Sepia photograph of workmen at Cohn Bros. Twenty five men and boys. Mounted on grey board. Inscriptions: hand written in ball point pen at top 'Cohn Bros'. On back - 'Back row: Jack Mitchell, Fred Mickles, Dave Geurin, Jack Jordon, Harry Rose Warne, Cal. Brown, Charlie Mills, W Nielsen, Marc Cohn, Bill Bannister'. 'Sue Burns, Ned Kinsman, Tom Mead, Ned Carter, Charlie Bartlett, Burt Patterson, Percy Marshall, Jack Davini'. J McEwan, J Bessetti, Bert Newell, Julius Cohn, Ted Hasker, Bill Emmerson, Wally Maxwell:. Circular stamp 'Royal Historical Society of Victoria, Bendigo Branch'.person, group, employees

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the fireplace in the third bedroom of Villa Alba. The original 1880s black stone mantel, obliquely positioned in the southwest corner of the room (one of two examples in the house) is painted with a central group of three white roses. These are surrounded by flowers and foliage of jasmine that extend along the upper panel and down the sides of the mantel. It is believed that the addition of the painted flowers was completed by a freelance artist working for the Paterson Brothers; probably Ulysses Rizzi. The mantel is inset with two-tone surround tiles and decorative polychrome hearth tiles that incorporate a green ivy pattern which climbs up pieces of bamboo. Each tile is separated by a white and black border. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

Photographs. Gertrude Perry Collection. Two large black & white photographs, One a lady from Seven Brides for Seven Brothers and the other Lady Hollywood. Sixteen smaller black & white photos, Five of the actors from 'Rose Marie', Eleven from 'Floradora' and Five others. In a cream envelope with Nos 80 - 81 - 82 written in the top left corner and addressed to Miss G Perry, Floradora. Envelope enclosed in a brown envelope addressed to Miss G Perry, Panton St, G. Sq. It has The Bendigo Advertiser Photographic Service printed in red in the top left corner and Your Photographs printed on a red background across the top left corner.cottage, miners, gertrude perry collection, ian o'neil, brian brewer, harry brewer.

Collection of photographs and slides taken by Geoff Olive (Horticultural Instructor). (1) "Burnley 1979 Flash flood outside engineering." (2, 3) Administration Building, different years. (4) "Trish Mooney Gardener 1998." (5) 15-7-00 Ellis Stones Garden Friends Working Bee Tim and Chris." (6, 7) "Photos taken by John Dwyer (N.C.H.H.) following a tour of the native garden area given by Chris. 3.11.99." (8) Garden Week 1989? Phil Tulk Andrew Smith." Slides (9) "Rose Bed." (10) "Choisya ternata." entrance to what became the Rose Garden from Oak Lawn. (11) Aug 1981 view of Luffmann Ponds from Administration Building. (12) Nov 1982 "Herbaceous Border & Annual Display BHC" view of Bergenia Walk towards Administration Building. (13) May 1986 view of Administration Building from Luffmann Ponds. (14) August 1990 "Paula Cave/Andrew Smith" rejuvenating Luffmann Ponds. (15) April "Andrew Smith" mulching around Cork Oak when Staff Car Park removed from Bull Paddock. (16) April 1990 compacted lawn after last Garden Week at Burnley. (17) August 1990 Garden view. (18) August 1990 view of Luffmann Ponds from Administration Building roof. (19, 20) August 1990 View of Kath Deery Native Garden from Administration Building roof. geoff olive, horticultural instructor, burnley, floods, administration building, trish mooney, gardener, 1998, ellis stones garden, working bee, john dwyer, phil tulk, andrew smith, kath deery native garden, rose garden, herbaceous border, paula cave, luffmann ponds, bull paddock, garden week

Produced c. 1910 by The Rose Stereograph co. This colourised photographic postcard shows the exterior of the administrative buildings at Mayday Hills mental hospital with three young boys in the foreground. This postcard forms part of the extensive Rose Series. (P. 4689) of postcards being produced by the Rose Stereograph co. which depicted landmarks from across Australia. Despite the early date attributed to this image, according to Walsh dates from this series place the postcards being produced typically between 1920-54. Mayday Hills Hospital, then known as the Beechworth Lunatic Asylum was constructed between 1864-67 designed by The Public Works Department. The hospital is made up of a number of buildings, landscaping, ha-ha, workshops, laundry, administrative facilities and farmland, it was constructed in 'Italianate' style by a team of up to two hundred and fifty workers (Woods p. 122). The asylum was established in response to the need for the regional shire to locally care for those particularly affected by their time working the Ovens goldfield during the Indigo Shire gold rush era where poor living conditions and isolation were significantly affecting the welfare of a great many people through poverty and lack of resources. The gaol and orphan labour systems were not able to effectively support to give housing, rehabilitation and ongoing care for the mentally ill, and transporting to Melbourne by waggon was a time consuming and counter-productive solution when the metro facilities were already overcrowded. According to Woods (A Titan's Field p. 122), between 1901 and 1911 a large percentage (thirty five percent in 1901 and twenty four in 1911) of the Beechworth population were either patients or inmates of Beechworth institutions, Mayday Hills accounted for some six hundred and seventy four patients in 1901, Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town and the large volume of people living at the hospital and contributing to this population growth is counted as reason for the survival of Beechworth as a regional township. Mayday Hills continued to function as a mental hospital up until 1995 when it was sold to LaTrobe university. The building and grounds are listed on the Victorian Heritage Register under criterion A, B, D, E and F. Through the colourisation of the photograph and through the unusual choice of the subject matter being used as a postcard, we can get a good indication of aesthetic interests of the time.Rectangular coloured photograph printed as postcardObverse: Beautiful / Beechworth / (Vic.) / 1800 ft. / above / Sea / Level / - / Asylum / for / insane / (Front / View) / Copyright. / F. / Foxcroft / Photo Reverse: 1997.2454 / Postcard / THIS / SPACE / MAY / BE / USED / FOR / CORRESPONDENCE: / THIS / SPACE / FOR / NAME / AND / ADDRESS / STAMPpostcard, rose series, mayday hills hospital, mayday hills, beechworth lunatic asylum, photographic postcard, george rose, the rose stereograph co., social welfare, welfare services, ovens goldfield, lunatic asylum, the public works department, australian landmark, regional shire, indigo shire council, gold rush, beechworth institution, victorian heritage register

Bellfield' formerly a guest house was opened as a licenced hotel in 1924 A message was written on the back of the post card and dated 21/12/25Bellfield with the Wonderland Range behind Hand written message on reverse side dated 21/12/25 The Rose Series P 4914 Message reads: "To my Dear Friend Thanking you for your dear little letter and pretty card and good wishes We all wish you a very Happy New Year I do wish you were here to [2 words cant read] lots of love from your loving friendaccommodation, hotels, bellfield

Colour photograph - Newcombe Ball Team, 1978."Attached to photograph" Back Row- L to R: Sharon Fraser, Eric Kanga, Colin Doherty, Carolyn Ashton. 2nd Row- L to R: Shane Kerr, Kim Lun, Dirk Tompson, Lorraine Morton, James Patterson, Linda Rose. Front Row- L to R: ?, Peter Nanas, Alica Pavalo, Cathy Johnson, Julie Booth.

Black and white photograph of family group.Written on backing sheet, "W.G. b. Collingwood 1850. m. Anne Barry of Adelaide at Richmond 26/12/74. 11 children. Back: Jim 1877, Rose (Murfett) 1881, Jack 1877, Letty (O'Connell), Maurice, Ella. Front: Lucy 1887, Hughie, Mrs. G. Mr. G., Mary (Larkin). Seated: Vincent 1898."

This compass was used to determine directions using a free-moving magnetised needle, indicating north and south. W Hartmann was a compass maker located in Hamburg Germany some of his compasses are marked “Gehna” and “Nautica”. There is no information available regards W Hartmann, his successor in the business was “Georg Hechelmann” a marine instrument maker of which Gehna is an acronym of his name. In 1874 he patented an improved version of “Lord Kelvin Thomson’s” compass design of a paper rose with magnets hung on silk threads. It appears he worked in his shop from around 1878 until probably 1905. The company he founded "Gehna" is today a substantial international marine corporation and is still based in Hamburg. A rare example of an early binnacle and compass probably used on a sailing vessel. It is a significant item not only for it’s rarity but also because it demonstrates the progress of marine navigational instrument development in the late 19th century. The item was made by an early pioneer and innovator of marine navigation and instrument making. Compass and Housing; the brass housing, with side light box, insides a fluid dampening gimble compass. The maker is W Hermann/Georg Hechelmann, of Hamburg, Germany. The inscription ioncludes the number of the compass.Made by W Hartmann/Georg Hechelmann of Hamburg, No 7208flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, compass and housing, w hartmann, binnacle, georg hechelmann, navigational instrument, ship compass

Vol. 8, No. 2, May-Jun 2003 CONTENTS Comment Peter Dougherty 2 Nillumbik Art Prize Jessica Neath and Chris Marks 3 'Federation Trapezoid' Clive Dickson 5 The Famous Speigeltent Jan O'Neill 7 Pottery Expo Rose Mercer 9 Wolfgang Sievers Exhibition at Montsalvat 13 Travel tales from India Julian Chapel 14 Potter's Cottage becomes 'Potter's' Corrina Tauschke and Peter Dougherty 15 Visiting LaMama Julian Fitzpatrick 17 Poetry News & Review John Jenkins 18 CD Reviews 21 Book Reviews 23 'Wondering Whittlesea' 25 Exhibitions 26 Artin' About 27 Wining & Dining 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, city of whittlesea heritage program, nillumbik prize, willy wonka's ice cream gourmet food, federation square, spiegeltent, jan o'neill, clive dickson, pottery, rose mercer, toolboox, warrandyte cafe, eltham fullife pharmacy, eltham wiregrass gallery, dynamic vegies, wolfgang sievers, julian chapple, india, corrina tauschke, potters cottage, karl bell, greg bell, montsalvat, justin fitzpatrick, poetry, john jenkins, st andrews hotel, bundoora homestead, gwen ford, northcote pottery, bulleen art & garden centre, il primo restaurant carlton, hurstbridge nursery, thompsons amcal pharmacy, bendigo bank, hurstbbridge & districts community bank branch, alan marshall short story award

ALBERT WILLIAM MALLOY No 428333 RAAF. He enlisted on 10.10.1942 aged 29 years 6 months. During training he was posted to 8 differant units and rose through the ranks from Airman Pilot to W/O on 26.2.1945. Finally embarked from Cairns for New Guinea with No 8 Communications Unit on 7.4.1945, granted a Commission as Pilot Officer (P/O) on 1.7.1945, disembarked Townsville 21.11.1945, discharged from the RAAF on 14.12.1945. No 8 Communication Unit. There were 13 RAAF communication Units during WW2 which provided support roles including transport, supplying isolated Garrisons and support training. No 8 operated in New Guinea from 4.11.1943 to 4.3.1946.Blue wooden rectangular photographic frame with gilded interior & coloured photo of Pilot Officer ALBERT WILLIAM MALLOY RAAF No 428333.On white label: “Pilot Officer ALBERT WILLIAM MALLOY RAAF No 428333” Donor: Yvonne Padfield.photography- photographs, military history - airforce, raaf, malloy

DVD rom in clear plastic case created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2002. DVD successfully tested on vintage Macintosh G4 with Mac OS 9.2.2 22 Students: Kristian Pechotsch, Josh McGregor, Stuart Murray, Dean Gorell, Mary Thomas, Simon Hunt, Michael Renga, Kristen Retallick, Alana Smyth, Claire Robson, Jarred Rouhan, Stuart Sullivan, Glen McClay, Leigh Ryan, Luke Monssen, Daniel Buckingham, Melissa Price, Rose Kim, Melinda Radojevic, Claire Hards, Dominic Carey, Peta Wallace. A square format case version was also produced (see photos for 29178.2).Optical disc (DVD rom) in clear plastic case. created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2002.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy, kristian pechotsch, josh mcgregor, stuart murray, dean gorell, mary thomas, simon hunt, michael renga, kristen retallick, alana smyth, claire robson, jarred rouhan, stuart sullivan, glen mcclay, leigh ryan, luke monssen, daniel buckingham, melissa price, rose kim, melinda radojevic, claire hards, dominic carey, peta wallace.

Lieutenant Colonel { A ) Cunningham joined 8/13 VMR in 1948.He rose through the ranks to become Commanding Officer 1962 - 1965 The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment..One of a collection of photographic portraits of Commanding Officers and Officers Commanding of the regiment/independent squadron from its inception in 1947 to its linking with 4th/19th Prince of Wales’s Light Horse in 1991. Framed black and white photograph of officer wearing black beret with 8th/13th Victorian Mounted Rifles hat badge. Inscription panel on lower frame." Lt. Col. A Cunningham ED 1962 - 1965 "military, vmr, cunningham, uniform

