Early Australian water cartage system, used originally in agricultural areas, later in theatres of war. Iconic Australian company who pioneered agricultural equipment.Water cart invented by John Furphy, who attended Andrew Ross's school between 1851 and 1855, and manufactured by the Furphy Foundry.Typical 'Good better best' and other words.furphy nixon shepparton kangaroo ground

Portrait of Australian Cricketer, played two tests against England in 1937. Died in Assam Indiablack and white photograph, unmounted, original, good conditionRoss Gregory Victoria Cricket Died WWII

The graphic story of a famous Australian fighting ships greatest actions and her most tragic mistake.128 page book on HMAS Sydney. Paperback book. Orange cover with picture of HMAS Sydney on it. Authors name in blue.hmas sydney, australian navy ships

Produced by Prior's Hardware to advertise their business and assist customers. Used in 1975 in Blackburn, Victoria, Australia.Daily guide produced for Prior's Hardware Pty Ltd. Includes 1975 calendar, public holidays 1975, school holidays 1975, postage rates, phases of the moon, child endowment, birthstone, flowers, wedding anniversaries, metric conversion tables, important phone numbers, birthday reminders.Prior's Hardware Pty Ltd. General Hardware, crockery, fishing tackle. 9 Blackburn Road Blackburn 3130. Phone 8781777.shopping, prior's hardware, 9 blackburn road blackburn

Songs relating to Australian troops in South Africa & Europe From the Collection of Charles Henry HonybunA red coloured book containing balladsBallards of Battle by 'Oriel' John Sandshonybun charles, song book, ww1

1. "AACS" - Australian Army catering Service. 2. "RAE" - Royal Australian Engineers. 3. "A FLD BTY RAA" - Royal Australian Artillery B.C.O.F. Japan 1946-1948.1. BANNER FRAMED, COTTON FABRIC, BLUE BACKGROUND, PALE GOLD COLOURED TASSLE FRINGE, WHITE EMBROIDERED INSCRIPTION, COLOUR PATCH CENTRE, GREY, PALE BLUE AND WHITE. 2. BANNER FRAMED, COTTON FABRIC, MID BLUE BACKGROUND, GOLD COLOURED TASSLE FRINGE, WHITE EMBROIDERED INSCRIPTION, COLOUR PATCH CENTRE, FUSCHIA WITH GREY SURROUND. 3. BANNER FRAMED, COTTON FABRIC, NAVY BLUE BACKGROUND, WHITE COLOURED TASSLE FRINGE, WHITE FABRIC INSCRIPTIONS, COLOUR PATCH CENTRE, RED AND BLUE WITH GREY SURROUND. 1,2,3, Frames - timber, block colour print, glass front, cardboard backing.1. White embroidered inscription. AACS. 2. White embroidered inscription, "RAE/6 Welding PLT/10 Bomb disposal/13th Army Troops/14th WKs PKs/1st AWT/17th CRE/42 & 43 Port Operating/28th FIELD COY" 3. White fabric inscription. "A FLD BTY RAA"/ "345 Aust LAD".military, ww2, japan, banners

Reverend Frank Graham Engel was ordained in 1943, served at Hawthorn South Australia, Australian Students' Christian Movement, General Secretary Australian Council of Churches. He retired in 1977.B & W photograph of Reverend Frank Engel addressing the ACC 27th General Meeting, February 1975."4. ACC 27th General Secretary of the A.C.C. delivers his report to the General Meeting. This was Mr. Engel's last General Secretary's report as he retires at the end of this year"engel, frank, general secretary acc.

Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork

The Kiewa Valley has been a farming district from early settlement of white people. This has continued until the present although the nature of farming has varied over the years. Access to information has improved with transport and technology. The journals kept the farmers informed and up to date.These booklets and journals were one of the few sources of information during the 1950s for the isolated farmers of the Kiewa Valley. The Kiewa Hydro Electric Scheme improved both transport and technology during the scheme's construction from the 1940s. It provided the township of Mt Beauty at the upper end of the valley where shops and schools were constructed, roads were improved out of the valley and the supply of electricity for milking etc. became available. 1. 14 articles each bounded by 2 staples, and each reprinted from Dept. of Agriculture Journal on a particular topic relating to Agriculture. All black & white and c1950s. 2. 4 Journals with colored covers 3 from Victoria Dept. of Agriculture (1932, 1974 & 1975) and 1 from Sth. Australia.1. "J.H.Wallace" hand written top right corner of covers of pamphlets titled 'Diseases Affecting /Young Cattle' and 'Mastitis'. "AHW" hand written top right corner of cover of pamphlet titled ' Grading Land for Irrigation' 2. Nonefarming, agriculture, cattle, pasture, kiewa valley, department of agriculture in victoria, kiewa hydro electric scheme,

