This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

Ballarat University College is a predecessor institution of Federation University AustraliaColour photograph of Ballarat University College Business Graduates taken outside on Mount Helen Campus. Back Row: Scott Alexander, Trent Somers, Evan King, Andrew Cutter, Steve Milojevic, Brad Winfield, Anthony Matthews, Craig Dowling 3rd Row: Darren Hodge, Brett Holloway, Donna Wells, Dale Boucher, Michael Till, Andrew Still, Russell Keenan, Rod Bridger, Phil McFarlane 2nd Row: Jason McGrath, Sue Farmer, Lauretta Clarke, Lavinia Knight, Kerry McPhan, Lisa Watt, Jock Selkirk, Andew Loader, Ashly Ruyg, David Shaw, Monica Yates, Janet Mason Front Row: Stephen Kearney, Kylie Edwards, Jane Anderson, Debbie Lyons, Frank Beyerle, Gerrard Morganballarat university college, business school, scott alexander, trent somers, evan king, andrew cutter, steve milojevic, brad winfield, anthony matthews, craig dowling, darren hodge, brett holloway, donna wells, dale boucher, michael till, andrew still, russell keenan, rod bridger, phil mcfarlane, jason mcgrath, sue farmer, lauretta clarke, lavinia knight, kerry mcphan, lisa watt, jock selkirk, andew loader, ashly ruyg, david shaw, monica yates, janet mason, stephen kearney, kylie edwards, jane anderson, debbie lyons, frank beyerle, gerrard morgan

Black and white photocopy of a photo of the Rose of Australia 1907 printed on cream paper. Photo shows the building after it was burnt down in 1907. Two chimneys and some of the building are still standing, the rest is a pile of twisted timber. A number of men and a couple of children are standing in the rubble, two are on the roof and two on a ladder. Printed on white paper under the picture are - Rose of Australia 1907 when it was burnt down. Photocopy of a photo of the Rose of Australia Re Built. It is a brick building with a veranda with iron lace between the veranda poles. There are three decorative edges above the veranda, the first has Rose of, the middle has Australia and the third has Hotel painted on it. On part of the wall underneath is the name A. Thomas. A number of men and boys are standing in front of the building.bendigo, history, long gully history group, the long gully history group - rose of australia 1907

Information folder containing items pertaining to Margaret Douglas. Contents: -article, 'A life of growth for Sister Margaret', Knox Easterly, 22 October 1986 2 original copies, 1 photocopy) -articles, "Sense of community', 'Resident doctor', 'The Angliss Hospital - through the years', Mail, 10 June 2014 -order of service, funeral of Margaret Shirley Douglas, Blair Chapel, Springvale Botanical Cemetery, Friday 16th April 2010 -eulogy (by nephew, who conducted service) -Article, The Age, "Artist of Crazy Man's Creek: A portrait", circa 1996. -Article, Free Press, "Cr Margaret 'worked quietly', 28-9-1983. -Article, The Leader (?), "Oft, the best leave", undated (but after 1995). -Article, Knox-Sherbrooke news, "Sister Douglas still cares", 25-8-1987.

Watercolour painting by Charlie Hammond showing two train carriages at Belgrave Station. A group of people stand on the small platform beside the small station building which bears the sign 'Monbulk'. In the background are hilly paddocks. The most distant paddock has rows of what appear to be fruit trees. Below the painting Hammond has written '1901 Belgrave Station when it was Monbulk. Benson's Hill in the background. Later – Biffin's and later still – Harper's Guest House. Typical of all the stations along the line. Govt. had not recovered from the land boom and could not afford to build better ones.' This painting is based on a photo taken by Hammond in 1906, which is labelled by him, 'Sunday 28th Jany 1906. bringing the injured passengers to Belgrave Ry Station after the accident at the trestle bridge.'

