Murray Comrie Collection.Monochrome photograph of students at Tarnagulla State School, assemble for a group photo. Undated but probably around 1900. Copy of an original photograph, copy probably made in the 1980s-1990s. Back row, L to R: Vera Aspinall, Beatrice Taylor, Evelyn Davies, Kate Lynch, Ettie Whimpey, Leslie Allen, Janie Cox. Fourth row, L to R: Myrtle Sheldon, Grace Hayes, Fanny Page, …...Wilson, Norma Aspinall, Esther Laidlaw, Olive Radnell, Jessie May. Third row, L to R: Maud Foers, Maria Jago, Daisy Cox, Lena Fitzgerald, Florrie Ousley, Olly Williamson, .... Hennessy, Gertie Jenkins, Addie Radnell, …..., .... Wilson, Katie Lyndon, …...Pallot, Lila Smith, Bessie Clark. Second row, L to R: Kate Green, Maggie Dyer, Myrtle Dyer, Elsie Williams, Grace Langan, Sophie Hayes, Violet Dyer, Amy Smith,......, Polly Franklin, May Barton, Winnie Runting, May Duggan. Front row, L to R: ...Wilson, Gwen Williams, Elsie Hatt, Doris Hatt, Florrie Cousins, ......, Prudy Clark, Eva Toole, Renie Radnell. tarnagulla, school, education, teachers, students, children

Murray Comrie Collection.Monochrome photograph of Tarnagulla State School, first opened in 1874. This photograph is undated, but probably first half of 20th Century. The original roof was shingle, the corrugated metal roof seen in this image was added later. Copy of an original photograph probably made in the 1980s-1990s. tarnagulla, school, education, teachers, students, children

Murray Comrie Collection. The house in this photo was the residence of the town police officer. The town block where the house was located was the base for policing in Tarnagulla from 1878 until the 1990s. At the time of this photo (1924), the father of these children, Angus Comrie Snr was the constable for Tarnagulla. Adjacent to this house was a lockup, office and stable (shown in THA-2019.0031). Behind the residence and outbuildings (in background of this photo) was an adjoining paddock for the police horses. This house was sold for removal in in the 1960s and replaced with a prefabricated residence and small office from Bealiba. These as well as the lockup are still in place (as of 2019), but are no longer used. There are now private residences built on the former police horse paddock. A later image of this house is THA-2019.0032. For almost 100 years the Comrie name has been involved with the Victoria Police. Angus Comrie Snr, joined the force in 1899 and served as constable in Kaniva and Avoca and then in Tarnagulla from late 1909 until 1927. His son Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. The Murray Comrie Collection held by Tarnagulla History Archive was collated in the 1970s by Murray Comrie (1912-1983). Sepia photographic postcard, image depicting members of the Comrie family outside their home in Tarnagulla. According to the note on reverse, the subjects are as follows: On the verandah (left to right) are Murray Comrie, 'Mother' (Mary Ellen Comrie), and Keith Comrie. Angus Comrie Jr. is holding a roped mare. Standing at centre are 'Hilda' and 'Roy' (small child). See second image for handwritten notes on reverse.tarnagulla, police, policing, comrie

Murray Comrie Collection. The buildings in this image are (from left to right) the lockup, stable and office of the Tarnagulla Police complex. At far left a small part of the rear of the policeman's residence is visible. This residence is clearly depicted in THA-2019.0030. Behind the residence and outbuildings (in background of this photo) was an adjoining paddock for the police horses. This town block was the base for policing in Tarnagulla from 1878 until the 1990s. At the time of this photo (1924), Angus Comrie Snr was the constable for Tarnagulla, living at the police residence with his family. The residence was sold for removal in in the 1960s and replaced with a prefabricated residence and small office from Bealiba which were used until the 1990s. These as well as the lockup are still in place (as of 2019) on the corner of Victoria and Gladstone Streets. There are now private residences built on the former police horse paddock. For over 100 years the Comrie name has been involved with the Victoria Police. Angus Comrie Snr, joined the force in 1899 and served as constable in Kaniva and Avoca and then in Tarnagulla from late 1909 until 1927. His son Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. The Murray Comrie Collection held by Tarnagulla History Archive was collated in the 1970s by Murray Comrie (1912-1983).Sepia photographic postcard, image depicting members of the Angus Comrie family standing among police outbuildings in Tarnagulla. Based on the note on reverse of THA-2019.0030, the subjects are probably (left to right): Hilda Comrie (b.1904, married in1907 to Alf Clarke), Roy Comrie (b.1921), Keith Comrie (b.1911, d.1934) and either Angus Comrie Jr. (b.1909) or Murray Comrie (b. circa 1912). See second image for handwritten notes on reverse.tarnagulla, police, policing, comrie

