The Mission to Seafarers has been in operation ever since and continues to operate to the same purpose today.Large reed organ that looks like a pipe organ with fifteen elaborately painted pipes bearing a floral motif. The body of the organ is elaborately decorated in carved wood. It has 17 knobs above the keyboard both which can be concealed when the keyboard cover is lowered. There are two foot pedals at the bottom of the organ with "Mouse Proof Pedals" cast into the framing iron. list of stop names: Viola 4Ft Diapason 8Ft Dolce 4Ft Violetta 2Ft Sub Bass 16 Ft Octave Coupler Vox Humana Forte Picciolo 2Ft Hautboy 8Ft Aeoline 8Ft Cremona 16Ft E---bone 16Ft Echo 8Ft Celeste 8Ft Melodia 8Ft Flute 4FtMaker's mark in gold lettering above keyboard: W. Bell & Co Brass plaque on front board: Presented to/The Victorian Seamen's Mission/by/Congregation worshipping in Bethel/& friends./1st September 1890 Behind the stops a wooden plaque: J. CARNEGIE & SONS, SOLE AGENTS FOR VICTORIA MELBOURNE organ, worship, bethel, pipes, reed, bethel union, pipe top, jabez carnegie, w. bell & co, port melbourne, mission to seafarers, seamens' mission, mission to seamen, guelph, ontario, canada, pmhps, polly woodside, harmonium, reed organ

The origins of the brass candlestick holders are unknown. However, they both are on display in the memorial Chapel of St Peter aka the Mariners' chapel. Given the style of the candlesticks it is possible that they were initially in use at either the original Port Melbourne chapel operating in the late 19thC. or possibly used at the 1907 building, Siddeley st where an improvised chapel was established. The Memorial Chapel of St Peter is a crucial part of the Mission to Seafarers Melbourne building complex, underscoring the relationship between the organisation and the Anglican Church, as well as being a site of continuous usage since the building was opened.This brass candle stand or floor candlestick holder is one of a pair. The candle holder is shaped like an open flower. There is elaborate brass ornamentation, floral in nature. Below is an angel figure holding a sword with both hands with the tip pointing toward its feet. The base of the candlestick is a tripod with three winged dogs, forming the feet. There is elaborate ornamentation that in turn connect each of the dogs together.candelabra, st peter chapel, flinders street, mission to seafarers, seamen's mission

Views of Primary Medical Centre, 9-13 Flintoff Street Greensborough. This building was previously Banyule Council's Greensborough offices. Banyule Council offices are now (2018) situated on the Watermarc site.Digital colour photographsflintoff street greensborough, primary medical centre greensborough

A selection of Christmas recipes. The Gas Cookery Service was a division of the Gas and Fuel Corporation, whose role was to publicise cookery methods and recipes, and organise cooking classes at its Flinders Street Melbourne headquarters. The building was demolished and the site used for the Federation Square complexPrinted in black, red and green both sides on white paperrecipes, christmas

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, Jillian Riley is shown the plaque of the Ashril Theatre, which belonged to her father Stan Riley. Jill is accompanied by Rosie Bray and GHS President Noel Withers.The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 3 colour photographs.main street plaques project, ashril theatre

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS President Noel Withers and GHS member Chris Foster view the plaque of Medhurst's shop and dwelling on Grimshaw Street Greensborough.The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, medhurst family, medhurst's fruit shop, grimshaw street greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster has photographed the plaque of theh original Greensborough Hotel on the corner of Main and Church Street Greensborough.The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, greensborough hotel, main street greensborough, church street greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster has photographed the installation of the plaque of Main Street Greensborough 1923. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In this photograph, GHS member Chris Foster has photographed the installation of the Ashril Theatre plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of colour photograph.main street plaques project, main street greensborough, ashril theatre

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Changing face of Main Street' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 3 colour photographs.main street plaques project, main street greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Commercial Bank' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough, commercial bank greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Stubley Motors' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough, stubley motors

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Quirk the Tailor and Mrs Quirk's Tearoom' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, main street greensborough, quirk family

In 2003, a proposal for a 5 storey building on the corner of Lambourn and Devonshire Roads Watsonia for an apartment complex, medical centre, shops and cafe was approved by VCAT, despite strong opposition by local residents. The proposal did not proceed. In 2019 a proposal for a 2 storey medical centre, cafe and residence was approved for the site and construction commenced. Collection of documents comprising history of development proposals by Rosie Bray, concept illustrations, archtect's plans, photograph and copy of newspaper clipping.watsonia, lambourn road watsonia, devonshire road watsonia

In 2003, VCAT approved an application to build a 5 storey building comprising apartments, shops, medical centre and cafe on a site on the corner of Lambourn and Devonshire Roads Watsonia, despite strong local opposition. The proposal did not proceed, but a new proposal was approved in 2019. News clipping, text and colour image. Copy 2 has note attached.watsonia, devonshire road watsonia, lambourn road watsonia

In 2003, VCAT approved a proposal for a 5 storey building comprising arpartments, medical centre, shops and cafe on a site on the corner of lambourn and Devnshire Roads watsoni, despite strong local opposition.News clipping, text and colour image.watsonia, lambourn road watsonia, devonshire road watsonia

In 2003 an application by Gamut Holdings for a 5 storey building consisting of apartments, medical centre, shops and cafe on a site on the corner of Lambourn and Devonshire Roads Watsonia was approved by VCAT despite strong local opposition. These documents relate to the VCAT hearingCorrespondence relating to VCAT hearing P2461/2003, addressed to R Bray and notice to residents re hearingwatsonia, lambourn road watsonia, devonshire road watsonia

Photographs and captions relating to the Purdy's Furniture business in Sherbourne Road Briar Hill, previously Briar Hill Timber. These buildings have now been demolished.This text and photographs were copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Photographs and text sourced from social media.purdys furniture briar hill, briar hill timber and hardware, sherbourne road briar hill

This photograph shows the start of building workers huts at the mine site..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery

This photograph shows the start of building workers huts at the mine site, with a tripod set up to lift the building components...An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery