.1) White Hills - Sixty Four Local Heroes Hard, cardboard cover, glossy finish, black print on front, spine, illustrated black / white photo of Arch of Triumph, White Hills. Colour photos, portraits, medals & scenes. No page numbers. .2) Borough Bravery Eaglehawk - Possibly Australia's most decorated municipality in the Great War. Soft cardboard cover, black print on front & spine. Illustrated colour / sepia photo of map superimposed with numerous portraits of soldiers back & front. Cut, plain, glossy white pages. Illustrated black / white / colour phots of portraits, medals & scenes. No page numbers. .3) Bendigo's Bravest Recipients of Bravery Awards in the Great War. Hard cardboard cover, glossy finish. Block print on front & spine. Illustrated black / white sepia photo of a map superimposed with numerous portraits front & back. Cut, plain, glossy white pages. Illustrated black / white / colour phots of portraits & medals. No page numbers. All are slightly different in size.books, bendigo, white hills, eaglehawk, bravery, bravest

It appears to be music for Australians sailing away to war. Words and music by Ella Denmead (Copyright). Sung by Pte Frank Burns.This is a large sheet of heavy duty paper, folded once to form a sort of booklet. The front cover is blue. The writing shows as white on the blue background. In the centre is a drawing of a steam ship sailing to the horizon. The ship shows two funnels. A cannon on the quarter deck and 4 twin A.A. guns can be seen in the image. There are figures on the stern. In the bottom left is a jetty with vague figures crowded on it. Front right corner shows a black and white portrait of an Australian Soldier. On the rear is a small music piece called "Polly".ww2, music, song sheets

This item is in a collection of 11 items donated by Stan Hutson. The majority relate to Frederick Arthur William Hutson No 3539 57th Bn AIF. Refer Cat No 922 for his service history. As this photo relates to pre WW1 taken at the Bendigo Race Course it will relate to Fredericks brother, Herbert Spencer Hutson No 3540 57th Bn. Herbert had pre war service in the 67th Militia Bn in Bendigo. Herb enlisted also in the 8th Reo’s 21st Bn and also transferred to the 57th Bn same day as his brother. Pre World War I Militia Unit. Taken at Bendigo Race Course stand. Black and white portrait of irregularly dressed soldier and one white dog. They are both seated and standing. Various head dress. Their rifles are Martini - Henry single shot. There appears to be a Chaplain in the group. Group size approx. 100 soldiers. In the grand stand behind them are various pieces of kit. They are probably Bendigo's 67 Infantry in front of the Bendigo Race Course stand. The frame is varnished timber circa 1912 - 1914.“W.R.Robinson photo Bendigo” The original ticket on the front is wrong as to place of photo taken.photography-photographs/frame accessories, military-army

These refer to the service of "Dinnen, Thomas Michael" NX17247, Born Annandale, NSW. Enlisted 24 May 1940. Discharged 29 Oct 1945, Rank L/Sgt in 2/17 Aust Inf. Btn.1. portrait of an Australian Soldier with a peaked cap. He has a Rising Sun badge on his cap. The portrait is black and white. 2. Black and white photo - group of five Australian soldiers WW2. They are positioned in front of a simple weatherboard wall. A ladder is on the ground behind them. A cross in blue ink marks one soldier. Written on top of photo is - Tom Dinnen. 3. Postcard in form of a Palestinian Pound in black and white. It has three images in circles. A woman and two male soldiers. It has two written languages, Hebrew and Arabic. It is unposted.1. On the back is "To Thelma with Best Regards from Tom". On the front bottom is written Tom Dinnen. 2. Written on back is Tom Dinnen, 23 Dec 1940. 3. On the rear is written "Bell, Jim & Tom".ww2, photos, soldiers

.1) Is re Evan. EVANS No. 3114 in 6th Batt. 10th Reinforcements then transferred to 1st Pioneers. .2) "To Joe & Linne from cousin Leslie 3rd/38th Batt." .10) Letter is to Joe & Linne from apparently "Jim" .1) Re Evans. There is an Evan Owens No 3114 enlisted in 10th reinforcements 6th Batt AIF on 10.7.1915 age 21 years. Em bark for Egypt 29.9.1915, transfer to 1st Pioneer Batt 12.3.1916, embark for France 2.3.1916, WIA 22/27 .7.1916 GSW head, rejoin unit 16.10.1916, discharged from the AIF 3.8.1919. .2) Re Leslie. This possibly Albert Leslie Owens (brother to Evan) No 953, enlisted in the AIF in C Coy 38th Batt on 21.2.1916 age 24 years. Embark for England 20.6.1916, hospital with Measles 18.8.1916, embark for France 22.11.1916, detached to 10th Light Trench Mortar Battery, WIA 6.5.1917 GSW to face and left eye, while recovering he was admitted to hospital 13.8.1917 with Retinitis (eye), returned to Australia and discharged medically unfit 5.2.1918..1) Photo, sepia colour showing large group of soldiers (46) seated on a hill side. A small dog in the front row. .2) Postcard photo of soldier in pith helmet beside palm tress, B&W. .3) Postcard photo of soldier standing with crop, B&W. .4) Postcard photo of soldier standing with officers cane, B&W. .5) Postcard photo of soldier standing with riding crop, B&W. .6) Postcard photo of 11 soldiers outside a hut, B&W. .7) Photo postcard of soldier with "Red Cross" on arm, B&W. .8) Photo postcard of soldier, portrait, B&W. .9) Photo, postcard of group of soldiers (10) outside tents, B&W. .10) Photo, postcard of soldier standing outside building holding a crop, B&W. Letter written on the back in ink, B&W.photography-photographs, military history - army

An iconic image of a soldier, eyes raised to the sky, taken by photographer Jack Cato in 1932. He used the artist/entertainer Pat Hanna as a model in the photoshoot. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing. The image is described as the portrait of a soldier, eyes raised to the sky. This portrait is a study which is called 'The spirit of Anzac' or 'The Digger'. Pat Hanna, said he tried to recreate the "look something between fear and defiance which we have all seen so often, and which will always remain in my memory as typical of our gallant old cobbers 'the Diggers'". A colour image is held in the AWM collection. The photo was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. His popular stage show was 'Diggers' that performed in many towns in Australia post-war and adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Black and white photo of Pat Hanna as a 'Digger' and a two page recollection of the photoshoot with Jack Cato.Handwritten on photo 'Digger' in black ink in Pat Hanna's handwriting. Handwritten on reverse " 'The Digger', sometimes called 'The spirit of Anzac' / photo Jack Cato / model -Pat Hanna" in black ink. Typed on a paper note 'Spirit of Anzac / Pat Hanna'. Stamped with copyright of The Age in blue ink.hanna, solider, portrait

1. B & W portrait of an Australian Soldier standing to attention. At his side, he has a leather bandolier. He is wearing a slouch hat with emu feathers. He has leather leggings. His rifle appears to be a long Lee Enfield. 2. Portrait of 2 diggers super-imposed on map of Australia. Behind them are the British and Australian flags. 3.Portrait of a couple. The soldier is standing, the young lady is seated on a wooden chair. The man is in uniform, hat in hand. The lady has a long dark dress, long sleeves. She has a ring on her left hand. They both have a small light object in the centre of their chests. 4. Group Portrait (B & W) of hospitalised soldiers. They are in front of a building and door. There are 8 men in pix.1. On the rear is a small stamp "Kodak Print". 2. Front shows for the Honor of both. Victoria, A.J.E.F. 1915 on the rear is written Lin Shelton (RUN/RUP) Pearson. 3. On the rear is written in pencil "Nellie Curry". 4. On back is "Tom".passchendaele barracks trust, photographs, ww1, pearson

