THE CLUNES HOSPITAL WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944..1 SEPIA REPRODUCTION PHOTOGRAPH OF GROUP OF ADULTS AND CHILDREN TAKEN AT THE OPENING OF THE TOURELLO WARDS AT THE REDEVELOPED CLUNES HOSPITAL 1936 .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON MATTE PAPER .3 Original black and white photograph mounted on buff coloured matt board .3 OPENING OF THE TOURELLO WARD AT THE REDEVELOPED CLUNES HOSPITAL, CRESWICK ROAD, 1936 "Thornton" Studios Ballarat imprinted in mount board BACK ROW. BILL KINNERSLEY, DICK LENEGHAN, BILL MOORE, JIM COOK, ARTHUR PICKFORD, BILL GRENFELL, ERIC CLARKSON SECOND BACK ROW; MRS LESTER, GLADYS KINNERSLEY, IVY KNIGHT, GWEN PICKFORD, ALMA PICKFORD, PAM HENDER, JANE CAMPBELL, MRS RITCHIE, MARGARET WILSON, MARY RITCHIE, MARGARET LESTER (ADDED TO LIST HANDWRITTEN IN BLACK PEN) THIRD BACK ROW; EDNA RITCHIE, MISS DOUGAL, MRS SEARLE, NELL WEBB, ALAN SEARLE (SCHOOL TEACHER), MRS TROUP, HARRY PICKFORD, MRS COUTTS, EVELYN ROBERTS, MARGARET LESTER (CROSSED OUT) FOURTH BACK ROW; MAVIS KINNERSLEY, MRS W KINNERSLEY, MRS CLARKSON, MRS ANDERSON, IAN SEARLE, ARTHUR LEAD, DOCTOR BAKER, MRS PICKFORD, MISS ROSS, LENA HUTCHINS, MRS LENEGHAN, MRS GRANFELL, MURIEL KINNERSLEY. CHILDREN; BETTY CLARKSON, GRACIE ANDERSON, PEGGY LENEGHAN, REG KINNERSLEY, RICHARD LENEGHAN, BETTY LENEGHAN, LIONEL KINNSERSLEY, ALEX ANDERSON, BERT ANDERSON, MAX COUTTS, DON ANDERSON, LEO LENEGHAN, DAN LENEGHAN, JACK LENEGHAN, BILL ANDERSON, HAZEL KINNERSLEY, GEORGIA COUTS, AUDREY ANDERSON, BETH PICKFORD, JOAN LENEGHAN, AND BABY EAMON LENEGHAN.photography, photographs, hospital, hospital 1936

This photograph forms part of the collection that has been accumulated at the Mission to Seafarers Victoria. It demonstrates that that there was an ample library once in use at the Mission. The photograph is thought to have been taken in the Chaplain's office next to the chapel. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Reading have always been an incentive at the Mission, and books were always made available to seafarers insiste or brought on board ships via reading parcels.Black and white photograph of two men in the chaplain's library. The man on the left of the frame is putting a book back on the shelf and the man to the right of frame appears to be be reading a book.Number 3 (in circle) handwritten in black ink on reverse of photograph in top right-hand corner. Reverse side also includes a numerical stamp of "1940". Ilford is étampes on the paper.library, books, literature, reading

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

The tin was made by Wilson Bros, Melbourne, for Edwards' Ensign Tea Pty Ltd, Melbourne, Victoria, Australia, 1900-1940. There was a fire at their factory in Flinders Street Melbourne on April 30, 1921 which completely destroyed the building. New premises were obtained at 310/18 King Street Melbourne in 1923. there continued to be bill board advertisements for Ensign tea at the King Street address, also regular adverts in the Argus newspaper during1942.An Australia icon during the first half of the 20th century as tea drinking was a popular past time and social activity.Container for tea with hinged lid. Label yellow with map of Australia. Lid is coming away on one hinge. "Edwards Ensign Tea" On label "Edwards Ensign Tea"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, tea tin, tea caddy, drink, container, wilson bros, ensign tea

