Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

This coat was made by Kallman Feitel (1877-1947), an Austrian-born furrier who emigrated to Australia around 1899. His shop was situated at 102-103 Beach Street, Port Melbourne.Long dark brown astrakhan coat with a brown fur collar and brown silk lining. Embroidered in the lining near the hem is the monogram "M.E.C."Label, woven, gold text on brown: "K. FEITEL / MELBOURNE"fur coat, fur, astrakhan, kallman feitel, k feitel, 1940s

Early sound recording - exported from the USAThe cylinder is significant because of it's historical place in early history of communications and entertainment. These cyclinders provided entertainment opportunity for early settlers in the district.Moulded recording cylinder contained within cylindrical labed containerBox - 1398 "The Old Grey Coat (Hyson) Billy Williams" Cylinder "13958 THE OLD GREY COAT B. WILLIAMS"cylinder, recording, moulded cylinder,

It is representative of souvenir ware produced for mass consumption at a time of community celebration - the 1888 Centenary of British Settlement in Australia. The use of the Coat of Arms with a kangaroo and emu shows that this form of the crest we know today was used for many years before Australia became a FederationGlass plate which reads 'Australia's Centenary' around the lip, with 1788 and 1888 within shields on either side. Coat of Arms flanked by an emu and kangaroo and further decoration in centre with the motto 'Advance Australia'civic mementoes, souvenirs, glass technology, glassware

Owned and used by Mrs Garnett O'NeillHand held parasol fan of Flemish origin, red oil cloth, folds up in between two wooden guards & handles that have been coated to look like leather. The ends have metal tops with two round rings. with red centres holding the fan together.|Sometimes known as Dagger Fans.costume accessories, female

.1 Board of five medals and ribbons, one bronze type 6 pointed star 1939-45, one bronze type 6 pointed star the pacific star. One round silver medal 1939-45 defence medal, King George VI on face, English Coat of Arms on reverse. One round silver medal, King George on face, 1939-45 lion above dragon on reverse. One round silver medal King George VI on face, 1939-45, Aus Service medal, Aust Coat of Arms on reverse.|.2 Two small enclosed V shaped badge with crown anchor and sunburst, with returned from active service written on the V, with two mounting pins on rear.|.3 Small badge white enamel background with circle in centre. Returned Servicemans Badge; No 58 at head of medal. Two mounting pins on rear.|ALSO RECEIVED WITH DONATION: Cert No 193800; Certificate of discharge from Aust military forces, for VX25837; Dated 4/10/1945|Sgt Jack Eric Town; 2/11 Aust Field Regiment; R.A.A.|Photograph of head and shoulders of soldier, hand tinted photo, soldier in uniform, with slouch hat and chin strap, sunburst lapel badged, and Aust badge on epaulets, colour patch on shoulder.military history, army

Copy of a black and white photograph of City of Kew Mayor John H. Gervasoni. He stands in front of the Kew Coat of Arms on the exterior marble of the Kew Civic Centre.mayor, mayoral, portrait, kew, gervasoni, john, jack, coat of arms, cresco, city of kew, kew mayors

Silver Coat of Arms with two Lions and a crown. Ribbon is orange stripe in centre with white, black, blue/grey stripes.On the back "George VI : D : G : BR OMN : REX F ; D : IND : IMP On the front "THE DEFENCE MEDAL / 1939 - 1945" medal, wwii, british medal

Four Service Medals ( 1 full size and 3 miniature ). Full size and miniature Australian Service Medal 1945-1975. Miniature Australian Active Service Medal 1945- 1975 with Korea Clasp. Miniature Australian Defence Medal. Including 2 spare ribbons.Obverse Crown of St. Edward over Commonwealth Coat of Arms above a spray of Golden Wattle. Reverse Federation Star and Golden Wattle inscribed VX96932 G.A Rule. Ribbon with central gold stripe, 2 green stripes 2 silver grey stripes and light and dark blue outer stripes. Obverse Crown of St. Edward over Federation Star surrounded by Australian Active Service Medal 1945 - 1975 - medal has Clasp with Korea as theatre of action. Reverse has wreath of Mimosa. Ribbon has centre red stripe,2 grey stripes,2 light blue stripes with 2 purple outer stripes. Obverse stylised Commonwealth Coat of Arms surrounded by Australian Defence Medal above a sprig of wattle. Reverse St. Edwards Crown over For Service surrounded by sprig of wattle. Ribbon is red with black edges divided by two white stripes - three divisions for the three services.

