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Bendigo Historical Society Inc.
Postcard - WEDDING GROUP, 1920's
Postcard: black and white photo of wedding group. Bridge and groom, bridesmaid and best man. Women wearing ankle length dresses, men suits. On back in pen ' Dear Kiddo, Here is a snap that the parson tooked (sic ) and thought you might like to have a squizz at Les (? ) his hair got a fright just as Mayer went to pull the trigger. You can see Elsies feathers too. Now I'm not going to write any more old face act (?) for its your turn to write so aurevou love from Effie and Billy'photo, group, wedding -
Essendon Football Club
Clap banner, Clap-Banner, 2010
Issued to Essendon supporters at the Round 20 game, Essendon v Collingwood, at the MCG on 13 Aug., 2010, which recognised the significant contribution that seatbelts have made to saving lives over 40 years. Essendon's David Hille was the spokesman for the event. Plastic banner rolled tightly on to a handle at each end so that it opens like a roller blind and rolls shut when released. Banner is black with Essendon bomber logo on left and "Goal!" in large red letters. Reverse has "Belt up" in large red letters over a stylised red seat belt with white TAC logo at bottom. Handles are grey plastic. Package also contains two grey plastic suction caps so that unrolled banner can be stuck to a window. Banner and suction caps are still in original clear cellophane envelope; envelope has been torn. essendon football club; transport accident commission (tac); david hille; seatbelts -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LADIES GREEN SILK BEADED DRAWSTRING BAG, 1880
Clothing. Five sided green, silk, beaded bag. Lined with green linen gauze like fabric. Ten .8 cm brass loops sewn to the top of the bag.Has a drawstring of green cotton thread. Two peaked flaps, 7.5 cm deep, fall from below the drawstring over the top of the bag. Flaps and the main body of the bag have exquisite tiny glass beads - white, and clear-(reflecting the green of the fabric) in an absolutely exquisite floral design. These beads are the tiniest beads imaginable. The underside of the flaps is lined with the linen gauze, and an overlay of silk. This silk is badly worn and disintegrating.costume, female, ladies green silk beaded bag -
Bendigo Historical Society Inc.
Clothing - LONG BLACK AND GOLD PATTERNED SKIRT / WITH TRAIN, 1870-1880
Black cotton with all-over gold paisley type floral patterning. Fully lined with brown cotton fabric. A slight train at the back hemline, and two V shaped flaps-one either side of the back opening, which probably accommodated bussell-like padding. The skirt is tightly gathered at the back to facilitate the padding. Front of skirt is flat, with a little easing of gathers. Pocket inside right hand side seam. A dark brown corded piping edges the hemline. Two metal hooks and eyes, fasten the waistband. Relocated to Clothing Box 176 10.2.2022costume, female, long black and gold patterned skirt -
Bendigo Historical Society Inc.
Clothing - CHILD'S WHITE LINEN DRESS, 1880-1900
Clothing. Child's white linen dress with fold over lace trimmed sailor collar (13cm) and neckline casing. Dress has yoke front and back with a dropped waist trimmed with insert lace (ribbon missing). Above the hem is a horizontal strip of lace (3cm) and two narrow tucks.Item is edged with 5 cm broiderie lace with scalloped edge. Dress has cap sleeves of 5 cm broiderie lace. Full length centre back opening fastened with cotton tape ties at neckline and two pearl like buttons at lower edge of yoke and at dropped waistline.costume, children's, child's white linen dress -
Kew Historical Society Inc
Document - Invitation To Meet their Royal Highnesses, the Duke and Duchess of Cornwall & York, His Majesty's Ministers of State for Australia, 1901
The commemorative booklet 'Our Invited Guests for the Opening of the First Parliament of the Commonwealth of Australia : An open directory of the guests invited to Melbourne, May 9th 1901' lists invitees from each Australian State. The Misses Dowling are not on this list, however the booklet does list The Hon Thomas Dowling MLC, and his "lady" from Camperdown as well as Edwin Percy Dowling esq, Shire Secretary of Camperdown. Perhaps the Misses Dowling were part of this family. While not invited to the opening of Parliament on the 9th, the guest list for later events may have been extended on other occasions.The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. An invitation on card to the Misses Dowling to attend an evening reception at the Exhibition Building, Melbourne, on 9 May 1901, to meet the Duke and Duchess of Cornwall as part of the celebrations of the opening of the first Federal Parliament. A figure of Britannia, in red dress and mailed vest holding a shield like the Union Jack, is on the left of the invitation; she reaches out her hand towards a younger female figure, representing Australia, who is dressed in blue and holds a shield which is white with a blue cross decorated with stars. The writing is on a scroll in the centre of the certificate, and there is a border of vines and vine leaves. The royal crest is at the base of the certificate.Printed on a banner across the top: 'IN CELEBRATION / OF THE / OPENING / PARLIAMENT of the COMMONWEALTH / OF AUSTRALIA' Printed below the banner: 'To meet Their Royal Highness / the DUKE and DUCHESS of CORNWALL & / YORK / His Majesty's / MINISTERS OF STATE FOR AUSTRALIA / have the honor to invite / [handwritten] The Misses Dowling / to an Evening Reception at the / Exhibition Building MELBOURNE, / on the 9th of May 1901, at 8 o'clock'.federation events - victoria, australian federation 1901, misses dowling - kew, royal visits, federation events - victoria, australain federation 1901, misses dowling, royal visits, melbourne exhibition building -
Kew Historical Society Inc
Document - Invitation to the Opening of the Parliament of the Commonwealth, Sands & McDougall Ltd, 1901
The correspondent of the Argus on 10 May 1901 wrote: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items owned by Mrs Grace Tabulo, and displayed at her home - Fairyland - at 57 Malmsbury Street, KewAn invitation, mounted on card to an evening reception at the Exhibition Building, Melbourne, on 9 May 1901, to meet the Duke and Duchess of Cornwall as part of the celebrations of the opening of the first Federal Parliament. A figure of Britannia, in red dress and mailed vest holding a shield like the Union Jack, is on the left of the invitation; she reaches out her hand towards a younger female figure, representing Australia, who is dressed in blue and holds a shield which is white with a blue cross decorated with stars. The writing is on a scroll in the centre of the certificate, and there is a border of vines and vine leaves. The royal crest is at the base of the certificate. Front, printed. gold ink: "His Majesty's Ministers of State for the Commonwealth of Australia request the honour of the presence of / ****l (handwritten) / In the Exhibition Building, Melbourne, on Thursday, 9th May, 1901, to witness / the Opening of the Parliament of the Commonwealth. / Edmund Barton / Prime Minister." Front, bottom left, printed: "The Young Queen / Her hand was still on her sword hilt - the spur was still on her heel ... (and further text) KIPLING'S COMMONWEALTH ODE." Reverse: Mrs G. Tabulo, 57 Malmsbury Streetaustralia -- federation -- 1901, invitations, parliament -- opening -- 1901, grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.) -
Mont De Lancey
Functional object - Vintage Spools, Unknown
These old spools or bobbins were used in textile mills and on looms in factories. The wooden one is a piece of the Industrial Revolution. Two vintage or antique wooden and thick cardboard industrial large sewing spools. The wooden one is an example from the Industrial Revolution. It has a round wooden top and base, with metal bands around both ends. There are two holes in one end at the side of the bigger hole in the middle which the spool would be attached to a machine. It has thick twisted discoloured cream string like thread wound around it. The cardboard wide open ended spool is smaller with thick cream coloured silk thread wound onto it.They were probably used in mills or factories.cotton reels, thread holders, threads -
Flagstaff Hill Maritime Museum and Village
Weapon - Ammunition Shell, late 19th-early 20th century
Ammunition shell was used in a 40 lb Armstrong Rifled Breach Loading (RBL) Gun. The shell was fired into Westernport Bay by the Hastings Battery Field Artillery in late 1800’s or early 1900’s. It was recovered by divers in recent times. It does not contain explosives because the projectile and explosive were separate items. The Armstrong 40 lb BL Gun There were 4 x 40lb Armstrong (RBL) Guns issued to the Ham and Beef Battery at Hastings Victoria. After the Hastings Battery field artillery disbanded, the 4 Guns were transferred from the Hastings Battery to the Warrnambool Battery field artillery in 1904. (There is a photograph of one of these guns on its carriage, pictured in front of the Orderly room (Drill Hall) at Warrnambool, which is now the Library of South West TAFE). The 40lb Armstrong Guns were recalled back to Melbourne when the government issued the updated 4.7inch QF (Quick Firing) Naval Guns, mounted on carriages, to the Warrnambool Garrison Artillery 1907. The Hastings Museum today holds one of the original 40lb Armstrong RBL guns that were at first at Hastings and then Warrnambool, evidenced by tracing the numbers on that gun. This gun has now been restored. Surviving 40 lb Armstrong BL Guns in Australia The Hastings Museum has restored one of the Guns that was at Hastings and then from 1904-1907 in Warrnambool. This Gun is now on display at the Hastings Museum. This ammunition shell from a 40lb Armstrong RBL gun is very significant because of its association with the Warrnambool Battery Field Artillery in the early 1904-1907. It is known that the original 40lb Armstrong RBL gun used in Warrnambool is now restored and on display at the Hastings Museum. Ammunition shell from a 40Ib Armstrong Rifled Breach loading (RBL) Gun. Metal bullet-shaped object, flat base, tapering to cone-shaped tip. Parallel equidistant ridges run from outer edge of base to position where cone shape begins. Tip has a square-shaped hole in the centre and has a very uneven surface. Base has corrosion and metal is flaking away. Does not contain explosives. Remnants of white paint-like substance in several places. From the Hastings, Victoria, area. Late 19th - early 20th century.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ammunition shell, 40 lb armstrong rbl gun, volunteer corps, war equipment, defence forces, warrnambool bettery field artillery, hastings battery field artillery, defence of warrnambool -
Bendigo Historical Society Inc.
Document - VICTORIA HILL - LETTER TO MR RICHARDSON FROM GEOFFREY A LAMBERT
Typed letter to Mr Richardson from Geoffrey A Lambert regarding Victoria Hill. He states that the Minister for Mines, Hon. J. C. Balfour has asked the Department's Geologist located at Bendigo to prepare a report on the Victoria Hill area. The Minister also points out that there are conflicting interests which exists between local municipal authorities who are seeking to have mine damaged areas reclaimed for recreation or developmental projects, while some would like the past relics preserved for historical interests among tourists. He also mentions ways of publicity. Dated 19/10/1967.document, gold, victoria hill, hon. j c balfour, clark jeffries, bendigo city council, racv, the age, geoffrey lambert, albert richardson -
Flagstaff Hill Maritime Museum and Village
Weapon - Ammunition Shell, Late 19th-early 20th century
Ammunition shell was used in a 40 lb Armstrong Rifled Breach Loading (RBL) Gun. It does not contain explosives because the projectile and explosive were separate items. The Armstrong 40 lb BL Gun There were 4 x 40lb Armstrong (RBL) Guns issued to the Ham and Beef Battery at Hastings Victoria. After the Hastings Battery field artillery disbanded, the 4 Guns were transferred from the Hastings Battery to the Warrnambool Battery field artillery in 1904. (There is a photograph of one of these guns on its carriage, pictured in front of the Orderly room (Drill Hall) at Warrnambool, which is now the Library of South West TAFE). The 40lb Armstrong Guns were recalled back to Melbourne when the government issued the updated 4.7inch QF (Quick Firing) Naval Guns, mounted on carriages, to the Warrnambool Garrison Artillery 1907. The Hastings Museum today holds one of the original 40lb Armstrong RBL guns that were at first at Hastings and then Warrnambool, evidenced by tracing the numbers on that gun. This gun has now been restored. Surviving 40 lb Armstrong BL Guns in Australia The Hastings Museum has restored one of the Guns that was at Hastings and then from 1904-1907 in Warrnambool. This Gun is now on display at the Hastings Museum.This ammunition shell from a 40lb Armstrong RBL gun is very significant because of its association with the Warrnambool Battery Field Artillery in the early 1904-1907. It is known that the original 40lb Armstrong RBL gun used in Warrnambool is now restored and on display at the Hastings Museum.Ammunition shell from a 40Ib Armstrong Rifled Breach loading (RBL) Gun. Metal bullet-shaped object, flat base, tapering to cone-shaped tip. Parallel equidistant ridges run from outer edge of base to position where cone shape begins. Tip has a square-shaped hole in the centre and has a very uneven surface. Base has corrosion and metal is flaking away. Does not contain explosives. Remnants of white paint-like substance in several places. From the Hastings, Victoria, area. Late 19th - early 20th century.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, ammunition shell, 40 lb, war equipment, hasting battery field, defence of warrnambool -
Melbourne Tram Museum
Photograph - Set of 3 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), c1940
Series of 3 black and white photographs of MMTB tram route maps. .1 - map showing route numbers, terminus names, and major streets - early 1970's after route renumbering that stopped using routes like 4A. .2 - similar presentation but with a different style of showing the routes - double parallel lines. .3 - photograph black and white of an early 1950's map, showing Latrobe St, bus routes, but Bourke St still as a bus route. Shows Point Ormond and Footscray lines. Shows guest houses - see Reg Item 3720 for the actual map.trams, tramways, melbourne, map, tram & bus services, all night services, mmtb, guest houses -
Arapiles Historical Society
Domestic object - Fruit Stoner
This tool is a fruit stoner, likely from the early to mid-20th century, used in kitchens for efficiently removing pits from small fruits. Such devices were commonly used in homes and bakeries where preserves, jams, or baked goods required pitted fruit. The simple mechanical design allowed for quick and repetitive use without damaging the fruit’s flesh.This is a handheld metal fruit stoner or pitter, designed for removing pits from fruits such as cherries, olives, or plums. The tool has a wireframe construction made of bent metal rods, forming a scissor-like mechanism. One end features a circular white component, likely made of ceramic or plastic, which acts as a stabilizing base or pressure point for pushing the stone out. The opposite end has a small metal pin or prong, which appears to be designed for piercing or pushing the pit through the fruit. The handle is looped, allowing for a spring-loaded, squeezing action to remove the pit efficiently.stone fruit, kitchen, utensil, preserving, jams, baking, pitting fruit, household item -
Bendigo Historical Society Inc.
Geological specimen - AMY HUXTABLE COLLECTION: MINERAL COLLECTION
Fifty-three mineral samples collected by Amy Huxtable. Samples in two plastic partitioned boxes. Samples were originally housed in poor conditions in matchbox inserts and placed on cotton wool. Existing labels, hand printed on tan card: Cerussite, crystalline ore of silver lead Galena, ore of silver lead, fine grained Galena, ore of silver lead, coarse grained Native copper, wave like form Malachite, copper carbonate, ore of copper Chalcopyrite, copper iron sulfide, ore of copper lead Malachite, copper carbonate, ore of coppermining, sampling, mineral samples -
Flagstaff Hill Maritime Museum and Village
Footwear - Pair of Ladies' Boots, Second half of the 19th Century
Starting in around 1850, women began wearing boots that resembled the ones already worn by men in high society. Women’s Victorian boots were slightly more feminine in nature, however, than those worn by their male counterparts. The boots first worn by women extended to the middle of the calf so that her ankle would stay properly covered underneath her many skirts. These boots often featured laces or a row of buttons to keep them secure to the foot and ankle. Although usually made from durable materials like rubber and leather, boots that were worn purely for fashion were sometimes made of more elegant materials like patent leather or dyed suede. Fashion boots from the Victorian era exude all of the opulence and decadence that are unique to that time period. Design elements like scalloped trims, intricate embroidery, and lace accents were also not uncommon when it came to elaborately designed Victorian boots. Unlike men’s boots, they also boasted a slight heel that was thinner and more feminine in design. How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned multiple pairs of boots that featured eye-catching design elements. https://www.wardrobeshop.com/blogs/victorian-era/an-in-depth-look-at-victorian-footwear These boots appear to be of a practical nature, designed for comfort, warmth, and proof against the rain and mud, rather than high fashion.These ladies' boots are historically significant for their manufacture and use during the Victorian period.Pair of ankle length black ladies' boots with long tan coloured laces.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boots, victorian, leather, footwear -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS'S THEATRE, BENDIGO-BEN DAVIES, ESTA D'ARGO CONCERTS, 26 Oct, 1911