Murray Comrie Collection. The house in this photo was once the residence of the Tarnagulla police officer. The town block where the house was originally built was the base for policing in Tarnagulla from 1878 until the 1990s. The house was built in 1878 as a residence and adjacent was a lockup, office and stable (shown in THA-2019.0031). This house was sold for removal in in the late 1960s and replaced with a prefabricated residence and small office brought from Bealiba. These as well as the lockup are still in place (as of 2019), but are no longer used. It is not known where this house was moved to. It is not known whether this photo was taken before or after the house was moved. Monochrome photograph of a house which was once the police residence in Tarnagulla. Not known if this image was made when it was in its original position (Victoria Street Tarnagulla) or after it is was sold and moved in 1969. tarnagulla, police, policing, houses

Murray Comrie Collection. The town block where this stable was located was the base for policing in Tarnagulla from 1878 until the 1990s. The block was bounded by Stanley, Victoria, Wood and Gladstone Streets. The stable was built in 1886. An image of the stable in 1924 is THA-2019.0031. Monochrome photograph of a stable which once housed police horses in Tarnagulla. Dark red or brown weatherboard with white doors. tarnagulla, police, policing, horses, buildings

Murray Comrie Collection. Building is still on Commercial Road and in 2019 is a private residence. History to be confirmed.Monochrome photograph depicting a latticed shopfront, which is located at 98 Commercial Road, Tarnagulla. Small portion of building visible at far right was demolished in the 1990s.tarnagulla, commercial road, buildings, houses

Murray Comrie Collection. The building depicted was previously used for Barnes' Store at Waanyarra, later relocated to Tarnagulla. William Barnes was a tailor at Tarnagulla and Waanyarra in the 1860s. By the late 1870s the family was living at Grassy Flat. The building was located on the south-eastern corner of the Gladstone-Victoria Street intersection, and for many years housed the chaff-cutting operations of the Calder family. The building gradually fell into disrepair, and was completely dismantled in the 1990s. Monochrome photograph depicting part of a building, known as Calder's Shed in Gladstone St, Tarnagulla This dark, poor quality photograph was probably taken in the late 1960s. tarnagulla, waanyarra, buildings, calder, barnes, shed, stores

Index, bib, p.218.non-fictionA humorous, maverick account of Australia from WW2 to the 1990s. (Kokoda to Keating).australia - politics and government, australia - history

This is an example of Melbourne Legacy promotional material appealing to ex-servicemen to join Legacy. It is possibly from the 1990's as it was in a folder with marketing material from that time. The brochure mentions 114,000 widows and 3,000 children enrolled Australia wide. It is a brief outline of Legacy and asks for more volunteers from ex-servicemen that have served overseas to join Legacy. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s, and the advertisement is encouraging ex-servicemen with overseas experience to join Legacy. More recently the criteria has changed so that overseas service is no longer a requirement.Black and white advertisement to promote becoming a Legatee.legacy promotion, history, legatees

This is an example of Melbourne Legacy promotional material explaining Legacy, its philosophy, its history and the services it provides. It is a small folded brochure. The date is unknown. Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01260. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material issued by Legacy. It was in a collection of marketing material from the 1990s to 2000s.Colour brochure to promote Legacy, small leaflet folded into 8 pages.legacy promotion, fundraising, marketing

Pale blue coloured cover book of stapled A4 paper folded over about Hobart Legacy.non-fictionThe history of Hobart Legacy.history, hobart legacy, remembrance club