Thomas Caradoc Rose Price CB was born in Tasmania 21 October 1842. Following a distinguished military career in India, in 1885 he was tasked with raising Victoria's military forces. The mounted arm was the Victorian Mounted Rifles. Contingents of the VMR served in the South African War 1899-1902. Colonel Tom Price commanded the 2nd Victorian contingent, 1900. Following Federation, the companies of the VMR were reorganised into Australian Light Horse regiments. Colonel Tom Price died in Melbourne 3 July 1911 aged 68 and is buried in Melbourne General Cemetery. It was said of Price that “He made the regiment”, but he insisted “The Regiment made him and made his, a household name.” Hard bound book entitled "Heroes and Gentlemen: Colonel Tom Price and the Victorian Mounted Rifles" by Winty Calder.boer war, victoria, mounted rifles, light horse, price, calder

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Ethel Rose Douglas married George Dawson Garvin in 1906 and was twice Mayoress from 1931 - 32 and 1938 - 39. Mayoress Ethel Garvin died in 1952 aged 74 and had been an esteemed member of the Women's Central Auxiliary of the Bendigo Base Hospital, a member of the Baby Health Centre and Mayoral Ladies Auxiliary. Reproduction of photographic studio portrait sitting behind oval mount.vincent kelly, studio photography, raymond kelly, city of bendigo mayoress, city of greater bendigo portraits, mayoress garvin, mayor garvin, ethel douglas

Yields information about the appearance of the intersection of Sturt and Lydiard St and Sturt St itself looking west, showing the tram track arrangements.Photographic reproduction - sepia coloured of two stereo pair images with details on the sides. Originals made by the Rose Stereoscopic of Melbourne. Printed on A4 size ink-jet printer. Set of two: 1 - Sturt St and the Lydiard St intersection, electric trams looking east from the Town Hall. Shows Mount Warrenheip. Shows the roof of a tram in the bottom edge and a tram in Bridge St. Has the National Mutual building in the view, advertising the Commercial Union Fire (insurance) and Doepel and Chandler. Another building advertiser is "Carlton Ales" Image No. 8112 2 - Sturt St looking west from the Town Hall tower. Has one tram in the distance. Shows the layout of the Sturt St central median strip.trams, tramways, sturt st, lydiard st, stereo photograph, grenville st, esco, bridge st, town hall

Most of these plans were held in Geoff Olive's office. (1) Preliminary concept South-East corner Burnley Gardens Re-design Proposals, Amenity Horticulture III, drawn by Pat de Moulpied 1988. Original turf path destroyed after Garden Week to be replaced with paving donated by Boral. (2) Rose Garden Site Analysis by Peter Jans, Parks & Gardens 1989, pencil on paper. On reverse, "B. Site Analysis & Design Changes. (3) 2 copies pencil on tracing paper, Planting plan. (4) Planting plan on tracing paper. (5) Planting plan (roughly final version?), 1 tracing paper, 6 photocopies. (6) Notes from Geoff Olive addressed to James Hitchmough. Also photocopies of 1 - 5 and some rough sketches. pat de moulpied, peter jans, gardens, geoff olive, andrew smith

Elaine Margaret Milnes of Tallangatta married David Ernest Mann of Wodonga on 30 March 1957. At the time of their first meeting, Elaine was living in Tallangatta where her father had moved as a bank manager. She was a member of the Drama Club. She and David met at the Rutherglen Town Hall whilst attending an Arts Festival. David was attending as a member of the Wodonga Music Club. David Mann was the son of Ernest and Evelyn Mann of Wodonga who had operated the family business since 1921. David joined the business in 1945 and became the managing director of Mann Wodonga from 1965. Under his management and leadership, it expanded to become one of Australia’s largest regional shopping centres, with a Supermarket, Hardware Store, Steel Store, Plumbing and Industrial supplies store, at one stage employing over 100 people. He continued to head the business until it was sold in 2006. He was a leader in many other fields in the Wodonga community, from leading the Wodonga Chamber of Commerce to scouting, Apex and Rotary and was a prime mover in establishing Aware Industries for people with disabilities. He chaired the Wodonga Chamber of Commerce on several occasions. David was a man of vision who was involved in many charitable and community organisations. These included membership of the hospital board and President of the Wodonga High School Council. was a prime mover in establishing Aware Industries for people with disabilities. Elaine also played an active role in the business. She developed and managed a quality giftware department from 1969 to 1987. Some of her local involvements included the School Mothers’ Club and Kindergarten, Girl Guides, the Quota and Penguin Clubs and Meals on Wheels. David also advocated passionately for the development of a university and TAFE to be established in Wodonga. In 1993 he inaugurated the Jonathan Mann lectures series at La Trobe University in honour of his grand­father. The university honoured Mr Mann in two significant ways, giving him an honorary degree of Doctorate of Law in 1998 and in 2002 named its new library the David Mann Library. David Mann died in Albury in June 2012. Elaine now (2024) lives in Melbourne. “The little I have done for Wodonga and district is only in return for what Wodonga and district has done for me.” David MannThis dress was worn by Elaine Milnes at her marriage to David Mann who became a prominent businessman and contributor to many aspects of the Wodonga community.A wedding dress dating from 30 March 1957. The dress consists of a fitted bodice with tulle frills around the body. The bodice has a square neckline decorated with tiny seeded pearls and blue stones. The long sleeves are made of sheer tulle with lace and a frill at the wrist. The skirt is made of two layers of white tulle with five lace and tulle frills around the body. Under the tulle is a pale blue satin slip with two more layers of white tulle underneath it. It was worn with a fingertip length veil held in place by a lace coronet. The bridal bouquet consisted of red and white roses. The bride also wore a single string of pearls. The dress was made by Olive Ferris Wedding Dresses of Sydney.mann wodonga, david mann, elaine mann, wodonga businesses

