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matching to 1980. | children -- australia -- history.
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Clunes Museum
Financial record - BANK RECORDS, 1916-1979
The first Government controlled savings bank was established on 1 January 1842 under New South Wales legislation. Known as the Savings Bank of Port Phillip it was administered by a Board of Trustees and a Vice-President. Branches of this Bank were subsequently established in other parts of the colony. In 1853 a statutory body known as The Commissioners of Savings Banks in the Colony of Victoria was constituted under the Savings' Bank Act and each bank was thereafter to be a separate and independent institution with its own trustees and officers - however, between 1896 and 1912 the independent Savings Banks of Victoria merged to become a single institution and this development was formalised by the 1912 legislation. From 1980 the Bank was known as the State Bank of Victoria under the provisions of the State Bank Act 1980. The State Bank of Victoria established its own Archives before the Bank was sold in 1990 to the Commonwealth Bank of Australia. After the sale, the Archives of the State Bank continued to operate until the Archives' holdings were transferred to the state archives.Bundles of papers from the State Savings Bank, Clunes - Loss of Pass Book Notices 1918-1961 - Deceased Estates 1916-1965 - A/C Stops 1923-1961 - Passbook Cheque Book 1949 - Stat Dec 1946 - Dep. Book School Bank 1978-1979 - Pass Books (2) 1953-1968 and 1948-54state savings bank of victoria, bank documents -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Salt Glazed Pot by Janet Mansfield, 1984, 1984
Janet MANSFIELD (1934-2013 ) Born Sydney, New South Wales Janet Mansfield studied Ceramics at the National School of Art, East Sydney Technical College in 1964 to 1965. She received a Crafts Board Grants in 1974 to study in the United States of America; to research salt glaze technique in 1975; to exhibit in Japan in 1985; to travel to Hungary fir a symposium, and an Australia-Japan Foundation Grant in 1977 to study in Japan. She was a visiting lecturer to the Gippsland Centre for Art and Design in 1980 and a Spotkanie guest in 1984. Her work was fired to wood kilns and taken to stoneware temperatures. She used salt for shorter firings, or in the anagama kiln depended on the ash and flame for glaze effects. Janet Mansfield has been editor of 'Pottery in Australia' and 'Ceramics: Art and Perception'. In 1987 she was awarded an Order Of Australia Medal for services to art and ceramics. In 1980 Janet Mansfield was a visiting lecturer at the Gippsland Institute of Advanced Education. She was a guest at Spotkanie in 1984.Wheel thrown wood fired and salt-glazed stoneware.jan feder memorial ceramics collection, ceramics, janet mansfield, gippsland campus, visiting lecturer, spotkanie -
Vision Australia
Photograph - Image, Illawarra images
Illawarra was the name given to the Geelong office of the Association for the Blind. These physical photographs were unfortunately too damaged to be retained in the collection, so a digital image was taken. 1. 1977 - Unnamed people undertaking carpentry at Illawarra. 2. 1970 to1980's - The Illawarra building in Pakington Street, Newtown. 3. 1970 to 1980's - A seascape mural with raised sea animals and corals was presented by the Embroiders Guild for the benefit of AFB members. An unknown female is feeling the mural. 4. 1970 to 1980's - A fragrance garden at Illawarra completely maintained by the Geelong Pelargonium Society, enables AFB members to enjoy the plants by their distinctive perfumes of lemon, lime, nutmeg and peppermint. A female stands in front of a garden bed and smells a pelargonium leaf. 5. 1982 - To encourage independence from costly and impersonal health services, diabetics attend Illawarra to learn self-management of their condition at home. A dietitian speaks with diabetics on treatment. 6. 1976 - The Geelong office of the AFB at Illawarra.6 digital images of Illawarra and the people involved with itillawarra (geelong), association for the blind -
City of Greater Bendigo - Civic Collection
Medal - Pin, Swann and Hudson, White Hills Football Club, 1955
Established in 1924 the White Hills Football Club joined the Bendigo District Football Association in 1924 and in that first year played in the grand final, loosing by 6 points. In 1933 the club went into recess, reforming after WWII in 1948 and again joined the BDA, wining premierships in 1950, 1952, 1957 and 1958. In 1960 the competition was renamed the Golden City FL and the premierships came in 1963, 1968, 1969, 1971, and 1980. In 1981 the Golden City FL became the second division of the Bendigo Football League and White Hills competed in the lower division. White Hills opted to transfer to the Heathcote District Football League in the early 1980's and in its early years had one of its most successful periods, winning a premiership in 1988. (Wikipedia https://en.wikipedia.org/wiki/White_Hills_Football_Club). The City of Greater Bendigo continues to work with the various football