Part of a larger dwelling originally situated 607 Esplanade, (now site of Golden Beach Motel), other half moved to Lake Tyers Beach Road. This section moved to present site around 1965 by Ray Curry. Various residents Misses Phillips (original site) George Ward, R A and K D Bills from 1993.Colour photograph of a weatherboard dwelling with hip roof situated at 15 Coates Road. Has a bull nose veranda across front entry, oiled timber picket fence. Lakes Entrance Victoriahouses, fences, heritage study

Motel built on site of home of Misses Phillips. Home was transported, half to 15 Coates Road, half to Lakes Tyers Beach Road, 1965c. Motel built by Terry Ledwith, managed by family until sold.|Also three other colour photographs similar viewsColour photograph of the Golden Beach Motel, showing a fawn coloured double storey building comprising managers residence, office and motel units. External steps to upper units. Lake front in foreground is undeveloped, on 607 Esplanade Lakes Entrance Victoriarecreation, senior citizens

Built on part of former Primary School pine plantation.Colour photograph of Lakes Entrance Seniors Club Rooms at Coates Road, showing a brick building with hip roof. Ramp to side entry, main entry on east side. Tambo Shire Offices on hill in background. Lakes Entrance Victoria

Colour photograph of Lakes Entrance Seniors Club Rooms at 47 Coates Road,construction, childrens services

Built on former site of Primary School pine plantation.Colour photograph of the laying of the foundation slab for the Lakes Entrance Child Care Centre, at 45 Coates Road. Councillor Ray Hack and builder Phillip Baade discussing progress. Lakes Entrance Victoriapublic utilities, buildings

Also one black and white enlarged copy 13 x 21 cmBlack and white photograph showing tourist launch Blackbird and MV Earlie moored in Tambo River. Shows tourists about to board vessels. Two smaller boats tied to opposite bank, buildings above the road. Large old tree on right of people. Boat skipper in white coat and cap. Swan Reach Victoriawaterways, boats and boating, tourism

Also other copies, 10x13.5, 14.5x20, one of these has history of the travelling crane written on the back by Reg Schulz 11.6.1999, two of the prints have hand drawn enhancement lines.Black and white photograph of the historic travelling crane at New Works, built by Fulton Engineering Co. Melbourne in 1873 for John Carpenter, Contractor for Stage One of the construction of the entrance. Wooden piers also used by Coat Bros for Stage Two extensions in use to 1932. Lakes Entrance Victoriaislands, public works, topography

Black and white photograph showing piers and entrance from ocean - Bass Strait. Concrete extensions completed, kiosk next to boardwalk. Appears to be cold day, few people about, wearing coats and sheltering behind tussocks, kiosk window half open.boardwalk, restaurant, waterways

Black and white photograph of four women visitors at Venga Guest House, Esplanade. Women wearing hats and fur trimmed coats of the era. Also in picture Miss Bertha Hansen and her parents. In the background shop and premises owned by Mrs Hehir, with various lessees. Lakes Entrance Victoriaguesthouses, clothing

Black and white postcard of Esplanade, showing timber sand groynes, rock wall, concrete footpath along the foreshore. Across the highway from left to right Kia-Ora House, Heyfield House, Coates Bros Garage, Robin Hood Inn, Vises Cafe, Methodist Church, Bellevue Guesthouse, Police Station, Maranui Guesthouse and Glenara Guesthouse. Lakes Entrance Victoriawaterfront, township, accommodation

Date made August 2008Colour photograph of the Caltex garage on the Esplanade, garden nursery on the right. This was the site of Joseph Coates residence. Lakes Entrance Victoriaretail trade, room display

Colour photograph Stephen Campisi and daughter at Coates Road Pre School on Father's Night, Lakes Entrance Victoriaeducation

Black and white photograph of Carl Oscar Mating Lindeman of Paynesville showing shoulder shot of a young man with moustache, dressed in a suit coat, vest, white shirt and light coloured tie.genealogy, ships and shipping

Black and white photograph of Doctor Charles Alsop taken in 1898 showing a head and shoulder shot of a young man with neat short haircut trimmed moustache, wearing jacket and waist coat over white shirt and patterned tie. Bairnsdale VictoriaDr Charles Alsop 1898 on frontcelebrations, recreation

Black and white cameo photograph of Oscar Sutherland showing young man with short back and sides haircut, neat moustache, white shirt and tie, dark vest and suit coat.clothing, genealogy

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.A large white tree with bare limbs in centre of picture. There are fallen limbs at the foot of the tree. There are rows of other bare trees and other trees with green foliage as well as several tree stumps scattered among them. The sky and earth are sepia toned with a scattering of white fluffy clouds. Black and white coloured birds are in the sky and a black bird is perched on top of one of the branches of the tree. Walking in a line though the trees are eleven figures with red coats, black pant and white hats. Some are carrying axes on their shoulders. A soldier is on horse back riding beside them.kurwin, woodcutters