An early attempt to catalogue Legacy memorabilia which refers to 33 boxes of items split into subject matter such as 'History of Legacy', 'Finance Committee', 'Junior Legacy', 'Shrine', Group and Branch histories, and photograph albums. No indication of when it was compiled or by whom though it is presumed to be the Archive committee that was established by Frank Doolan who collected a lot of the items in the archive cabinets. Uses a rudimentary system of cataloguing e.g. 'H1. Inauguration of Remembrance Club. Box 1', where 'H' refers to History. 'S' refers to Shrine. Includes three loose typed and handwritten sheets listing films and tapes. A high number of History documents (H1 - H63) are filed in Box 25 - 01475 onwards. Believed to be from the archive project in the early 1970s by L/ Frank Doolan and L/ Brian Armstrong. This item appears to have catalogued at 00507 as well. TBC.A valuable snapshot of records held before the 1990s when a building refurbishment led to the destruction of a considerable amount of material.Invicta Series 80 Account Book, feint lined, 167 numbered pages. Cover red plastic, gold embossed. Handwritten black on white label bottom righthand side of front cover. Pages pale blue with blue lines. Entries in blue or black ink, pencil."Legacy Archives Index" on front cover and first page.history, frank doolan

Photo of a legatee marching on Anzac Day, his name is not known. The year is not known but the photo was with others from the 1980s to 1990s. His medals include a Companion of the Order of Australia around his neck. Other medals indicate he served in Korea and Vietnam. He is also wearing a sprig of rosemary and a small Australian flag. The Legacy widows prepared these prior to Anzac day and they were given out to the general public as s sign of remembrance. Was found in an envelope marked "For Melbourne Legacy. Anzac Day Parade featuring Legacy Lads.'A record of Legatees marching on Anzac Day and that their medals show a history of distinguished service. Photo of a legatee marching on Anzac Day.anzac day, march

A gold coloured medallion in a black velour box it appears to have been issued by Weapons of War which was a series of 52 DVDs. It was found in the archive cupboards and may have been collected due to the connection with commemorating the military service of ADF personnel. Legacy was founded by returned servicemen of the first world war and Legatees were all ex-service personnel until the 1990s.A record that Legatees collected items that commemorated military service.Round gold tone medallion with colour image of a bugler and red poppies and an embossed Australian Army rising sun. In a black velour box.Embossed 'Weapons of War. A history of military tools and machines' on reverse. Text 'Commemorating Australians in Military Service' around the outside, plus a rising sun symbol with 'The Australian Army' underneath.medallion, army, souvenir

ill, p.64.non-fictionA pictorial view of recent Victorian rail operations in the late 1980s & 1990s.railroads - victoria - pictorial works, railroad operations - victoria - history

index, ill, maps, p.368.non-fictionA brief history of the locomotives that ran in Australia from the 1850s to the 1990s on government and some private railways.locomotives - australia - history, railroad operations - australia - history

index, ill, p.324.non-fictionA brief history of the locomotives that ran in Australia from the 1850s to the 1990s on government and some private railways.locomotives - australia - history, railroad operations - australia - history

The Bendigo Ordnance Factory began operating in 1942, producing heavy artillery and naval guns. In the late 1990s the then Federal Government-owned facility was sold to the multinational Thales, which continues to operate the factory today. This Bendigo Historical Society collection of glass negatives includes some slides of women working in the munitions factory. Seven slides were included in an album that was prepared for Dr Edith Summerskill who visited Australia in 1944 as part of an Empire Parliamentary Delegation. The album included photographs of Australian women working at the factory during WW2. A copy of the album is in the Collection of the Australian War Memorial.Box 3 of 3, Glass Slide Negatives of the Bendigo Munitions Factory, later known as the Ordnance Factory and then the Australian Defence Industries. Each negative is sealed between two pieces of glass. The edges are sealed with thin pieces of tape. The slides are contained in three wooden boxes with hinged lids and grooves (slots) to house them.history, bendigo, bendigo munitions factory, bendigo ordnance, bendigo adi, doctor edith summerskill, ww2, slide box 1 10165, slide box 2 10166, slide box 3 10167