Royal Princess's Theatre, Bendigo. Thursday, 26th October, 1911. The Ben Davies - Esta d'Argo Concerts, Direction J & N Tait. Solo Pianist - Herr Edward Goll. Accomanist - Mr William Conway. Pictures of Mr Ben Davies and Miss Esta d'Argo on page 1. Program on page 3 to 6. Program of Pianforte Solos, Recitative & Cavantina, Recitative & Air, Songs: Pastorale, Menuette Vecchio, Capriccio, Ernani, involame, Deaper and Deeper Still, Waft her Angels, Study, Schuerzo, Where the Bee Sucks, Mu Mother bids me Bind my Hair, The Bonnie Blue 'Kerchief, Drink to Me only with Thine eyes, O a' the Airts, Y Gnew Fach, It is not because your Heart is Mine, My Dreams, Una Notte a Venezia (words to all songs included). Advertising on inside front cover, page 2, 7,8, inside back cover and back cover.Advertising for melbourne businesses and The Victorian Railways and Allan's Cover is blue, all print is blue. Cover plus pages 8. Marking none.Lake Sons & Cowell, 34 Queen Street, Melbourneprogram, music, roayl princess theatre, bendigo -
Mission to Seafarers Victoria
Photograph, Bill Doyle (Reverend C.J. Eldridge-Doyle), Men in chaplain's library, 1960
This photograph forms part of the collection that has been accumulated at the Mission to Seafarers Victoria. It demonstrates that that there was an ample library once in use at the Mission. The photograph is thought to have been taken in the Chaplain's office next to the chapel. The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Reading have always been an incentive at the Mission, and books were always made available to seafarers insiste or brought on board ships via reading parcels.Black and white photograph of two men in the chaplain's library. The man on the left of the frame is putting a book back on the shelf and the man to the right of frame appears to be be reading a book.Number 3 (in circle) handwritten in black ink on reverse of photograph in top right-hand corner. Reverse side also includes a numerical stamp of "1940". Ilford is étampes on the paper.library, books, literature, reading -
Kiewa Valley Historical Society
Tin Bushells, after 1937
Bushells tea and coffee producers started in Brisbane(1883) and expanded to Sydney, Melbourne(1899), Fremantle and finally to Auckland(1937). Like other Pacific Island sourced condiments Tea and coffee were a lot easier to import than British or European goods. Local Australian industries were starting to develop and grow to overcome the long transportation times and the high costs of goods from traditional suppliers. Bushells Pty Ltd is a prime example.This "Bushells" Coffee tin is a good example of Australian "grown" condiment suppliers serving the "whole" of the Australian marketplace. Rural areas were not neglected and the purchase price for goods were a reasonable levels. Kiewa Valley experienced a population growth from the late 1940's and due to the migrant works in the Kiewa Hydro Scheme the greater use of coffee was initiated. Rural areas, on the whole, where the population was more connected to some degree with a British heritage lineage were predominately tea drinkers. The American film productions, however, screened in Australia post 1950's showing a greater degree of coffee drinking "stars" had a long term effect upon the drinking habits of the rural populous. This round tin of coffee with lid is made from pressed steel lid framed top and bottom. Sturdy cylindrical body is made of cardboard. Paper information label is pasted onto the container with promotional and logo information.In large print and on opposite sides are two manufacturers labels.The topprint and on a diagonal slant in gold letters on a dark blue background is "BUSHELLS" underneath this "PURE" and below this on a red background "COFFEE". On one side in smaller print "EASY TO MAKE" and below this "Use one dessert-spoonful for each cup of coffee desired. Place in the pot and pour over it fresh water briskly boiling. Let stand for five minutes, then strain". Below this "1 IB. net" and underneath is a signature "BUSHELLS" below this in small print "Pty. Ltd." Below this, in a vertical row are"SYDNEY MELBOURNE fREMANTLE AUCKLAND"coffee and tea processors and distributors, hot drink suppliers -
Orbost & District Historical Society
glass rolling pin, 1930's
Starting in the 18th century, glassworks in English port towns like Bristol, London, Sunderland, and Newcastle began producing hollow glass rolling pins. They were originally produced for sailors to give to loved ones, particularly young women they were hoping to woo for marriage. Plain, clear glass rolling pins became a common kitchen item in the first half of the 20th century as they were seen to be more easily cleaned that wooden ones.This item is an example of a once commonly used kitchen item.A moulded clear glass cylinder rolling pin with glass handles at each end. It is hollow and can be filled with cold or warm water to better roll a preferred food. There is no stopper at one end. It is marked with M at one end (probably indicating size).one one end - Mdomestic kitchen glass rolling-pin, -
