These Pendants appear to be Italian WW2 Youth pennants.All three, triangular shaped pendants, green, white, red stripes, central shield shape black with white cross on red background.pendants, souvenirs

The item was taken by J.P MURPHY VX17294, 2/29th Bn A.I.F while a P.O.W. Refer Cat No 1090 for his service history.Glass light shade taken from a cellblock in Changi Prison. The glass is clear all through. Shape is more oval than round.lighting - accessories, changi, murphy, pow

The Spurs were issued to Frank Levy. Pre WW1 he had served in the 17th Light Horse from 1910 until he enlisted in the AIF with the rank of Lieut age 24 years 3 months with 14th reinforcements 8th L.Horse on 16.12.1915, embark for Egypt 27.1.1916, transfer to 12th FAB (Artillery) 6.4.1916, embark for France 2.6.1916, promoted Capt 21.1.1917, detached to Australian Artillery Reserve Brigade England 6.2.1918, rejoins unit 27.5.1918, transfer to 45th Battery to Command 8.9.1918, promoted Major 22.10.1918, hospital 19.6.1919 with Scabies, discharged from the AIF 23.12.1919..1) Riding spurs, metal 'U' shape with 2 leather straps attached, one with adjustable strap & buckle. .2) Same as .1)military history, transport - horse, metalcraft brassware, metal craft - cast iron

The item goes with 1321 Photo Print Box owned by Jack Grinton No 1043, 38th Batt AIF. Part of the Grinton collection which included hundreds of negatives and developed photos that he took during the Great War. Refer cat No 1280 for service details. Refer also 1317P, 1320P.Brown paper envelope containing black paper printing masks for B&W negatives. The holes are in various rectangular, circular and oval shapes.Envelopes in marked "Kodak Printing Masks. Size 2 Br. (2 1/4"x3 1/4") 9d per pkt."photography, print, accessory, grinton

Samuel Rosenthal. Refer Cat No 620 for service history, Cat No 1020 re medals.Personalized ID disc, oval, metal belonged to S. Rosenthal. Disc is oval in shape and slightly curved with a small hole in each end" Lieut S Rosenthal Jewish 58th Bn AIF "uniforms - military, indentification disc, personal effects

Belonged to Harry Atkin VX21935 2nd AIF. Refer 1079P for his service history.Service Chevrons, cloth, khaki colour with 5 inverted “V” shapes in blue. Chevrons denote years of service and worn on your uniform.service, chevrons, atkin

This book documents visitation fo seafarers to the Williamstown rest from 1945-47. The book appears to have been donated. The contents are signed in some instances by what appear to be whole crew. It provides an insight into the comments and also the practice of some seafarers who adopted other identities such as Churchill or Clement Atlee. The book predates the requirement to supply official ID and registration.The book and register is one of the earliest to survive, only one or two others have survived as records of seafarers visiting the Missions. It is therefore significant as an example of a register and entries names, home ports , ships and commentary. Front cover: VISITORS BOOK in gold gilt. Spine: white sticker WILLIAMSTOWN M.T.S/VISITORS 1945-7.williamstown, seafarers, logbook, signatures, seamen, sailors, mission to seafarers, seamen's mission, betty mcaleese, ships name

These magazines have been printed between January 1918 and April 1919 and are a collection of stories, poems and Aussie humour. The magazines have been printed in the field by the 'AIF Printing Section'.The magazines are the originals that were printed at the time 1918-1919 and they have been bound into a collection.A collection of magazines, paper pages, the colour of the pages is a buff colour. Most of the magazines are oblong in shape, three magazines are smaller than the others.AUSSIE the Australian Soldiers' Magazine has been 'Printed in the Field' The first issue appears to be January 1918 and the last issue is April 1919. On the inside cover of one page is the name Timms.magazines, poems & aussie humour, 1918-1919, printed in the field