The Bendigo Ordnance Factory began operating in 1942, producing heavy artillery and naval guns. In the late 1990s the then Federal Government-owned facility was sold to the multinational Thales, which continues to operate the factory today. This Bendigo Historical Society collection of glass negatives includes some slides of women working in the munitions factory. Seven slides were included in an album that was prepared for Dr Edith Summerskill who visited Australia in 1944 as part of an Empire Parliamentary Delegation. The album included photographs of Australian women working at the factory during WW2. A copy of the album is in the Collection of the Australian War Memorial.Box 2 of 3, Glass Slide Negatives of the Bendigo Munitions Factory, later known as the Ordnance Factory and then the Australian Defence Industries. Each negative is sealed between two pieces of glass. The edges are sealed with thin pieces of tape. The slides are contained in three wooden boxes with hinged lids and grooves (slots) to house them.history, bendigo, bendigo munitions factory, bendigo ordnance, bendigo adi, doctor edith summerskill, ww2, slide box 1 10165, slide box 2 10166, slide box 3 10167

The Eltham Court House is Eltham's oldest public building. It was classified by the National Trust in 1977. In 1857 five Eltham residents petitioned the licensing magistrates of the Heidelberg district asking for better police protection, including from itinerant gold prospectors who turned to crime when their quest was unsuccessful. In response the Eltham Courthouse was constructed in 1860. Over the years it has also been used for other activities, including for electoral polling purposes, inquests, early meetings of the Eltham Roads Board and even as an overflow classroom. This type of localised solution is characteristic of the self-reliance preserved in Eltham today. The court house is an important symbol of the spirit which makes Eltham distinctive as a community. The Eltham Courthouse is historically significant because its construction was intended to emphasise the centralised control over law and order in the Colony of Victoria in the wake of the 1852 Snodgrass committee report on the Victorian police force and the resulting Police Regulation Act (1853). The nature of the Court House planning and use of architectural devices make the building's function easily interpreted. The arrangement of rooms, with public entry and clerical rooms to the rear, and the use of raised floor levels throughout these spaces to signify relative rank is easily perceived. The distinction in entries, public, magistrate and person-in-custody, and the existing court furniture enhances appreciation of this building. The Eltham Court House is one of only two intact examples in the state of this simple design with projecting entry. The building is of architectural significance because it retains intact early features. These include use of handmade bricks, simple decoration, roof trusses, timber ceiling boards, original windows, doors and associated hardware and a collection of court furniture. Additions to the court house have been done in a manner which did not interfere with the fabric of the original building. Typical cases heard before the Court of Petty Sessions included financial debt, straying livestock, theft, assault, drunkenness, public disorder, truancy, motor vehicle offences, unregistered animals and failing to have children attend school, or be vaccinated. The courthouse operated for over 120 years before it closed in 1985. In April 2021, Nillumbik Shire Council authorised restoration of the building and furnishings. The extensive works required for the total restoration of this highly valued heritage building was undertaken by Ducon Building Solutions and other specialist contractors. Covered under Heritage Overlay, Nillumbik Planning Scheme. Victorian Heritage National Trust of Australia (Victoria) State significance Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p65 A demand for better police protection resulted in the building of the Eltham Courthouse and the police residence beside it. In 1857 five Eltham residents petitioned the Heidelberg district licensing magistrates. They pointed out that Eltham had two hotels, a population of about 1000, and many strangers employed on the public roads. Yet the nearest police were at Heidelberg eight miles (12.8km) away, or at the Caledonia Diggings 21 miles (33.7km) away.1 Subsequently the courthouse and then the police residence, near the corner of Main Road and Brougham Street, were built in 1859/60. The courthouse is Eltham’s oldest public building and the National Trust classified it in 1977. It ceased operation in 1984 and has since been used by local groups. There are only six other known examples of similar small brick country courthouses in Victoria . For £536, a Mr Duncan built the courthouse – a neat, narrow, oblong building with handmade orange bricks. Its gabled roof and porch are covered with brown slate tiles and it has 12-paned windows. Inside, the roof is peaked and the courthouse is still ventilated by oblong slits near the ceiling. Most of the fine carved timber and upholstered furniture is original. The original prisoners’ door, now permanently closed, led from the police station to the dock. Builders, Langridge Wright and Witney built a timber police station (since demolished) and a brick residence to its north,2 for £1150/7/-. Built around the same time were the lock-up behind the residence, also later demolished, and the two-storey orange brick stables. The former police residence also has a brown slate roof and handmade bricks. The front veranda roof is made of corrugated iron, as is the roof of the back weatherboard extension. The application for police protection was approved within a few months and police operated from a cottage rented at ten shillings a week and owned by William Jarrold. This was probably the one at the corner of Main Road and Dalton Street called Jarrold or White Cloud Cottage. In 1858 a second constable was appointed to Eltham following a fight at the hotel. The timber police office a replica of which was built in the early 1990s is at the building’s side. The lock-up was demolished following the relocation of the police to a new station in about 1952. The residence has been used as the Eltham District Historical Society centre since 1997. Records show court cases were held at Eltham before the courthouse was built, but the location is unknown. Some court cases were not very different from those today. In 1891 a man was charged with being drunk while in charge of a horse and was fined ten shillings. The courthouse was used for other purposes during its long history. It was probably used as a polling place as indicated by old photographs of election-day crowds outside. The Eltham Road Board met there from the early 1860s until 1868 when the Board transferred to Kangaroo Ground. During the same period the Road Board Secretary used the courthouse as an office until 1867 when it was transferred to his home at Wingrove Cottage. The courthouse was also used as an overflow classroom for the Dalton Street school in 1875. The two buildings can further link us with Eltham’s early days through Police Department correspondence. The first constable-in-charge was George Reid. In 1860 a letter to The Argus newspaper signed ‘A Sufferer’ declared the Eltham police were not active enough in their duties. The writer suggested that the ‘very snug’ police quarters were too comfortable, and he detailed various incidents including one of an alleged break-in to the Road Board Secretary’s home. But the Board Secretary, C S Wingrove, wrote to the Police Department refuting The Argus letter saying he had received full co-operation from Sen. Constable Peter Lawler.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, eltham court house, main road