City of Ballarat
Artwork, other - Public Artwork, Friends of Learmonth, Flock by The Friends of Learmonth
The Flock is a kinetic sculpture made up of 11 parts. It celebrates a local migratory bird, the ibis. The sculpture comprises tall steel poles with a steel ibis balanced on the top of each pole by its beak. Balanced on a spherical joint to allow fluid movement in all directions, each element of the Flock is designed to look like a bird in flight. The kinetic wind-powered elements of the artwork were inspired by the nearby Waubra Wind Farm.The artwork is of aesthetic and social significance to the people of BallaratEleven white and black birds on poles with moving partsibis, friends of learmonth, learmonth -
Surrey Hills Historical Society Collection
Personal memoir, Arthur Tonkin, Up the Dusty Track: The Northern Territory Experience
This is a personal account of Arthur Ernest Tonkin's experiences during World War 2. Arthur was a member of the 147 Australian General Transport Company. He enlisted in Alice Springs and spent the war as a driver along the route between Alice Springs and Darwin. There was no railway between Alice Springs and Darwin, and the road was more like a dirt track, but was essential for transportation of troops and supplies. Arthur was born in 1921 and spent most of his life in Surrey Hills.This is a compelling memoir written by a gentleman with a profound interest in history and an outstanding memory for detail, so although compiled when he was an advanced age, it is a significant memoir.illus.; 22p.; photos, A4 photocopied booklet spiral boundworld war, 1939-1945, darwin overland maintenance force, (mr) (lt col) noel medway loutit, central australian motor transport group, arthur ernest tonkin, memoir -
Melbourne Legacy
Photograph - Junior legatee outing, Christmas Party 2004, 2004
Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. It looks like a mother and her teenage children. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo x 2 of a mother and her children at a Legacy Christmas party.Printed on the back 'No.022 and 024' which is the image number.junior legatee outing, leadership group, christmas party -
Melbourne Legacy
Photograph - Junior legatee outing, Christmas Party 2004, 2004
Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. It looks like a mother and her son. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of a mother and her son at a Legacy Christmas party.Printed on the back 'No.026' which is the image number.junior legatee outing, leadership group, christmas party -
Melbourne Legacy
Photograph - Junior legatee outing, Christmas Party 2004, 2004
Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. It looks like a mother and her daughter. There was a Santa and a pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of a mother and her daughter at a Legacy Christmas party.Printed on the back 'No.031 and 033' which are the image numbers.junior legatee outing, leadership group, christmas party -
Glen Eira City Council History and Heritage Collection
Photograph
One of 5 B/W photographs showing areas within Caulfield Town Hall. Production date unknown sometime after 1931 and before 1976. Copyright for this image is unknown, although likely commissioned by Council. It has been digitised and published here for educational and research purposes. If you believe that you have copyright to this image and would like it removed from the site please contact us through the 'Leave a Comment' tab below.B/W photograph showing the rear balcony, ceiling and seating in the Auditorium in the Glen Eira Town Hall. The image shows the Caulfield Town Hall Auditorium prior to 1987 when it was reconstructed and divided to make a lower floor to accommodate a gallery and an auditorium on the floor above.Small Sticker, green and gold, adhered to r.h.s. verso corner 'The Speciality Press Pty. Ltd.' -
Port Melbourne Historical & Preservation Society
Functional object - Shopping Bag, Bay Street Traders Association, 2001