Photographs. Gertrude Perry Collection. Eleven black & white photographs of people in various plays. Named photographs: k) - Final Rehearsal 'Show Boat' 1961. a) - Scene, 'You're in Love'. d) - Final Rehearsal 'Oaklahoma'. e) - Final Rehearsal 'Oaklahoma'. h) - Alf Annison & Me 'Rose Marie'. i & j) - Alf Annison Lutz, Grand Duchess Me. f) - Katinka. b & g) - Alf Annison, Me Aunt Ella. One has Oklahoma 1961. c) - Alf Annison, Me 'Aunt Ella' Dawn Beckwith Oklahoma 1961. Photos enclosed in a Powneys paper bag. It is red, white, blue and yellow. It has the address Hargreaves Mall Bendigo Phone 43 4738 and 42 2061 printed on it.gertrude perry collection, show boat, katinka, oaklahoma, rose marie, you're in love, alf annison, dawn beckwith

Document. Gertrude Perry Collection. Eighteen programmes from Musical Productions staged by The Bendigo Operatic Society dating 1953 - 1963. Some of which featured Gertrude Perry. 'Floradora' program inside typed sheet with a poem with Floradora 1954 Verses composed by G Perry for song 'Tact'. 2 small black cards with white writing on them. Floradora program signed by Norman Lee producer of the show. Other plays: The Chocolate Soldier; Merry Widow; Floradora; The Maid Of the Mountains; Wildflower; The Arcadians; Katinka (2 copies); Dick Whittington and His Cat; No! No! Nanette; The Desert Song; You're in love; The Student Prince (2 copies); Rose Marie; Viktoria and Her Hussar; Show Boat; The New Moon:entertainment, theatre, musical, gertrude perry collection, the chocolate soldier, the merry widow, floradora, the maid of the mountains, wildflower, the arcadians, katinka (2), dick whittington and his cat, no! no! nanette, the desert song, you're in love, the student prince (2)

Other number 03625.1Colour photograph of Lakes Entrance Football Club under 13 team with their officials Back Row: Geoff Ellis,Jake Rose,Chris Gordon,Jarrod Coad,Dane Rosenboom, Richard Bayard Rohan Sproule, Nathan Allen,Lou Battista (coach) Allen Rowlands (president) Middle Row: Brendon Matthews, Xavier Ellis, Michael Battista, Rhys Allitt, Rene Cerda, Damian Evans, Mitchell O'Donnell, Lachlan O'Donnell, Mark Rosenboom, Josh Kenny Front Row: Julio Cerda (manager) Adam Lowcock, Chris LeMaitre, Jamie Jenkins, Chris Mathers Jack Reggardo (assistant coach) Joel Waters, Gary Glew, Sean Sproule, Trevor Cordery (trainer), Lakes Entrance Victoriaclubs, football