This apron was made in 1915 by Irene Broughton, nee Long. She was born in Warrnambool in 1894 and married Arthur Broughton in 1913. She re married in 1924 Reuben Donnithorne and he died in 1931. Irene died in 1982 and is buried in the Warrnambool cemetery. The apron was left to Irene's niece, Helen Thomson who had the apron framed to preserve it. The apron would not have been in everyday use but a special garment worn when entertaining visitors for afternoon tea.This apron is a fine example of a home made house hold article from the early 20th century. The maker was born in Warrnambool.The apron is made of fine black cotton and edged with a broad lace flounce featuring a flower pattern. It is decorated with two sprays of delicately hand-painted motifs featuring Australian native flowers. The apron is in a wooden frame with a silver metal edging with scrolls on the front edge. The glass is clear and the mount is buff coloured card.vintage accessory, irene broughton warrnambool

A collection of “Photographs of our Fighting Forces are mainly the work of the Official photographers attached to various services”Album, hard cover, dark green buckram, front cover has Coat of Arms of Australia in gold print, fly leaf front, back and end papers grey embossed heavy weight paper, 104 pages, plain mottled grey colour, illustrated B & W photographs on Matt photo paper.albums military, history, photograhy,

Slouch hat, khaki, puggaree, light khaki, colour patch with WWII red rectrangle with black ball* in centre. Rising Sun badge on raised edge is badly corroded green internally. Liner & chin strap removed. * The colour patch is of the Corps of Australian Electrical & Mechanical Engineers (field units) 1942 - 1945.Written in ink on puggaree under the colour patch: “Geelong”uniforms - army, costume - male headwear, slouch hat

Robert Oswald HENDERSON had previous service in the Militia dating from 1899 with the 67th Battalion. He enlisted in the AIF with the rank of Major as 2IC in the 38th Bn on 1.5.1916 at the age of 41 years. Embarked for England 20.6.1916, embark for France 22.11.1916, promoted to Lt Col to command the 39th Bn 15.2.1917, hospital 17.9.1917 with Defective vision, appears to a have rejoined his unit same day, WIA 29.3.1918 GSW to left thumb, rejoin unit 13.6.1918, KIA 29.9.1918 near Bony on the Hindenburg Line. Buried by the Rev W.A.Moore on 1.10.1918. He was awarded the DSO 18.1.1918 and Mentioned in Despatches 25.5.1918. The Beehive Store was a major Department Store in Pall Mall Bendigo.Photo of the Australian War Grave in France of Lt Col. R O HENDERSON DSO 39Bn. KIA. Headstone reads "Placed here in Loving Memory by/ BEEHIVE STAFF Bendigo". Message written on back of photo states he was buried at St Emilie, a town about 6 miles N E of Perrone.On back of Frame "Photo Mrs J H Henderson" photos, graves, framed, ww1

Belonged to Capt Warick Rosenthal TX6321 2nd AIF. Refer 622.3, 775.Badge, pressed metal, gold colour. Crown sits over a 6 pointed star shape with centre circle with a snake coiled around an upright rod. Around the centre circle lettering "Royal Australian Army Medical Corps." A small scroll at the bottom has "Daulatum" 2 x lugs & pins on rear. numismatics, badges, military, medical corp

A small cardboard tube container which originally held an Iodine Ampoule for external treatment of wounds. These were issued to World War 1 Australian and British service personnel for initial treatment of wounds whilst in the field. This item has a printed label with instructions for use and was packaged by W. H. Whatmough, London in 1914.There is a label affixed to this item with the following inscription printed in black: "Iodine Ampoule for External Use", "Made by the Patentee", "W. H. WHATMOUGH, 457, Caledonian Road, London, N." "Patent No. 23437, 1914."

The picture was possibly taken for the opening of the tennis court Saturday 18 September 1926. Lady Creswell was invited to officially open the court and about a 100 persons attended the ceremony.Photograph taken in 1926 on the tennis court of the Mission to Seafarers, 717 Flinders Street. First plan are unidentified men turning their back to the photographer. On the court are two ladies wearing white tennis attire are playing double. In the background the former Seamen's Institute, Siddeley Street, can be seen as well as the docks on Australian Wharf.tennis, mission to seafarers victoria, tennis court, lady creswell, reverend john reginald weller, 1926, lady adelaide elizabeth creswell nee stow, 1859-1945, william rooke creswell (1852-1933), mission to seamen, weller album