and netball clubs and leagues in providing playing fields for competitions as well as supporting the introduction of women's football teams through improved infrastructure. front; 1955 / White Hills / Football Club verso; Swann & Hudson / Frankstonbendigo football league, city of greater bendigo community groups, heathcote district football league, city of greater bendigo sport, making a nation exhibition -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 2, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 5, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 6, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 7, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 8, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 9, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Merri-bek City Council
Hand printed vintage black and white silver print, Stephen Wickham, Untitled 10, c. 1980
Stephen Wickham is an Australian photographer and painter who has been actively exhibiting his works since the 1980s. A long standing preoccupation with Mt Buffalo since the 1980's has seen the artist produce a number of photographic suites and exhibitions that have been likened to German Romantic iconography and associated heavily with the European migrant experience (Robert Nelson, The Age 16 June 2001). Born to Viennese parents, hiking in the mountains for Wickham represents a traditional European family pastime. This series of work is comprised of expeditionary photographs taken between 1980 and 1985. Charles Green describes Wickham's landscape photographs as sublime, transcendental, spiritual and symbolic (Art in Australia Spring 1988). Set in Victoria’s Mount Buffalo National Park, the Mount Buffalo series captures the mountain plateau during winter. Rather than focusing on a lush green landscape, Wickham presents the viewer with close-ups of the snow-covered flaura and fauna of the alpine region.Donated through the Australian Government's Cultural Gifts Program by Miriam Kenter in memory of Master George Willibrord Kenter -
Warrnambool and District Historical Society Inc.
Document, Ticket Warrnambool Family History Group
This is a ticket for admission to the Warrnambool Family History Group Seminar held at the Hammond Centre, Christ Church, Warrnambool on Saturday 16th May 2015. The Warrnambool Family History Group was established in 1980 for those interested in genealogy and family history. It holds a seminar each year, both as a fund-raising exercise and as a means of disseminating information on the latest developments in researching and recording family history. This ticket was issued to W.F.H.G. member, Barbara McLeod.This ticket is of minor interest as an example of the activities of the Warrnambool Family History GroupThis is a small buff-coloured ticket for admission to the Warrnambool Family History Group Seminar in 2105. It has black printed material on one side with the ticket number recorded in black biro. ‘Warrnambool Family History Group, Admission Ticket, Family History Seminar, Saturday, 16th May 2015, Hammond Centre, Christ Church, Ticket no 5, Price $25 ($20 for members)’warrnambool family history group, hammond centre, christ church, warrnambool -
Warrnambool and District Historical Society Inc.
Documents (2), 1 1915 .1 1910
These documents come from a collection of material from the Baulch families of Dunmore and Rose Park estates in Western Victoria in the Macarthur district. They concern the sales of the Green Hills Estate (1910) and the Olangolah estate (1915) near Woolsthorpe. Both were offered for sale by the owner, Colin Tulloh. The properties bordered on Baulch property belonging to Stan Baulch (1897-1980) and hence this is the reason for their being included in Baulch estate material. These items are of minor interest and will be useful to researchers as they show the sizes and some owners of some early 20th century Western District properties. .1 A single sheet of white paper with a map or plan of a property and black printing. The paper is creased and torn slightly at the edges. 2 A single sheet of white paper with a map of a property on one side and black printing on the other. The paper is creased and torn at the edges. The Green Hills Estate Western District Estate ‘Olangolah’ western district estates, warrnambool, olongolah estate, green hills estate -
Port of Echuca
Colour photograph, 1979
Discussed in book : Echuca: A centenary history by Susan Priestley, pp.21, 38, 45, 66, 114-123, 126, 174 R.J.Evans established this mill on the banks of the Murray River, Echuca in 1923 & it operated until 1980. The mill later became a tourist attraction, Red Gum Works, continuing to cut timber until it was taken over by The Port of Echuca as a display (Port of Echuca booklet, 2005 ed., p. 32)Sawmilling was a very important industry for Echuca. At its peak in Echuca in about 1877 there were between 1000-1500 men employed in the industry (Priestley, Susan. 1965, p.118). Red gum was sourced from the forests along the Murray river. It is a very strong timber suitable for bridge & wharf building, construction works as well as housing and especially for sleepers for the railways. Mills relied on government contracts especially for the sleepers. Colour photograph (post-card size) of red gum sawmill on the Port of Echcua. Photograph is taken looking north.Printed on reverse: "this paper manufactured by Kodak."echuca, port of echuca, sawmilling, evans, r. j., red gum works -