Photograph: From left, John Brumby and Bill Williams at Creswick. Includes several unidentified persons. Photography has been taken outdoors. John Brumby was Victorian Treasurer and later Premier of Victoria. His government was defeated by the Liberal Party headed by Ted Baillieu in 2010. Brumby subsequently left politics. Prior to Brumby's career in state politics, he served as a federal MP in the seat of Bendigo until his defeat in 1979.Photographbtlc, ballarat trades hall, ballarat trades and labour council, brumby, john, williams, bill, state premiers, politicians, alp, australian labor party

Arthur was on 19 June 1874 in Ballarat, Victoria, Australia, son of John Smith WATSON and Robina MARSHAL. He moved to Queensland in the early 1900’s and was a champion rower in Victoria and Queensland and a noted cyclist who rode in three Warrnambool to Melbourne races, and footballer Arthur Watson was married to Kathleen and had two children Mercia and Bill (Brisbane Qld). He died on 12 July 1954. Arthur's sister was Robina (Ruby) WATSON. Portrait of Arthurlocal identities

A document that relates the origins of the Flanders Field poem by John McCrea and the origin of the Poppy Appeal. The photocopy is page 92 from N'Oublions Jamais L'Australie (Never forget Australia) - Australia and Villers-Bretonneux 1918-1993. It was published by the Villers-Bretonneux 75th Anniversary Pilgrimage Project Committee in 1994. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record that the origin of the poem was significant to the Legatees that this page was collected by Bill Rogers in 2007.One A4 page about of the significance of poppies copied from a book.Top right is printed N'Oublions Jamais L'Australie.tradition, poppy appeal

Legatee Rogers collected information about Stan Savige after attending an unveiling of a statue of Savige and this print out was additional information about him on the from when Latrobe Council and Advance Morwell were planning the bronze bust as a memorial. It recounts Savige's DSO citation and his service. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of the life and service of Legatee Stan Savige, founder of Legacy.Photocopy x 4 pages of a document by Advance Morwell and Latrobe City outlining hopes to create a memorial to Stan Savige.stan savige, assyrians, dunsterforce

A black and white photo of six junior legatees posing outside a brick house. They are Bill Corrie, Gwen Smith, Lil Edmunds (Edmonds?), Frank Holliday, Elaine Smith, Roy Gilbert. The location is not known. But presumably the teenagers all knew each other through Legacy. Was with a group of photos from around the 1930s from the early days of Legacy, including cricket team, football team, and camps at Balnarring/Somers (saved as 01915 to 01934).A record of the friendliness between junior legatees that they posed for photos together.Black and white photos x 5 of junior legatees posing in front of a brick house.Handwritten on reverse are names in blue pen, stamped with 'Printed by Harringtons' in purple ink and '1 3' in blue ink.junior legatee, junior legatee outing

Copied by Ken Hall from an early postcard. This is Surrey Hills Reservoir No 1 on the corner of Tower Street built in c1892 at a cost of £12,000 to supply higher sections of the area. The builders were Jack and Bob Laudehr, partners in a wood yard in St. Kilda (Vic). They began by delivering firewood but extended to contract work involving timber. Another of their projects was to lay cable tram tracks commencing in Acland Street St. Kilda and running along The Esplanade. The reservoir in Canterbury Road was a large concrete structure built before the introduction of reinforcements. The excavated material was banked against the sides and pine trees were planted in it to add strength to the embankment. They were paid £2,000 for their work. Construction of Surrey Hills Number 2 Reservoir was completed in 1913 and the accompanying tower was built in 1929. It is assumed that the Miss Hill as the source of the donation (via Bill Dempsey) was Ivy Annie Hill (1902-1984). She was the only female child of William Valentine Dempsey to not marry. Bill Dempsey's mother was Laura Constance 'Birdie' Hill (1900-1968) who married Albert Dempsey.A sepia photograph within a post card of a reservoir on Canterbury Road, Surrey Hills. In the background to the left you can see the top halves of two houses and the tops of some trees. The photo takes up only the central section of the postcard.Below the photo on the front of the postcard on blue biro "Reservor [sic] Canterbury Rd / Surrey Hills." On the rear in grey lead pencil in Jocelyn Hall's handwriting: "Donor W Dempsey ------------- Keep / (nephew) / [arrow pointing down] / From Miss Hill / 10 Pembroke St SH / This house can be / seen in front of / No 12 which has / tower"1890, water supply, mmbw, edward d dyer (mr), 10 pembroke street, 12 pembroke street, surrey hills, ivy annie hill (miss), william valentine hill (mr), canterbury road, tower street, water supply structures and establishments, dams and reservoirs, jack laudehr (mr), bob laudehr (mr)