74 pages; black and white illustrations and photographs, including sketches of streetscapes. Includes bibliographical references and indexnon-fictionFocussing on the growth and activities that took place in the shopping and service centre of Canterbury and Maling Roads in Canterbury from the 1880s to the present, it is partly a guide book to the present buildings of the centre through the streetscapes and brief lives of each of the premises.canterbury road shopping centre, maling road, maling road> shops, shops, retail trade, commercial establishments, streetscapes, gibb> don, warmington> stuart

This book of prayers was given by the Warrnambool Sisters of Mercy to Dorothy Ardlie on the occasion of her 12th birthday. The Sisters of Mercy came to Warrnambool in 1872 and established St. Mary’s Convent School, Wyton in North Warrnambool (re-named St. Ann’s in 1888). This school merged with the Christian Brothers College in 1990 to form the present-day Emmanuel College. The Sisters of Mercy ceased active involvement with the school in the 1990s. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. This book and the loose cards are interesting mementoes of Dorothy Ardlie, a member of a prominent Warrnambool family in the 20th century and of the Sisters of Mercy, an order of nuns that has been important in Warrnambool’s educational history. This is a book of 138 pages with a brown leather cover and gilt edging along the sides of the pages. The front and back cover and spine are embossed with two decorative patterns. The front cover has an embossed heart with flames and a cross and the spine has gold lettering. Some of the pages are loose and some have been re-attached to the binding using adhesive tape. Some of the pages are stained. The book contains black printing and there is one black and white illustration. In the pages of the book were 29 small cards, scraps of paper etc. These are now kept with the book but in a separate folder. Most of these are of a devotional nature – prayers, images of saints etc. Wishing dear Dorothy a very happy birthday with much love from the Sisters of Mercy 26th April 1922ardlie family, sisters of mercy, history of warrnambool

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’. Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s. Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia. Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’ Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street