Has a strong association with the people who were involved in the early formation of the BTPS and the 1972 Annual General Meeting.Newspaper clipping from The Courier of Ballarat of Monday 25/9/1972 with two photos. Article quotes BTPS President saying support for the BTPS was still small. This followed the Annual General Meeting of the Society the previous Saturday. Other items were the trams had been transferred from the old SEC depot, Incorporation was being sought, track laying and maintenance work underway. Two photos 1084i1: - Photo shows Lindsay Bounds, Clyde Croft and David Wisher spreading gravel along No. 2 road. 1084i2: - Photo shows group of Board members at meeting: Mr. G. Netherway, Mr. M. Calnin, Mr. C.W.Jessup, Mr. R.Gilbert and Mr. H.Cain (President) See Reg Item 3824 for a print of the actual photograph. Second copy added 28/10/2005.On top edge of cutting in black ink "25/9/72"trams, tramways, btps, construction, museum establishment, agm

Set of eleven colour slides (Kodak) showing the removal of tram track in Geelong, c May 1979. All in Pakington St., Newtown, ex Newtown route. 2268.1 - slide 29 - look south from the north of Retreat Road. .2 - 30 - No. 276 in background, looking south .3 - 31 - City of Newtown Town Hall in background. .4 - 32 - opposite to that of No. 29. .5 - 33 - Looking south .6 - 34 - looking south with Aphrasia St. in the background. .7 - 35 - as for .2 .8 - 36 - Opposite No. 278, looking south .9 - 1 - opposite No. 276/278. .10 - 2 - ditto .11 - 3 - Outside No. 278, looking south. Bus stop still in position. See Letter to Dave O'Neil and responses.tramways, trams, geelong, track removal, pakington st, newtown

Yields information about the events that can happen to a operating tramway - broken overhead wire. Lesser significance account quality of photograph.Black and White copy photograph of a newspaper photograph taken by The Courier 21/11/1960, published on 22/11/1962 of No. 37 near broken wire, Hamilton Avenue (copied from newsprint) - with conductor "guarding the fallen wire" Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details. Possibly Charles Wilkie - daughter of Deanne Robbins, 0488 135 137 - see file "Letter to D. Robbins re Charles Wilkie.doc", 22/8/2008 - with worksheet and other notes. Confirmed by Deanne Robbins 12/10/08 as Charlie Wilke - still alive and 89 years old at the time - see worksheet for copies of correspondence and notes.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, overhead, accidents, safety, tram 37

Yields information about Bendigo tramcars - provided in a list form that enabled sharing of the information with others.Hand written list of Bendigo tramcars on buff colour ledger paper - ruled with blue and red lines - two sheets or four pages listing tramcar numbers, builder, date in service, and whether sold or scrapped. Has "Please Return" on top right hand corner of first sheet. Page 1 - Bendigo Battery and Steam tram motors. Page 2 - Steam trailers Page 3 - Electric trams - with information through to 1943 Page 4 - Electric trams, electric trailers (double deck), and when last used and water tank scrubber - Bush of 1908, noted as "still in action". No mention of any bogie tramcars, so presumed made c1944 Contained originally within Reg Item 5623 at the front of this note book. For items see BTM5623 loose items list.pdf. bendigo, steam tram motors, trailers, tramcars

Digital image from the Wal Jack Ballarat Album of a photograph of MMTB No. 35, later to become Ballarat 40, at the rear of the depot after delivery to Ballarat on 30-6-1951. Photo by Wal Jack. Still has white bumpers and steps from war time blackout period. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative 5205.1 - another view of the tram at the depot - see image i5 5205.2 - possibly the tram being delivered. The negative was located adjacent to 5205.1. Out of focus - see image i6. 5205i3 - similar photograph to i1 at the rear of the depot, on size 125 negative - see image i7.On rear of photograph in ink "SEC Ballarat No. 35 (ex MMTB C35) on new line rear of depot Wendouree 30-6-51. Stored outside until it was altered and repainted No."trams, tramways, bogie trams, delivery of tramcars, depot, tram 35, tram 40