A manual telephone exchange, manufactured by British Ericson, History Originally in use at Cohuna. When Cohuna was converted to automatic dialing this exchange was relocated to Harcourt, to become the third and last in a bank of three exchanges. At this time Harcourt exchange was expanded to 260 lines. It was connected to the district central exchange at Castlemaine. Operated by mains power with battery back-up. Harcourt exchange was operated by Betty McLean, Miss Mitchell, Josie Hogarth, Mr. & Mrs. Heighway, Bill & Valerie Milford, Irene Bolitho and others. Decommissioned approx. 1970. Incoming calls prompted the fall of a shutter. The operator made the connection by plugging the line into the number requested. While responding to calls the operator needed her hands free to jot down the billing particulars or to write out each telegram. Nearby stood pigeonholes with various items of stationary. Many telegrams were received each day, particularly advising fruit growers on interstate markets. Most telegrams were phoned through by the operator. This exchange was restored in 2004 - 2005 by Trevor Grant.. Many people relate to this exchange. It is a survivor of the pre-electronic era when ‘telephonist’ was a common occupation. A vital element in the communications between households and between district orchardists and their suppliers and clients.A manual telephone exchange, manufactured by British Ericson complete with operator hands-free headset/earphones and speaker mouthpiece. Wooden case with one hundred shutters and sockets. Accommodates twelve lines with extension leads with associated switches. Operated by mains power with battery back-up. Decommissioned approx. 1970. Incoming calls prompted the fall of a shutter. The operator made the connection by plugging the line into the number requested. This exchange was restored in 2004 - 2005 by Trevor Grant.

A formal group photograph of Legacy past presidents taken at the President's Lunch in 1989. The names of past presidents included on photograph. Another copy of this photo is framed and displayed. See item 00053. From that item the names recorded to identify all in attendance as well as absentees: Back: Karl Robertson 1980, David Carter 1978, Robbie Robertson 1971, Colin Bannister 1985, Bruce Wilson 1987. Centre: Ron Foskett 1972, Rob Allison 1966, Don Simonson 1970, Ted Larkin 1982, Ron Isherwood 1966, Bill Mehan 1979, Eric Baker 1976. Front: Ken Clarke 1961, Bob Gaylard 1956, Philip Dietrich 1951, Alf Argent 1988, Bill Fargher 1957, John Lobb 1962. The photo was used as a title page of an album of past presidents. It included a list of past presidents and a list of patrons. The photo was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of the surviving past presidents in 1987. It shows that the previous presidents were still active in Legacy after their tenure finished and remained in contact with each other.Black and white formal group photograph of Legacy past presidents used as a title page in the album and list of past presidents and patrons.01972.1. On reverse a typed label with the names. 01972.2 List of patrons of Legacy 01972.3 List of past presidents up to 1985.past presidents, presidents lunch, patrons

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird

Arthur Henry Miers played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Group portrait of a cricket club team in Sydney, standing in front of or sitting on the steps of a monument. The individuals in the photograph are posed in three rows. It is posited by the donor that the probable photographer is Bob Galley.Back Row - ? Tilley : ? : Frank Littlefield : Jack Fox Middle Row - Arthur Miers : Jack Lauries : ? : ? Front row - ? : 'Dad' Richards : ? : Beres Galley : ? : Jack Simonton : Bill Young I assume Bob Galley may have taken the photo - A trip to Sydney comes to mind - 1930s?kew cricket club, arthurv miers, frank littlefield, jack laurie, 'dad' richards, jack simonton, bob galley, beres galley