Produced by and for the Bay Street Traders Association. .01 was produced first and printed on clear plastic, which made the images unreadable. Hence .02 was produced and printed on white plastic. Note that the 2000 scene is a computer generated image of what Bay Street may look like in the future, not as actually was in 2001. Similarly, the scene portrayed for 1800 does not reflect any reality as Liardet only landed at Sandridge in 1839. It may be an 1890s view.Black and white plastic promotional bag produced by the Bay Street Traders Association, purporting to show scenes of Bay Street in 1800 (sic) and 2000. Bears the Association logo.advertising, business and traders, bay street traders association, bay street -
Port Melbourne Historical & Preservation Society
Functional object - Shopping Bag, Bay Street Traders Association, 2001
Produced by and for the Bay Street Traders Association . .01 was produced first and printed on clear plastic, which made the images unreadable. Hence .02 was produced and printed on white plastic. Note that the 2000 scene is a computer generated image of what Bay Street may look like in the future, not as actually was in 2001. Similarly, the scene portrayed for 1800 does not reflect any reality as Liardet only landed at Sandridge in 1839. It may be an 1890s view.Black on clear plastic promotional bag produced by the Bay Street Traders Association, purporting to show scenes of Bay Street in 1800 (sic) and 2001. Bears the Association logo.advertising, business and traders, bay street traders association, bay street -
Arapiles Historical Society
Tool - Blow Torch
Blow torches like this one were widely used in the late 19th and early 20th centuries before modern gas torches and propane burners became standard. Operated by pressurizing liquid fuel (kerosene or gasoline), which was vaporized and ignited to create a high-temperature flame. Commonly used for: Soldering and brazing in plumbing. Heating and softening metal for shaping. Thawing frozen pipes in cold climates. Industrial applications requiring direct flame.This is a vintage kerosene or gasoline blow torch, commonly used in soldering, metalworking, and industrial applications. The torch has a cylindrical metal fuel tank, which appears to be made of brass or steel, with signs of oxidation and patina. Attached to the top of the tank is a pump handle, used to pressurize the fuel inside the tank. The burner assembly extends from the top of the fuel tank and includes a fuel control valve (a round, serrated metal knob). The burner nozzle is housed inside a silver-coloured metal casing, likely made of cast iron or aluminium, which serves as a heat shield. A wrapped cloth insulation is present around part of the handle, likely to protect the user from heat. It could be from a well-known maker such as Turner, Clayton & Lambert, Bladon, or Sievert, which were among the leading manufacturers of blow torches in the early to mid-20th century.blow torch, welding, farm equipment, commercial equipment -
Orbost & District Historical Society
black and white photograph, C1917
The pilot is more than likely Flt Lieut. Jim Nixon with his Spad aircraft during WW1. James Harold Claude Nixon was born 12/12/1890 and before enlisting in the Australian Imperial Force was an auctioneer at Delegate. After training at Aldershot for the Royal Flying Corps he was granted an Aviators Certificate (No. 4607) by the Royal Aero Club. ( more reading in "From White Knowle to Pumpkin Point" by Peter Nixon)The Nixon family was a prominent family in the history of Orbost and its surrounds.A black / white photograph of a man in uniform standing next to a small fighter plane (a biplane). There are two copies and a letter from Peter Nixon with this photograph.handwritten on back - "Since writing that letter of grief, found now that I am going out to fly the Spad Scout which photo you see here. I am going across tomorrow morning so will not be long to know what ariel (sic) warfare is like now. I am in the best of health & happy as a lark. This is all I have to say with lots of love from your son Jim"nixon-james-pilot-ww1 -
Phillip Island and District Historical Society Inc.
Photograph, Late 1920's
Donated by Jessie Smith (nee Small) who had an estate agency in Cowes. Letter was sent to David Johnson - Dial for Dollars - explaining that the contestant who spoke of a 6 legged sheep was telling the truth.Sepia photograph of a 6 legged sheep.On back of photograph: "David Johnson Dial for Dollars. You seemed to think your leg was being pulled by one of your contestants when he spoke of 6 legged sheep. Here it is - 6th leg protected from 5th leg, had short leg, hoof and all. This photo was taken 70 years ago also it as a lamb. I thought these may interest you, nothing like seeing for oneself".six legged sheep, david johnson, dial fo dollars, jessie smith