Longmore set aside his life as a farm-hand in Geelong, Victoria, when he enlisted in the Australian Imperial Force at age 21. Private (Pte) Roy Longmore, 3rd Reinforcements, 21st Battalion, of Bannockburn, Victoria enlisted on 13 July 1915; and he embarked from Melbourne aboard HMAT Anchises on 26 August 1915.[2] After training in Egypt, was sent to the Battle of Gallipoli where he was a tunnel digger with the 2nd Division, burrowing underneath the Turkish positions and laying mines. After evacuation from Turkey, he fought at Pozières, Armentières, and Villers-Bretonneux.[1] He was wounded three times in France and was momentarily given up for dead when he was shot as the Armistice in November 1918, approached. He later recalled, "We were patrolling in a gully when suddenly half a dozen Germans appeared over a hill armed with machine guns and opened fire. Jerry riddled me, knocking me flat on my back, and the last I heard was 'Longy's had it, they got him.'" Fortunately, his fellow soldiers saw him move and rescued him.[3] Lance Sergeant (LSgt) and returned to Australia on 16 March 1919 as a member of the 2nd Pioneer Battalion.[2] Civilian life[edit] After returning to Australia in 1919, his injuries made returning to farm work impossible, so he drove a taxi in Melbourne. Another change caused by the war was more telling. Before, he had hunted rabbits; but he later explained that when he returned home, he no longer had an appetite for firing at anything alive.[3] Longmore married and had one son, Eric.[1] The one-time LSgt Longmore died peacefully in his sleep at a Burwood Nursing Home aged 107 on 21 June 2001. He was the second last Anzac to die.[2] At his death, Australia honored him one final time with a state funeral.[3] Australian "legend"[edit] In 2000, Longmore was recognized as one of the "Australian Legends." His name and photograph were honored as part of an annual series of commemorative postage stamps issued by Australia Post since 1997. The stamps commemorate living Australians "who have made lifetime contributions to the development of Australia's national identity and character".[4] Longmore lived to fully enjoy this honor.[3] Longmore's 45-cent Legend stamp displays the soldier's portrait as a young man, photographed just prior to his departure for Gallipoli. Formal photographs of the other two ANZAC centenarians complete this stamp set. In addition, a fourth stamp features the 1914-15 star medal which was presented to all those who fought in campaigns during those war years.[5] These stamps, designed by Cathleen Cram of the Australia Post Design Studio, commemorate the story of events and people shaping contemporary Australia.[6] The Longmore stamp honors him as an individual and as a representative of all 68,000 soldiers at Gallipoli whose actions affected Australia's evolving self-image.[7] http://en.wikipedia.org/wiki/Roy_LongmoreFramed painting of Roy Longmore wooden frame glass fronted

There is no information with this item. The Kenny family is associated with the history of Newmerella. This item is associated with WW1.A black / white photograph of four soldiers. Two are seated and two standing behind them. It appears to be a studio portrait.on back - "Dear Mother, Y Kenny"photograph-soldiers kenny-y

The photograph on the obverse side of the postcard was taken some time between 1914-1918. Depicted are five unidentified Australian soldiers. They are all dressed in military uniforms. It is believed that these soldiers were part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Another characteristic of the Australian Imperial Force uniform are rectangular colour patches. One is visible on the soldier in the front row, first from the left on this postcard. In March 1915, a new scheme of unit identification was devised to replace the wearing of unit titles. This consisted of cloth colour patches on the right arms of a soldier’s tunic. The sepia nature of the record means that we cannot determine the colour, and therefore cannot establish which battalion this soldier was part of. Furthermore, the man seated in the middle of the front row has an Overseas Service chevron patch on his coat. In January 1918, the Australian Imperial Force approved the wearing of the overseas service chevrons which had been adopted by the British Army. These were embroidered or woven inverted chevrons worn above the cuff on the right arm. Due to a shortage of supply, some men had chevrons privately made. For each year of war service, a blue chevron was awarded, and those men who had embarked in 1914 received a red chevron to indicate that year’s service; however, the sepia nature of the postcard makes it difficult to determine what colours are on this man's patch.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on paper.Reverse: CARTE POSTALE / hyossest (?) / 6538 /military album, army, aif, australian imperial force, postcard, wwi, world war i, portrait, soldiers