As tourism and touring grew in the early and mid 20th century, sending letters and postcards was one of the main forms of communications friends and family would use to share their travels and remind loved ones that they were thinking of them while away. Bendigo's geographic location in central Victoria and relatively closeness to Melbourne has meant that capturing the tourist dollar has been an important focus for promotional activities of the City. Businesses such as Nucolorvue Productions serviced the need for high quality printed souvenirs such as these.Mass produced souvenir foldout 'views' of Bendigo packaged in an envelope. Inside contains six double sided postcard sized, hand tinted photographs highlighting local popular sites. Includes text describing Bendigo's geographic location and main industries and attractions. Envelope is addressed. Nucolorvue Productions produced this style of souvenir with a generic country scene on the envelope and site specific information and images inside for such places as Adelaide Hills, Murray Valley, Shepparton and Warrnambool.Front; A Souvenir / of Beautiful / BENDIGO / 12 Specially Selected Views in Full Colour /Mrs B. S. Mc Namara / 93 Chaffey Avenue / Mildura. Verso; Have a look of (sic) Bendigo / Love / From / Your Loving / Son in Law Bill / Published by Nucolorvue Productions. Elwood. Victoriacity of greater bendigo tourism

Probably a band competition held in Leongatha.Back row left to right-Ernie Booth [drum], Melvyn de La Haye, Jack Blair, ?, George Dunstan, Bob Dixon, Obscured, Obscured, Artie Murdoch, John Dixon, Robert Cleeland, Alf Towns. Front l-R - Peter Forrest, /, Jack Gliddon, Laurie Dixon, Bryant West, Harry De La Haye, Keith McIllwraith?, Bill McLardy, Ruic De La Haye.HistoricalColoured photographs of the Phillip Island Band in Leongatha 1957philip island band, cleeland, dixon, forrest, gliddon, de la haye, bryant west

This is a notebook used to keep some of the farm accounts of the Bonnett farm in Mepunga. As the handwriting is the same throughout, most of the entries appear to have been made by George Bonnett, the son of Frederick and Charity Bonnett. The accounts date from 1920 to 1981 and commence with the sale of stock (pigs, sheep and cattle) in 1920 and go on to record purchases as well as sales in a variety of goods and services - cartage costs, electricity bills, garage repairs, stock feed, household goods etc. This notebook is an interesting memento of Westen District farm finances over a period of sixty years in the 20th centuryThis is a small note book with a black cover. It contains pages with ruled lines and handwritten entries in red, blue and black ink. Some pages have been cut out at the back of the book.mepunga farming, bonnett family of mepunga

Photographer Bill McAuley was with the Valley Voice newspaper 1978-1979 when he took this image of local identy and school lollypop supervisor, Jock Read on his horse Lofty. According to Jock's daughter, Sue Johnson, Jock had acquired Lofty only about one year before this photo was taken. Lofty was a dapple grey horse that was a familiar sight at the school crossing and various ANZAC Day and Eltham Fesival parades throughout the 1980s and 1990s.dalton street, eltham high school, jock read, lofty (horse), lollypop man, main road, school crossing, 1979, bill mcauley collection

Photo loaned for copying. Tatura Football Team 1932 or 1933.|Back: Ken Williams; Big Connors; Doug Anderson; Fred Anderson; Bill Wadeson; Joe Dunne; Bob Cussen; Sid Cattlin; Dr. Andrews (Pres.).|Centre: Bernie Cussen; Frank Pritchard; Col Reddie; Skelly Dick; ? ; Norm Mitchell.|Front: Fred Colliver; Mel Dowel; Eric Tavener; Mick Hogan; Basil Morgan; Jim McPherson; Dick Wadeson.Mounter photo on loan.photography, photograph, slides, film