Gladys REYNELL (04/091881 - 16/11/1956) Born Glenelg, South Australia Gladys Reynell was South Australia's first studio potter and the first Australian artist to apply modernist principles to the crafts. For four years she worked from Ballarat. Osrey Pottery Ballarat operated between 1922 and 1926 by Gladys Reynell and George Osborne. The name of the pottery was an acronym formed from their surnames. Gladys Reynell, her sister Emily and brothers Rupert and Carew supported the war effort during World War One. Rupert Reynell was a neurologist who valued handicrafts in the rehabilitation of shell-shocked soldiers. He influenced Gladys and Margaret Rose (Rose) McPherson (later known as Margaret Preston) to learn pottery at the Camberwell School of Arts and Crafts, London, in 1916. Next year a friend sent Gladys some Kangaroo Island clay which excited her: 'I thought then that it could be the most delightful thing on earth to make pots in Australia from virgin clay'. In 1918 Gladys and Rose began teaching pottery to soldiers at Seale Hayne Neurological Hospital, Devon. In September 1919 Gladys Reynell came home in September due to her father's illness. She established the Reynella Pottery and became responsible for all stages of pottery production. Using a seasoned dump of buff-coloured clay from a well at nearby McLaren Vale Gladys Reynell built and fired her own kiln; threw simple, robust forms based on early European folk pottery; and decorated them with designs inspired by both Aboriginal art—one of the earliest to use this as a source. Gladys Reynell decorated her earthenware pottery with the characteristic rich 'Reynella blue' slip. On 14 August 1922 at St Mary's Church, Edwardstown, Gladys married George Samuel Osborne, an ex-serviceman and gardener at Reynella; they had no children. Between 1922 and 1926 they set up Osrey Pottery In Ballarat. Gladys produced pottery for sale at fairs with George as her assistant. She would throw her pots in the street, causing a sensation. In 1926 George contracted lead poisoning from lead in the glazes. They moved to rural Curdievale where Gladys resumed painting and making woodcuts. From 1939 Gladys and George lived in Melbourne. In World War II she worked in the army pay corps, in the Taxation Office, and as a translator of French. Gladys died of cancer on 16 November 1956; her husband scattered her ashes at Reynella. Her ceramics, the work of one of Australia's earliest studio potters, have been avidly collected since the late 1960s and are in most major art galleries. Small blue glazed ceramic bowl incised around the top with a decorative frieze. Incised on the base "(Dam Clay) Ballarat 1923, Osrey"gladys reynell, osrey pottery, blue bowl, incised bowl, australian studio pottery, ceramics, native clay

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. This particular view shows the original Alistair Knox design and materials. The photo was taken where the original external wall was located and knocked down to add the extension.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. Most of the timbers used in the extension were re-purposed from the Templestowe Cool Store and the Port Melbourne wool, hide & skin store.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. Most of the timbers used in the extension were re-purposed from the Templestowe Cool Store and the Port Melbourne wool, hide & skin store.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. Most of the timbers used in the extension were re-purposed from the Templestowe Cool Store and the Port Melbourne wool, hide & skin store.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road

This device would separate the cream from milk using a hand operated lever. When turned, the lever would activate a disc which would spin the separator bowl at a great speed. Through this use of centrifugal force, the cream would gather in the middle while the milk would be pulled towards the outside walls of the bowl. Once the rotation ceased, the milk and cream would flow out of two separate spouts. Prior to the invention of the separator, gravity was used to naturally separate the cream from the milk. The cream rose to the top and was then skimmed by hand. This process was lengthy and often resulted in sour milk, so the invention of the mechanical separator was popular in the dairy industry as there was less waste and encouraged greater production levels. Silver bowl with black base with handle; mounted on boardfarm, machinery, dairy, equipment, milk, cream, separator, hand operated, churchill island

Popular from early twentieth century. Based on comic strip illustration by Rose O'Neill that appeared in Ladies Home Journal in 1909. First produced in Ohrdruf, Germany. Made out of bisque, then celluloid , hard plastic versions from 1949. Name derived from "cupid" the Roman god of beauty. The time capsule at 1939 New York World' Fair contained a Kewpie doll. The term "Kewpie doll" is sometimes mistakenly applied to the troll doll. This particular style of doll was awarded as a carnival prize and often collected. Many other articles were made using their images[ Wikipedia, 2012]. Added to the collection as part of a Toys and Games exhibition. Many visitors commented on having owned one when they were growing upA flesh coloured plastic jointed kewpie doll. It has rigid painted eyes, webbed fingers, head,arms and legs jointed to body so can move them, "cowlick" hair on top of head, above ears and nape of neck, back spine and bottom clearly moulded, smiling painted lips