It is believed this photograph was taken in the early 1900s during World War I. Depicted is a 19 year old male soldier named Thomas "Tom" Lacey, who was a resident of Beechworth, Victoria. He is dressed in an Australian military uniform and posing inside a photographic portrait studio.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when Britain and Germany went to war on 4 August 1914. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 9 November 1914, the Royal Australian Navy made a major contribution when HMAS Sydney destroyed the German raider SMS Emden. On 25 April 1915, members of the Australian Imperial Force (AIF) landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This began a campaign that ended with an evacuation of allied troops beginning in December 1915. The next year, Australian forces fought campaigns on the Western Front and in the Middle East. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on paper.Reverse: 3417.1 /military album, wwi, world war i, thomas lacey, tom lacey, soldier, australian army, war

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Specifically, the number of chevron stripes - here, there are three - are believed to signify a Sergeant ranking. The man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on card.Reverse: CARD / JAS.C.CRADDEN, / 182 PITT ST, SYDNEY. / Cecil Johnson / BMM2640.1 /military album, wwi, world war i, postcard, australian army, australian imperial force, aif, sergeant, warrant officer, non-commissioned officer, portrait

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on card.Reverse: BMM2640.2 / POST CARD / Write here for Inland Postage only / The Address to be written heremilitary album, wwi, world war i, australian army, australian imperial force, aif, uniform, postcard, portrait

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Specifically, the number of chevron stripes - here, there are two - are believed to signify a Corporal rank. The man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on card.Reverse: BMM 2640.4 / P RD / Write here for Inland Postage on /military album, aif, australian imperial force, corporal, war, wwi, world war i, rising sun, badge, uniform, military

Taken on an unknown date, depicted is a full-length portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white postcard printed on card.Reverse: BMM 2640 / POST CARD / KODAK / 5 CORRESPONDENCE / ADDRESS ONLY / AUSTRAL / AUSTRAL / KODAK / R. McGEEHAN, PHOTO, 57 ELM GROVE RIPPONLEA, / EXTRA COPIES & ENLARGEMENTS OBTAINABLE. /military album, military, war, world war i, wwi, australian imperial force, aif, rising sun, uniform, portrait

Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier kneeling beside a grave in a cemetery. He is dressed in an Australian military uniform. The cemetery pictured is the Arnos Vale Cemetery in Bristol, United Kingdom. There are multiple crosses marking graves in this photograph, all marked in memory of different soldiers who fought with the Australian Imperial Force (AIF) during World War I. It is believed that the soldier who is kneeling was also part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Another signifier of the Australian Imperial Force uniform are the three inverted chevron stripes positioned on the lower part of the left sleeve, near the wrist. These are called Good Conduct Stripes and were worn by Warrant Officers and NCOs. This patch consisted of a single chevron stripe for each year of military service meeting certain requirements of good conduct. Additionally, the man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Furthermore, the grave that this unidentified soldier is kneeling next to is the resting place of Private John James (J. J.) Simpson. He was born in Stanley, Victoria in 1883. He enlisted in the Australian Imperial Force in Melbourne, Victoria on 12 July, 1915, with the service number 4909. John James Simpson was then posted to the 60th Company Depot at Seymour for military recruit training. John James Simpson was reported wounded in action in France on 19 July, 1916. He was admitted to 13th General Hospital, France with gunshot wounds to his legs. From Boulogne, France, he traveled to the United Kingdom aboard the Hospital Ship 'St. Denis' for medical care. Upon arrival, he was admitted to 2nd Southern General Hospital, Bristol, England on 27 July, 1916. John James Simpson passed away from his wounds on 1 August, 1916. He was 33 years old.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper mounted on card.Obverse: A.I.F. / AUSTRALIA / 441, PTE.T. / T (?) / 26B (?) / 6.1.17 / (?) / LANGTON RD. / ST. ANNES PK. / BRISTOL / A.I.F. / AUSTRALIA. / 708, GNR B.L.CRAWFORD. / FR / 5 D.A.C. / 13.2.17 / A.I.F. / AUSTRALIA. / 4481, P (?) D.MORRIS. / (?) / 31.12.(?) / A.I.F. / AUSTRALIA. / 4909, PTE J.J.SIMPSON. / 608(?) / 1.8.16 / Winchester / LANGTON RD. / ST. ANNES PK / BRISTOL / Reverse: 2641 /military album, military, war, world war i, wwi, australian imperial force, aif, j. j. simpson, uniform, cemetery