Greensborough Historical Society
Newspaper - Newspaper supplement, Herald and Weekly Times, Our land our century [incomplete], 1999
A history of rural life in the 20th century, this series covers each decade. Part 4: The great struggle 1930-1930; Part 5: Keeping the home fires burning 1940-1949; Part 7: Easy Street? 1960-1969; Part 8: A roller coaster ride, 1970-1979; Part 9: Feeling the heat, 1980-1989. Incomplete set, parts 1, 2, 6 and 10 missing.5 issues of large format newspaper supplement.country life, australia country life -
Victoria Police Museum
Oral History, Chief Inspector Bryan Kelly, February 2017
Bryan Kelly is a former Chief Inspector at Victoria Police, and former president of the Victoria Police Legacy. In 1980 he was awarded the Queens Police Medal for dedication to the welfare of police families. Kelly was involved in the appointment of some of the first police women to stations outside the CBD, including Springvale. In this interview, Kelly discusses the role he played in employing more police women and reminisces about police women's experiences in the 1970s. Digital archive of oral history of former Chief Inspector Bryan Kelly. Cut for exhibition purposes.oral history, police women, policewoman, kelly -
Glen Eira Historical Society
Photograph - Glen Huntly Railway Station
This file contains one item. 1. Eleven Photographs of Glen Huntly Railway Station, five in black and white, and six in colour. They date from the earlier part of the 20th century as well as into the 1980’s. One black and white photograph has ‘first electric train?’ handwritten on the back. Another has been taken from an advertisement for the auction of Madden Estate featured in the Prahran Telegraph dated 20/09/1913.glen huntly station, glenhuntly station, railway stations, railways, railway gates, trains, glen huntly road, catherine road, mernda road, mermosa road, railway crossings, railway lines, public transport, madden estate, land sales -
Surrey Hills Historical Society Collection
Book, The early history of Wolseley Close, Mont Albert, 2010
Includes copy of will of William Clark. Resident of the property at 9 Wolseley Close in 1910. Includes copy of the Alan Holts home occupier / tenant records - names from 1920 - 1980. Includes photo of Wolseley Close house, taken 1888/1889 plus colour photo of Wolseley Close house taken by Lin Merry, 2010. Land Title information, surveys, subdivision Includes list of occupants of the house, p.17Includes some plans of houses built in Wolseley Close, Mont Albert, Victoria. Outlines details of property at 9 Wolseley Close19p : col illcragg family, windsor crescent, surrey hills, (mr) william ainger, (mr) isaiah ainger, whitehorse road, noorn hill, house names, koonda, d j maloney, (mrs) louisa clara maggs, taramera, union road, st.abbs, york street, (mr) william henry cleverdon, wolseley street, windsor park estate, tarawera, merry family, clinton family, adams family, tel-el-kebir, farrell family, (mr) william clark, trafalgar street, (mr) (sir) matthew davies, (mr) c h james, (mr) james munro, (mrs) elizabeth clark, langdale, (mr) stanley dewar, (mr) john jose, (mrs) emily hampton, potton, (mr) alexander potton, (mr) john atkinson morris, freehold investment & banking co., mont albert, windsor park surrey hills, dalton family, (mr) henry wood, wolsley close -
Vision Australia
Photograph - Image, 1980 White Cane Day celebrations at City Square, Melbourne, 15/10/1980
In 1980, the original week long session of planned activities to celebrate White Cane Day was jettisoned for displays and presentations in the new City Square. These included films, Swish demonstrations, children’s tactile artwork and photographs. It was a lovely sunny day, with crowds enjoying a performance by the Victorian Police Brass Band and their well known equine Gendarme, as well as the Lightfooters square dancing. The Minister of Health, Bill Borthwick, officially opened the program of activities.10 B/W photographs of White Cane Day celebrationswhite cane day, janene sadhu, bill borthwick, john cook, john wilson, lindsay mcmillan, phyllis gration, bryan sitlington -
Melbourne Tram Museum
Badge - Travel Pass, Swan & Hudson, "World War 1 Veterans", 1980