This badge was made in 1940 and has the number A12397, A indicated issued to an AIF member. These badges were issued to all Returned from Active Service Personnel between 1940 and 2012.The badge is an original and has been issued to a member of the AIF on Return from Active Service.Diamond shape bronze badge - on the front a crown, an anchor, rising sun, and wings. Underneath on a boomerang the words 'Returned from Active Service'. On the reverse - A12397, G & E Rodd 1940.badge, returned from active service

wooden shield shaped plaque with 13 small plaques, five used. Central circular plaque, one banner shape and one crest.A.J.Mc Linley House Plaque

This ceramic leg is part of a child's doll. It was recovered from the wreck of the Loch Ard. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. China doll's leg, cream colour with beige top. Shoe shape is formed at the end of the leg. .Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, china dolls leg, doll's leg, ceramic doll leg, porcelain doll's leg

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called panbone–and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas Painstakingly carved deliberate replicas are directed towards the scrimshaw collector and seldom appear in the general market. Pieces of contemporary art and museum copies are usually clearly marked and openly sold for what they are. The biggest problems in the general antiques market are the mass produced synthetic reproduction pieces, such as this item, that can be mistaken for the genuine item. The scrimshaw is a modern reproduction of a typical scrimshaw scene and engraved onto a synthetic substance. It has been created as a decorative piece and is currently displayed as a representation of the craft of scrimshaw.Scrimshaw carved on a non-natural material in the shape of a whale tooth. Engraving depicts a grizzly bear with two cubs next to a fallen tree. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, craft work, carving on bones, whale bone carving, engraving, scrimshaw, carving, reproduction scrimshaw

Bentwood chair.Chair wooden Bentwood (pair of 2). Back is curled 'u' shape. Splayed legs and inner supporting circle. Seats are not the original seats.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, cafe chair, furniture

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. Doily; round white fabric centre with six crocheted petal flower shapes forming a border. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery

This decorative embroidered tray cover or tray cloth is beautifully handmade by either Sarah Lees or her daughter Ann Dale (nee Lees). In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Tray Cover or tray cloth, rectangle in shape, white with white floral embroidery and wide hem. Part of the Chamberlain Dale Lees Collection.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, needlework, crochet, tray cover, tray cloth, tea service, sarah lees, ann dale (nee lees)

Soap embossed Old English Lavender one side and "Price's London Liverpool" other side. Block shape, dark beige colour.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

10807.1 Usually used for domestic heating. 10807.2 Probably for industrial use - more rapid burning without smoking Made from brown coal.10807.1 - two rectangular briquettes of coal each with one rounded end 10807.2 - a briquet of coal made up of joined oval shapes coal, coal mining, briquettes, briquet, briquette, yallourn, yallourn briquette works, yallourn briquette factory, state electricity commission of victoria, mining

These wooden batons were used by a local girls gymnastic group in the Korumburra area in the early 1900's. Used in a similar fashion to a band leaders baton, they were twirled in each hand and in unison usually to music.3062.2 - Two turned wooden batons, teardrop shape with long handles finished with a balled end. Two grooved patterns in the centre of the teardrop.gymnastic equipment, wooden batons, 1900's

Iron dolly pot. Cylindrical shape, open at top. Used with a pestle for hand crushing gold bearing ore. No pestle with dolly pot.

A metal khaki helmet with green & black colours on it for camoflage. On the front is a black & white insignia in the shape of a panther which has been painted on.helmet, south vietnam army, major tu

Multicoloured embroidered cloth in the shape of a disc. Features four segments red, blue and cream - bordered by words"71.72 Laos; Vietnam; Cambodia)participant, south east asia war games

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head in shape of a skull - painted grey with black eyes, nose and white mouth. Wearing a dark brown "bush" hat.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre

Made for Nelly Dreher's ninth birthday by her sister Ella (Mrs. Wanek)Floral material sachet with pale blue base. Blue material bow tie. When tied its shape could be likened to a squarehandkerchief sachet, nelly gabron, camp 3, tatura, effects, nelly dreher, ella wanek, ella dreher