Poster - paper, with white print, foreground full length black and white portrait photograph of an indigenous soldier. Background muted red to brown colours. Frame - top and bottom, timber slats adhered to the poster paper with top hanging string.Lettering on Poster. "Commemorating Indigenous Service in the First World War".framed accessories, poster, anzac day

Lieutenant William Symons VC. Refer to photo for his citation. This item is on display in the Bendigo District RSL Havilah Road.Photograph framed, timber frame brown colour, dark background with central photo in an oval shape of a soldier in a side on portrait position, an inset on white is his name and unit, under that the Rising Sun Badge left, centre is the citation re the award of the Victoria Cross, on the right is an image of a VC.“W SYMONS VC 7th Infantry Bn 1st AIF (Eaglehawk)”brsl, smirsl, bdrslinc, symons, vc

Relates to Acting Captain “John Eric Wiles” VX16067. Posted Middle East 1940. Part of his collection. Refer Cat. No. 5410P for his Service Details.Series of black and white/ sepia photos. 1. Portrait B & W photo of soldier standing in front of a snowman in Syria. 2. Landscape, sepia photo of an officer in uniform posed to camera. 3. Landscape B & W photo of Jack Wilks in a tent in an Army base in Syria. 4. Landscape B & W photo of the Officer's Mess in Australia.On back of photos; 1. "A snowman and myself. Syria - New Year 1942" 2. Stamp on back. G 17. 3. Detailed little message from Syria. 4. "Our Mess" Australia 44.postcards, captain john eric wiles

This six-postcard group is the eighth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P 1. Studio portrait of sergeant, 57th Battalion 2. Unidentified sergeant, 57th Battallion 3. Pay Sergeant, 57th Battalion 4. Sergeant, 57th Battalion 5 Sergeant 57th Battalion 6. Unidentified soldier, 57th Battalion 1. On verso "Yours sincerely Alex, March 1916" 2. On Verso "This is a pal of mine in my old company, he was wounded on 26-9-17 and now in Blighty" 3. "This is our pay sergeant, he came over with me. He is a fine chap and comes from Bendigo" postcards, 57th battalion, edgar dawson dcm

This item was most likely presented to the Bendigo RSL Sub Branch at the Soldiers Memorial Institute. Given the style of the photograph it is possibly mid 1950"s.Photograph colour enhanced portrait of her Majesty Queen Elizabeth in a light yellow colour carboard backing. Text in black above and below the photograph."Her Majesty Queen Elizabeth", "Presented by Bendigo RSL Womens Auxiliary"brsl, smirsl, her majesty, auxiliary, wabrsl

Soft cover book. Cover, cardboard, white and black print on dark red colour background, front and back. Illustrated - black and white photograph of three soldiers seated in a trench. Back cover - silhouette photograph of troops moving across a hill. 32 pages, cut, plain, white glossy paper. Illustrated in black and white, sepia and colour portraits, battle scenes, cemeteries, cap badges and artwork. End papers included in book. Biographies of poets. books, ww1, biographies, poets

The painting is of John Henry Lockett (Jack) Refer Cat No's 8143, 8144, 8145.10P for awards and service history.Framed water colour portrait painting showing a man sitting with walking stick, in the background is a frame with a soldier in. The frame is gold with a black streak, painting is set in a white backing with a gold edge. under is a brass plaque with details.On plaque, "John Henry (Jack) Lockett OAM - 1891 - 2002 - On loan courtesy of the Lockett Family"brsl, smirsl, painting lockett