Set of two badges or medallions issued to first world war veterans or widows. 1 - black background, with the words "World War 1 Veterans Travel Pass 1980" in gold and the number "4707", stamped in a gold background. 2 - yellow background with the words "Widow of World War 1 Veteran" and the number "1.12.51" stamped into a gold background. See item 852 for a example issued to wifes and 811 for other examples.Demonstrates a travel pass issued to World War 1 veterans or their widows.Set of two Round cast brass badges or medallions, with a small lug or eyelet or attachment point on the top, finished with a high gloss lacquered finish. Rear finished with a slight stippled finish, with the words "Not Transferable" and the name of the manufacturer, "Swan & Hudson" cast in. tramways, trams, badges, world war 1, veterans, tickets, travel pass -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 3407 to 3532 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Individual mine data is enclosed in a manilla folder within the box. Reef lines listed are: Nell Gwynne British and Foreign Napoleon Sample entry: Combes, 3445.01, British and Foreign reef line, 1888 to 1889.bendigo, mining, mining warden records -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 2599 to 4093 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Individual mine data is enclosed in a manilla folder within the box. Reef lines listed are: Garden Gully Birds Sample entry: Great Southern Extended (Yankee shaft) #2616Garden Gully line of reef, 1904 - 1908.bendigo, mining, mining warden records -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 3533 to 3745 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Individual mine data is enclosed in a manilla folder within the box. Reef lines listed are: Lancashire Carsharlton Derby Thistle Millers Derby Sample entry: Jersey Reef Claims, #3546, Lancashire line of reef, 1865 to 1882,bendigo, mining, mining warden records -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 2596 to 3025 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Mine data is enclosed in a manilla folder within the box. Reef lines listed are: Deborah and Sheepshead Sample entry: Irish and Scotch, #2974, Deborah line of reef, start year 1867, end year 1879.bendigo, mining, mining warden records -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical mining records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 2801 to 2955 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Individual mine data is enclosed in a manilla folder within the box. Reef lines listed are: Garden Gully and Deborah. Example of entry: Knee Tributor Co. BEN # 2823, Garden Gully reef, 1870. (no end date given).bendigo, mining, mining warden records -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 2585 to 2800 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Mine data is enclosed in a manilla folder within the box. Reef lines listed are: Paddy's Gully Derby Paddy's Gully/Garden Gully Example of entry: Meridien Quartz Mining Co. 2595, Paddy's/Garden Gully, 1876-1877.bendigo, mining, mining warden records -
Ballarat Tramway Museum
Ephemera - Membership Card, Geoff Dean, 1979
Bright orange card printed for BTPS membership card for year 1979-1980. Features sketch of tram 31 with the year overprinted that the card is valid for. On rear are the details of the membership, the holder of the card is entitled to free travel on the Society's public services and the word "Ballarat Tourist Tramway". The card has been made out to Mr. M Foo, member No. 1. 2nd Copy added - made out to Mrs. C. D. Dean, No. 42, typed onto card. 3rd copy added - copy issued to P.Winspur 76In blue ink "Mr. M. Foo 1" "Mrs. C. D. Dean 42" typed onto rear of cardtrams, tramways, btps, membership cards -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 4/4/1960?
Yields information about the appearance of the tramway and other vehicular traffic in Ballarat in 1060 and was used to illustrate a proposal to rename the street.Black and White photograph of Ballarat No. 38 at the Eastern end of Sturt St West, following proposal to name that section the "Royal Mile". Photo published by The Courier 5/4/1960. Has the outbound tram standing while the front door is open with the driver looking back. Note the lack of motor vehicles (cars) in the street. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and "91 ARPT" in ink.tramways, trams, sturt st west, royal mile, tram 38 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 30/09/1969 12:00:00 AM
Yields information about Ballarat's tramway system at the point where it crossed Albert St on the Sebastopol route.Black and White copy photograph of a newspaper photograph taken by The Courier, photo published 30/9/1969 of No. 42, Albert St (Sebastopol) crossover, looking south, after City Council asked Government to close Ballarat system. Tram has the destination of Lydiard St Nth, a Briquettes roof advertisement with the Anglican Trinity church in the background. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, albert st, sebastopol, tram 42 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 30/09/1969 12:00:00 AM
Yields information about Ballarat's tramway system at the point where it crossed Albert St on the Sebastopol route. On of many similar photographs.Black and White copy photograph taken by The Courier, photo not published of No. 42, Albert St (Sebastopol) crossover, looking south. Tram has the destination of Lydiard St Nth, a Briquettes roof advertisement. Presumably photographed 30/9/1969, at the same time as Reg. Item 3753. Shows the Albert St road looking south. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, albert st, sebastopol, tram 42