A wooden racquet with a convex throat and tilt top. The handle is framed by red leather end and stem wraps. String whipping feature at both sides towards the base of the head. The outer frame of the racquet head is sealed with a green painted cloth strip, glued and nailed to it. At the base of the throat on the obverse is a nailed silver plaque, with an engraved inscription and monogram: 30, JUNE, 83/AGF/"YOU KNOW WHO". The plaque conceals the manufacturer's details, which, from what is still legible, is definitely George G. Bussey. The model type 'THE DIAMOND' and the number 13 features on the upper throat and stem on the obverse, respectively. To highlight the model name, the gutstringing is arranged in a rare, diamond pattern. Materials: Wood, Gut, String, Cloth, Leather, Metal, Glue, Lacquertennis

Two part object. (1) A Slazenger 'Phantom Silver' tennis racquet with open throat, plastic butt cap and handle wrapped with leather. Clear plastic shop wrap still on handle. Manufacturer name along side of right throat pillar and printed as pattern on leather handle wrap. Model name printed along right throat pillar. Adhesive label inside throat states: 'MARSHALL INDUSTRIAL CORP./ITEM NO. SCT-639'. Plastic butt cap features manufacturers name and cat logo. Cat logo also sprayed onto net. (2) 3/4 length silve vinyl racquet cover with zipper and printed with manufacturer's name and logo. Materials: Adhesive tape, Plastic, Leather, Ink, Vinyl, Graphitetennis

Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Report - 10 A4 photocopied pages titled "Friends of the W class Trams Policy Statement" undated, signed by Don Gibson. Looks at the fleet after the delivery of all the B class trams, numbers of cars required for service, issues, a requested approach, equipment and their request - continue to run W class trams, store Z1 and Z2 trams. Provides a statement of the trust's policy - classification, present threat, Met Proposal, comparison with Z class trams, tables of costs for each type of tram, options, power consumption, ride, life span, crew costing, public support, views on upgrading, conclusions. Notes that Mr. Peter. Spyker was Minister for Transport at the time and that B class still being delivered - completed 1994. Mr Spyker was Minister from 1990 to 1992 - document c1991.trams, tramways, w class, b class, z class, national trust, the met

1257 - Pamphlet - DL three fold sheet printed on gloss paper titled "New Public Transport Partnerships" about the new contractual agreements with Yarra Trams and Connex for the operation of Melbourne's public transport services following the failure of National Express. Provides information on the Government's role and the that of the private operators. Includes a message from the Minister for Transport - Peter Batchelor. Printed Feb. 2004. Has the logos of Connex, Yarra Trams and the Victorian Government. 1257.1 - Two fold A4 sheet, printed on gloss paper, provides information on the new Transport Partnerships Agreement, delivery of more modern trains and trams, more services, customer service and safety, infrastructure, what still needs to be done and what will be done over the next 12 months.trams, tramways, connex, yarra trams, national express, minister for transport

Poster - full colour on semi gloss paper titled "The Met Services" showing in a diagrammatic form the Melbourne tram and rail routes. For the tram section, (similar to Reg Item 509), shows major street names, route numbers, principal suburbs, terminal names, central area (pre Docklands, post light rail to St Kilda and Port Melbourne) and ticket zones. The rail map section shows the Neighbourhood ticket zones, the rail line via Altona (the direct route is not shown) and shows the St Kilda and Port Melbourne light rail lines. Has The Met logo and the Public Transport Corporation names on the bottom. Mid 1990's, Batman Ave still shown. See also Reg Items 696 and 696 for maps of the time.trams, tramways, melbourne, tramways, tram routes, railways, map, posters, tickets, neighbourhood tickets

Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th centuryBusinesses from Left to right J. McSwiney & Co Chemist, Dempster’s Café and Pilkington’s Shoes. This building is still standing and now includes business High Exposure, Junction Pizza, Greg’s Takeaway and Barbers Quarter Haircuts and Shaves. Born in Chiltern in 1875, John T McSwiney moved into his premises in High Street, Wodonga in 1901. He operated his pharmacy from this site for over 64 years. At its peak, John put the Wodonga store under the care of a manager and moved to set up a second pharmacy in Wangaratta. He later returned to his Wodonga pharmacy where although semi-retired John continued to go to work each day up to his 90th birthday. His chemist shop was sold about 1967.wodonga businesses, high st wodonga, pilkingtons, mcswiney chemist

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'coffee'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