All photos include George Ballinger, No. 828 Enlisted 8/3/1916, Age 24 in C Company 38th Battalion. 7670.1P includes Charles Barkell, No. 811, enlisted 29/2/1916, age 22 to same unit (top RHS), Walter Montieth No. 936 enlisted 14.3.1916, age 18, KIA 4/10/1917 (Bottom LHS). and Charles Christian Snell who enlisted as John Lewis No. 925, enlisted 11/3/1916, age 21.Various black and white/sepia photos of WW1 soldiers. 1. Landscape photo of 4 WW1 Aust. soldiers posed in two rows (Charles Barkell, Walter Montieth, George Ballinger, Charles Snell). 2. Portrait photo of George Ballinger & Charles Snell (seated). 3. Landscape photo of two soldiers (George Ballinger & unknown). 4. Posed photo of George Edward Ballinger in front of photo board. 5. Portrait photo of George Edward Ballinger. 6. Portrait photo of George Ballinger. 7. Portrait photo of George Ballinger with his image within an oval and an inscription below it.2. On back written "Snell (seated) & Ballinger” 3. On back written "Unknown & Ballinger” 4.- 6. “Ballinger”on back. 7. “Ballinger”on back & "My father George E. Ballinger", "Home studio, A. Power, Brunswick”38th battalion, ww1, photographs

.1) The Soldier would be WW1 given the Chevrons on his arm. .2) The Soldier appears to be more like WW2.Black and white photographs of two Soldiers in Formal pose. 1. Soldier George Wilson in uniform sitting in a formal pose. Portrait shape. He is wearing 3 chevrons for overseas service on his right arm. 2. Soldier Bob Wilson in uniform in formal pose in chest and head shot and portrait shape and signed on bottom right corner, 1. On the back written,”Uncle George Wilson, Nana Spencers Brother”. 2.On front right corner signed "Sincerely Yours, Bob". On back written "Nana Spencer's brother, Bob Wilson". ww1, photographs, bob wilson, george wilson

Various photos of Japanese scenes in relation to 1946-52 Occupation Forces. Items in the collection of RICHARD WILLIAM McGILVERY, RAAF. Refer Cat No. 7287P for Service details, photos and awards.Small black and white photos of Japan. 1. People standing around in a field. 2. People standing around inspecting a rice paddy field. 3. Photo of a parade ground with a band marching with some soldiers watching. 4. Picture of a parked bus with roof crushed in, in an urban setting, 5. Portrait photo of machine wreckage (possible a plane) with people in background. 6. Photo of a horse race with people watching. 7. Photo of a horse race with buildings in background.japan occupational forces, photos, richard william mcgilvery

The soldier is William Henry Field No 18440 A.A.M.C. refer Cat No 7848 for his service details.Photograph, B & W copy of original showing a soldier in peak cap with an arm patch with a cross.photograph, field, malone collection

From title page. Book - "Compiled and edited from Mr. Terry's account in/ the Cohuna Farmers' Weekly from 1914 to 1921".Soft Cover Book Cover - beige coloured light weight cardboard with sepia tone print on front and spine. Front cover - two sepia colour photographs. Top - 3 mounted soldiers with the Sphinx and Pyramid in background. Lower - group portrait. 148 pages - off white colour paper, cut, plain. Staples used on binding. Illustrated with black and white photographs.On title page - handwritten blue ink pen "JENNY BOTTCHER/ 25-4-85"books, military history, ww1

Photo of soldier "Captain Hunter Bush" in formal pose. Often taken prior to posting.Black and white original photo of military Officer - Captain Hunter Bush, in a formal pose in full uniform.On back "Cap Hunter Bush".passchendaele barracks trust, photo

This plaque was originally in the Foyer (vestibule on the original plans) of the Soldiers Memorial Institute Bendigo to compliment framed photos of Soldiers who never came home from the Great War. This was unveiled on ANZAC Day 1927. After the closure of the SMI for renovations 2016 - 18 the plaque was placed in what was originally called "The Writing Room" now called "The Building and RSL history Room"Plaque brass with curved corners with inscribed text in black with several scrolls around. Plaque is attached via 4 screws to a backing board onto a wall.“THIS GALLERY of HONOR Instituted by the Bendigo Branch of the RS&SILA exclusively contains portraits of members of the AIF who in the service to King and Empire made the supreme sacrifice in the Great War 1914 - 1919 into the imperishable memory of the priceless heritage beqeathed by them to the nation. This Gallery is dedicated in reverent gratitude”brsl, smirsl, plaque