Commodores’ Cup Donor: Commodore R. T Crick 1928/29 Deed of Gift: No This trophy does not seem to have been used until 1983/84 when it was then awarded to the Division 1 winner on IRC handicap during a heat of the Club Marine Series. This race is sailed on the same day as the Lex Fox Trophy for Division 1 and the Boat Hook Trophy for Division 3. First Winner: Damel, W. (Bill) Currie 1983/84 commoodores, irc, crick, division 1

Set of two photographs, possibly during a Footscray Technical College tour in July 1974. Such tours were arranged by Bill Kingsley. 1 - L 102 at Brunswick Depot. Note the destination of "Fawkner" - which was used to link with bus services at various times of the day between North Coburg and Fawkner station - see reference. 2 - ditto turning from Pilkington St into Barkly St North Fitzroy, part of the single track Holden St. line.Yields information about the use of L class trams.Set of two colour prints, Kodak paper with date of July 1974 on rear.Location and tour notestrams, tramways, l class, tram 102, pilkington st, barkly street, bill kingsley., brunswick depot

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

Eastern Meadowlarks live throughout the grasslands and farms in eastern North America. On the ground, their brown-and-black dappled upperparts camouflage the birds among dirt clods and dry grasses. When in flight or perching, they reveal bright-yellow breasts and bellies, and a striking black chevron across the chest. The Eastern Meadowlark has a diet which consists of mainly insects and seeds. These birds forage by walking on the ground and taking insects and seeds from the ground and from low plants. In winter, these birds may choose to forage in flocks. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Eastern Meadowlark has a yellow breast and throat with black plumage in the shape of a 'V' on it's throat. This particular specimen has a long pointed bill which is in the shape of a spear. The crown of the bird is a dark brown and it also has lighter brown/yellow stripes on the brow. The back, wings, and tail are light brown with dark brown mottling. This specimen stands upon a wooden platform and has an identification tag tied around its leg. The legs are long and the specimen has been styalised in an upright position.Label: [illegible] Ant-Eating Thrush / Catalogue, Page 66. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, eastern meadowlark, meadowlark

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird

The Great Crested Grebe is a medium to large sized bird located in Australia, New Zealand, Europe, Asia and in parts of Africa. They reside in large bodies of fresh water and are renowned for their elaborate mating dances. When breeding, the Great Crested Grebe has tawny cheek "fans" and black crests; however, in the non-breading seasons the plumage of this bird turns white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Great Crested Grebe is a medium to large sized bird. It typically has cheek "fans" on the sides of the face and elaborate crest feathers which are shed after breeding, as is the case for this specimen. This bird is in a tall standing position with its neck stretched upwards and facing left. The small dark eyes have been made from glass and a large pointed bill. It has a metal tag tied to its left leg engraved with the numbers "4401". The skin surrounding the toes are flat which assists the bird when swimming.On tag 4401taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, great crested grebe, bird

The Belted Kingfisher is commonly seen near bodies of water or coasts in Canada, Alaska and the United States. During migration periods these birds may stray far from their usual habitat. Interestingly, the female of this species, as is the case for this specimen, is often larger than the male. They are also more brightly coloured. This species feed on amphibians, small crustaceans, insects, small mammals and reptiles. They lie await perched on a tree located close to water and remain there watching until they see their prey. When they have located their prey, the Belted Kingfisher plunges its head into the water and catches its food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Belted Kingfisher stands upon a wooden perch with a light brown paper tag attached to leg. This specimen has pale cream/white and slate grey/blueplumage. The head and back are coloured the blue-grey while the neck and stomach are cream/white. The bird has a black ring around its upper chest. The stomach has a chestnut brown band which identifies this particular specimen as female. The bill is long and pointed and the eyes and legs black. The bird is small and stocky with a large head and a square-tipped tail.95.a / Belted / Kingfisher / Catalogue page, 25 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, small birds, belted kingfisher, king fisher, female bird