A razor strop is flexible strip of leather or canvas used to maintain a shaving edge on a thin blade such as a straight razor. Fine powdered jeweler's rouge or other pastes can be added as an abrasive to polish the blade. The strop may be a hanging strip or a hand-held paddle. This one is a hanging strop. Strops were quite commonly found in barber shops and homes before the invention of the safety razor, They are still used for sharpening tool blades.This item is an example of the self-reliance shown by rural families when household necessities were not readily available.A flexible double-layered horse hide leather strop. One strip has a slightly coarser texture. This is a hanging strop which has a metal swivel on top so that the strop can be turned over while hanging from a hook/peg.On hand grip The Keen Edge Strop, genuine horse hide All Black Stropper No. 2strop razor-strop shaving personal-effects

Small souvenirs such as plates, cups, mugs, ash trays and jars, showing scenes and buildings in Warrnambool, were first produced in the late 19th century for all towns and cities in Australia and were popular in the early to mid 20th century. They are still produced for tourists today. The Historical Society has several of these souvenir dishes but this is the first souvenir egg cup we have seen. The image of Liebig Street is appropriate as this is the main street in Warrnambool. This souvenir egg cup has no great significance historically but it is representative of the type of souvenir sold to tourists and it is interesting because of its age (1940s). It will be useful for exhibitions.This is a white china egg cup with a coloured image of Liebig Street, WarrnamboolUnder the image – ‘Liebig Street, Warrnambool, Vic.’ On the base – ‘Royal Grafton Bone China, Made in England’ warrnambool, warrnambool souvenirs, liebig street

Paper patterns have been used by seamstresses and home sewers throughout the 20th century and are still used today. The Simplicity Pattern Company was established in New York City in 1927 by James Shapiro and distributes patterns world-wide. Spotlight is the largest chain store in Australia selling fabrics, craft and interior decorator supplies at 100 stores throughout Australia, New Zealand and Singapore. It is currently situated in Warrnambool at 84 Raglan Parade. This dress pattern is of minor interest as coming from a local Warrnanmbool shop. It may be useful for display. This is a paper envelope containing the instructions and cut-out material for a child’s dress. There are three loose items inside the envelope. ‘Simplicity, 7009, Daisy Kingdom’ ‘No Exchange, Spotlight, Warrnambool’ spotlight store, warrnambool, sewing patterns, warrnambool

This is a souvenir jug made for the local tourist trade in the 1960s. The jug has an image of Lady Bay, Warrnambool. The official name of Lady Bay is Warrnambool Bay. The jug was made by Westminster Fine China Australia, a firm established in 1954 by the cutlery and silverware firm of Stanley Rogers and Sons of Melbourne. Westminster China was fist established in Cheltenham in Melbourne and after 1977 it was operating in Sandringham, Victoria. It was still operating in the 1990s and produced mainly souvenir and giftware. This jug is retained because it is a good example of the souvenir items offered to local tourists in the 1960s. This is a small white china jug with a gold strip down the handle and a gold rim around the opening and the lip. On the side of the jug is a multi-coloured image of the lower lighthouse and Lady Bay, Warrnambool. The maker’s name is on the base of the jug. ‘Lady Bay Warrnambool Vic.’ ‘Fine China Westminster Australia’ warrnambool bay, westminster china, australia, tourism in warrnambool

This is a book of 48 pages. It has a red cover with black printing. The pages contain printed material and black and white photographs.non-fictionAboriginal words and their English meaningsaustralian aboriginal words and their meaning

A circular produced by the Marysville Tourist & Progress Association requesting assistance from members in raising funds to promote tourism in the district. This circular was sent to members in September 1965 to inform members as to which members had paid the requested funds, how much they had paid, and which members had outstanding payments still to be made. The circular was sent to encourage members to support the endeavour to raise funds to enable the town of Marysville to promote tourism in the district. A circular produced by the Marysville Tourist & Progress Association requesting assistance from members in raising funds to promote tourism in the district. The Association was formed in November 1907 to promote tourism within the area. This included the physical creation of signage, parklands, roads and walks to various attractions. marysville, victoria, marysville tourist & progress association, marysville and district tourist and progress association, circular